ii. 5, 73, 136, 138, 140, 303;

difficulty of carrying out, on a large scale, i. 222; in its truest form, 263.

Tracery, plate, i. 161; bar, 162; in parapets, 258; window, 276, 282, 342, 353; ii. 142.

Transitional style, i. 69; first developed in the Royal domain of France, 73; English, 70, 75, 103, 134, 247, 337, 341; German, 75, 128, 134; Italian, 75; French, 75-103, 134; characteristics of English and French works of the, compared, 123, 127; in Wales and Scotland, 341; a second English, 342; its study, _ibid._; early, 347; at Ely, ii. 113; Canterbury, 197; Lincoln, _ibid._; St. David’s, _ibid._; church of La Citè at Perigueux agreeing with our own, 273.

Transverse, ribs, ii. 182, 191; arches, Henry VII.’s Chapel, 224.

Treasures, at Cologne, i. 328; at Marburg, 329.

Triangular heads to doors and windows in Anglo-Saxon work, ii. 37.

Triforium, i. 56, 90; openings in the, 161; at St. Stephen’s, Caen, ii. 66; in Norman work, 87; at Norwich, 118; Gloucester, 121; gallery of churches, 152.

Trophimus, St., at Arles, i. 99, 229.

Trumpington, Abbot William de, i. 185.

Tudor style of window tracery, i. 277.

Tufa used in early vaulting for the continuous arched surface, ii. 191.

Tuille, Limosin, church at, i. 123.

Turgot, Prior, ii. 126.

Tuscan order, ii. 10.

Twelfth century, efforts to correct construction and refine decoration in the, i. 233; ii. 8; principles of design with reference to the ultimate intention strongly marked in French works of the, i. 247; St. Cormac’s Chapel at Cashel erected in the, ii. 23; artists of the, 178.

Tympanum at Amiens, i. 166.

Tynemouth Abbey, i. 120; eastern part, 284; ii. 197.

V

Valence, William de, effigy of, i. 180, 311.

Vandalism, modern, i. 35.

Vaulting, groined, i. 46;