Life and Remains of John Clare, The "Northamptonshire Peasant Poet"
Chapter 3
And when, my nosegay, thou shalt fade, As sweet a flower thou'lt prove thee; And as thou witherest on my breast For beauty past I'll love thee.
And when, my nosegay, thou shalt die, And heaven's flower shalt prove thee, My hopes shall follow to the sky, And everlasting love thee.
WHAT IS LIFE?
And what is Life? An hour-glass on the run, A mist retreating from the morning sun, A busy, bustling, still repeated dream; Its length?--A minute's pause, a moment's thought; And happiness?--a bubble on the stream, That in the act of seizing shrinks to nought.
What are vain hopes?--The puffing gale of morn, That of its charms divests the dewy lawn, And robs each flow'ret of its gem,--and dies; A cobweb hiding disappointment's thorn, Which stings more keenly through the thin disguise.
And what is Death? Is still the cause unfound? That dark, mysterious name of horrid sound?-- A long and lingering sleep, the weary crave. And Peace? where can its happiness abound? No where at all, save heaven, and the grave. Then what is Life?--When stripp'd of its disguise, A thing to be desir'd it cannot be, Since everything that meets our foolish eyes Gives proof sufficient of its vanity. 'T is but a trial all must undergo, To teach unthankful mortals how to prize That happiness vain man's denied to know Until he's called to claim it in the skies.
The following lines in the "Address to Plenty" have always been admired for their Doric strength and simplicity, and the vivid realism of the scene which they depict:--
Toiling in the naked fields, Where no bush a shelter yields, Needy Labour dithering stands, Beats and blows his numbing hands, And upon the crumping snows Stamps, in vain, to warm his toes. Leaves are fled, that once had power To resist a summer shower; And the wind so piercing blows, Winnowing small the drifting snows;
Clare used at first, without hesitation, the provincialisms of his native county, but afterwards, as his mind matured, he saw the propriety of adopting the suggestions which Charles Lamb and other friends made to him on this subject, and his style gradually became more polished, until in the "Rural Muse" scarcely any provincialisms were employed, and the glossary of the earlier volumes was therefore unnecessary.
The article in the "Quarterly" was, with the exception, perhaps, of the concluding paragraph just quoted, from the pen of Clare's friend and neighbour, Mr. Gilchrist, who wrote to Clare on the subject in the following jocular strain:--
"What's to be done now, Maester? Here's a letter from William Gifford saying I promised him an article on one John Clare, for the 'Quarterly Review.' Did I do any such thing? Moreover, he says he has promised Lord Radstock, and if I know him, as he thinks I do, I know that the Lord will persecute him to the end. This does not move me much. But he adds, 'Do not fail me, dear Gil, for I count upon you. Tell your simple tale, and it may do the young bard good.' Think you so? Then it must be set about. But how to weave the old web anew--how to hoist the same rope again and again--how to continue the interest to a twice-told tale? Have you committed any arsons or murders that you have not yet revealed to me? If you have, out with 'em straight, that I may turn 'em to account before you are hanged; and as you will not come here to confess, I must hunt you up at Helpstone; so look to it, John Clare, for ere it be long, and before you expect me, I shall be about your eggs and bacon. I have had my critical cap on these two days, and the cat-o'-nine-tails in my hands, and soundly I'll flog you for your sundry sins, John Clare, John Clare!
Given under my hand the tenth of the fourth month, anno Domini 1820."
