Language: Its Nature, Development and Origin

Act 13 and 14 Vict., cap. 21. 4: “That in all acts words importing the

Chapter 218,300 wordsPublic domain

masculine gender shall be deemed and taken to include females.” Third, the sexless but plural form _they_ may be used. If you try to put the phrase, ‘Does anybody prevent you?’ in another way, beginning with ‘Nobody prevents you,’ and then adding the interrogatory formula, you will perceive that ‘does he’ is too definite, and ‘does he or she’ too clumsy; and you will therefore naturally say (as Thackeray does, _P_ 2. 260), “Nobody prevents you, do they?” In the same manner Shakespeare writes (_Lucr._ 125): “Everybody to rest themselves betake.” The substitution of the plural for the singular is not wholly illogical; for _everybody_ is much the same thing as ‘all men,’ and _nobody_ is the negation of ‘all men’; but the phenomenon is extended to cases where this explanation will not hold good, as in G. Eliot, _M._ 2. 304, I shouldn’t like to punish any one, even if _they’d_ done me wrong. (For many examples from good writers see my MEG. ii. 5, 56.)

The English interrogative _who_ is not, like the _quis_ or _quæ_ of the Romans, limited to one sex and one number, so that our question ‘Who did it?’ to be rendered exactly in Latin, would require a combination of the four: _Quis hoc fecit?_ _Quæ hoc fecit?_ _Qui hoc fecerunt?_ _Quæ hoc fecerunt?_ or rather, the abstract nature of _who_ (and of _did_) makes it possible to express such a question much more indefinitely in English than in any highly flexional language; and indefiniteness in many cases means greater precision, or a closer correspondence between thought and expression.

XVIII.--§ 7. Nominal Concord.

We have seen in the case of the verbs how widely diffused in all the old Aryan languages is the phenomenon of Concord. It is the same with the nouns. Here, as there, it consists in secondary words (here chiefly adjectives) being made to agree with principal words, but while with the verbs the agreement was in number and person, here it is in number, case and gender. This is well known in Greek and Latin; as examples from Gothic may here be given Luk. 1. 72, _gamunan triggwos weihaizos seinaizos_, ‘to remember His holy covenant,’ and 1. 75, _allans dagans unsarans_, ‘all our days.’ The English translation shows how English has discarded this trait, for there is nothing in the forms of (_his_), _holy_, _all_ and _our_, as in the Gothic forms, to indicate what substantive they belong to.

Wherever the same adjectival idea is to be joined to two substantives, the concordless junction is an obvious advantage, as seen from a comparison of the English ‘my wife and children’ with the French ‘ma femme et mes enfants,’ or of ‘the _local_ press and committees’ with ‘_la_ presse _locale_ et _les_ comités _locaux_.’ Try to translate exactly into French or Latin such a sentence as this: “What are the present state and wants of mankind?” (Ruskin). Cf. also the expression ‘a verdict of wilful murder against _some_ person or persons _unknown_,’ where _some_ and _unknown_ belong to the singular as well as to the plural forms; Fielding writes (_TJ_ 3. 65): “_Some particular_ chapter, or perhaps chapters, _may be obnoxious_.” Where an English editor of a text will write: “Some (indifferently singular and plural) word or words wanting here,” a Dane will write: “Et (sg.) eller flere (pl.) ord (indifferent) mangler her.” These last examples may be taken as proof that it might even in some cases be advantageous to have forms in the substantives that did not show number; still, it must be recognized that the distinction between one and more than one rightly belongs to substantival notions, but logically it has as little to do with adjectival as with verbal notions (cf. above, Ch. XVII § 11). In ‘black spots’ it is the spots, but not the qualities of black, that we count. And in ‘two black spots’ it is of course quite superfluous to add a dual or plural ending (as in Latin _duo_, _duæ_) in order to indicate once more what the word _two_ denotes sufficiently, namely, that we have not to do with a singular. Compare, finally, E. _to the father and mother_, Fr. _au père et à la mère_, G. _zu dem vater und der mutter_ (_zum vater und zur mutter_).

If it is admitted that it is an inconvenience whenever you want to use an adjective to have to put it in the form corresponding in case, number and gender to its substantive, it may be thought a redeeming feature of the language which makes this demand that, on the other hand, it allows you to place the adjective at some distance from the substantive, and yet the hearer or reader will at once connect the two together. But here, as elsewhere in ‘energetics,’ the question is whether the advantage counter-balances the disadvantage; in other words, whether the fact that you are free to place your adjective where you will is worth the price you pay for it in being always saddled with the heavy apparatus of adjectival flexions. Why should you want to remove the adjective from the substantive, which naturally must be in your thought when you are thinking of the adjective? There is one natural employment of the adjective in which it has very often to stand at some distance from the substantive, namely, when it is predicative; but then the example of German shows the needlessness of concord in that case, for while the adjunct adjective is inflected (ein _guter_ mensch, eine _gute_ frau, ein _gutes_ buch, _gute_ bücher) the predicative is invariable like the adverb (der mensch ist _gut_, die frau ist _gut_, das buch ist _gut_, die bücher sind _gut_). It is chiefly in poetry that a Latin adjective is placed far from its substantive, as in Vergil: “Et bene apud memores veteris stat gratia facti” (_Æn._ IV. 539), where the form shows that _veteris_ is to be taken with _facti_ (but then, where does _bene_ belong? it might be taken with _memores_, _stat_ or _facti_). In Horace’s well-known aphorism: “Æquam memento rebus in arduis servare mentem,” the flexional form of _æquam_ allows him to place it first, far from _mentem_, and thus facilitates for him the task of building up a perfect metrical line; but for the reader it would certainly be preferable to have had _æquam mentem_ together at once, instead of having to hold his attention in suspense for five words, till finally he comes upon a word with which to connect the adjective. There is therefore no economizing of the energy of reader or hearer. Extreme examples may be found in Icelandic skaldic poetry, in which the poets, to fulfil the requirements of a highly complicated metrical system, entailing initial and medial rimes, very often place the words in what logically must be considered the worst disorder, thereby making their poem as difficult to understand as an intricate chess-problem is to solve--and certainly coming short of the highest poetical form.

