Category: Art

Lectures on Painting, Delivered to the Students of the Royal Acadamy

These Lectures are a selection from those delivered by me to the students of the Royal Academy during the term of my professorship,--that is, between the years 1876 and 1882.

Chapters

19. Part 19

I may here note that the color of neither of these pictures is in any way remarkable. Indeed, that of the “Princes” is positively bad, being very purple and inky; but their endu...

13. Part 13

I always think the clearest way of describing any process is to take an example. We will therefore take an example, and suppose that we are lucky enough to have the decoration o...

10. Part 10

An Academy figure should be drawn on the same principle that a ship is built. If you visit a ship-builder’s yard you will see vessels in all stages of progress, but the future c...

14. Part 14

The beginner must not be discouraged if the colors seem to be drying not as he intended. Some colors take a longer time than others, and it is well to have a little patience. Th...

11. Part 11

In the action of striking, the proper moment for the draughtsman to seize is either just before or just after the blow has been given. Here, again, if the arm were arrested midw...

12. Part 12

In my opinion a colored sketch or water-color drawing gains brilliancy by being mounted on a white ground, whereas, according to theory, the dazzling whiteness of the mount ough...

9. Part 9

Scandinavian and Danish art are derived from Germany, as Belgian and Swiss are derived from France. In the case of Norway and Sweden, however, all the best artists emigrate to m...

4. Part 4

Italy was in a very miserable and disturbed state during the dark centuries of the Middle Ages, being overrun by barbarous invaders and often afflicted by internecine wars, so t...

17. Part 17

A group of young children on the sea-sands, at work with their wooden shovels, would by some be thought a stupid kind of subject, hardly worthy of being painted at all; but make...

15. Part 15

He has now two working drawings to guide him, viz., his original nude study, and the study from the draped model. Having thus as it were laid his foundations, he may drape his l...

2. Part 2

The simplest and probably the oldest head-covering for the men was the conical skull-cap as seen on the head of Ulysses, but there are examples of soft broad-rimmed hats made ei...

3. Part 3

You will not often have to paint pictures of the ancient Etruscans. I need not therefore say much about their rich and varied dresses. I may, however, mention that their wardrob...

5. Part 5

Germany, owing perhaps to her long civil wars and political troubles, had produced no great artist since Holbein, and the English school was as yet non-existent, so we may easil...

7. Part 7

Every one who has been to Paris knows the gigantic pictures commemorative of Napoleon’s Egyptian campaign, the “Pestiferés de Jaffa,” the “Battaille des Pyramides,” and last, th...

16. Part 16

On the contrary, I should say, speaking generally, that they are too frivolous. Pictures are continually being painted which have little or no subject. The costumes of the perio...

1. Part 1

These Lectures are a selection from those delivered by me to the students of the Royal Academy during the term of my professorship,--that is, between the years 1876 and 1882.

8. Part 8

National schools of art can at this present time hardly be said to exist, at least not in the sense in which they existed 300 years ago. In those times the attributes and charac...

18. Part 18

In the first place, they distract the eye, destroying the full bold outline of your groups, and, secondly, there is a comic element about them which it is rather difficult to av...

6. Part 6

Another excellent French painter of the eighteenth century was Joseph Vernet, the father of Carle and grandfather of Horace Vernet. His views of the seaports of France are evide...

20. Part 20

Over the board on which your little figures are standing, you put an empty box or packing case, and you cut a hole in the side of the case, to represent the window. If you find...

21. Part 21

“We welcome this work from the hardy North for its broad scholarship, its freshness and ripeness. The articles betray an artistic discrimination rare in one not a sculptor by pr...