Part 7

Every Saturday we were taken to confession. If any one will tell me why, he will greatly oblige me. The practice inspired me with both respect and weariness. I hardly think it probable that M. le Cure took a lively interest in hearing my sins; but it was certainly disagreeable to me to cite them to him. The first difficulty was to find them. You can perhaps believe me, when I declare that at ten years of age I did not possess the psychic qualities and the methods of analysis which would have made it possible rationally to explore my inmost conscience. Nevertheless it was necessary to have sins: for--no sins, no confession. I had been given, it is true, a little book which contained them all: I had only to choose. But the choice itself was difficult. There was so much obscurely said of "larceny, simony, prevarication"! I read in the little book, "I accuse myself of having despaired; I accuse myself of having listened to evil conversations." Even this furnished little wherewith to burden my conscience. Therefore ordinarily I confined myself to "distractions." Distractions during mass, distractions during meals, distractions in "religious assemblies,"--I avowed all; yet the deplorable emptiness of my conscience filled me with deep shame. I was humiliated at having no sins....

I will tell you what, each year, the stormy skies of autumn, the first dinners by lamplight, the yellowing leaves on the shivering trees, bring to my mind; I will tell you what I see as I cross the Luxembourg garden in the early October days--those sad and beautiful days when the leaves fall, one by one, on the white shoulders of the statues there.

What I see then is a little fellow who with his hands in his pockets is going to school, hopping along like a sparrow. I see him in thought only, for he is but a shadow, a shadow of the "me" as I was twenty-five years ago. Really, he interests me,--this little fellow. When he was living I gave him but little thought, but now that he is no more, I love him well. He was worth altogether more than the rest of the "me's" that I have been since. He was a happy-hearted boy as he crossed the Luxembourg garden in the fresh air of the morning. All that he saw then I see to-day. It is the same sky, and the same earth; the same soul of things is here as before,--that soul that still makes me gay, or sad, or troubled: only _he_ is no more! He was heedless enough, but he was not wicked; and in justice to him I must declare that he has not left me a single harsh memory. He was an innocent child that I have lost. It is natural that I should regret him; it is natural that I should see him in thought, and delight in recalling him to memory....

Nothing is of more value for giving a child a knowledge of the great social machine than the life of the streets. He should see in the morning the milkwomen, the water carriers, the charcoal men; he should look in the shop windows of the grocer, the pork vender, and the wine-seller; he should watch the regiments pass, with the music of the band. In short, he should suck in the air of the streets, that he may learn that the law of labor is Divine, and that each man has his work to do in the world....

Oh! ye sordid old Jews of the Rue Cherche-Midi, and you my masters, simple sellers of old books on the quays, what gratitude do I owe you! More and better than university professors, have you contributed to my intellectual life! You displayed before my ravished eyes the mysterious forms of the life of the past, and every sort of monument of precious human thought. In ferreting among your shelves, in contemplating your dusty display laden with the pathetic relics of our fathers and their noble thoughts, I have been penetrated with the most wholesome of philosophies. In studying the worm-eaten volumes, the rusty iron-work, the worn carvings of your stock, I experienced, child as I was, a profound realization of the fluent, changing nature of things and the nothingness of all, and I have been always since inclined to sadness, to gentleness, and pity.

The open-air school taught me, as you see, great lessons; but the home school was more profitable still. The family repast, so charming when the glasses are clear, the cloth white, and the faces tranquil,--the dinner of each day with its familiar talk,--gives to the child the taste for the humble and holy things of life, the love of loving. He eats day by day that blessed bread which the spiritual Father broke and gave to the pilgrims in the inn at Emmaus, and says, like them, "My heart is warmed within me." Ah! how good a school is the school of home!...

The little fellow of whom I spoke but just now to you, with a sympathy for which you pardon me, perhaps, reflecting that it is not egotistic but is addressed only to a shadow,--the little fellow who crossed the Luxembourg garden, hopping like a sparrow,--became later an enthusiastic humanist.