XVIII.--§ 8. The English Genitive.

If we compare a group of Latin words, such as _opera virorum omnium bonorum veterum_, with a corresponding group in a few other languages of a less flexional type: OE. _ealra godra ealdra manna weorc_; Danish _alle gode gamle mænds værker_; Modern English _all good old men’s works_, we perceive by analyzing the ideas expressed by the several words that the Romans said really: ‘work,’ plural, nominative or accusative + ‘man,’ plural, masculine, genitive + ‘all,’ plural, genitive + ‘good,’ plural, masculine, genitive + ‘old,’ plural, masculine, genitive. Leaving _opera_ out of consideration, we find that plural number is expressed four times, genitive case also four times, and masculine gender twice;[86] in Old English the signs of number and case are found four times each, while there is no indication of gender; in Danish the plural number is marked four times and the case once. And finally, in Modern English, we find each idea expressed once only; and as nothing is lost in clearness, this method, as being the easiest and shortest, must be considered the best. Mathematically the different ways of rendering the same thing might be represented by the formulas: anx + bnx + cnx = (an + bn + cn)x = (a + b + c)nx.

This unusual faculty of ‘parenthesizing’ causes Danish, and to a still greater degree English, to stand outside the definition of the Aryan family of languages given by the earlier school of linguists, according to which the Aryan substantive and adjective can never be without a sign indicating case. Schleicher (NV 526) says: “The radical difference between Magyar and Indo-Germanic (Aryan) words is brought out distinctly by the fact that the postpositions belonging to co-ordinated nouns can be dispensed with in all the nouns except the last of the series, e.g. _a jó embernek_, ‘dem guten menschen’ (_a_ for _az_, demonstrative pronoun, article; _jó_, good; _ember_, man, _-nek_, _-nak_, postposition with pretty much the same meaning as the dative case), for _az-nak_ (annak) _jó-nak ember-nek_, as if in Greek you should say το ἀγαθο ἀνθρώπῳ. An attributive adjective preceding its noun always has the form of the pure stem, the sign of plurality and the postposition indicating case not being added to it. Magyars say, for instance, _Hunyady Mátyás magyar király-nak_ (to the Hungarian king Mathew Hunyady), _-nak_ belonging here to all the preceding words. Nearly the same thing takes place where several words are joined together by means of ‘and.’”

Now, this is an exact parallel to the English group genitive in cases like ‘all good old men’s works,’ ‘the King of England’s power,’ ‘Beaumont and Fletcher’s plays,’ ‘somebody else’s turn,’ etc. The way in which this group genitive has developed in comparatively recent times may be summed up as follows (see the detailed exposition in my ChE ch. iii.): In the oldest English _-s_ is a case-ending, like all others found in flexional languages; it forms together with the body of the noun one indivisible whole, in which it is sometimes impossible to tell where the kernel of the word ends and the ending begins (compare _endes_ from _ende_ and _heriges_ from _here_); only some words have this ending, and in others the genitive is indicated in other ways. As to syntax, the meaning or function of the genitive is complicated and rather vague, and there are no fixed rules for the position of the genitive in the sentence.

In course of time we witness a gradual development towards greater regularity and precision. The partitive, objective, descriptive and some other functions of the genitive become obsolete; the genitive is invariably put immediately before the word it belongs to; irregular forms disappear, the _s_ ending alone surviving as the fittest, so that at last we have one definite ending with one definite function and one definite position.

In Old English, when several words belonging together were to be put in the genitive, each of them had to take the genitive mark, though this was often different in different words, and thus we had combinations like _anes reades mannes_, ‘a red man’s’ | _þære godlican lufe_, ‘the godlike love’s’ | _ealra godra ealdra manna weorc_, etc. Now the _s_ used everywhere is much more independent, and may be separated from the principal word by an adverb like _else_ or by a prepositional group like _of England_, and one _s_ is sufficient at the end even of a long group of words. Here, then, we see in the full light of comparatively recent history a giving up of the old flexion with its inseparability of the constituent elements of the word and with its strictness of concord; an easier and more regular system is developed, in which the ending leads a more independent existence and may be compared with the ‘agglutinated’ elements of such a language as Magyar or even with the ‘empty words’ of Chinese grammar. The direction of this development is the direct opposite of that assumed by most linguists for the development of languages in prehistoric times.

XVIII.--§ 9. Bantu Concord.

