Chapter 8

TO MR. PIGOT.

"Little Hampton, August 26. 1806.

"I this morning received your epistle, which I was obliged to send for to Worthing, whence I have removed to this place, on the same coast, about eight miles distant from the former. You will probably not be displeased with this letter, when it informs you that I am 30,000_l._ richer than I was at our parting, having just received intelligence from my lawyer that a cause has been gained at Lancaster assizes,[49] which will be worth that sum by the time I come of age. Mrs. B. is, doubtless, acquainted of this acquisition, though not apprised of its exact _value_, of which she had better be ignorant. You may give my compliments to her, and say that her detaining my servant's things shall only lengthen my absence; for unless they are immediately despatched to 16. Piccadilly, together with those which have been so long delayed, belonging to myself, she shall never again behold my _radiant countenance_ illuminating her gloomy mansion. If they are sent, I may probably appear in less than two years from the date of my present epistle.

"Metrical compliment is an ample reward for my strains; you are one of the few votaries of Apollo who unite the sciences over which that deity presides. I wish you to send my poems to my lodgings in London immediately, as I have several alterations and some additions to make; _every_ copy must be sent, as I am about to _amend_ them, and you shall soon behold them in all their glory. _Entre nous_,--you may expect to see me soon. Adieu.

Yours ever."

From these letters it will be perceived that Lord Byron was already engaged in preparing a collection of his poems for the press. The idea of printing them first occurred to him in the parlour of that cottage which, during his visits to Southwell, had become his adopted home. Miss Pigot, who was not before aware of his turn for versifying, had been reading aloud the poems of Burns, when young Byron said that "he, too, was a poet sometimes, and would write down for her some verses of his own which he remembered." He then, with a pencil, wrote those lines, beginning "In thee I fondly hoped to clasp,"[50] which were printed in his first unpublished volume, but are not contained in the editions that followed. He also repeated to her the verses I have already referred to, "When in the hall my father's voice," so remarkable for the anticipations of his future fame that glimmer through them.

From this moment the desire of appearing in print took entire possession of him;--though, for the present, his ambition did not extend its views beyond a small volume for private circulation. The person to whom fell the honour of receiving his first manuscripts was Ridge, the bookseller, at Newark; and while the work was printing, the young author continued to pour fresh materials into his hands, with the same eagerness and rapidity that marked the progress of all his maturer works.

His return to Southwell, which he announced in the last letter we have given was but for a very short time. In a week or two after he again left that place, and, accompanied by his young friend Mr. Pigot, set out for Harrowgate. The following extracts are from a letter written by the latter gentleman, at the time to his sister.

"Harrowgate is still extremely full; Wednesday (to-day) is our ball-night, and I meditate going into the room for an hour, although I am by no means fond of strange faces. Lord B., you know, is even more shy than myself; but for an hour this evening I will shake it off.... How do our theatricals proceed? Lord Byron can say _all_ his part, and I _most_ of mine. He certainly acts it inimitably. Lord B. is now _poetising_, and, since he has been here, has written some very pretty verses.[51] He is very good in trying to amuse me as much as possible, but it is not in my nature to be happy without either female society or study.... There are many pleasant rides about here, which I have taken in company with Bo'swain, who, with Brighton,[52] is universally admired. _You_ must read this to Mrs. B., as it is a little _Tony Lumpkinish_. Lord B. desires some space left: therefore, with respect to all the comedians _elect_, believe me to be," &c. &c.

To this letter the following note from Lord Byron was appended:--

"My dear Bridget,

"I have only just dismounted from my _Pegasus_, which has prevented me from descending to _plain_ prose in an epistle of greater length to your _fair_ self. You regretted, in a former letter, that my poems were not more extensive; I now for your satisfaction announce that I have nearly doubled them, partly by the discovery of some I conceived to be lost, and partly by some new productions. We shall meet on Wednesday next; till then believe me yours affectionately,

"BYRON."

"P.S.--Your brother John is seized with a poetic mania, and is now rhyming away at the rate of three lines _per hour_--so much for _inspiration_! Adieu!"

By the gentleman, who was thus early the companion and intimate of Lord Byron, and who is now pursuing his profession with the success which his eminent talents deserve, I have been favoured with some further recollections of their visit together to Harrowgate, which I shall take the liberty of giving in his own words:--

"You ask me to recall some anecdotes of the time we spent together at Harrowgate in the summer of 1806, on our return from college, he from Cambridge, and I from Edinburgh; but so many years have elapsed since then, that I really feel myself as if recalling a distant dream. We, I remember, went in Lord Byron's own carriage, with post-horses; and he sent his groom with two saddle-horses, and a beautifully formed, very ferocious, bull-mastiff, called Nelson, to meet us there. Boatswain[53] went by the side of his valet Frank on the box, with us.

