King Eric and the Outlaws, Vol. 2 or, the Throne, the Church, and the People in the Thirteenth Century.

Part 8

Chapter 84,155 wordsPublic domain

Every traveller who announced himself to the Marsk as the king's vassal, or belonging to Danish knighthood, was instantly assigned a place in the large upper story of the castle appropriated to the use of the knights. The spacious apartments in this side wing were, however, nearly all occupied, when Sir Niels Brock and Sir Johan Papae announced themselves to the Marsk, with their unknown friend, whom they gave out to be Sir Ako Blackbeard of the renowned race of Krummedige. He had returned home from a pilgrimage, it was said, and had vowed silence at the holy grave, and bound himself not to lay aside the armour of his ancestor until the knight's vow was fulfilled which he had there made to the Lord. Such vows were then not uncommon. They met with ready approbation, and carried with them a claim to special honour, and a species of religious reverence. As the king's vassals, and Danish knights of some consideration, the three travellers likewise were now admitted at the castle. Sir Palle had separated from them as soon as possible, and announced their arrival to his master the junker, without, however, mentioning the suspicious guest they had brought with them. Disquieted by this secret, he went from one party to another, feeling, as it were, that he carried his life in his hand. He was seen, now among the king's, now among the junker's friends, where, with assumed eagerness, he adopted the prevailing tone of the company he was in. He presently, however, rejoined Brock and other haughty and independent knights, who spake freely and boldly both against the king and the junker, and whom he desired not to offend, nor to be despised by, for servile or timid conduct. He thus thought to secure his safety under all circumstances; but he considered no party as perfectly safe, and could not determine in what manner he might best avail himself of the important discovery he had made while in the great lime-tree in the court of the forest monastery.

Notwithstanding the stir which was necessarily caused by the presence of so many strangers in the castle and the town, a remarkable stillness prevailed, and a stern seriousness pervaded the assemblage at the castle. There were no public amusements. The king only appeared at mattins and mass, and at table, noon and evening, in the great upper hall, where were placed two long dining-tables--one for the king and his princely guests, as well as for the prelates and chief men of the state, and another for the Danish knights in general, and the guests who had joined them. Among them sat the mysterious personage from the forest monastery, between Sir Niels Brock and Sir Johan Papae. According to his knight's vow, the pretended Sir Ako kept on his helmet as well as the old-fashioned armour, and his silence and solemn deportment were regarded with respect. At the same table sat the knights and courtiers of the duke's train, with the German professors of minstrelsy and other learned and foreign visitors. When the noontide repast was over, the company dispersed. Some remained in the spacious apartments of the castle, where they amused themselves with chess and backgammon, or listened to the German minstrels' lays and tales of chivalry; others went to the tennis-court, or the riding-house, and the great tilting-yard, where they whiled away the time with tennis, horse-racing, and martial exercises; some parties went a hawking in the chase, or rode through the town in order to show themselves in all their splendour to the ladies of the place. Many were interested in surveying the royal fleet which lay in the harbour, while others took the opportunity of bargaining with the Hanseatic merchants and skippers, or of making purchases of the famous Wordingborg cloth, which, next to that of Ypres and Ghent, was in especial demand, and bore as high a price as that of Bruges. In the evening the sound of lutes and love ditties was heard, as well in the castle as in the town, where the youthful knights were in search of acquaintance and love adventures.

The important negociations with the dukes appeared for the first few days, entirely to occupy the king and his council. Through the mediation of Count Gerhard, a peace was soon concluded, and on the most honourable terms for the king. A herald then summoned the knights and guests together in the great knights' hall of the castle. Here the king was seated on a raised throne, between his brother the junker and Count Gerhard, surrounded by the dukes and all his vassals, as well as the state council, and the prelates present at the castle. The Drost read aloud the ratified treaty of peace, in which Duke Valdemar pledged himself that no injustice should be done to the king's peasants in the dukedom, and also scrupulously to perform his duties of vassalage to the Danish crown. On these terms the king consented to pardon him and his brother as well as every one who had sided with the duke in this feud, with the stern exception, however, that henceforth every knight and squire who had been proved to have taken part in his father's murder should be doomed to death wherever they should be found.