One of the most characteristic traits of the history of English is thus seen to be the gradual getting rid of concord as of something superfluous. Where concord is found in our family of languages, it certainly is an heirloom from a primitive age, and strikes us now as an outcome of a tendency to be more explicit than to more advanced people seems strictly necessary. It is on a par with the ‘concord of negatives,’ as we might term the emphasizing of the negative idea by seemingly redundant repetitions. In Old English it was the regular idiom to say: _n_an man _n_yste _n_an þing, ‘no man not-knew nothing’; so it was in Chaucer’s time: he _n_euere yet _n_o vileynye _n_e sayde In all his lyf unto _n_o manner wight; and it survives in the vulgar speech of our own days: there was _n_iver _n_obody else gen (gave) me _n_othin’ (George Eliot); whereas standard Modern English is content with one negation: no man knew anything, etc. That concord is really a primitive trait (though not, of course, found equally distributed among all ‘primitive peoples’) will be seen also by a rapid glance at the structure of the South African group of languages called Bantu, for here we find not only repetition of negatives, but also other phenomena of concord in specially luxuriant growth.

I take the following examples chiefly from W. H. I. Bleek’s excellent, though unfortunately unfinished, _Comparative Grammar_, though I am well aware that expressions like _si-m-tanda_ (we love him) “are never used by natives with this meaning without being determined by some other expression” (Torrend, p. 7). The Zulu word for ‘man’ is _umuntu_; every word in the same or a following sentence having any reference to that word must begin with something to remind you of the beginning of _umuntu_. This will be, according to fixed rules, either _mu_ or _u_, or _w_ or _m_. In the following sentence, the meaning of which is ‘our handsome man (or woman) appears, we love him (or her),’ these reminders (as I shall term them) are printed in italics:

_umu_ntu _w_etu _omu_chle _u_yabonakala, si_m_tanda (1) man ours handsome appears, we love.

If, instead of the singular, we take the corresponding plural _abantu_, ‘men, people’ (whence the generic name of Bantu), the sentence looks quite different:

_aba_ntu _b_etu _aba_chle _ba_yabonakala, si_ba_tanda (2).

In the same way, if we successively take as our starting-point _ilizwe_, ‘country,’ the corresponding plural _amazwe_, ‘countries,’ _isizwe_, ‘nation,’ _izizwe_, ‘nations,’ _intombi_, ‘girl,’ _izintombi_, ‘girls,’ we get:

_ili_zwe _l_etu _eli_chle _li_yabonakala, si_li_tanda (5) _ama_zwe _e_tu _ama_chle _a_yabonakala, si_wa_tanda (6) _isi_zwe _s_etu _esi_chle _si_yabonakala, si_si_tanda (7) _izi_zwe _z_etu _ezi_chle _zi_yabonakala, si_zi_tanda (8) _in_tombi _y_etu _en_chle _i_yabonakala, si_yi_tanda (9) _izin_tombi _z_etu _ezin_chle _zi_yabonakala, si_zi_tanda (10) (girls) our handsome appear, we love.[87]

In other words, every substantive belongs to one of several classes, of which some have a singular and others a plural meaning; each of these classes has its own prefix, by means of which the concord of the parts of a sentence is indicated. (An inhabitant of the country of _U_ganda is called _mu_ganda, pl. _ba_ganda or _wa_ganda; the language spoken there is _lu_ganda.)

It will be noticed that adjectives such as ‘handsome’ or ‘ours’ take different shapes according to the word to which they refer; in the Zulu Lord’s Prayer ‘thy’ is found in the following forms: _l_ako (referring to _i_gama, ‘name,’ for _ili_gama, 5), _b_ako, (_ubu_kumkani, ‘kingdom,’ 14), _y_ako (_in_tando, ‘will,’ 9). So also the genitive case of the same noun has a great many different forms, for the genitive relation is expressed by the reminder of the governing word + the ‘relative particle’ _a_ (which is combined with the following sound); take, for instance, _inkosi_, ‘chief, king’:

_umu_ntu _w_enkosi, ‘the king’s man’ (1; _we_ for _w_ + _a_ + _i_). _aba_ntu _b_enkosi, ‘the king’s men’ (2). _ili_zwe _l_enkosi, ‘the king’s country’ (5). _ama_zwe _e_nkosi, ‘the king’s countries’ (6). _isi_zwe _s_enkosi, ‘the king’s nation’ (7). _uku_tanda _kw_enkosi, ‘the king’s love’ (15).

Livingstone says that these apparently redundant repetitions “impart energy and perspicuity to each member of a proposition, and prevent the possibility of a mistake as to the antecedent.” These prefixes are necessary to the Bantu languages; still, Bleek is right as against Livingstone in speaking of the repetitions as cumbersome, just as the endings of Latin _multorum virorum antiquorum_ are cumbersome, however indispensable they may have been to the contemporaries of Cicero.

These African phenomena have been mentioned here chiefly to show to what lengths concord may go in the speech of some primitive peoples. The prevalent opinion is that each of these prefixes (_umu_, _aba_, _ili_, etc.) was originally an independent word, and that thus words like _umuntu_, _ilizwe_, were at first compounds like E. _steamship_, where it would evidently be possible to imagine a reference to this word by means of a repeated _ship_ (our ship, which ship is a great ship, the ship appears, we love the ship); but at any rate the Zulus extend this principle to cases that would be parallel to an imagined repetition of _friendship_ by means of the same _ship_, or to referring to _steamer_ by means of the ending _er_ (Bleek 107). Bleek and others have tried to find out by an analysis of the words making up the different classes what may have been the original meaning of the class-prefix, but very often the connecting tie is extremely loose, and in many cases it seems that a word might with equal right have belonged to another class than the one to which it actually belongs. The connexion also frequently seems to be a derived rather than an original one, and much in this class-division is just as arbitrary as the reference of Aryan nouns to each of the three genders. In several of the classes the words have a definite numerical value, so that they go together in pairs as corresponding singular and plural nouns; but the existence of a certain number of exceptions shows that these numerical values cannot originally have been associated with the class prefixes, but must be due to an extension by analogy (Bleek 140 ff.). The starting-point may have been substantives standing to each other in the relation of ‘person’ to ‘people,’ ‘soldier’ to ‘army,’ ‘tree’ to ‘forest,’ etc. The prefixes of such words as the latter of each of these pairs will easily acquire a certain sense of plurality, no matter what they may have meant originally, and then they will lend themselves to forming a kind of plural in other nouns, being either put instead of the prefix belonging properly to the noun (_ama_zwe, ‘countries,’ 6; _ili_zwe, ‘country,’ 5), or placed before it (_ma-lu_to, ‘spoons,’ 6, _lu_to, ‘spoon,’ 11).

