Part 1
[Frontispiece: WILLIAM WORDSWORTH, AETAT 77.]
Lake Country Sketches
By the Rev.
H. D. Rawnsley
Honorary Canon of Carlisle
Author of "Literary Associations of the English Lakes."
Glasgow James MacLehose and Sons Publishers to the University 1903
GLASGOW: PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLEHOSE AND CO.
TO A TRUE LOVER OF NATURE AND THE ENGLISH LAKES EDITH MY WIFE
"From Nature and her overflowing soul, I had received so much, that all my thoughts Were steeped in feeling; I was only then Contented, when with bliss ineffable I felt the sentiment of Being spread O'er all that moves and all that seemeth still; O'er all that, lost beyond the reach of thought And human knowledge, to the human eye Invisible, yet liveth to the heart; O'er all that leaps and runs, and shouts and sings, Or beats the gladsome air; o'er all that glides Beneath the wave, yea, in the wave itself, And mighty depth of waters. Wonder not If high the transport, great the joy I felt, Communing in this sort through earth and heaven With every form of creature, as it looked Towards the Uncreated with a countenance Of adoration, with an eye of love."
CONTENTS
REMINISCENCES OF WORDSWORTH AMONG THE PEASANTRY OF WESTMORELAND
WITH THE BLACK-HEADED GULLS IN CUMBERLAND
AT THE GRASMERE PLAY
JAMES CROPPER OF ELLERGREEN
A DAY WITH ROMAN AND NORSE
ARCTIC SPLENDOURS AT THE ENGLISH LAKES
WILLIAM PEARSON OF BORDERSIDE
JOSEPH HAWELL, A SKIDDAW SHEPHERD
A FAMOUS YEW TREE
LODORE AFTER STORM
A NORTH COUNTRY NIMROD
A WINTER DAY ON DERWENTWATER
WORDSWORTH AT COCKERMOUTH
MOUNTAIN SILENCE AND VALLEY SONG
LIST OF ILLUSTRATIONS
WILLIAM WORDSWORTH, AETAT 77, FROM CRAYON DRAWING BY MR. LEONARD C. WYON, Frontispiece
DOROTHY WORDSWORTH
JAMES CROPPER OF ELLERGREEN
ARCTIC SPLENDOURS AT THE LAKES
JOSEPH HAWELL
THE LORTON YEW
LODORE AFTER STORM
A NORTH COUNTRY NIMROD
A WINTER'S DAY ON DERWENTWATER
FROM MONS BEATA, BRANDELHOW
NOTE
The Publishers have to thank Professor Knight and Mr. David Douglas for permission to reproduce the first illustration; Mr. Gordon Wordsworth for the second; Mr. J. Henry Hogg, Kendal, for the third; Mr. G. P. Abraham, Keswick, for the fourth and eighth; Mr. Mayson, Keswick, for the fifth and seventh; Mr. Rupert Potter for the sixth; Mr. A. Pettitt, Keswick, for the ninth and tenth illustrations.
{1}
REMINISCENCES OF WORDSWORTH AMONG THE PEASANTRY OF WESTMORELAND.
Having grown up in the neighbourhood of Alfred Tennyson's old home in Lincolnshire, I had been struck with the swiftness with which,
As year by year the labourer tills His wonted glebe, or lops the glades,
the memories of the poet of the Somersby Wold had faded 'from off the circle of the hills.' I had been astonished to note how little real interest was taken in him or his fame, and how seldom his works were met with in the houses of the rich or poor in the very neighbourhood.
It was natural that, coming to reside in the Lake country, I should endeavour to find out what of Wordsworth's memory among the {2} men of the Dales still lingered on.--how far he was still a moving presence among them,--how far his works had made their way into the cottages and farm-houses of the valleys.
But if a certain love of the humorous induced me to enter into or follow up conversations with the few still living among the peasants who were in the habit of seeing Wordsworth in the flesh, there was also a genuine wish to endeavour to find out how far the race of Westmoreland and Cumberland farm-folk--the 'Matthews' and the 'Michaels' of the poet as described by him--were real or fancy pictures, or how far the characters of the dalesmen had been altered in any remarkable manner by tourist influences during the thirty-two years that have passed since the aged poet was laid to rest.