While this article of the treaty was read, the king looked around the assemblage with a severe and what seemed to many, a threatening glance. There were not a few present of the acknowledged friends and kinsmen of the outlaws, and in the train of the Duke of Slesvig were several persons unknown both to the Marsk and the Drost, who had excited suspicion by their mysterious and unruly deportment. This strict clause in the treaty appeared greatly to disappoint the expectations of the Duke's friends, and their confidence in this politic prince. He himself sat with downcast eyes, and vainly strove to assume an air of calm indifference.

The Drost finished the reading of the treaty, which excited great attention, and awakened interest of very different kinds, without a single sound being heard in the numerous and anxious assembly. The concluding article however seemed in some degree to soften the stern victor-like tone, which characterised the treaty. By a just recognition of the rights of his brave opponent, the king had invested Duke Eric of Langeland with the fiefs of Oe and of Alt, which he was entitled to demand in right of his consort Sophia's inheritance. This article terminated the essential part of the treaty, and the assemblage broke up.

Count Gerhard still purposed remaining some days longer, and the Duke of Langeland, who was especially pleased with the king's uprightness, and with the whole treaty, also remained; but his brother the Duke of Slesvig immediately quitted the castle with his whole retinue. He left Wordingborg with his hat slouched low over his eyes, apparently depressed and humbled to a degree which he had never before manifested. He was escorted part of the way by Junker Christopher, who on this occasion seemed desirous to surpass the king in generous sympathy and attentions towards this fallen aspirant to the throne of Denmark, who owed his downfall to his own rancorous animosity and deluded ambition. Sir Niels Brock and Sir John Papae, who appeared to seize every opportunity of approaching the junker without exciting remark, had joined his train.

It was not until late in the evening that Prince Christopher returned. He had sent Papae with the rest of his train on before, and arrived a whole hour later in the town, accompanied by Brock. They rode slowly along the dusky road, and conversed in a low tone, and at intervals, together. They found the town lighted up with flambeaux and torches, on occasion of the ratification of the treaty. Songs and merry lutes resounded from several houses. At the castle, the knight's hall was illuminated; music and song was also to be heard there. Workmen were busied at the lists by the light of lanterns; and carpenters were employed in erecting railings and a high stand for the next day's tournament, in which the king himself intended taking a part.

"Ay! he will never tire of this child's play," muttered Junker Christopher, after he had rode past the lists and had seen these preparations; "he squanders more on such nonsense in a year, than both Samsoe and Kallundborg bring me in; he ruins the country with it, and will at last break his own neck in this foolery."

"His courtiers are too polite and obsequious for that," answered Brock--"there is assuredly not one among his strutting halberdiers, or knights of the round table, who would not willingly let himself be pushed out of his saddle ten times a day, to please his chivalrous master. Credit me, they have regularly exercised themselves in the art of kicking up their heels in the air, as soon as he touches them with his lance.

"They would be badly paid for such courtesy, did they venture on it," answered the junker. "After the most trifling tilt, a strict knights' council is held; and he pays almost more attention to those mock fights, regulated by all the foreign laws and rules of honour, than to the manners and morals of his subjects."

"Doth he also mix with stranger-knights and masters of arms on such occasions?" asked Brock. It is the first time of my attending this kind of entertainment.

"Oh yes!" muttered the junker, "when his vanity may be flattered, he despises no laurels. Hitherto he hath really passed for an invincible king Arthur."

"Perhaps he may meet with his overmatch, nevertheless," said Brock in a lowered tone, and looking cautiously around him. "I never fight for sport myself; but give heed to-morrow, high-born junker--Know you the ancient tradition of the puling enamoured demi-god Baldur, and the bold Hother?"[4]

"How mean ye?" asked the junker, stalling.----

"I have a good friend,--I know of a foreign knight I would say--a master of his weapon, who in such courteous game might have a mind to play Hother."