In some of the languages “the forms of some of the prefixes have been so strongly contracted as almost to defy identification.” (Bleek 234). All the prefixes probably at first had fuller forms than appear now. Bleek noticed that the _ma-_ prefix never, except in some degraded languages, had a corresponding _ma-_ as particle, but, on the contrary, is followed in the sentence by _ga-_, _ya-_, or _a-_, and _mu-_ (3) generally has a corresponding particle _gu-_. Now, Sir Harry Johnston (_The Uganda Protectorate_, 1902, 2. 891) has found that on Mount Eldon and in Kavirondo there are some very archaic forms of Bantu languages, in which _gumu-_ and _gama-_ are the commonly used forms of the _mu-_ and _ma-_ prefixes, as well as _baba-_ and _bubu-_ for ordinary _ba-_, _bu-_; he infers that the original forms of _mu-_, _ma-_ were _ngumu-_, _ngama-_. I am not so sure that he is right when he says that these prefixes were originally “words which had a separate meaning of their own, either as directives or demonstrative pronouns, as indications of sex, weakness, littleness or greatness, and so on”--for, as we shall see in a subsequent chapter, such grammatical instruments may have been at first inseparable parts of long words--parts which had no meaning of their own--and have acquired some more or less vague grammatical meaning through being extended gradually to other words with which they had originally nothing to do. The actual irregularity in their distribution certainly seems to point in that direction.

XVIII.--§ 10. Word Order Again.

Mention has already been made here and there of word order and its relation to the great question of simplification of grammatical structure; but it will be well in this place to return to the subject in a more comprehensive way. The theory of word order has long been the Cinderella of linguistic science: how many even of the best and fullest grammars are wholly, or almost wholly, silent about it! And yet it presents a great many problems of high importance and of the greatest interest, not only in those languages in which word order has been extensively utilized for grammatical purposes, such as English and Chinese, but in other languages as well.

In historical times we see a gradual evolution of strict rules for word order, while our general impression of the older stages of our languages is that words were often placed more or less at random. This is what we should naturally expect from primitive man, whose thoughts and words are most likely to have come to him rushing helter-skelter, in wild confusion. One cannot, of course, apply so strong an expression to languages such as Sanskrit, Greek or Gothic; still, compared with our modern languages, it cannot be denied that there is in them much more of what from one point of view is disorder, and from another freedom.

This is especially the case with regard to the mutual position of the subject of a sentence and its verb. In the earliest times, sometimes one of them comes first, and sometimes the other. Then there is a growing tendency to place the subject first, and as this position is found not only in most European languages but also in Chinese and other languages of far-away, the phenomenon must be founded in the very nature of human thought, though its non-prevalence in most of the older Aryan languages goes far to show that this particular order is only natural to _developed_ human thought.

Survivals of the earlier state of things are found here and there; thus, in German ballad style: “Kam ein schlanker bursch gegangen.” But it is well worth noticing that such an arrangement is generally avoided, in German as well as in the other modern languages of Western Europe, and in those cases where there is some reason for placing the verb before the subject, the speaker still, as it were, satisfies his grammatical instinct by putting a kind of sham subject before the verb, as in E. _there_ comes a time when ..., Dan. _der_ kommer en tid da ..., G. _es_ kommt eine zeit wo ..., Fr. _il_ arrive un temps où....

In Keltic the habitual word order placed the verb first, but little by little the tendency prevailed to introduce most sentences by a periphrasis, as in ‘(it) is the man that comes,’ and as that came to mean merely ‘the man comes,’ the word order Subject-Verb was thus brought about circuitously.

Before this particular word order, Subject-Verb, was firmly established in modern Gothonic languages, an exception obtained wherever the sentence began with some other word than the subject; this might be some important member of the proposition that was placed first for the sake of emphasis, or it might be some unimportant little adverb, but the rule was that the verb should at any rate have the second place, as being felt to be in some way the middle or central part of the whole, and the subject had then to be content to be placed after the verb. This was the rule in Middle English and in Old French, and it is still strictly followed in German and Danish: Gestern _kam das schiff_ | Pigen _gav jeg kagen, ikke drengen_. Traces of the practice are still found in English in parenthetic sentences to indicate who is the speaker (‘Oh, yes,’ said he), and after a somewhat long subjunct, if there is no object (‘About this time died the gentle Queen Elizabeth’), where this word order is little more than a stylistic trick to avoid the abrupt effect of ending the sentence with an isolated verb like _died_. Otherwise the order Subject-Verb is almost universal in English.

XVIII.--§ 11. Compromises.

