Part 12

“I’ve made such mistakes—I’ve lost all confidence,” said poor Waterville, to whom European civilisation had not ceased to be a novelty and who during the last six months had found himself confronted with problems for which his training had little prepared him. Whenever he encountered a very nice-looking woman he was sure to discover that she belonged to the class represented by the heroine of M. Augier’s drama; and whenever his attention rested upon a person of a florid style of attraction there was the strongest probability that she would turn out a countess. The countesses often looked so unnaturally cheap and the others unnaturally expensive. Littlemore distinguished at a glance; he never made mistakes.

“Simply for looking at them it doesn’t matter, I suppose,” Waterville ingenuously sighed.

“You stare at them all alike,” Littlemore went on, still without moving; “except indeed when I tell you they _aren’t_ decent—then your eyes, my dear man, grow as large as saucers.”

“If your judgement’s against this lady I promise never to look at her again. I mean the one in the third box from the passage, in white, with the red flowers,” the younger man said as Littlemore slowly rose and stood beside him. “The fellow with her is leaning forward. It’s he who makes me doubt. Will you have the glass?”

Littlemore looked about him without concentration. “No, thank you, I can see without staring. The young man’s a very good young man,” he presently reported.

“Very indeed, but he’s several years younger than she. Wait till she turns her head.”

She turned it very soon—she apparently had been speaking to the _ouvreuse_, at the door of the box—and presented her face to the public; a fair harmonious face, with smiling eyes, smiling lips, a low brow ornamented with delicate rings of black hair and ears marked by the sparkle of diamonds sufficiently large to be seen across the Théâtre Français. Littlemore looked at her, then started and held out his hand. “The glass, please!”

“Do you know her?” his friend asked as he directed the little instrument.

He made no answer; he only looked in silence; then he gave the glass back. “No, she’s not respectable.” And he dropped again into his seat. As Waterville remained standing he added: “Please sit down; I think she saw me.”

“Don’t you want her to see you?” pursued the interrogator, promptly complying.

Littlemore hesitated. “I don’t want to spoil her game.” By this time the _entr’acte_ was at an end and the curtain going up.

It had been Waterville’s idea that they should go to the theatre. Littlemore, who was always for not going anywhere, had recommended that, the evening being lovely, they should simply sit and smoke at the door of the Grand Café in comparatively pensive isolation. Nevertheless Waterville enjoyed the second act even less than he had done the first, which he thought heavy. He began to wonder whether his companion would wish to stay to the end; a useless line of speculation, for now that he had got to the theatre Littlemore’s aversion to change would certainly keep him from moving. Waterville also wondered what he knew about the lady in the box. Once or twice he glanced at his friend, and then was sure the latter wasn’t following the play. He was thinking of something else; he was thinking of that woman. When the curtain fell again he sat in his place, making way for his neighbours, as usual, to edge past him, grinding his knees—his legs were long—with their own protuberances. When the two men were alone in the stalls he spoke. “I think I should like to see her again, after all.” He spoke in fact as if Waterville might have known all about her. Waterville was conscious of not doing so, but as there was evidently a good deal to know he recognised he should lose nothing by exerting some art. So for the moment he asked no question; he only said: “Well, here’s the glass.”

Littlemore gave him a glance of good-natured compassion. “I don’t mean I want to keep letting _that_ off at her. I mean I should rather like to see her as I used to.”

“And how did you use to?” asked Waterville with no art now.

“On the back piazza at San Pablo.” And as his comrade, in receipt of this information, only stared he went on: “Come out where we can breathe and I’ll tell you more.”

They made their way to the low and narrow door, more worthy of a rabbit-hutch than of a great theatre, by which you pass from the stalls of the Comédie to the lobby, and as Littlemore went by first his ingenuous friend behind him could see that he glanced up at the box in the occupants of which they were interested. The more interesting of these had her back to the house; she was apparently just leaving the box, after her companion; but as she hadn’t put on her mantle it was evident they weren’t quitting the theatre. Littlemore’s pursuit of fresh air didn’t lead him to the street; he had passed his arm into Waterville’s and when they reached the fine frigid staircase that ascends to the public foyer he began silently to mount it. Littlemore was averse to active pleasures, but his friend reflected that now at least he had launched himself—he was going to look for the lady whom, with a monosyllable, he appeared to have classified. The young man resigned himself for the moment to asking no questions, and the two strolled together into the shining saloon where Houdon’s admirable statue of Voltaire, reflected in a dozen mirrors, is gaped at by visitors too obviously less acute than the genius expressed in those living features. Waterville knew that Voltaire was witty; he had read _Candide_ and had already had several opportunities of appreciating the statue. The foyer was not crowded; only a dozen groups were scattered over the polished floor, several others having passed out to the balcony which overhangs the square of the Palais Royal. The windows were open, the myriad lights of Paris made the dull summer evening look like an anniversary or a revolution; a murmur of voices seemed to come up, and even in the foyer one heard the slow click of the horses and the rumble of the crookedly-driven fiacres on the hard smooth street-surface. A lady and a gentleman, their backs to our friends, stood before the image of the _genius loci_; the lady was dressed in white, including a white bonnet. Littlemore felt in the scene, as so many persons feel it just there, something of the finest essence of France, and he gave a significant laugh.