"Ay! indeed!" muttered Christopher, looking uneasily around,--"you should caution your friend, though, against playing so dangerous a game; you should least of all speak to me, Sir Brock, of such friends and their wishes. What I have confided to you, in no wise warrants such presumptuous confidence. Whatever there may be between me and a certain mighty personage, matters will hardly be pushed so far as you and your bold friends think."

"Be pleased to understand me aright, high-born junker," interrupted Sir Niels hastily. "I speak but of a sport; I know they amuse themselves here at times with mumming, and such diversions."

"They may amuse themselves as they please, for aught I care," muttered the junker, gloomily; "but I will be out of the game. Half one's life is but a sorry piece of mumming, whether we play friend or foe. It will be seen who hath best enacted his part, when the childs' play here is ended, and people think in earnest again in Denmark. He then spurred his horse, and rode into the court of the castle.

"After the junker and Brock had dismounted from their horses in the castle-yard, and as they were passing the maidens' tower, they heard the sound of a lute, and saw a knightly figure hastily conceal himself behind the pillars of the tower."

"Hath every one gone mad? Serenades here in the country, and that even ere the nightingale hath come!" muttered the junker with a scornful laugh, and wrapping himself in his mantle to keep out the cold wind. "Hum! as is the master so are his servants--are we not far advanced here in courtesy, and gentle customs Sir Niels! Know ye ought of such gallantry in Jutland? All will now go on in as chivalrous a fashion as in Spain and Italy. That we may thank these vagabond minstrels for, with their ballads and their books of adventures, which my chivalrous brother even takes with him in his pocket, on his campaigns. In the knights' hall there, they are now talking, no doubt, of the beautiful Florez and Blantzeflor, and of the virtuous Tristan and King Arthur. All that is indispensable if one would pass for a courteous and courtly knight;--and without, here, wanders a fool to sing serenades in the moonlight, to the owls of Wordingborg tower."

"If that was a prison we passed. Sir Junker," observed his companion, "it might be easily explained without such players' tricks."

"Well possibly," said the junker nodding. "It was here the Drost took the liberty of caging Marsk Stig's raven brood instead of at Kallundborg. Even the pretty vagabond ladies we shall find have their adorers." The junker then ascended the stairs of the balcony.

CHAP. IX.

In the castle-yard, before the knights' hall, stood a crowd of curious grooms and kitchen maids, to hear the singing, and gaze at the king and the stranger-guests. Amid this gossiping and jesting throng, wandered a fat, silent personage, closely muffled in a cloak. The maidens crowded together, and giggled whenever he came near them, and the one joked the other about him as a well-known wooer of the whole fair sex. It was the generally self-satisfied and obsequious Sir Palle, who now however looked most solemn and thoughtful. He had here for some time listened to the jests of the maidens and their talkative admiration of the king's handsome presence and his splendour, and of all the pomp they beheld. This seemed however but little to amuse him to-night; he yawned with a sigh, and went with undecided steps towards the maidens' tower; he now heard the sound of a lute in that part of the square, where fell a partial shadow, and the cold wind whistled in eddies around the pillars of the tower. He paused, and listened attentively; the sounds continued, and he thought he discerned a dark form standing under the tower window. He drew nearer with curiosity, and distinctly beheld a man with a knight's helmet, around whose person fluttered an ample mantle; while he gazed up at the grated window, and occasionally struck the cords of a lute with wild earnestness. Palle leaned back in alarm against the wall, and thought he had recognised the mysterious guest of the forest monastery. The cold perspiration broke out on his forehead; but his curiosity overcame his fright, and he remained standing. He heard a whisper, which was answered from above, and a deep but low voice, now sung beneath:

"Oh list then, Agnete, thus sue I to thee![5] Wilt thou be moved my true love to be? Ho! ho! ho! Wilt thou be moved my true love to be, To morrow they lead here the dance so free?"