The inverted order, Verb-Subject, is used extensively in many languages to express questions, wishes and invitations. But, as already stated, this order was not originally peculiar to such sentences. A question was expressed, no matter how the words were arranged, by pronouncing the whole sentence, or the most important part of it, in a peculiar rising tone. This manner of indicating questions is, of course, still kept up in modern speech, and is often the only thing to show that a question is meant (‘John?’ | ‘John is here?’). But although there was thus a natural manner of expressing questions, and although the inverted word order was used in other sorts of sentences as well, yet in course of time there came to be a connexion between the two things, so that putting the verb before the subject was felt as implying a question. The rising tone then came to be less necessary, and is much less marked in inverted sentences like ‘Is John here?’ than in sentences with the usual word order: ‘John is here?’

Now, after this method of indicating questions had become comparatively fixed, and after the habit of thinking of the subject first had become all but universal, these two principles entered into conflict, the result of which has been, in English, Danish and French, the establishment in some cases of various kinds of compromise, in which the interrogatory word order has formally carried the day, while really the verb, that is to say the verb which means something, is placed after its subject. In English, this is attained by means of the auxiliary _do_: instead of Shakespeare’s “Came he not home to-night?” (_Ro._ II. 4. 2) we now say, “Did he not (or, Didn’t he) come home to-night?” and so in all cases where a similar arrangement is not already brought about by the presence of some other auxiliary, ‘Will he come?’, ‘Can he come?’, etc. Where we have an interrogatory pronoun as a subject, no auxiliary is required, because the natural front position of the pronoun maintains the order Subject-Verb (Who came? | What happened?). But if the pronoun is not the subject, _do_ is required to establish the balance between the two principles (Who(m) did you see? | What does he say?).

In Danish, the verb _mon_, used in the old language to indicate a weak necessity or a vague futurity, fulfils to a certain extent the same office as the English _do_; up to the eighteenth century _mon_ was really an auxiliary verb, followed by the infinitive: ‘Mon han komme?’; but now the construction has changed, the indicative is used with _mon_: ‘Mon han kommer?’, and _mon_ is no longer a verb, but an interrogatory adverb, which serves the purpose of placing the subject before the verb, besides making the question more indefinite and vague: ‘Kommer han?’ means ‘Does he come?’ or ‘Will he come?’ but ‘Mon han kommer?’ means ‘Does he come (Will he come), do you think?’

French, finally, has developed two distinct forms of compromise between the conflicting principles, for in ‘Est-ce que Pierre bat Jean?’ _est-ce_ represents the interrogatory and _Pierre bat_ the usual word order, and in ‘Pierre bat-il Jean?’ the real subject is placed before and the sham subject after the verb. Here also, as in Danish, the ultimate result is the creation of ‘empty words,’ or interrogatory adverbs: _est-ce-que_ in every respect except in spelling is one word (note that it does not change with the tense of the main verb), and thus is a sentence prefix to introduce questions; and in popular speech we find another empty word, namely _ti_ (see, among other scholars, G. Paris, _Mélanges ling._ 276). The origin of this _ti_ is very curious. While the _t_ of Latin _amat_, etc., coming after a vowel, disappeared at a very early period of the French language, and so produced _il aime_, etc., the same _t_ was kept in Old French wherever a consonant protected it,[88] and so gave the forms _est_, _sont_, _fait_ (from _fact_, for _facit_), _font_, _chantent_, etc. From _est-il_, _fait-il_, etc., the _t_ was then by analogy reintroduced in _aime-t-il_, instead of the earlier _aime il_. Now, towards the end of the Middle Ages, French final consonants were as a rule dropped in speech, except when followed immediately by a word beginning with a vowel. Consequently, while _t_ is mute in sentences like ‘Ton frère _dit_ | Tes frères _disent_,’ it is sounded in the corresponding questions, ‘Ton frère _dit-il_? Tes frères _disent-ils_?’ As the final consonants of _il_ and _ils_ are also generally dropped, even by educated speakers, the difference between interrogatory and declarative sentences in the spoken language depends solely on the addition of _ti_ to the verb: written phonetically, the pairs will be:

[tɔ̃ frɛ·r di--tɔ̃ frɛ·r di ti] [te frɛ·r di·z--te frɛ·r di·z ti].

Now, popular instinct seizes upon this _ti_ as a convenient sign of interrogative sentences, and, forgetting its origin, uses it even with a feminine subject, turning ‘Ta sœur di(t)’ into the question ‘Ta sœur di ti?’, and in the first person: ‘Je di ti?’ ‘Nous dison ti?’ ‘Je vous fais-ti tort?’ (Maupassant). In novels this is often written as if it were the adverb _y_: C’est-y pas vrai? | Je suis t’y bête! | C’est-y vous le monsieur de l’Académie qui va avoir cent ans? (Daudet). I have dwelt on this point because, besides showing the interest of many problems of word order, it also throws some light on the sometimes unexpected ways by which languages must often travel to arrive at new expressions for grammatical categories.

It was mentioned above that the inverted order, Verb-Subject, is used extensively, not only in questions, but also to express wishes and invitations. Here, too, we find in English compromises with the usual order, Subject-Verb. For, apart from such formulas as ‘Long live the King!’ a wish is generally expressed by means of _may_, which is placed first, while the real verb comes after the subject: ‘May she be happy!’, and instead of the old ‘Go we!’ we have now ‘Let us go!’ with _us_, the virtual subject, placed before the real verb. When a pronoun is wanted with an imperative, it used to be placed after the verb, as in Shakespeare: ‘_Stand thou_ forth’ and ‘_Fear_ not _thou_,’ or in the Bible: ‘_Turn ye_ unto him,’ but now the usual order has prevailed: ‘_You try!_’ ‘_You take_ that seat, and _somebody fetch_ a few more chairs!’ But if the auxiliary _do_ is used, we have the compromise order: ‘_Don’t you stir!_’

XVIII.--§ 12. Order Beneficial?

