Legends of Switzerland

Part 10

Chapter 104,087 wordsPublic domain

When Rudolf could not compass his ends by force, he frequently resorted to ruse. For instance, wishing to take a castle on the Uetliberg near Zürich, which was owned by a Robber-Knight who despoiled all the citizens passing along that way, he devised the following stratagem. Thirty tall and strong horsemen, mounted upon sturdy steeds, were directed each to take a companion behind him, and ride up the mountain. A force of thirty men had no terrors for the Robber-Knight, who boldly sallied forth with his garrison to attack them. But when he found himself face to face with double that number, he fled in terror followed by all his retainers. Rudolf’s small force now entered the wide-open gates of the castle, and after disposing of its occupants and riches, razed it to the ground.

While administering his affairs in person, Rudolf proved a kind and just master, and often sat under the linden-tree at Altorf, to award justice to the freemen of Uri, who had chosen him as their umpire. But while he was away, upholding the tottering fortunes of the Hohenstauffens, or extending his domains, his bailiffs and stewards ruled with a rod of iron over the estates he had won. Such were their exactions, that the people of Uri, Schwyz, and Unterwald, who had long prided themselves upon their independence, finally determined to recover their freedom. In 1245 they openly rebelled, but while Uri recovered its lost liberty, and was again allowed to depend directly from the crown, Schwyz and Unterwald were compelled to remain under the overlordship of the Hapsburg race.

THE FOREST CANTONS

Rudolf von Hapsburg’s many possessions included an old castle on the Ramflue, which, although it is said to have been founded by the Romans, was known as Neu Hapsburg. Charmingly located on the banks of the Lake of Lucerne, this castle was a favourite resort of Rudolf, who went thither, in the intervals of fighting, to hunt the chamois and the deer.

Tradition claims that Rudolf once set out for the chase from Neu Hapsburg, mounted upon his favourite steed, and followed by one squire, who rode an inferior horse, and therefore had some trouble in keeping up with his rapid pace. While crossing a beautiful green meadow, Rudolf’s attention was suddenly attracted by a tinkling sound. His curiosity aroused, he spurred ahead in the direction of the noise, and soon beheld a priest carrying the Sacrament, and preceded by a sacristan dutifully ringing a little bell.

At this sight, Rudolf immediately dismounted. Then, kneeling, he did respectful homage to the Blessed Body of our Lord, and in that humble posture watched the little procession pass along its way. A few moments later, he sprang up surprised, for the priest had come to a sudden standstill. After a brief period of evident hesitation, Rudolf saw him set the Host down upon a neighbouring stone, and begin to remove his sandals and gird up his cassock. Hastening toward him, Rudolf perceived that recent heavy rains had so swollen the mountain torrent which flowed through the meadow, that the rude bridge had been entirely swept away. No other means of crossing being available for many miles, the priest had determined to wade through the ice-cold waters, for that was his only chance of reaching the dying man who had begged for the last sacrament.

After vainly trying to dissuade the priest from a struggle with the cold and rushing stream, Rudolf, impressed by the good man’s devotion to duty, suddenly offered him his steed. The priest demurred at first, but realising he might not reach his parishioner in time if he had to wade through every torrent, he gratefully accepted the offer. Rudolf then helped him mount the fiery steed, and, once safely across the torrent, saw him speed away to the dying man, whom he reached just in time to bestow the last consolations of religion and thus smooth his path to the grave.

In the meantime, Rudolf patiently awaited the coming of his squire, then mounting the latter’s palfrey went on his way. But, early next morning, the priest appeared at Neu Hapsburg, leading the borrowed steed by the bridle, and he warmly expressed his gratitude for the timely loan of a mount whose strength and speed had enabled him to reach and comfort a dying man. When he added, however, that he had come to restore the animal to its owner, Rudolf impetuously cried: “God forbid that I, or any of my men, should ever use again for war or the chase the steed which bore the sacred Body and Blood of our Blessed Lord!” Then he formally presented the horse to the priest, to have and to hold for ever, bidding him use it for the fulfilment of his holy duties.