A LION AT LAST
Following close upon the complimentary criticisms in the principal monthlies, the condescension of the "Quarterly" completed the little triumph, and Clare's verses became the fashion of the hour. One of his poems was set to music by Mr. Henry Corri, and sung by Madame Vestris at Covent Garden. Complimentary letters, frequently in rhyme, flowed in upon him, presents of books were brought by nearly every coach, [2] and influential friends set about devising plans (of which more presently) to rescue him from poverty and enable him to devote at all events a portion of his time to the Muses. On the other hand, visitors from idle curiosity were far more numerous than was agreeable, and he was pestered with applications for autographs and poems for ladies' albums, with patronage and advice from total strangers, with tracts from well-meaning clergymen, and with invitations to lionizing parties. One of these communications was in its way a unique production, and for the entertainment of the reader a portion of it is here introduced:--
"The darksome daughter of Chaos has now enveloped our hemisphere (which a short time since was enubilous of clouds) in the grossest blackness. The drowsy god reigns predominantly, and the obstreperous world is wrapped in profound silence. No sounds gliding through the ambient air salute my attentive auricles, save the frightful notes which at different intervals issue from that common marauder of nocturnal peace--the lonesome, ruin-dwelling owl. Wearied rustics, exhausted by the toils of the day, are enjoying a sweet and tranquil repose. No direful visions appal their happy souls, nor terrific ghosts of quondam hours stand arrayed before them. Every sense is lost in the oblivious stream. Even those who on the light, fantastic toe lately tripped through the tangled dance of mirth have sunk into the arms of Tired Nature's sweet restorer, balmy sleep. Meditation, avaunt! Respected (tho' unknown) Sir,--Out of the abundant store of your immutable condescension graciously deign to pardon the bold assurance and presumptuous liberty of an animated mass of undistinguished dust, whose fragile composition is most miraculously composed of congenial atoms so promiscuously concentred as to personify in an abstracted degree the beauteous form of man, to convey by proxy to your brilliant opthalmic organs the sincere thanks of a mild, gentle, and grateful heart for the delightful amusement I have experienced and the instruction I have reaped by reading your excellent poems, in (several of) which you have exquisitely given dame nature her natural form, and delineated her in colours so admirable that on the perusal of them I was led to exclaim with extacy Clare everywhere excels in the descriptive. But your literary prowess is too circuitously authenticated to admit of any punctilious commendation from my debilitated pen, and under its umbrageous recess, serenely segregated, from the malapert and hypochondriachal vapours of myopic critics (as I am no acromatic philosopher) I trust every solecism contained in this autographical epistle will find a salvable retirement. Tho' no Solitaire, I am irreversibly resolved to be on this occasion heteroclitical. I will not insult your good sense by lamenting the exigencies of the present times, as doubtless it always dictates to you to be (whilst travelling through the mazy labyrinth of joy and sorrow) humble in the lucent days of prosperity and omnific in the tenebricous moments of adversity."
Clare's claim to the title of poet having been established, his noble neighbours at Milton and Burghley invited him to visit them. At Milton Park he was graciously received by Earl Fitzwilliam and Lord and Lady Milton, after he had dined with the servants. A long conversation on his health, means, expectations, and principles was held, and he was dismissed with a very handsome present--an earnest of greater favours to come.
The visit to the Marquis of Exeter was equally gratifying. His lordship made himself acquainted with the state of the poet's affairs, and having read a number of unpublished effusions which Clare had taken with him, told him that it was his intention to allow him an annuity of fifteen pounds for life. The delight of the poor bard may be imagined without difficulty, for now he doubted not he could reconcile Patty's parents to the long hoped-for marriage, and deliver his mistress from anxieties which had for some time made life almost intolerable. He dined in the servants' hall. About the same time Clare also visited by invitation General Birch Reynardson, of Holywell Park--a visit full of romance, as narrated by Mr. Martin, a beautiful young lady, governess to the General's children, having to all appearances fallen desperately in love with the poet at first sight. The only unromantic incident of the day was the customary dinner at the servants' table. Clare's biographer, with excusable warmth, says that his local patrons, however much they might differ on other subjects, held that the true place of a poet was among footmen and kitchen maids. But it should not be forgotten that the noblemen named were life-long friends of Clare and his family, and it would be unjust to reflect upon their memory because the relations of "the hearty and generous Oxford," the Duke and Duchess of Queensbury, and Lord Bolingbroke with the polite and scholarly Prior, Gay, and Pope were not immediately established between the Marquis of Exeter or Earl Fitzwilliam and the gifted but unlettered rustic who had toiled in their fields.