I studied Homer. I saw Thetis rise like a white mist over the sea, I saw Nausicaa and her companions, and the palm-tree of Delos, and the sky, and the earth, and the sea, and the tearful smile of Andromache. I comprehended, I felt. For six months I lived in the Odyssey. This was the cause of numerous punishments: but what to me were _pensums_? I was with Ulysses on his violet sea. Alcestis and Antigone gave me more noble dreams than ever child had before. With my head swallowed up in the dictionary on my ink-stained desk, I saw divine forms,--ivory arms falling on white tunics,--and heard voices sweeter than the sweetest music, lamenting harmoniously.

This again cost me fresh punishments. They were just; I was "busying" myself "with things foreign to the class." Alas! the habit remains with me still. In whatever class in life I am put for the rest of my days, I fear yet, old as I am, to encounter again the reproach of my old professor: "Monsieur Pierre Nozierre, you busy yourself with things foreign to the class."

* * * * *

But the evening falls over the plane-trees of the Luxembourg, and the little phantom which I have evoked disappears in the shadow. Adieu! little "me" whom I have lost, whom I should forever regret, had I not found thee again, beautified, in my son!

Translated for 'A Library of the World's Best Literature.'

FROM 'THE GARDEN OF EPICURUS'

Irony and pity are two good counselors: the one, who smiles, makes life amiable; the other, who weeps, makes it sacred. The Irony that I invoke is not cruel. She mocks neither love nor beauty. She is gentle and benevolent. Her smile calms anger, and it is she who teaches us to laugh at fools and sinners whom, but for her, we might be weak enough to hate.

ST. FRANCIS D'ASSISI

(1182-1226)

BY MAURICE FRANCIS EGAN

Francis d'Assisi was at first called Francis Bernardone. His father Pietro was a merchant of Assisi, much given to the pomps and vanities of the world, a lover of France and of everything French. It was after a visit to France in 1182 that, rejoining his beloved wife Pica in the vale of Umbria, he found that God had given to him a little son. Pica called the boy John, in honor of the playmate of the little Christ; but Pietro commanded that he should be named Francis, because of the bright land from whence he drew the rich silks and thick velvets he liked to handle and to sell.

The vale of Umbria is the place for poets; it should be visited in the summer, when the roses bloom on the trellises which the early Italian painters put as backgrounds to their mothers and children. Florence is not far away; and near is the birthplace of one of the fathers of the sonnet, Fra Guittone, and of another poet, Propertius.

Francis's childhood, boyhood, and later youth were happy. His father denied him no luxury in his power to give; he was sent to the priests of the church of St. George. They taught him some Latin and much of the Provencal tongue,--for at that time there was no Italian language; there were only dialects, and the Provencal was used by the elegant, those who loved poetry. Francis Bernardone was one of these; he sang the popular Provencal songs of the day to the lute, for he had learned music. And so passionately did he long for "excess of it," that, the legend says, he stayed up all one night singing a duet with a nightingale. The bird conquered; and later, Francis made a poem glorifying the Creator who had given such a thrilling voice to it.

Up to the age of twenty-four Francis had been one of the lightest hearted and the lightest headed of the rich young men of Assisi. His father openly rejoiced in his extravagance, and admired the graceful manner with which he wore gay clothes cut in latest fashions of France. Madonna Pica, his mother, trembled for his future, while she adored him and in spite of herself believed in him. Her neighbors reproached her: "Your son throws money away; he is the son of a prince!" And Pica, troubled, answered, "He whom you call the child of a prince will one day be a child of God."

Pietro was delighted to see his son lead in all the sports of the _corti_ of Assisi. The _corti_ were associations of young men addicted to Provencal poetry and music and all sorts of gayety. Folgore da San Gemiano gives, in a series of sonnets, well translated by Dante Gabriel Rossetti, descriptions of their sports arranged according to the months. March was the season for

"--lamprey, salmon, eel, and trout, Dental and dolphin, sturgeon, all the rout Of fish in all the streams that fill the seas."