The deep voice ceased; the little window rattled behind the grating, and a sweet female voice sang from above--

"Oh yes, by my troth, that will I indeed, O'er the sea so blue if thou'lt bear me with speed-- Ha! ha! ha! O'er the sea so blue if thou'lt bear me with speed, But not to its depths will I dive with thee, Then to-morrow we'll lead the dance so free."

"Ha! Gundelille's voice, Ulrica Stig!" muttered Palle; "ay, indeed, a love adventure then! and yonder outlawed hound on _my_ preserve. This shall soon be put a stop to!" In his jealous eagerness he plucked up courage, and first stole a good way back from the tower; he then went briskly forward again, and growled forth a song, while he tramped hard, letting his long sword clatter after him on the stone pavement; but he had hardly swaggered ten paces from the tower ere the disguised figure rushed past him like lightning and threw him on the ground; he felt at the same time a stab in his right side. "Murder! help!" gasped Palle, in a low voice. He dared not cry aloud and give the alarm lest the terrible fugitive should return and despatch him at once. "Alas! poor unoffending fellow I that am!" he moaned, "when I carry my head highest I even get run through the body. Those accursed women! they are only created to be my ruin--" He hasted to get upon his legs, and ran as hard as he could over the dusky part of the court-yard to his chamber in the knights' story, where in all secresy he had his wound examined and bound up. His ample mantle had parried the thrust, and the wound seemed trifling; but it pained him exceedingly, and the fright had so overpowered him that he was compelled to retire to his couch. To the many inquisitive questions put to him as to who it was that had wounded him, he dared not answer a word; and the more he thought of his mysterious rival the more alarmed he became. "The Drost!--send for the Drost!" he at last exclaimed in a low tone. "It is a state secret; no other may know it." Nobody attended much to this expression, which was regarded merely as one of his customary boasts of a knowledge of state affairs and secrets which it was known would never be entrusted to him. At last, however, his attendants were forced to humour him, and sent a messenger to summon the Drost.

Meanwhile the Lady Ulrica stood alone, and listened at the little grated window in in the maidens' tower. On a work-table in the chamber stood a lamp, and a handsome fisher-maiden's costume, trimmed with pearls and silk ribbon, lay upon it. A sweet female voice was heard singing in the adjoining apartment; here sat her sister, the meek Margaretha, before the lamp, occupied in embroidering a large piece of tapestry for an altar-cloth. The edge or border consisted of skilfully worked foliage, with figures and scenes taken from life. There sprang hart and hind--here danced ladies and knights in miniature; but within the border hung the Saviour on the cross, and the Virgin Mary stood with St. John and St. Magdalen at the foot of the cross as Mater Dolorosa, represented as usual with a sword through the bosom. In the foreground knelt a knight in black armour, with his consort and two little maidens in mourning attire. In these figures she had pourtrayed her father, the mighty Marsk Stig, and her proud and unhappy mother Ingeborg, together with herself and her sister, as children. While Margaretha sat diligently occupied in this employment, and sang the ballad of Hagbarth and Signe, she noticed not what her capricious sister was about.[6]

The distant sound of the festive din at the castle occasionally reached the lonely prison of the captive maidens; when this happened, Ulrica always became impatient, and wept at the thought of her exclusion from these festivities, and Margaretha found it a hard task to comfort her. Each time the sprightly little Karen came to supply their wants, Ulrica eagerly and inquisitively questioned her of all that passed, and the maiden was forced to give a description of all the stranger guests and knights. It was only when Margaretha heard Drost Aage's name, and Karen's account of what she knew of his dangerous adventure at Kallundborg, that she forgot her work, her hands dropped into her lap, and she listened with attentive interest. What their attendant related of the king, of his condescension towards the lowest, and his just strictness towards the great and mighty, she also heard with a species of interest, although not without a melancholy and sometimes bitter smile when she thought of her own fate; but when Ulrica would be informed of the looks of each of the stranger knights, of the colour of their hair, beard, and clothes--how they sat at table, and with what they were served, Margaretha was near losing patience; she therefore was very glad when Ulrica, as now, took a fancy to shut herself up in the little tiring chamber, there to busy herself with her gay apparel, and gossip with their attendant Karen. Since the maiden had on the morning of this day mentioned the tournament which was in preparation, and the dance and masque which it was hoped would take place the next evening, Ulrica had become joyous again. When she was not whispering and gossiping with Karen, she sang quite gaily in the little tiring chamber to which she had taken a special fancy.