For notwithstanding the fact that Mr. Ruskin, writing in 1876, had said 'that the Border peasantry (painted with absolute fidelity by Scott and Wordsworth)' are, as hitherto, a scarcely injured race,--that in his fields at Coniston he had men who might have fought with Henry V. at Agincourt without being distinguished from any of his knights,--that he could take his tradesmen's {3} word for a thousand pounds, and need never latch his garden gate, nor fear molestation in wood or on moor, for his girl guests; the more one went about seeking for such good life and manners and simple piety as Wordsworth knew and described in fell-side homes, or such generous unselfishness and nobility among the Dale farmers as would seem to have been contemporaries of the poet, the more one was a little saddened to find a characteristic something faded away, and a certain beauty vanished that the simple retirement of old valley-days of fifty years ago gave to the men amongst whom Wordsworth lived. The strangers with their gifts of gold, their vulgarity, and their requirements, have much to answer for in the matter. But it is true that the decent exterior, the shrewd wit, and the manly independence and natural knightliness of the men of the soil is to a large extent responsible for raising expectations of nobility of life and morals, the expectation of which would be justified by no other peasant class in England, and which, by raising an unfair standard for comparison, ought to be prepared for some disappointment. All said and done they are Nature's gentlefolk still.
{4}
One's walks and talks with the few who remember Wordsworth, or _Wudsworth_ as they always call him, have done little to find out more than the impression that they as outsiders formed of him, but it allowed one to grasp by the hand a few of those natural noblemen who by their presence still give testimony to a time and a race of men and women fast fading away, and in need already of the immortality of lofty tradition that Wordsworth has accorded them.
While these few of his still living peasant contemporaries show us the sort of atmosphere of severely simple life, hand-in-hand with a 'joy in wildest commonalty spread,' that made some of Wordsworth's poems possible, I think the facts that they seem to establish of Wordsworth's seclusion, and the distance he seems to have kept from them and their cottage homes, not a little interesting. For they point to the suggestion that the poet lived so separate and apart from them, so seldom entered the 'huts where poor men lie,' or mixed with the fell-side folk at their sports and junketings, that he was enabled, in his swift selection and appreciation of the good and pure and true in their surroundings, to forget, quite honestly perhaps, {5} the faults of the people among whom he lived.
Be that as it may, this paper aims at establishing no new doctrine or view about the man, but at simply putting on record reminiscences still in the minds of some of those who often saw him, knew his fancies and his ways (as only servants know the fancies and ways of their master), and spoke with him sixty, fifty, or forty years ago.[1]
[1] This paper was written in 1881 and was read at the annual meeting of the Wordsworth Society in London in 1882--Robert Browning in the chair.
These reminiscences may seem worthless to many, just from the fact that they are the words of outsiders. They will seem to others of interest for that very reason. And this much must be said, they are trustworthy records from true mouths. The native _love of truth_, or perhaps better, the native _dislike ever to hazard suggestion_, or to speak _without book_, is guarantee for that. To ask questions in Westmoreland is the reverse of asking them of Syrian fellaheen and Egyptian dragomans. The Cumberland mind is not inventive, nor swift to anticipate the answer you wish, and one is always brought up sharp with--
'Nay, I wadnt say that nayther':
{6}
'Nay, I'se not sartain aboot that':
'Might bea, but not to my knowledge howivver:
'Its nea good my saaing I kna that, when I doant, noo than,'--and so on.
Twenty summers had let the daisies blossom round Wordsworth's grave, when, in 1870, I heard of and saw the old lady who had once been in service at Rydal Mount, and was now a lodging-house keeper at Grasmere. She shall be called as first witness, but what kind of practical and unimaginative mind she had may be gathered from the following anecdote. My sister came in from a late evening walk, and said, 'O Mrs. D----, have you seen the wonderful sunset?' The good lady turned sharply round, and drawing herself to her full height, as if mortally offended, answered, 'No, Miss R----, I'm a tidy cook, I know, and, 'they say,' a decentish body for a landlady, and sic-like, but I nivver bodder nowt aboot sunsets or them sort of things, they're nowt ataw i' my line.' Her reminiscence of Wordsworth was as worthy of tradition as it was explanatory, from her point of view, of the method in which Wordsworth composed, and {7} was helped in his labours by his enthusiastic sister.