In April are dances:--

"And through hollow brass A sound of German music on the air."

When summer came, Folgore says the _corti_ had other things:--

"For July, in Siena by the willow-tree I give you barrels of white Tuscan wine, In ice far down your cellars stored supine; And morn and eve to eat, in company, Of those vast jellies dear to you and me; Of partridges and youngling pheasants sweet, Boiled capons, sovereign kids;--and let their treat Be veal and garlic, with whom these agree."

Francis was permeated with the ideas of chivalry, and his language was its phraseology. So much was he in love with chivalry that he became the founder of a new order, whose patroness should be the Lady Poverty. Never had there been a time in Europe since the decay of the Roman empire, when poverty was more derided. Princes, merchants, even many prelates and priests, neglected and contemned the poor. The voices of the outcasts and the leper went up to God, and he sent their terrible echoes to awaken the heart of Francis.

In Sicily, Frederick II.--the Julian of the time--lived among fountains and orange blossoms and gorgeous pomegranate arches,--a type of the arrogant voluptuousness of the time, a voluptuousness which Dante symbolized later as the leopard. Against this luxury Francis put the lady of his love, Poverty. In the 'Poetes Franciscains,' Frederick Ozanam says:--

"He thus designated what had become for him the ideal of all perfection,--the type of all moral beauty. He loved to personify Poverty as the symbolic genius of his time: he imagined her as the daughter of Heaven; and he called her by turns the lady of his thoughts, his affianced, and his bride."

The towns of Italy were continually at war, in 1206 and thereabout. Francis was taken prisoner in a battle of his native townsmen with the Perugians. Restless and depressed, unsatisfied by the revelry of his comrades, he threw himself into the train of the Count de Brienne, who was making war on the German Emperor for the two Sicilies. About this time, he was moved to give his fine military clothes to a shivering soldier. At Spoleto, after this act of charity, he dreamed that the voice of God asked what he valued most in life. "Earthly fame," he said.--"But which of two is better for you,--the Master, or the servant? And why will you forsake the Master for the servant, the Lord for the slave?"--"O Lord, what shall I do?" asked Francis.--"Return unto the city," said the voice, "and there it will be told you what you shall do and how you may interpret this vision."

He obeyed; he left the army; his old companions were glad to see him, and again he joined the _corti_. But he was paler and more silent. "You are in love!" his companions said, laughingly.

"I am in truth thinking of a bride more noble, more richly dowered, and more beautiful than the world has ever seen."

Pietro was away from home, and his son made donations to the poor. He grew more tranquil, though the Voice had not explained its message. He knelt at the foot of the crucifix one day in the old chapel of St. Damian, and waited. Then the revelation came:--"Francis, go to rebuild my house, which is falling into ruin!"

Francis took this command, which seemed to have come from the lips of his crucified Redeemer, literally. It meant that he should repair the chapel of St. Damian. Later, he accepted it in a broader sense. More important things than the walls of St. Damian were falling into ruin.

Francis was a man of action, and one who took life literally. He went to his father's shop, chose some precious stuffs, and sold them with his horse at Foliquo, for much below their value. Pietro had brought Francis up in a princely fashion: why should he not behave as a prince? And surely the father who had not grudged the richest of his stuffs for the celebrations of the _corti_, would not object to their sacrifice at the command of the Voice for the repairing of St. Damian! Pietro, who had not heard the Voice, vowed vengeance on his son for his foolishness. The priest at St. Damian's had refused the money; but Francis threw it into the window, and Pietro, finding it, went away swearing that his son had kept some of it. Francis wandered about begging stones for the rebuilding of St. Damian's. Pietro, maddened by the foolishness of his son, appealed to a magistrate. Francis cast off all his garments, and gave them to his father. The Bishop of Assisi covered his nakedness with his own mantle until the gown of a poor laborer was brought to him. Dipping his right hand in a pile of mortar, Francis drew a rough cross upon his breast: "Pietro Bernardone," he said, "until now I have called you my father; henceforth I can truly say, 'Our Father who art in heaven,' for he is my wealth, and in him do I place all my hope."