Clare's proud spirit was almost always restive under the burden of patronage, especially if bestowed on account of his poverty, but we may feel sure that he did not expect to dine with these noblemen, that no indignity was intended in sending him to the common hall, and that it did not occur to him that he ought to feel insulted. Clare was married to Martha Turner at Great Casterton Church on the 16th of March, 1820, and for a time Mrs. Clare remained at her father's house. She afterwards joined her husband at the house of his parents in Helpstone, his "own old home of homes," as he fondly called the lowly cottage in one of his most pathetic poems, and there they all remained, with the offspring of the marriage, until the removal to Northborough in 1832. Flushed with his recent good fortune, Clare distributed bride cake among his friends, and received from all hearty good wishes for his future happiness.
FIRST VISIT TO LONDON
Early in the same month, and before his marriage, Clare accepted the invitation of his publishers, Messrs. Taylor and Hessey, to pay them a visit in Town. He was accompanied by Mr. Gilchrist, and remained for a week, making his home at his publishers' house in Fleet Street. With great difficulty Mr. Taylor persuaded him to meet a party of friends and admirers at dinner. It was impossible for him to overcome with one effort his natural shyness, but the cordial manner in which he was welcomed by Mr. Taylor's guests put him comparatively at his ease, for he was made to feel that the labourer was forgotten in the poet and that he was regarded as an equal. The host placed him at dinner next to Admiral Lord Radstock, an intimate friend of Mrs. Emmerson, a lady whose name will frequently occur in the course of this memoir. His lordship had taken great interest in Clare from the first appearance of his poems, and had already made him several presents of books. By mingled tact and kindness he got from the poet an account of his life, his struggles, his hopes, his fears, and his prospects. Clare's share in the conversation made so deep an impression upon Lord Radstock that he conceived for him an attachment approaching to affection, and never ceased to exert all the influence of his position and high character in favour of his protege. The Editor has before him many letters addressed to Clare by his excellent friend, but is restrained, by a wish expressed in one of the number, from publishing any portion of them. The request does not, however, apply to the inscriptions in books which Lord Radstock presented to Clare, and as the intimacy had a very important influence on the poet's career, those who are sufficiently interested in the subject to read these pages will not look upon the following passages as a superfluity.
In a work by Thomas Erskine on the Christian Evidences his lordship wrote:--
"The kindest and most valuable present that Admiral Lord Radstock could possibly make to his dear & affectionate friend, John Clare. God grant that he may make the proper use of it!"
In a copy of Owen Feltham's "Resolves":--
"The Bible excepted, I consider Owen Feltham's 'Resolves' and Boyle's 'Occasional Reflections' to be two as good books as were ever usher'd into the world, with a view to direct the heart and keep it in its right place; consequently, to render us happy in this life and lay a reasonable foundation for the salvation of our souls through Jesus Christ our only Mediator and Redeemer. It was, therefore, under this conviction that I not long since presented you with both these truly valuable books, earnestly hoping, trusting, and, let me add, not doubting that you will make that use of them which is intended by your ever truly and affectionate friend, Radstock."
In a copy of Mason's "Self-Knowledge":--
"I give this little pocket companion to my friend John Clare, not with a view to improve his heart, for that, I believe, would be no easy task, but in order to enable him to acquire a more perfect knowledge of his own character, and likewise to give him a close peep into human nature."
In a copy of Hannah More's "Spirit of Prayer":--
"My very dear Clare,--If this excellent little book, and the others which accompany it, do not speak sufficiently for themselves, it would be in vain to think of offering you any further earthly inducement to study them and seek the truth. The grace of God can alone do this, and Heaven grant that this may not be wanting! So prays your truly sincere and affectionate Radstock."