“It seems comical to see her here! The last time was in New Mexico.”

“In New Mexico?”

“At San Pablo.”

“Oh on the back piazza,” said Waterville, putting things together. He had not been aware of the position of San Pablo, for if on the occasion of his lately being appointed to a subordinate diplomatic post in London he had been paying a good deal of attention to European geography he had rather neglected that of his own country.

They hadn’t spoken loud and weren’t standing near her, but suddenly, as if she had heard them, the lady in white turned round. Her eye caught Waterville’s first, and in that glance he saw that if she was aware of something it wasn’t because they had exceeded but because she had extraordinary quickness of ear. There was no prompt recognition in it—none even when it rested lightly on George Littlemore. But recognition flashed out a moment later, accompanied with a delicate increase of colour and a quick extension of her settled smile. She had turned completely round; she stood there in sudden friendliness, with parted lips; with a hand, gloved to the elbow, almost imperiously offered. She was even prettier than at a distance. “Well, I declare!” she cried; so loud that every one in the room appeared to feel personally addressed. Waterville was surprised; he hadn’t been prepared, even after the mention of the back piazza, to find her of so unmistakable race. Her companion turned round as she spoke; he was a fresh lean young man in evening dress; he kept his hands in his pockets; Waterville was sure he was of race quite other. He looked very grave—for such a fair festive young man—and gave our two friends, though his height was not superior to theirs, a narrow vertical glance. Then he turned back to the statue of Voltaire as if it had been among his premonitions, after all, that the lady he was attending would recognise people he didn’t know and didn’t even perhaps care to know. This possibly confirmed slightly Littlemore’s assertion that she wasn’t respectable. The young man was that at least; consummately so. “Where in the world did you drop from?” the lady inquired.

“I’ve been here for some time,” Littlemore said, going forward rather deliberately to shake hands with her. He took it alertly, yet was more serious than she, keeping his eye on her own as if she had been just a trifle dangerous. Such was the manner in which a duly discreet person would have approached some glossy graceful animal which had an occasional trick of biting.

“Here in Paris, do you mean?”

“No; here and there—in Europe generally.”

“Well, it’s queer I haven’t met you.”

“Better late than never!” said Littlemore. His smile was a little fixed.

“Well, you look very natural,” the lady went on.

“So do you—or very charming—it’s the same thing,” he answered, laughing and evidently wishing to be easy. It was as if, face to face and after a considerable lapse of time, he had found her more imposing than he expected when, in the stalls below, he determined to come and meet her. As he spoke the young man who was with her gave up his inspection of Voltaire and faced about listlessly, without looking at his companion’s acquaintances.

“I want to introduce you to my friend,” she went on. “Sir Arthur Demesne—Mr. Littlemore. Mr. Littlemore—Sir Arthur Demesne. Sir Arthur Demesne’s an Englishman—Mr. Littlemore’s a countryman of mine, an old friend. I haven’t seen him for years. For how long? Don’t let’s count—I wonder you knew me,” she continued, addressing this recovered property. “I’m fearfully changed.” All this was said in a clear gay tone which was the more audible as she spoke with an odd sociable slowness. The two men, to do honour to her introduction, silently exchanged a glance; the Englishman perhaps coloured a little. He was very conscious of his companion. “I haven’t introduced you to many people yet,” she dropped.

“Oh I don’t mind,” said Sir Arthur Demesne.

“Well, it’s queer to see you!” she pursued, with her charming eyes still on Littlemore. “You’ve changed, too—I can see that.”

“Not where you’re concerned.”

“That’s what I want to find out. Why don’t you introduce your friend? I see he’s dying to know me!” And then when he had proceeded with this ceremony, which he reduced to its simplest elements, merely glancing at Rupert Waterville and murmuring his name, “Ah, you don’t tell him who _I_ am!” the lady cried while the young secretary made her a formal salutation. “I hope you haven’t forgotten!”

Littlemore showed her a face intended to express more than what he had hitherto permitted himself; if its meaning had been put into words these would have been: “Ah, but by which name?”