'Well you kna,' were her words, 'Mr. Wordsworth went bumming and booing about, and she, Miss Dorothy, kept close behint him, and she picked up the bits as he let 'em fall, and tak 'em down, and put 'em on paper for him. And you med,' continued the good dame, 'be very well sure as how she didn't understand nor make sense out of 'em, and I doubt that he [Wordsworth] didn't kna much aboot them either himself, but, howivver, there's a gay lock o' fowk as wad, I dar say.'
And here it will be well to put in a caution. The vernacular of the Lake district must be understood a little, or wrong impressions would be got of the people's memory of the bard. 'What was Mr. Wordsworth like in personal appearance?' I once asked of an old retainer, who still lives not far from Rydal Mount. 'He was a ugly-faäced man, and a mean liver,' was the answer. And when he continued, 'Ay, and he was a deal aboot t' roads, ye kna,' one might have been pardoned if one had concluded that the Lake poet was a sort of wild man of the woods, an ugly customer of desperate life, or {8} highwayman of vagrant habit. All that was really meant when translated was, that he was a man of marked features, and led a very simple life in matters of food and raiment.
The next witness I shall call to speak of the poet is none other than the lad whose wont it was to serve the Rydal Mount kitchen with meat, week in week out, in the poet's days. A grey-haired man himself now, his chief memory of Wordsworth is that of a tall man, 'rather a fineish man in build, with a bit of a stoop, and a deal of grey hair upon his head.'
In some of the days of close analysis that are coming upon us, poets will perhaps be found to have depended for the particular colour of their poems, or turns and cast of thought, upon the kind of food--vegetable or animal--that they mostly subsisted on. It will be well to chronicle the fact that Wordsworth had an antipathy to veal, but was very partial to legs--'lived on legs, you med amost say.' But as my friend added, almost in the same breath, that the poet was 'a great walker i' t' daäles,' he had uttered unconsciously a double truth.
The next fact that remained clear and distinct in the butcher's mind was, that {9} whenever you met the poet he was sure to be 'quite [pronounced white] plainly dressed.' Sometimes in a round blue cloak; sometimes wearing a big wideawake, or a bit of an old boxer, but plainly dressed, almost 'poorly dressed, ya mun saay, at the best o' times.' 'But for aw that, he was quite an object man,' he added, meaning that there was a dignity that needed no dressing to set it off, I suppose, in the poet's mien and manner. It was interesting to hear, too, how different Wordsworth had seemed in his grave silent way of passing children without a word, from 'li'le Hartley Coleridge,' with his constant salutation, uncertain gait, his head on one side, his walking-stick suddenly shouldered, and then his frantic little rushes along the road, between the pauses of his thought. 'Many's the time,' said my friend, 'that me and my sister has run ourselves intil a lather to git clear fra Hartley, for we allays thowt, ya kna, when he started running he was efter us. But as fur Mister Wudsworth, he'd pass you, same as if yan was nobbut a stean. He niver cared for childer, however; yan may be certain of that, for didn't I have to pass him four times in t' week, up to the door wi' meat? And he niver oncst said {10} owt. Ye're well aware, if he'd been fond of children he 'ud 'a spoke.'
But Mrs. Wordsworth had made her impressions too on the youth's mind. 'As for Mrs. Wudsworth, she was plainer in her ways than he was. The plainest wooman in these parts,--for aw the warld the bettermer part of an auld farm-body.' He intended nothing disrespectful by this simile, he only wished to say she was simple in manner and dress. But if Mrs. Wordsworth's personal appearance had impressed him, her powers of housekeeping had impressed him more. She was very persevering, and 'terb'le particular in her accounts, never allowed you an inch in the butching-book.' It did not raise one's opinion of Lake country butcher morality to find this a grievance, but the man as he spoke seemed to think a little sorely of those old-fashioned days, when mistresses, not cooks, took supervision of the household economies.
I bade my friend good-day, and the last words I heard were, 'But Mr. Wudsworth _was quite an object man, mind ye_.'
It is an easy transition from butcher-boy to gardener's lad, and I will now detail a {11} conversation I had with one who, in this latter capacity at Rydal Mount, saw the poet daily for some years.