"The bull-dog, Nelson, always wore a muzzle, and was occasionally sent for into our private room, when the muzzle was taken off, much to my annoyance, and he and his master amused themselves with throwing the room into disorder. There was always a jealous feud between this Nelson and Boatswain; and whenever the latter came into the room while the former was there, they instantly seized each other: and then, Byron, myself, Frank, and all the waiters that could be found, were vigorously engaged in parting them,--which was in general only effected by thrusting poker and tongs into the mouths of each. But, one day, Nelson unfortunately escaped out of the room without his muzzle, and going into the stable-yard fastened upon the throat of a horse, from which he could not be disengaged. The stable-boys ran in alarm to find Frank, who taking one of his Lord's Wogdon's pistols, always kept loaded in his room, shot poor Nelson through the head, to the great regret of Byron.

"We were at the Crown Inn, at Low Harrowgate. We always dined in the public room, but retired very soon after dinner to our private one; for Byron was no more a friend to drinking than myself. We lived retired, and made few acquaintance; for he was naturally shy, _very_ shy, which people who did not know him mistook for pride. While at Harrowgate he accidentally met with Professor Hailstone from Cambridge, and appeared much delighted to see him. The professor was at Upper Harrowgate: we called upon him one evening to take him to the theatre, I think,--and Lord Byron sent his carriage for him, another time, to a ball at the Granby. This desire to show attention to one of the professors of his college is a proof that, though he might choose to satirise the mode of education in the university, and to abuse the antiquated regulations and restrictions to which under-graduates are subjected, he had yet a due discrimination in his respect for the individuals who belonged to it. I have always, indeed, heard him speak in high terms of praise of Hailstone, as well as of his master, Bishop Mansel, of Trinity College, and of others whose names I have now forgotten.

"Few people understood Byron; but I know that he had naturally a kind and feeling heart, and that there was not a single spark of malice in his composition."[54]

The private theatricals alluded to in the letters from Harrowgate were, both in prospect and performance, a source of infinite delight to him, and took place soon after his return to Southwell. How anxiously he was expected back by all parties, may be judged from the following fragment of a letter which was received by his companion during their absence from home:--

"Tell Lord Byron that, if any accident should retard his return, his mother desires he will write to her, as she shall be miserable if he does not arrive the day he fixes. Mr. W. B. has written a card to Mrs. H. to offer for the character of 'Henry Woodville,'--Mr. and Mrs. ---- not approving of their son's taking a part in the play: but I believe he will persist in it. Mr. G. W. says, that sooner than the party should be disappointed, _he_ will take any part,--sing--dance--in short, do any thing to oblige. Till Lord Byron returns, nothing can be done; and positively he must not be later than Tuesday or Wednesday."

We have already seen that, at Harrow, his talent for declamation was the only one by which Lord Byron was particularly distinguished; and in one of his note-books he adverts, with evident satisfaction, both to his school displays and to the share which he took in these representations at Southwell:--

"When I was a youth, I was reckoned a good actor. Besides Harrow speeches (in which I shone), I enacted Penruddock in the Wheel of Fortune, and Tristram Fickle in Allingham's farce of the Weathercock, for three nights (the duration of our compact), in some private theatricals at Southwell, in 1806, with great applause. The occasional prologue for our volunteer play was also of my composition. The other performers were young ladies and gentlemen of the neighbourhood, and the whole went off with great effect upon our good-natured audience."

It may, perhaps, not be altogether trifling to observe, that, in thus personating with such success two heroes so different, the young poet displayed both that love and power of versatility by which he was afterwards impelled, on a grander scale, to present himself under such opposite aspects to the world;--the gloom of Penruddock, and the whim of Tristram, being types, as it were, of the two extremes, between which his own character, in after-life, so singularly vibrated.

These representations, which form a memorable era at Southwell, took place about the latter end of September, in the house of Mr. Leacroft, whose drawing-room was converted into a neat theatre on the occasion, and whose family contributed some of the fair ornaments of its boards. The prologue which Lord Byron furnished, and which may be seen in his "Hours of Idleness," was written by him between stages, on his way from Harrowgate. On getting into the carriage at Chesterfield, he said to his companion, "Now, Pigot, I'll spin a prologue for our play;" and before they reached Mansfield, he had completed his task,--interrupting, only once, his rhyming reverie, to ask the proper pronunciation of the French word _début_, and, on being told it, exclaiming, in the true spirit of Byshe, "Ay, that will do for rhyme to _new_."