Ulrica had shut herself up this evening in her favourite retreat. She was again busied with her gay attire, and was humming a merry ballad about Carl of Rise and Lady Rigmor; but she now heard her sister's sweet melancholy song as she sat at her pious occupation, and the tears suddenly started to the eyes of the easily excited Ulrica; she rose in haste, as if scared by her own thoughts, and threw her decorations on the floor. She opened the door, and flew to embrace her meek sister with eager emotion.

"What is this, Ulrica? What ails thee, dearest sister?" asked Margaretha, with sympathising uneasiness, as she returned her ardent demonstrations of affection.

"Ah! I grew all on a sudden so anxious and sad," said Ulrica. "Thy song was so sweet and sorrowful, just like a lonely forsaken bird's in its cage, and I thought how it would be if thou wert left _quite_ alone in this horrid tower, with no one whatever to care for thee and comfort thee as thou hast comforted me and spoken kindly to me every day."

"Thou art still with me, dear Ulrica, and truly I sit here with a cheerful heart at my precious tapestry. When the Lord wills it our prison doors will assuredly open for us, and ere that time we need not expect it. We will, however, never sorrow as those who have no hope."

"That is true indeed," said Ulrica, half offended, and wiping her eyes. "When thou canst but embroider and tell thy rosary, and the adventures of courteous knights, or sing the Drost's ballads, thou carest but little for the whole fair world without; but _I_ can endure this life no longer: when I hear the sea dashing below at night I often wish that a merman would come and carry me off like Agnete. I would almost rather be at the bottom of the sea than in this wearisome prison-hole."

"Never make such foolish and ungodly wishes, dear sister," answered Margaretha, half alarmed, and involuntarily crossing herself. "It is better, however, to be in prison and innocent than at liberty and guilty, rememberest thou not what stands in holy writ about St. Peter in prison, and what he said?"

"I know all that well enough," interrupted Ulrica, pettishly; "but, nevertheless, there came an angel and took him out."

"If the Lord and our Lady will it so, such an angel might be sent to us also," continued Margaretha. "It needs but an angel's thought in a kindly soul. I, too, should rejoice to see God's fair world again, when that might be with honour and without sin--but thou wert speaking of mermen[7] and evil spirits, and I heard before how wildly thou sang'st; it sounded to me like Agnete's answer to the merman--as though thou wert an unhappy deluded maiden like her. Ah, sweet sister! I know too well who thou art thinking of; but beware of him! he is assuredly just as false as the ocean foam, and as the hapless Agnete's bridegroom."

"I require not he should be one hair better," answered Ulrica, eagerly. "Truly it was that foolish fickle Agnete, and not her bridegroom, who was false and faithless. She broke her vow, and left her wedded husband and her little children, and would not return to them, however much he besought her--such goodness and piety _I_ cannot understand; no, truly, _he_ was far more good and honourable! I ever pitied him, poor wretch! So _very_ frightful, either, he could not have been," she continued; "he had fair hair and sparkling eyes like Sir Kagge. Just listen!" and she sang--

"His hair was as the pure gold bright, His eyes they sparkled with joyous light."

"But it surely was no good sign," observed Margaretha, "when he entered into the church, and all the holy images turned to the wall. Alas, dearest sister, I could never look at Sir Kagge's small sparkling snake-like eye, but it seemed as though all pious and godly images fled from my soul."

"Ah, thou art so unreasonable," exclaimed Ulrica impetuously; "so terribly unreasonable, that it is impossible longer to bear with thee. I shall run from thee as soon as I can,--that I tell thee beforehand; but then," she added half sadly--"ah, then thou must not weep and mourn for me, Margaretha! Wilt thou promise me that? or--wilt thou come too?"