Similar inscriptions accompanied a copy of Watson's "Apology for the Bible," Bishop Wilson's "Maxims of Piety and Christianity," and other works of a corresponding character.
"A SOUL FEMININE SALUTETH US"
Soon after his arrival in London Lord Radstock took Clare to see Mrs. Emmerson, who had already been in correspondence with him, and thus commenced a friendship the ardour and constancy of which knew no abatement until poor Clare was no longer able to hold rational intercourse with his fellow-creatures. Mrs. Emmerson was the wife of Mr. Thomas Emmerson, of Berners Street, Oxford Street, and afterwards of Stratford Place. She was a lady in easy circumstances, and occupied a good social position. [3] Being of refined and elegant tastes, and singularly generous disposition, she associated herself with young aspirants for fame in poetry, painting, and sculpture, and to the utmost of her power endeavoured to procure for them public notice and patronage. She was herself a frequent writer of graceful verses, and her letters disclose a sensitive, poetic mind, a habit of self-denial when the happiness of her friends was concerned, and a delicate physical organization liable to prostrating attacks of various nervous disorders. Clare preserved nearly three hundred of her letters, the dates ranging from February, 1820, to July, 1837, or an average of one letter in about every three weeks; and the Editor, having read the whole of them, feels constrained, a different version of the relationship having been given, to state his conviction that no poor struggling genius was ever blessed with a tenderer or a truer friend. No man of feeling could rise from the perusal of them without the deepest respect and admiration for the writer. The style is effusive, and the language in which the lady writes of Clare's poetry is occasionally eulogistic to the point of extravagance, and was to that extent injudicious; but all blemishes are forgotten in the presence of overwhelming evidences of pure and disinterested friendship.
Although by no means insensible to the reception given to her own verses, Clare's literary reputation lay much nearer to her heart. She firmly believed that he was a great genius, and she insisted upon all her friends believing so too, and buying his books. She very soon began to feel an interest in his domestic affairs, and to send him valuable presents. She was godmother to his second child, which was named after her, Eliza Louisa, and for years the coach brought regularly, a day or two before Christmas, two sovereigns "to pay for little Eliza's schooling," another sovereign for the Christmas dinner, and a waistcoat-piece and two India silk neckerchiefs "for my dear Clare" with many kind wishes "for all in his humble cot." At another time Patty's eyes were gladdened by the present of a dozen silver teaspoons and a pair of sugar tongs. These were followed by a silver seal, engraved for Clare in Paris and mounted in ivory, while under the pretext that he must find postage expensive she several times sent him a sovereign "under the wax." At one time she would appear to have given him sufficient clothing to equip the entire family, and when in 1832 Clare made his venture as a cottage farmer, his thoughtful friend gave him L10 with which to buy a cow, stipulating only (for the kind-hearted little woman must be sentimental) that it should be christened "May." After that, she strove hard to obtain for one of his boys admission to Christ's Hospital, and in conjunction with Mr. Taylor discharged a heavy account sent in by a local medical practitioner.
But in higher matters than these the genuineness of Mrs. Emmerson's friendship for Clare was demonstrated. The poet poured into her listening and patient ear the story of every trial and every annoyance which fell to his lot, not concealing from his friend those mental sufferings which were caused solely by his own indiscretion and folly. Under these latter circumstances she rebuked him with affectionate solicitude and fidelity. In perplexities arising out of matters of business she gave him the best advice in her power, and when her knowledge of affairs failed her appealed to her husband, who was always ready to do anything for "dear Johnny," as Clare came to be called in Stratford Place. When he complained of being distressed by wild fancies and haunted by gloomy forebodings, as he did many years before his reason gave way, she first rallied him, though often herself suffering acutely, and then entreated him to dispel his melancholy by communing afresh with Nature and by meditations on the Divine greatness and goodness.