The epilogue on the occasion was from the pen of Mr. Becher; and for the purpose of affording to Lord Byron, who was to speak it, an opportunity of displaying his powers of mimicry, consisted of good-humoured portraits of all the persons concerned in the representation. Some intimation of this design having got among the actors, an alarm was felt instantly at the ridicule thus in store for them; and to quiet their apprehensions, the author was obliged to assure them that if, after having heard his epilogue at rehearsal, they did not, of themselves, pronounce it harmless, and even request that it should be preserved, he would most willingly withdraw it. In the mean time, it was concerted between this gentleman and Lord Byron that the latter should, on the morning of rehearsal, deliver the verses in a tone as innocent and as free from all point as possible,--reserving his mimicry, in which the whole sting of the pleasantry lay, for the evening of representation. The desired effect was produced;--all the personages of the green-room were satisfied, and even wondered how a suspicion of waggery could have attached itself to so well-bred a production. Their wonder, however, was of a different nature a night or two after, when, on hearing the audience convulsed with laughter at this same composition, they discovered, at last, the trick which the unsuspected mimic had played on them, and had no other resource than that of joining in the laugh which his playful imitation of the whole dramatis personæ excited.

The small volume of poems, which he had now for some time been preparing, was, in the month of November, ready for delivery to the select few among whom it was intended to circulate; and to Mr. Becher the first copy of the work was presented.[55] The influence which this gentleman had, by his love of poetry, his sociability and good sense, acquired at this period over the mind of Lord Byron, was frequently employed by him in guiding the taste of his young friend, no less in matters of conduct than of literature; and the ductility with which this influence was yielded to, in an instance I shall have to mention, will show how far from untractable was the natural disposition of Byron, had he more frequently been lucky enough to fall into hands that "knew the stops" of the instrument, and could draw out its sweetness as well as its strength.

In the wild range which his taste was now allowed to take through the light and miscellaneous literature of the day, it was but natural that he should settle with most pleasure on those works from which the feelings of his age and temperament could extract their most congenial food; and, accordingly, Lord Strangford's Camoëns and Little's Poems are said to have been, at this period, his favourite study. To the indulgence of such a taste his reverend friend very laudably opposed himself,--representing with truth, (as far, at least, as the latter author is concerned,) how much more worthy models, both in style and thought, he might find among the established names of English literature. Instead of wasting his time on the ephemeral productions of his contemporaries, he should devote himself, his adviser said, to the pages of Milton and of Shakspeare, and, above all, seek to elevate his fancy and taste by the contemplation of the sublimer beauties of the Bible. In the latter study, this gentleman acknowledges that his advice had been, to a great extent, anticipated, and that with the poetical parts of the Scripture he found Lord Byron deeply conversant:--a circumstance which corroborates the account given by his early master, Dr. Glennie, of his great proficiency in scriptural knowledge while yet but a child under his care.

To Mr. Becher, as I have said, the first copy of his little work was presented; and this gentleman, in looking over its pages, among many things to commend and admire, as well as some almost too boyish to criticise, found one poem in which, as it appeared to him, the imagination of the young bard had indulged itself in a luxuriousness of colouring beyond what even youth could excuse. Immediately, as the most gentle mode of conveying his opinion, he sat down and addressed to Lord Byron some expostulatory verses on the subject, to which an answer, also in verse, was returned by the noble poet as promptly, with, at the same time, a note in plain prose, to say that he felt fully the justice of his reverend friend's censure, and that, rather than allow the poem in question to be circulated, he would instantly recall all the copies that had been sent out, and cancel the whole impression. On the very same evening this prompt sacrifice was carried into effect;--Mr. Becher saw every copy of the edition burned, with the exception of that which he retained in his own possession, and another which had been despatched to Edinburgh, and could not be recalled.

This trait of the young poet speaks sufficiently for itself;--the sensibility, the temper, the ingenuous pliableness which it exhibits, show a disposition capable, by nature, of every thing we most respect and love.

Of a no less amiable character were the feelings that, about this time, dictated the following letter;--a letter which it is impossible to peruse without acknowledging the noble candour and conscientiousness of the writer:--