Later, on that selfsame day, Rudolf visited a convent, where a nun suddenly addressed him saying: “My lord, you honoured the Almighty by the timely gift of your horse. This good deed will not remain unrewarded, for it has been revealed to me that you and yours will attain the highest temporal honors.”

The castle of Neu Hapsburg was destroyed by the inhabitants of Lucerne in 1352, but since then the peasants have declared that the ruins are haunted by the spirits of departed knights and ladies. A peasant girl, rowing past there early in the morning and late at night, said she often saw a gayly dressed company. Sometimes the knights and ladies made friendly signs to her, but at others the men were all in armour and terrified her by their threatening gestures. Encouraged by their signs, she once stepped ashore to watch them play on the grassy slope with disks of bright gold, which she vainly tried to catch in her apron and carry home.

The nun’s prediction to Rudolf was duly fulfilled, for the priest who had received his steed, having become chaplain to the Bishop of Mayence, used his influence to such good purpose that he secured Rudolf’s election to the imperial crown of Germany, in 1273. Schiller, in his poem “The Count of Habsburg,” claims that at the coronation feast at Aix-la-Chapelle an aged minstrel brought tears to the eyes of all the guests by singing a touching ballad, describing the good deed performed by the new emperor, when he was only a count.

Rudolf proved as successful as ambitious while seated on the German throne, but as the imperial crown was elective and not hereditary, he secured for his descendants Austria, Styria, and Carinthia. These lands were won during a war with the king of Bohemia, and have ever since formed the patrimony of the Hapsburg race, which has provided many rulers for Europe, America, and India.

When Rudolf died in 1291, the imperial crown was disputed by two candidates, until, by the death of one of them, it finally fell into the hands of Albert of Hapsburg, Rudolf’s son. As grasping and tyrannical as any of his race, Albert refused to let his nephew John--the son of an older brother--have the Castle of Hapsburg, which was his by right of inheritance. Embittered by this act of injustice, and despairing of redress since the wrong was committed by the emperor himself, John began to plot with several malcontents, biding his time until he could take his revenge by slaying his uncle.

John was not the only one who complained of injustice. The freemen of Helvetia also had good cause for resentment. On mounting the imperial throne, Rudolf had refused to confirm Uri’s charter, and his bailiffs and stewards ruthlessly exerted the power entrusted to them. Thus, they gradually alienated the peaceful peasants, and drove them to the verge of despair. Mindful of their former independence, and weary of tyranny and extortion, the principal citizens of the cantons of Uri, Schwyz, and Unterwald met, seventeen days after Rudolf’s death, and on the 1st of August, 1291, took a solemn oath to stand by each other and resist all foreign intervention, until they had recovered their former freedom. This oath--the corner-stone of the Swiss Confederation--was duly sworn by all the principal inhabitants, among which figure men whose names are noted in legend as well as in history.

Tradition has richly supplemented the meagre historical data of this epoch, thus giving us one of the most romantic, if not authentic, chapters of Swiss history. The legend, which gradually arose, has been the theme of Schiller’s tragedy of “William Tell,” of Rossini’s opera of the same name, and a source of inspiration for countless poems, pictures, and statues. Such is the popular belief in the tale, that all the most famous places mentioned in it are always pointed out to strangers, and kept alive in the memory of the public by more or less picturesque monuments.

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THE famous Tell legend runs as follows: The stewards and bailiffs of the House of Austria, encouraged by immunity, daily grew more and more cruel, until, under the slightest pretext, they thrust Swiss freemen into damp and dark prisons, keeping them there for life. Fearful stories of the heartlessness of these bailiffs were noised abroad, and no one could speak strongly enough of their greed, cruelty, and total lack of principle.