She answered the unspoken question, putting out her hand as she had done to Littlemore. “Happy to make your acquaintance, Mr. Waterville. I’m Mrs. Headway—perhaps you’ve heard of me. If you’ve ever been in America you must have heard of me. Not so much in New York, but in the Western cities. You _are_ an American? Well then we’re all compatriots—except Sir Arthur Demesne. Let me introduce you to Sir Arthur. Sir Arthur Demesne, Mr. Waterville—Mr. Waterville, Sir Arthur Demesne. Sir Arthur Demesne’s a member of Parliament: don’t he look young?” She waited for no judgement on this appeal, but suddenly made another as she moved her bracelets back over long loose gloves. “Well, Mr. Littlemore, what are you thinking of?”

He was thinking that he must indeed have forgotten her name, for the one she had pronounced awakened no association. But he could hardly tell her that. “I’m thinking of San Pablo.”

“The back piazza at my sister’s? Oh don’t; it was too horrid. She has left now. I believe every one has left.” The member of Parliament drew out his watch with the air of a man who could take no part in these domestic reminiscences; he appeared to combine a generic self-possession with a degree of individual shyness. He said something about its being time they should go back to their seats, but Mrs. Headway paid no attention to the remark. Waterville wished her to linger and indeed felt almost as free to examine her as he had to walk, in a different spirit, round the statue of the author of _Candide_. Her low-growing hair, with its fine dense undulations, was of a shade of blackness that has now become rare; her complexion had the bloom of a white flower; her profile, when she turned her head, was as pure and fine as the outline of a cameo. “You know this is their first theatre,” she continued, as if to rise to the occasion. “And this is Voltaire, the celebrated writer.”

“I’m devoted to the Comédie Française”—Waterville rose as well.

“Dreadfully bad house; we didn’t hear a word,” said Sir Arthur Demesne.

“Ah, yes, the sad far boxes!” murmured Waterville.

“I’m rather disappointed,” Mrs. Headway went on. “But I want to see what becomes of that woman.”

“Doña Clorinde? Oh I suppose they’ll shoot her. They generally shoot the women in French plays,” Littlemore said.

“It will remind me of San Pablo!” cried Mrs. Headway.

“Ah, at San Pablo the women did the shooting.”

“They don’t seem to have killed _you_!” she returned archly.

“No, but I’m riddled with wounds.”

“Well, this is very remarkable”—the lady reverted to Houdon’s statue. “It’s beautifully modelled.”

“You’re perhaps reading M. de Voltaire,” Littlemore suggested.

“No; but I’ve purchased his works.”

“They’re not proper reading for ladies,” said the young Englishman severely, offering his arm to his charge.

“Ah, you might have told me before I had bought them!” she exclaimed in exaggerated dismay.

“I couldn’t imagine you’d buy a hundred and fifty volumes.”

“A hundred and fifty? I’ve only bought two.”

“Perhaps two won’t hurt you!” Littlemore hopefully contributed.

She darted him a reproachful ray. “I know what you mean—that I’m too bad already! Well, bad as I am you must come and see me.” And she threw him the name of her hotel as she walked away with her Englishman. Waterville looked after the latter with a certain interest; he had heard of him in London and had seen his portrait in _Vanity Fair_.

It was not yet time to go down, in spite of this gentleman’s saying so, and Littlemore and his friend passed out to the balcony of the foyer. “Headway—Headway? Where the deuce did she get that name?” Littlemore asked as they looked down into the flaring dusk.

“From her husband I suppose,” his friend suggested.

“From her husband? From which? The last was named Beck.”

“How many has she had?” the younger man inquired, anxious to hear how it was Mrs. Headway wasn’t respectable.

“I haven’t the least idea. But it wouldn’t be difficult to find out, as I believe they’re all living. She was Mrs. Beck—Nancy Beck—when I knew her.”

“Nancy Beck!” cried Waterville, aghast. He was thinking of her delicate profile, like that of a pretty Roman empress. There was a great deal to be explained.

Littlemore explained it in a few words before they returned to their places, admitting indeed that he wasn’t yet able to clear up her present appearance. She was a memory of his Western days; he had seen her last some six years before. He had known her very well and in several places; the circle of her activity was chiefly the South-west. This activity had been during that time of a vague character, except in the sense that it was exclusively social. She was supposed to have a husband, one Philadelphia Beck, the editor of a Democratic newspaper, the _Dakota Sentinel_; but Littlemore had never seen him—the pair were living apart—and it had been the impression at San Pablo that matrimony, for Mr. and Mrs. Beck, was about played out. He remembered now to have heard afterwards that she was getting a divorce. She got divorces very easily, she was so taking in court. She had got one or two before from a man whose name he couldn’t remember, and there was a legend that even these were not the first. She had been enormously divorced! When he first met her in California she called herself Mrs. Grenville, which he had been given to understand was not an appellation acquired by matrimony, but her parental name, resumed after the dissolution of an unfortunate union. She had had these episodes—her unions were all unfortunate—and had borne half-a-dozen names. She was a charming woman, especially for New Mexico; but she had been divorced too often—it was a tax on one’s credulity: she must have repudiated more husbands than she had married.