It was Easter Monday, and I knew that the one-time gardener's lad at Rydal Mount had grown into a vale-renowned keeper of a vale-renowned beer-house. I had doubts as to calling on this particular day, for Easter Monday and beer go much together in our Lake country. But I was half reassured by a friend who said, 'Well, he gets drunk three times a day, but taks t' air atween whiles, and if you catch him airing he will be verra civil, but it's a bad day to find him sober, this.' I explained that I wanted to talk with him of old Wordsworthian days. 'Aw, it's Wudsworth you're a gaan to see about? If that's the game, you're reet enuff, for, drunk or sober, he can crack away a deal upon Mr. Wudsworth. An' i'se not so varry seuer but what he's best drunk a li'le bit.' I was reassured, and soon found myself sitting on the stone ale-bench outside the public-house, the best of friends with a man who had been apparently grossly libelled--for he was as sober as a judge--and whose eye fairly twinkled as he spoke of the Rydal garden days.
{12}
'You see, blessed barn, it's a lock o' daäys sin', but I remember them daäys, for I was put by my master to the Rydal Mount as gardener-boy to keep me fra bad waays. And I remember one John Wudsworth, Mr. Wudsworth's nevi, parson he was, dead, like eneuf, afore this. Well, he was stayin' there along o' his missus, first week as I was boy there, and I was ter'ble curious, and was like enough to hev bin drowned, for they had a bath, filled regular o' nights, up above, ya kna, with a sort of curtainment all round it. And blowed if I didn't watch butler fill it, and then goa in and pull string, and down came t' watter, and I was 'maazed as owt, and I screamed, and Mr. John come and fun' me, and saäved my life. Eh, blessed barn, them was daäys lang sen'.'
I asked whether Mr. Wordsworth was much thought of. He replied, 'Latterly, but we thowt li'le eneuf on him. He was nowt to li'le Hartley. Li'le Hartley was a philosopher, you see; Wudsworth was a poet. Ter'ble girt difference betwixt them two wayses, ye kna.' I asked whether he had ever found that poems of Mr. Wordsworth were read in the cottages, whether he had read them himself. 'Well you see, blessed barn, {13} there's pomes and pomes, and Wudsworth's was not for sec as us. I never did see his pomes--not as I can speak to in any man's house in these parts, but,' he added, 'ye kna there's bits in t' papers fra time to time bearing his naame.'
This unpopularity of Wordsworth's poems among the peasantry was strangely corroborated that very same day by an old man whom I met on the road, who said he had often seen the poet, and had once been present and heard him make a long speech, and that was at the laying of the foundation of the Boys' Schoolroom at Bowness, which was built by one Mr. Bolton of Storrs Hall.
On that occasion Mr. 'Wudsworth talked lang and weel eneuf,' and he remembered that he 'had put a pome he had written into a bottle wi' some coins in the hollow of the foundation-stone.'
I asked him whether he had ever seen or read any of the poet's works, and he answered, 'Nay, not likely; for Wudsworth wasn't a man as wreat on separate bits, saäme as Hartley Coleridge, and was niver a frequenter of public-houses, or owt of that sort.' But he added, 'He was a good writer, he supposed, and he was a man folks {14} thowt a deal on i' t' dale: he was sic a weel-meaning, decent, quiet man.'
But to return to my host at the public. Wordsworth, in his opinion, was not fond of children, nor animals. He would come round the garden, but never 'say nowt.' Sometimes, but this was seldom, he would say, 'Oh! you're planting peas?' or, 'Where are you setting onions?' but only as a master would ask a question of a servant. He had, he said, never seen him out of temper once, neither in the garden, nor when he was along o' Miss Dorothy in her invalid chair. But, he added, 'What went on i' t' hoose I can't speak till'; meaning that as an outdoor servant he had no sufficiently accurate knowledge of the in-door life to warrant his speaking of it. Wordsworth was not an early riser, had no particular flower he was fondest of that he could speak to; never was heard to sing or whistle a tune in his life; there 'was noa two words about that, though he bummed a deal';--of this more presently.
'He was a plain man, plainly dressed, and so was she, ya mun kna. But eh, blessed barn! he was fond o' his own childer, and fond o' Dorothy, especially when she was {15} faculty strucken, poor thing; and as for his wife, there was noa two words about their being truly companionable; and Wudsworth was a silent man wi'out a doubt, but he was not aboon bein' tender and quite monstrable [demonstrative] at times in his oan family.'