I have here selected one point, the place of the subject, to illustrate the growing regularity in word order; but the same tendency is manifested in other fields as well: the place of the object (or of two objects, if we have an indirect besides a direct object), the place of the adjunct adjective, the place of a subordinate adverb, which by coming regularly before a certain case may become a preposition ‘governing’ that case, etc. It cannot be denied that the tendency towards a more regular word order is universal, and in accordance with the general trend of this inquiry we must next ask the question: Is this tendency a beneficial one? Does the more regular word order found in recent stages of our languages constitute a progress in linguistic structure? Or should it be deplored because it hinders freedom of movement?

In answering this question we must first of all beware of letting our judgment be run away with by the word ‘freedom.’ Because freedom is desirable elsewhere, it does not follow that it should be the best thing in this domain; just as above we did not allow ourselves to be imposed on by the phrase ‘wealth of forms,’ so here we must be on our guard against the word ‘free’: what if we turned the question in another way: Which is preferable, order or disorder? It may be true that, viewed exclusively from the standpoint of the speaker, freedom would seem to be a great advantage, as it is a restraint to him to be obliged to follow strict rules; but an orderly arrangement is decidedly in the interest of the hearer, as it very considerably facilitates his understanding of what is said; it is therefore, though indirectly, in the interest of the speaker too, because he naturally speaks for the purpose of being understood. Besides, he is soon in his turn to become the hearer: as no one is exclusively hearer or speaker, there can be no real conflict of interest between the two.

If it be urged in favour of a free word order that we owe a certain regard to the interests of poets, it must be taken into consideration, first, that we cannot all of us be poets, and that a regard to all those of us who resemble Molière’s M. Jourdain in speaking prose without being aware of it is perhaps, after all, more important than a regard for those very few who are in the enviable position of writing readable verse; secondly, that a statistical investigation would, no doubt, give as its result that those poets who make the most extensive use of inversions are not among the greatest of their craft; and, finally, that so many methods are found of neutralizing the restraint of word order, in the shape of particles, passive voice, different constructions of sentences, etc., that no artist in language need despair.

So far, we have scarcely done more than clear the ground before answering our question. And now we must recognize that there are some rules of word order which cannot be called beneficial in any way; they are like certain rules of etiquette, in so far as one can see no reason for their existence, and yet one is obliged to bow to them. Historians may, in some cases, be able to account for their origin and show that they had a _raison d’être_ at some remote period; but the circumstances that called them into existence then have passed away, and they are now felt to be restraints with no concurrent advantage to reconcile us to their observance. Among rules of this class we may reckon those for placing the French pronouns now before, and now after, the verb, now with the dative and now with the accusative first, ‘elle _me le_ donne | elle _le lui_ donne | donnez-_le moi_ | ne _me le_ donnez pas.’ And, again, the rules for placing the verb, object, etc., in German subordinate clauses otherwise than in main sentences. That the latter rules are defective and are inferior to the English rules, which are the same for the two kinds of sentences, was pointed out before, when we examined Johannson’s German sentences (p. 341), but here we may state that the real, innermost reason for condemning them is their inconsistency: the same rule does not apply in all cases. It seems possible to establish the important principle that the more consistent a rule for word order is, the more useful it is in the economy of speech, not only as facilitating the understanding of what is said, but also as rendering possible certain thoroughgoing changes in linguistic structure.

XVIII.--§ 13. Word Order and Simplification.

This, then, is the conclusion I arrive at, that as simplification of grammatical structure, abolition of case distinctions, and so forth, always go hand in hand with the development of a fixed word order, this cannot be accidental, but there must exist a relation of cause and effect between the two phenomena. Which, then, is the _prius_ or cause? To my mind undoubtedly the fixed word order, so that the grammatical simplification is the _posterius_ or effect. It is, however, by no means uncommon to find a half-latent conception in people’s minds that the flexional endings were first lost ‘by phonetic decay,’ or ‘through the blind operation of sound laws,’ and that then a fixed word order had to step in to make up for the loss of the previous forms of expression. But if this were true we should have to imagine an intervening period in which the mutual relations of words were indicated in neither way; a period, in fact, in which speech was unintelligible and consequently practically useless. The theory is therefore untenable. It follows that a fixed word order must have come in first: it would come quite gradually as a natural consequence of greater mental development and general maturity, when the speaker’s ideas no longer came into his mind helter-skelter, but in orderly sequence. If before the establishment of some sort of fixed word order any tendency to slur certain final consonants or vowels of grammatical importance had manifested itself, it could not have become universal, as it would have been constantly checked by the necessity that speech should be intelligible, and that therefore those marks which showed the relation of different words should not be obliterated. But when once each word was placed at the exact spot where it properly belonged, then there was no longer anything to forbid the endings being weakened by assimilation, etc., or being finally dropped altogether.