At San Pablo she was staying with her sister, whose actual spouse—she too had been divorced—the principal man of the place, kept a bank (with the aid of a six-shooter), and who had never suffered Nancy to want for a home during her unattached periods. Nancy had begun very young; she must be about thirty-seven to-day. That was all he meant by her not being respectable. Her chronology was rather mixed; her sister at least had once told him that there was one winter when she didn’t know herself who was Nancy’s husband. She had gone in mainly for editors—she esteemed the journalistic profession. They must all have been dreadful ruffians, for her own amiability was manifest. It was well known that whatever she had done she had done in self-defence. In fine she had done things—that was the main point now. She had been as pretty as could still be seen, and as good-natured and as clever as could likewise be yet measured; she had been quite the best company in those parts. She was a genuine product of the wild West—a flower of the Pacific slope; ignorant, absurd, crude, but full of pluck and spirit, of natural intelligence and of a certain intermittent haphazard felicity of impulse. She used to sigh that she only wanted a chance—apparently she had found that now. At one time, without her, he didn’t see how he could have put up with the life. He had started a cattle-ranch, to which San Pablo was the nearest town, and he used to ride over to see her. Sometimes he stayed there a week; then he went to see her every evening. It was infernally hot; they used to sit on the back piazza. She was always as attractive and very nearly as well-dressed as they had just beheld her. As far as appearance went she might have been transplanted at an hour’s notice from that dusty old settlement to the city by the Seine.

“Some of those barbaric women are wonderful,” Littlemore said. “Like her, they only want a chance.”

He hadn’t been in love with her—there never was anything of that sort between them. There might have been of course, but as happened there wasn’t. Headway would have been then the successor of Beck; perhaps there had been others between. She was in no sort of “society”; she only had a local reputation (“the well-known Texan belle,” the newspapers called her—the other editors, to whom she wasn’t married), though indeed in that spacious civilisation the locality was large. She knew nothing of the East and to the best of his belief at that period had never seen New York. Various things might have happened in those six years, however; no doubt she had “come up.” The West was sending us everything (Littlemore spoke as a New Yorker); no doubt it would send us at last our brilliant women. The well-known Texan belle used to look quite over the head of New York; even in those days she thought and talked of Paris, which there was no prospect of her knowing: that was the way she had got on in New Mexico. She had had her ambition, her presentiments; she had known she was meant for better things. Even at San Pablo she had prefigured her member of Parliament; every now and then a wandering Englishman came within her range. They weren’t all Sir Arthurs, like her present acquisition, but they were usually a change from the editors. What she was doing with her present acquisition Littlemore was curious to see. She was certainly—if he had any capacity for that state of mind, which was not too apparent—making the gentleman happy. She looked very splendid; Headway had probably made a “pile,” an achievement not to be imputed to any of the others. She didn’t accept money—he was sure she didn’t accept money. With all of which, on their way back to their seats, Littlemore, whose tone had been humorous, but with that strain of the pensive which is inseparable from retrospect, suddenly burst into audible laughter. “The modelling of statues and the works of Voltaire!” he broke out, recurring to two or three things she had said. “It’s touching to hear her attempt those flights, for in New Mexico she knew nothing about modelling.”

“She didn’t strike me as affected,” Waterville demurred, feeling a vague impulse to view her in becoming lights.

“Oh no; she’s only—as she says—fearfully changed.”

They were in their places before the play went on again, and they both gave another glance at Mrs. Headway’s box. She now was leaning back behind the slow movements of her fan and evidently watching Littlemore as if she had waited to see him come in. Sir Arthur Demesne sat beside her, rather gloomily resting a round pink chin upon a high stiff collar; neither of them seemed to speak.

“Are you sure she makes him happy?” Waterville asked.

“Yes—that’s the way those people show it.”

“But does she go about alone with him at that rate? Where’s her husband?”

“I suppose she has divorced him.”

“And does she want to marry the Baronet?” Waterville went on as if his companion was omniscient.

It amused Littlemore for the moment to appear so. “He wants to marry _her_, I guess.”

“And be divorced like the others?”

“Oh no; this time she has got what she wants,” said Littlemore as the curtain rose.