The Swiss bore this oppression as patiently as they could, and until their position became so unbearable that they perceived they must assert and maintain their rights to freedom, or they would soon be reduced to a state of such abject slavery as to be deprived of all power of resistance. Walter Fürst, Arnold von Melchthal, and Werner Stauffacher, the wealthiest and most respected citizens of the cantons of Uri, Schwyz, and Unterwald, therefore met to discuss the advisability of an uprisal, and, in support of their views, quoted recent acts of wanton cruelty perpetrated by Austrian bailiffs. For instance, one of these men had grievously insulted the wife of a peaceful citizen, who, to defend her, slew the oppressor and was now a hunted fugitive.

A young man of Uri was told he must surrender the fine team of oxen with which he was ploughing, because the bailiff wanted them. As the messenger coolly proceeded to taunt him and unyoke his oxen, the young peasant, in a frantic effort to save the cattle, dealt a blow which raised a terrible outcry among the bailiff’s servants. Knowing that such an offence would be punished by life-long imprisonment in some foul dungeon, if not by prolonged torture and cruel death, the young man hastily fled. But the blow so thoughtlessly given was visited upon his aged father, whose eyes were put out by order of the vindictive bailiff.

Countless other examples of fiendish cruelty and wanton oppression were not lacking, and when the three men parted, it was with the understanding that they were to ascertain how many of their countrymen were willing to help them. They furthermore arranged to meet again, October 17, 1307, on the Grütli or Rütli, a plateau at the foot of the Seelisberg, close by the Mythenstein, on the Lake of Lucerne.

One moonlight night, therefore, three bands of ten picked men, led by Fürst, Stauffacher, and Melchthal wended their way to the Grütli, and there beneath the open sky, and in sight of the snow-crowned mountains tipped by the first glow of dawn, the leaders, clasping hands, raised three fingers to heaven. In that position they solemnly swore to shake off the yoke of the oppressor, their motto being, “One for all and all for one.” This oath was fervently echoed by the thirty companions they had brought thither, and ere they parted all agreed to be ready to rise at a given signal on New Year’s Day, to drive the tyrants out of the land for ever.

On the traditional spot where the Swiss patriots stood while registering this solemn oath, three springs of crystal clear water are said to have sprung. The legend further claims that in one of the clefts of the Seelisberg the patriots sit, wrapped in slumbers which will remain undisturbed until their country again has need of their services.

Swiss peasants say that the Three Tells--for such is their popular designation--have been seen several times. A young shepherd, for instance, seeking a stray goat, once came to the entrance of this mysterious cave, and beheld three men fast asleep. While staring in speechless amazement at their old-fashioned garb and venerable faces, one of the sleepers suddenly awoke and asked, “What time is it up in the world?”

“High noon,” stammered the shepherd, remembering that the sun stood directly overhead when he entered the cave.

“Then it is not yet time for us to appear,” drowsily remarked the aged man, dropping off to sleep again.

The shepherd gazed in silent awe upon the three Tells, then, stealing noiselessly out of the cave, carefully marked the spot, so he could find it again when he wished to return. These precautions were vain, however, for he and his companions searched every nook and cranny in the mountain, without ever being able to find the entrance to the cave of the Swiss Sleepers. But the natives declare that some simple herdsman may again stumble upon it by accident, and many believe that the guardians of their country’s liberties will come forth to defend them in case of need.

Among the patriots who took the oath upon the Rütli, was a man named Tell, son-in-law of Walter Fürst, and noted far and wide for his skill as a marksman. Strong and sure-footed, Tell delighted in pursuing the chamois over almost inaccessible heights, and along the jagged edges of dangerous precipices, where a moment’s dizziness or a single misstep would have hurled him down on the rocks hundreds of feet below. Tell lived, with his wife and two little sons, in a hut at Bürglen, in Uri, on the very spot where a chapel was built in his honour in 1522.

It came to pass, shortly after the patriots had met on the Grütli, and before the time set for their uprisal, that Gessler, an Austrian bailiff, one of whose castles rose in sight of Hapsburg, determined to ascertain by a clever device how many men in Uri were loyal to his master. He therefore set up a pole in the market-place at Altorf, upon which he hung a hat,--the emblem of Austrian power,--bidding a herald proclaim aloud that all must do homage to it under penalty of death or life-long imprisonment.