To bring out my view I have been obliged in the preceding paragraph to use expressions that should not be taken too literally; I have spoken as if the changes referred to were made ‘in the lump,’ that is, as if the word order was first settled in every respect, and after that the endings began to be dropped. The real facts are, of course, much more complicated, changes of one kind being interwoven with changes of the other in such a way as to render it difficult, if not impossible, in any particular case to discover which was the _prius_ and which the _posterius_. We are not able to lay our finger on one spot and say: Here final _m_ or _n_ was dropped, because it was now rendered superfluous as a case-sign on account of the accusative being invariably placed after the verb, or for some other such reason. Nevertheless, the essential truth of my hypothesis seems to me unimpeachable. Look at Latin final _s_. Cicero (_Orat._ 48. 161) expressly tells us, what is corroborated by a good many inscriptions, that there existed a strong tendency to drop final _s_; but the tendency did not prevail. The reason seems obvious; take a page of Latin prose and try the effect of striking out all final _s_’s, and you will find that it will be extremely difficult to determine the meaning of many passages; a consonant playing so important a part in the endings of nouns and verbs could not be left out without loss in a language possessing so much freedom in regard to word position as Latin. Consequently it was kept, but in course of time word position became more and more subject to laws; and when, centuries later, after the splitting up of Latin into the Romanic languages, the tendency to slur over final _s_ knocked once more at the door, it met no longer with the same resistance: final _s_ disappeared, first in Italian and Rumanian, then in French, where it was kept till about the end of the Middle Ages, and it is now beginning to sound a retreat in Spanish; see on Andalusian Fr. Wulff, _Un Chapitre de Phonétique Andalouse_, 1889.

The main line of development in historical times has, I take it, been the following: first, a period in which words were placed somewhere or other according to the fancy of the moment, but many of them provided with signs that would show their mutual relations; next, a period with retention of these signs, combined with a growing regularity in word order, and at the same time in many connexions a more copious employment of prepositions; then an increasing indistinctness and finally complete dropping of the endings, word order (and prepositions) being now sufficient to indicate the relations at first shown by endings and similar means.

Viewed in this light, the transition from freedom in word position to greater strictness must be considered a beneficial change, since it has enabled the speakers to do away with more circumstantial and clumsy linguistic means. Schiller says:

Jeden anderen meister erkennt man an dem, was er ausspricht; Was er weise verschweigt, zeigt mir den meister des stils.

(Every other master is known by what he says, but the master of style by what he is wisely silent on.) What style is to the individual, the general laws of language are to the nation, and we must award the palm to that language which makes it possible “to be wisely silent” about things which in other languages have to be expressed in a troublesome way, and which have often to be expressed over and over again (vir_orum_ omn_ium_ bon_orum_ veter_um_, eal_ra_ god_ra_ eald_ra_ mann_a_). Could any linguistic expedient be more worthy of the genus _homo sapiens_ than using for different purposes, with different significations, two sentences like ‘John beats Henry’ and ‘Henry beats John,’ or the four Danish ones, ‘Jens slaar Henrik--Henrik slaar Jens--slaar Jens Henrik?--slaar Henrik Jens?’ (John beats Henry--H. beats J.--does J. beat H.?--does H. beat J.?), or the Chinese use of _či_ in different places (Ch. XIX § 3)? Cannot this be compared with the ingenious Arabic system of numeration, in which 234 means something entirely different from 324, or 423, or 432, and the ideas of “tens” and “hundreds” are elegantly suggested by the order of the characters, not, as in the Roman system, ponderously expressed?

Now, it should not be forgotten that this system, “where more is meant than meets the ear,” is not only more convenient, but also clearer than flexions, as actually found in existing languages, for word order in those languages which utilize it grammatically is used much more consistently than any endings have ever been in the old Aryan languages. It is not true, as Johannson would have us believe, that the dispensing with old flexional endings was too dearly bought, as it brought about increasing possibilities of misunderstandings; for in the evolution of languages the discarding of old flexions goes hand in hand with the development of simpler and more regular expedients that are rather less liable than the old ones to produce misunderstandings. Johannson writes: “In contrast to Jespersen I do not consider that the masterly expression is the one which is ‘wisely silent,’ and consequently leaves the meaning to be partly guessed at, but the one which is able to impart the meaning of the speaker or writer clearly and perfectly”--but here he seems rather wide of the mark. For, just as in reading the arithmetical symbol 234 we are perfectly sure that two hundred and thirty-four is meant, and not three hundred and forty-two, so in reading and hearing ‘The boy hates the girl’ we cannot have the least doubt who hates whom. After all, there is less guesswork in the grammatical understanding of English than of Latin; cf. the examples given above, Ch. XVIII § 4, p. 343.

The tendency towards a fixed word order is therefore a progressive one, directly as well as indirectly. The substitution of word order for flexions means a victory of spiritual over material agencies.

XVIII.--§ 14. Summary.

We may here sum up the results of our comparison of the main features of the grammatical structures of ancient and modern languages belonging to our family of speech. We have found certain traits common to the old stages and certain others characteristic of recent ones, and have thus been enabled to establish some definite tendencies of development and to find out the general direction of change; and we have shown reasons for the conviction that this development has on the whole and in the main been a beneficial one, thus justifying us in speaking about ‘progress in language.’ The points in which the superiority of the modern languages manifested itself were the following:

(1) The forms are generally shorter, thus involving less muscular exertion and requiring less time for their enunciation.

(2) There are not so many of them to burden the memory.

(3) Their formation is much more regular.

(4) Their syntactic use also presents fewer irregularities.

(5) Their more analytic and abstract character facilitates expression by rendering possible a great many combinations and constructions which were formerly impossible or unidiomatic.

(6) The clumsy repetitions known under the name of concord have become superfluous.

(7) A clear and unambiguous understanding is secured through a regular word order.

These several advantages have not been won all at once, and languages differ very much in the velocity with which they have been moving in the direction indicated; thus High German is in many respects behindhand as compared with Low German; European Dutch as compared with African Dutch; Swedish as compared with Danish; and all of them as compared with English; further, among the Romanic languages we see considerable variations in this respect. What is maintained is chiefly that there is a general tendency for languages to develop along the lines here indicated, and that this development may truly, from the anthropocentric point of view, which is the only justifiable one, be termed a progressive evolution.