Francis went away, to build his chapel and sing in the Provencal speech hymns in honor of God and of love for his greatness. In June 1208 he began to preach. He converted two men, one rich and of rank, the other a priest. They gave all to the poor, and took up their abode near a hospital for lepers. They had no home but the chapel of the Angels, near the Portiuncula. This was the beginning of the great order of the Friars Minors, the Franciscans.

Francis was the first poet to use the Italian speech--a poet who was inspired to change the fate of Europe. "He would never," the author of a recent monograph on St. Francis says, "destroy or tread on a written page. If it were Christian writing, it might contain the name of God; even if it were the work of a pagan, it contained the letters that make up the sacred name. When St. Francis, of the people and singing for the people, wrote in the vernacular, he asked Fra Pacifico, who had been a great poet in the world, to reduce his verses to the rules of metre."

St. Bonaventura, Jacomino di Verona, and Jacopone di Todi, the author of the 'Stabat Mater,' were Franciscans who followed in his footsteps. "The Crusades were," to quote again, "defensive as well as offensive. The Sultan, whom St. Francis visited and filled with respect, was not far from Christendom." Frederick of Sicily, with his Saracens, menaced Assisi itself. Hideous doctrines and practices were rife; and the thirty thousand friars who soon enrolled themselves in the band of Francis gained the love of the people, preached Christianity anew, symbolized it rudely for folk that could not read, and, as St. Francis had done, they appealed to the imagination. The legends of St. Francis--one can find them in the 'Little Flowers,' of which there are at least two good English translations--became the tenderest poems of the poor.

If St. Francis had been less of a poet, he would have been less of a saint. He died a poet, on October 4, 1226: he asked to be buried on the Infernal Hill of Assisi, where the crusaders were laid to rest; "and," he said, "sing my 'Canticle of the Sun,' so that I may add a song in praise of my sister Death. The lines," he added, "will be found at the end of the 'Cantico del Sole.'"

Paul Sabatier's 'Life of St. Francis,' and Mrs. Oliphant's, are best known to English-speaking readers. The most exhaustive 'Life' is by the Abbe Leon Le Monnier, in two volumes. It has lately been translated into English.

[Signature: Maurice Francis Egan]

ORDER

[_Our Lord Speaks_]

And though I fill thy heart with hottest love, Yet in true order must thy heart love me, For without order can no virtue be; By thine own virtue, then, I from above Stand in thy soul; and so, most earnestly, Must love from turmoil be kept wholly free: The life of fruitful trees, the seasons of The circling year move gently as a dove: I measured all the things upon the earth; Love ordered them, and order kept them fair, And love to order must be truly wed. O soul, why all this heat of little worth? Why cast out order with no thought of care? For by love's heat must love be governed?

Translation of Maurice Francis Egan.

THE CANTICLE OF THE SUN

[The title is 'Incipiunt Laudes Creaturarum quas fecit Franciscus ad Laudem et Honorem Dei cum esset Infirmus ad Sanctum Damianum.' It is sometimes called the 'Canticle of the Creatures.' It is in Italian, and it opens with these words:--"Altissimi, omnipotente, bon Signore, tue so le laude la gloria e l'onore et omne benedictione."]

O Most High, Almighty, good Lord God, to thee belong praise, glory, honor, and all blessing.

Praised be my Lord God, with all his creatures, and specially our brother the sun, who brings us the day and who brings us the light; fair is he, and he shines with a very great splendor. O Lord, he signifies to us thee!

Praised be my Lord for our sister the moon, and for the stars, the which he has set clear and lovely in heaven.