The freemen of Uri were justly incensed when they heard this decree, and by common consent avoided passing through the square. When compelled to do so, they resorted to various stratagems to avoid obeying Gessler’s orders without forfeiting life or liberty. One of their devices was to send the priest to take up his position with the Host directly under the obnoxious Austrian emblem. Of course, all who now passed by reverently bent the knee; but it was quite evident, even to the guards, that the homage was paid to the Sacrament alone, and not to the imperial hat.

Living only a short distance from Altorf, but ignorant of all that had recently happened there, Tell came down to the village one day, leading his little son by the hand. Unconscious alike of pole, hat, and guards, he strolled across the square, and was greatly surprised to find himself suddenly arrested for defying Gessler’s orders. While protesting his innocence, and striving to make the guards release him, Tell saw Gessler ride by; so, turning toward him, he loudly called for justice. The bailiff immediately drew near, and standing in the midst of the crowd composed of his attendants and of the startled inhabitants of Altorf, he sneeringly listened to Tell’s account of his unjust arrest.

Now, it happened that Gessler had often heard Tell’s skill as a marksman loudly praised, and that he had long wished to see an exhibition of it. He therefore seized this opportunity for gratifying both his curiosity and his cruelty, and promised to set the prisoner free, if he shot an apple from the head of his child at a distance of one hundred and fifty paces.

At these words a murmur of indignation arose in the crowd, but such was the fear inspired by the cruel Gessler that none ventured to interfere in behalf of Tell, whose prayers and protestations proved alike vain. Seeing no other means of escape, and urged by his child, who of his own accord ran to place himself against a linden-tree on the spot where the fountain now stands, Tell tremblingly selected two arrows from his quiver. One he hastily thrust in his bosom, the other he carefully adjusted in his crossbow; but when he would fain have taken aim, the weapon fell from his nerveless hand. Still, a sneer from the bailiff, and an encouraging call from his boy, steeled Tell’s heart for this awful test of skill. A moment later the child came bounding forward, proudly exhibiting the apple transfixed by his father’s dart.

Just as Tell, still dazed by emotion, was about to turn away, Gessler called him back to inquire why he had drawn two arrows from his quiver, when only one shot was required to prove his proficiency. Tell hesitated; but when Gessler assured him that he could speak without any fear for his life, he hoarsely answered,--

“Had I injured my child, this arrow would have found its goal in your heart, for my hand would not have trembled a second time!”

Beside himself with rage at these bold words, Gessler now bade his guards bind Tell fast, and convey him immediately down to his waiting boat at Flühlen, adding that while he would keep his promise not to kill Tell, he would nevertheless thrust him into a dungeon where neither sun nor moon would ever shine upon him, and where snakes would prey upon his living body.

Placed in the boat, with fast-bound hands and feet, his useless weapons close beside him, Tell despairingly watched the bailiff embark and the shore near Altorf slowly recede. But when the rowers tried to round the Axenstein, a sudden tempest swept down on the lake, whipping its waters to foam, and bringing skiff and passengers in such imminent danger that there seemed no hope of escape. The boatmen, remembering that Tell was the most clever steersman on the lakeside, now implored Gessler to let him help, and the prisoner, freed from his bonds, quickly seized the rudder.

With strong arm and fearless gaze he stood there, and boldly directed the boat toward a broad ledge of rock forming a natural landing-place at the foot of the Axenberg, at a point where the lake is nearly seven hundred feet deep.

As the boat drew near this place, Tell suddenly let go the rudder, and seizing his bow and arrows, sprang ashore! This spot, since known as Tellsplatte, is one of the most interesting sites on the Lake of Lucerne, and in the chapel commemorating this feat there are several paintings representing various phases of the legend.

Gessler’s boat, hurled back among the seething waves, tossed about in great danger, although his boatmen now made frantic efforts to save their own lives. Dreading the bailiff’s vengeance should he manage to escape, Tell hastened over the mountains to the Hohle Gasse, or Hollow Way, a narrow road between Küssnacht and Immensee, along which Gessler would have to pass to reach home.