But is this tendency really general, or even universal, in the world of languages? It will easily be seen that my examples have in the main been taken from comparatively few languages, those with which I myself and presumably most of my readers are most familiar, all of them belonging to the Gothonic and Romanic branches of the Aryan family. Would the same theory hold good with regard to other languages? Without pretending to an intimate knowledge of the history of many languages, I yet dare assert that my conclusions are confirmed by all those languages whose history is accessible to us. Colloquial Irish and Gaelic have in many ways a simpler grammatical structure than the Oldest Irish. Russian has got rid of some of the complications of Old Slavonic, and the same is true, even in a much higher degree, of some of the other Slavonic languages; thus, Bulgarian has greatly simplified its nominal and Serbian its verbal flexions. The grammar of spoken Modern Greek is much less complicated than that of the language of Homer or of Demosthenes. The structure of Modern Persian is nearly as simple as English, though that of Old Persian was highly complicated. In India we witness a constant simplification of grammar from Sanskrit through Prakrit and Pali to the modern languages, Hindi, Hindostani (Urdu), Bengali, etc. Outside the Aryan world we see the same movement: Hebrew is simpler and more regular than Assyrian, and spoken Arabic than the old classical language, Koptic than Old Egyptian. Of most of the other languages we are not in possession of written records from very early times; still, we may affirm that in Turkish there has been an evolution, though rather a slow one, of a similar kind; and, as we shall see in a later chapter, Chinese seems to have moved in the same direction, though the nature of its writing makes the task of penetrating into its history a matter of extreme difficulty. A comparative study of the numerous Bantu languages spoken all over South Africa justifies us in thinking that their evolution has been along the same lines: in some of them the prefixes characterizing various classes of nouns have been reduced in number and in extent (cf. above, § 9). Of one of them we have a grammar two hundred years old, by Brusciotto à Vetralla (re-edited by H. Grattan Guinness, London, 1882). A comparison of his description with the language now spoken in the same region (Mpongwe) shows that the class signs have dwindled down considerably and the number of the classes has been reduced from 16 to 10. In short, though we can only prove it with regard to a minority of the multitudinous languages spoken on the globe, this minority embraces _all_ the languages known to us for so long a period that we can talk of their history, and we may, therefore, confidently maintain that what may be briefly termed the tendency towards grammatical simplification is a universal fact of linguistic history.

That this simplification is progressive, i.e. beneficial, was overlooked by the older generation of linguistic thinkers, because they saw a kosmos, a beautiful and well-arranged world, in the old languages, and missed in the modern ones several things that they had been accustomed to regard with veneration. To some extent they were right: every language, when studied in the right spirit, presents so many beautiful points in its systematic structure that it may be called a ‘kosmos.’ But it is not in every way a kosmos; like everything human, it presents fine and less fine features, and a comparative valuation, such as the one here attempted, should take both into consideration. There is undoubtedly an exquisite beauty in the old Greek language, and the ancient Hellenes, with their artistic temperament, knew how to turn that beauty to the best account in their literary productions; but there is no less beauty in many modern languages--though its appraisement is a matter of taste, and as such evades scientific inquiry. But the æsthetic point of view is not the decisive one: language is of the utmost importance to the whole practical and spiritual life of mankind, and therefore has to be estimated by such tests as those applied above; if that is done, we cannot be blind to the fact that modern languages as wholes are more practical than ancient ones, and that the latter present so many more anomalies and irregularities than our present-day languages that we may feel inclined, if not to apply to them Shakespeare’s line, “Misshapen chaos of well-seeming forms,” yet to think that the development has been from something nearer chaos to something nearer kosmos.

FOOTNOTES:

[84] Thus also the corresponding Lat. _jecur_ by _ficatum_, Fr. _foie_.

[85] This ungainly repetition is frequent in the Latin of Roman law, e.g. _Digest._ IV. 5. 2, _Qui quæve_ ... capite _diminuti diminutæ_ esse dicentur, in _eos easve_ ... iudicium dabo. | XLIII. 30, _Qui quæve_ in potestate Lucii Titii est, si _is eave_ apud te est, dolove malo tuo factum est quominus apud te esset, ita _eum eamve_ exhibeas. | XI. 3, Qui _servum servam alienum alienam_ recepisse persuasisseve quid ei dicitur dolo malo, quo _eum eam_ deteriorem faceret, in eum, quanti ea res erit, in duplum iudicium dabo. I owe these and some other Latin examples to my late teacher, Dr. O. Siesbye. From French, Nyrop (_Kongruens_, p. 12) gives some corresponding examples: _tous ceux et toutes celles_ qui, ayant été orphelins, avaient eu une enfance malheureuse (Philippe), and from Old French: Lors donna congié à _ceus et à celes_ que il avoit rescous (Villehardouin).

[86] If instead of _omnium veterum_ I had chosen, for instance, _multorum antiquorum_, the meaning of masculine gender would have been rendered four times: for languages, especially the older ones, are not distinguished by consistency.

[87] The change of the initial sound of the reminder belonging to the adjective is explained through composition with a ‘relative particle’ _a_; _au_ becoming _o_, and _ai_, _e_. The numbers within parentheses refer to the numbers of Bleek’s classes. Similar sentences from Tonga are found in Torrend’s _Compar. Gr._ p. 6 f.

[88] This protecting consonant was dropped in pronunciation at a later period.