Praised be my Lord for our brother the wind, and for air and clouds, calms and all weather, by which thou upholdest life in all creatures.

Praised be my Lord for our sister water, who is very serviceable to us, and humble and precious and clean.

Praised be my Lord for our brother fire, through whom thou givest us light in the darkness; and he is bright and pleasant, and very mighty and strong.

Praised be my Lord for our mother the earth, the which doth sustain us and keep us, and bringest forth divers fruits, and flowers of many colors, and grass.

Praised be my Lord for all those who pardon one another for love's sake, and who endure weakness and tribulation; blessed are they who peacefully shall endure, for thou, O Most High, wilt give them a crown.

Praised be my Lord for our sister the death of the body, from which no man escapeth. Woe to him who dieth in mortal sin. Blessed are those who die in thy most holy will, for the second death shall have no power to do them harm. Praise ye and bless the Lord, and give thanks to him and serve him with great humility.

[The last stanza, in praise of death, was added to the poem on the day St. Francis left the world, October 4th, 1225.]

Translation of Maurice Francis Egan.

BENJAMIN FRANKLIN

(1706-1790)

BY JOHN BIGELOW

The youngest son of the seventeen children of a Boston tallow-chandler named Franklin was born a subject of Queen Anne of England, on the 6th of January, 1706; and on the same day received the baptismal name of Benjamin at the Old South Church in that city. He continued for more than seventy of the eighty-four years of his life a subject of four successive British monarchs. During that period, neither Anne nor either of the three Georges who succeeded her had a subject of whom they had more reason to be proud, nor one whom at his death their people generally supposed they had more reason to detest. No Englishman of his generation can now be said to have established a more enduring fame, in any way, than Franklin established in many ways. As a printer, as a journalist, as a diplomatist, as a statesman, as a philosopher, he was easily first among his peers.

On the other hand, it is no disparagement of the services of any of his contemporaries on either side of the Atlantic, to say that no one of his generation contributed more effectually to the dissolution of the bonds which united the principal British-American colonies to the mother country, and towards conferring upon them independence and a popular government.

As a practical printer Franklin was reported to have had no superiors; as a journalist he exerted an influence not only unrivaled in his day, but more potent, on this continent at least, than either of his sovereigns or their Parliaments. The organization of a police, and later of the militia, for Philadelphia; of companies for extinguishing fires; making the sweeping and paving of the streets a municipal function; the formation of the first public library for Philadelphia, and the establishment of an academy which has matured into the now famous University of Pennsylvania, were among the conspicuous reforms which he planted and watered in the columns of the Philadelphia Gazette. This journal he founded; upon the earnings of it he mainly subsisted during a long life, and any sheet of it to-day would bring a larger price in the open market probably than a single sheet of any other periodical ever published.

Franklin's Almanack, his crowning work in the sphere of journalism, published under the pseudonym of Richard Saunders,--better known since as Poor Richard,--is still one of the marvels of modern literature. Under one or another of many titles the contents of this publication, exclusive of its calendars, have been translated into every tongue having any pretensions to a literature; and have had more readers, probably, than any other publication in the English or indeed in any other language, with the single exception of the Bible. It was the first issue from an American press that found a popular welcome in foreign lands, and it still enjoys the special distinction of being the only almanac ever published that owed its extraordinary popularity entirely to its literary merit.

What adds to the surprise with which we contemplate the fame and fortunes of this unpretentious publication, is the fact that its reputation was established by its first number, and when its author was only twenty-six years of age. For a period of twenty-six years, and until Franklin ceased to edit it, this annual was looked forward to by a larger portion of the colonial population and with more impatience than now awaits a President's annual message to Congress.

Franklin graduated from journalism into diplomacy as naturally as winter glides into spring. This was simply because he was by common acclaim the fittest man for any kind of public service the colony possessed, and especially for any duty requiring talents for persuasion, in which he proved himself to be unquestionably past master among the diplomatists of his time.