There, crouching in the bushes on the steep bank, Tell patiently waited to see whether his enemy would escape from the perils of the storm. Before long the bailiff appeared, riding at the head of his troop, and evidently meditating in what way he could best effect his revenge upon Tell. His wicked plans were all cut short, however, for an arrow from Tell’s bow put a sudden end to his tyrannical career. The spot where Tell stood and where Gessler fell has long been marked by a small chapel, decorated with a painting representing this scene. After ascertaining that Gessler was really dead, Tell fled, making his way back to Bürglen, where he cheered friends and family by the assurance that the tyrant could never trouble them again.

The story of Swiss independence and of Tell’s brave deeds has been so ably dramatised by Schiller, that a grateful people have carved his name on the Mythenstein, where it may be seen by passengers on the boats constantly plying to and fro on the Lake of Lucerne.

Besides the three picturesque chapels known by the name of Tell, where anniversary services are held every year, and the huge statue erected at Altorf, on the very spot where he shot the apple from the head of his son, Tell’s name has been honoured in poetry, painting, sculpture, and song. His death was on a par with the rest of his life, for when far advanced in age, he fearlessly sprang into the Schächen to save a drowning child. The sudden plunge into the ice-cold waters of this mountain stream, and the great exertion required to stem its current, so enfeebled the old man that he soon died.

“And thus the great life ended; God!--was it not the best Of all the deeds of valour That won a hero’s rest? So mused I by the Schächen; So say we, true and well That the last deed was the best deed That closed the life of Tell!”

HENRY MORFORD.[10]

[10] Poems of Places--Switzerland: Longfellow.

Tradition claims that Gessler’s cruel treatment of Tell precipitated historical events, for when the men of Uri, Schwyz, and Unterwald heard that Gessler was dead, they gave the agreed signal for a general uprising. Then they simultaneously attacked all the Austrian bailiffs, slew or drove them away, and razed their castles to the ground, after freeing their captive countrymen.

This rebellion roused the wrath of the Emperor Albert, who immediately set out from Hapsburg Castle to put it down with a heavy hand. But while crossing the Reuss, in full view of his castle and retainers, Albert was murdered by his nephew John and by four Swiss noblemen, the only persons who were with him. Then the murderers fled, leaving the emperor to breathe his last in the arms of a peasant woman who happened to be near.

It is said that, wandering among the mountains, John finally reached Tell’s cottage at Bürglen, where he stopped to beg food. Here he confessed what he had done, and was sternly reproved by Tell, who proved to him that murdering a relative in revenge for personal injuries and for the sake of selfish gain, was very different from killing a tyrant in self-defence and for the good of one’s country.

All but one of Albert’s murderers escaped justice; but not content with slaying that victim in the most barbarous way, his wife and daughter persecuted all the friends and relatives of those who had taken part in the crime. More than a thousand of these unfortunates are said to have perished, and it is claimed that Agnes, the emperor’s daughter, personally superintended some of the executions, and rapturously exclaimed, “Now I am bathing in May dew!” when she saw their blood flow in torrents.

On the spot where Albert died--the site of the old Roman Vindonissa--his widow and daughter erected the famous Abbey of Königsfelden, which was richly decorated with historical paintings and stained-glass windows. About two centuries later the abbey was secularised, and it is now used as an insane asylum; but the principal objects of interest there are still shown to admiring tourists.

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ALBERT was succeeded by two emperors who, not belonging to the Hapsburg race, were inclined to help the Swiss. But their brief reigns having come to an end, another Hapsburg was raised to the imperial throne, and on the 15th of November, 1315, made a determined attempt to conquer the Swiss. The latter, however, were lying in wait for his army, which they suddenly attacked while it was hemmed in between Lake Ægeri and the mountain at Morgarten. Far from expecting such an impetuous onslaught, the imperial forces, notwithstanding all their boasted panoply of war, were completely routed by an inferior number of poorly armed patriots. The latter, impelled by long-pent fury for all the wrongs they had endured at the hands of the Austrians, fairly swept them into the lake, where many of the knights were drowned.