I asked about Mr. Wordsworth's powers of observation. Had he noticed in his garden walks how he stooped down and took this or that flower, or smelt this or that herb? (I have heard since that the poet's sense of smell was limited.) 'Na, he wadna speak to that, but Mr. Wudsworth was what you might call a vara practical-eyed man, a man as seemed to see aw that was stirrin'.'
Perhaps the most interesting bit of information I obtained, before our pleasant chat was at an end, was a description of the way in which the poet composed on the grass terrace at Rydal Mount. 'Eh! blessed barn,' my informant continued, 'I think I can see him at it now. He was ter'ble thrang with visitors and folks, you mun kna, at times, but if he could git awa fra them for a spell, he was out upon his gres walk; and then he would set his head a bit forrad, and put his hands behint his back. And then he would start a bumming, and it was bum, bum, bum, {16} stop; then bum, bum, bum reet down till t'other end, and then he'd set down and git a bit o' paper out and write a bit; and then he git up, and bum, bum, bum, and goa on bumming for long enough right down and back agean. I suppose, ya kna, the bumming helped him out a bit. However, his lips was always goan' whoale time he was upon the gres walk. He was a kind mon, there's no two words about that: if any one was sick i' the plaace, he wad be off to see til 'em.'
And so ended my Easter Monday talk with the poet's quondam gardener's boy, the now typical beerhouse-keeper, half pleased, half proud, to remember his old master in such service as he rendered him, in the days when it was judged that to keep a boy out of mischief and from bad company it was advisable to get him a place at Rydal Mount.
I must ask you next to take a seat with me in a waller's cottage. If tea and bread and butter is offered, you had better take it also, it is almost sure to be pressed upon you, and it is of the best. I will be interrogator, only by way of introduction saying, that our host is a splendid type of the real Westmoreland {17} gentleman labourer, who was in his days a wrestler too, and whose occupation at the building of _Foxhow_ and _Fiddler's Farm_ in the Rydal Valley, often allowed him to see the poet in old times.
'Well, George, what sort o' a man in personal appearance was Mr. Wordsworth?'
'He was what you might ca' a ugly man,--mak of John Rigg much,--much about seame height, 6 feet or 6 feet 2,--smaller, but deal rougher in the face.'
I knew John Rigg by sight, and can fancy from the pictures of the poet that the likeness is striking in the brow and profile.
'But he was,' continued George, 'numbledy in t' kneas, walked numbledy, ye kna, but that might o' wussened wi' age.' In George's mind age accounted for most of the peculiarities he had noticed in the poet, but George's memory could go back fifty years, and he ought to have remembered Wordsworth as hale and hearty. 'He wozn't a man as said a deal to common fwoak. But he talked a deal to hissen. I often seead his lips a gaäin', and he'd a deal o' mumblin' to hissel, and 'ud stop short and be a lookin' down upo' the ground, as if he was in a thinkin' waäy. But that might ha' growed on him wi' age, an' aw, ye kna.'
{18}
How true, thought I, must have been the poet's knowledge of himself.
And who is he with modest looks, And clad in sober russet gown? He murmurs by the running brooks, A music sweeter than their own; He is retired as noontide dew, Or fountain in a noonday grove.
And indeed, in all the reminiscences I have obtained among the peasantry, these lines force themselves upon one as corroborated by their evidence.
'He' [Mr. Wordsworth], continued George, 'was a deal upo' the road, would goa moast days to L'Ambleside i' his cloak and umbrella, and in later times fwoaks would stare and gaum to see him pass, not that we thowt much to him hereaboots, but they was straängers, ye see.'
It is curious, though natural, perhaps, to find a sort of disbelief among the natives in the poet's greatness, owing somewhat to the fact that it 'was straängers as set such store by him.' They distrust strangers still, almost as much as they did in old Border-times.
But the secret of Wordsworth's unpopularity with the dalesmen seems to have been that he was shy and retired, and not {19} one who mixed freely or talked much with them.
'We woz,' said George, 'noan of us very fond on him; eh, dear! quite a different man from li'le Hartley. He wozn't a man as was very compannable, ye kna. He was fond o' steanes and mortar, though,' he added. 'It was in '48, year of revolution, one Frost, they ca'd him rebellious (Monmouth), and a doment in Ireland. I mind we was at wuk at Fiddler's Farm, and Muster Wudsworth 'ud come down maist days, and he sed "it sud be ca'ed Model Farm," and sa it was.'