A PRIVATE SUBSCRIPTION
Within a few weeks of the appearance of "Poems Descriptive of Rural Life and Scenery," a private subscription was set on foot by Lord Radstock for the benefit of Clare and his family. Messrs. Taylor and Hessey headed the list with the handsome donation of L100. Earl Fitzwilliam followed with a corresponding amount; The Duke of Bedford and the Duke of Devonshire gave L20 each; Prince Leopold of Saxe-Coburg (afterwards King of the Belgians), the Duke of Northumberland, the Earl of Cardigan, Lord John Russell, Sir Thomas Baring, Lord Kenyon, and several other noblemen and gentlemen, L10 each, making with numerous smaller subscriptions a total of L420-12-0. This sum was invested, in the name of trustees, in Navy Five per Cents and yielded, until the conversion of that security to a lower denomination, about L20 a year.
About the same time the attention of Earl Spencer was called to Clare's circumstances by Mr. J. S. Bell, a Stamford surgeon, and his lordship signified to Mr. Bell his intention to settle upon the poet an annuity of L10 for life. These various benefactions, with the Marquis of Exeter's annuity of L15, put Clare in the possession of L45 a year, and his friends were profuse in their congratulations on his good fortune. As he had now a fixed income greater than that he had ever derived from labour, it was thought that by occasional farm work and by the profit resulting from the sale of his poems he would be relieved from anxiety about domestic affairs, and be enabled to devote at least one half of his time to the cultivation of his poetic faculties. The expectation appears to have been a reasonable one, but as will be seen hereafter it was only imperfectly realized.
The first volume of poems passed rapidly through three editions, and a fourth was printed. Several of Clare's influential friends took exception to a few passages in the first issue on the ground that they were rather too outspoken in their rusticity, and Lord Radstock strongly urged the omission in subsequent editions of several lines which he characterized as "Radical slang." Mr. Taylor contested both points for some time, but Lord Radstock threatened to disown Clare if he declined to oblige his patrons, and the poet at length made the desired concessions. The following were the passages over which his lordship exercised censorship:--
Accursed Wealth! o'erbounding human laws, Of every evil thou remain'st the cause.
Sweet rest and peace, ye dear, departed charms, Which industry once cherished in her arms, When ease and plenty, known but now to few, Were known to all, and labour had its due.
The rough, rude ploughman, off his fallow-grounds, (That necessary tool of wealth and pride)--
Being strongly urged thereto by Mr. Taylor, Clare sent to London a large bundle of manuscripts with permission to his editor to make a selection therefrom for a new work. The correspondence connected with this project extended over several months, and in the autumn of 1821 the "Village Minstrel and other Poems" made its appearance in two volumes, with a portrait after Hilton and a view of the poet's cottage.
NEWS OF KEATS
In the course of the correspondence there occurs the following passage, which has an interest of its own, in a letter from Mr. Taylor:--
"Keats, you know, broke a blood-vessel, and has been very ill. He is now recovering, and it is necessary for his getting through the winter that he should go to Italy. Rome is the place recommended. You are now a richer man than poor K., and how much more fortunate! We have some trouble to get through 500 copies of his work, though it is highly spoken of in the periodical works, but what is most against him it has been thought necessary in the leading review, the 'Quarterly,' to damn his fame on account of his political opinions. D--n them, I say, who could act in so cruel a way to a young man of undoubted genius." And again (March 26, 1821):--
"The life of poor Keats is ended at last: he died at the age of twenty-five. He used to say he should effect nothing which he would rest his fame upon until he was thirty, and all hopes are over at twenty-five. But he has left enough, though he did not think so, and if his biographer cannot do him justice the advocate is in fault, and not the cause. Poor fellow! Perhaps your feeling will produce some lines to his memory. One of the very few poets of this day is gone. Let another beware of Stamford. I wish you may keep to your resolution of shunning that place, for it will do you immense injury if you do not. You know what I would say. Farewell."
"THE VILLAGE MINSTREL"