King Arthur's Socks and Other Village Plays
Chapter 7
VIVIEN. I never wanted anything badly enough to cry for it before. But I could cry my heart out for him. I've absolutely no pride left. Well-- I'm going to have him, that's all. (_She throws her cigarette into the grate, and starts to go_.)
GUENEVERE. And what about his work? Suppose it's true--
VIVIEN. Suppose it is. Then his work will have to get along the best way it can. (_She turns at the door_.) Do I look like a loser?--or a winner!
GUENEVERE. I'll bet on you, Vivien.
VIVIEN. Thanks, darling. And bye-bye.
GUENEVERE. (_stopping her_) But Vivien--! I've been racking my brain to think who--? _Do_ tell me!
VIVIEN. (_in the doorway, defiantly_) Well, if you must know--it's Lancelot Jones.
GUENEVERE. (_springing up, amazed, incredulous and horrified_) Oh, _no_, Vivien! Not Lancelot!
VIVIEN. Absolutely yes.
GUENEVERE. But--but he's married already!
VIVIEN. Oh, is _that_ what's bothering you?
GUENEVERE. I should rather think it would bother _you_, Vivien!
VIVIEN. But it so happens that it doesn't. I'm not breaking up a marriage. There isn't any marriage there to break up. I know all about it. Lancelot told me. That marriage was ended long ago. It's simply that he has never got a divorce.
GUENEVERE. But--but if that's true, why _hasn't_ he got a divorce?
VIVIEN. On purpose, Gwen--as a protection! Against love-sick females like me. Against getting married again. I told you he wanted to work.
GUENEVERE. But Vivien! If he hasn't got a divorce--
VIVIEN. He'll have to get one, that's all. It won't take long. And in the meantime we can be engaged.
GUENEVERE. A funny sort of engagement, Vivien--to a married man!
VIVIEN. I think you're very unkind, Gwen. It isn't funny at all. It's a nuisance. We'll have to wait at least a month! I think you might sympathize with me. I believe you're in love with him yourself.
GUENEVERE. (_coldly_) Vivien!
VIVIEN. (_contritely_) I'm sorry. I didn't mean it. But I do think he's so terribly nice--I don't see how any woman can help being in love with him. Well--I'm off to his studio, to learn my fate. Wish me luck, if you can!
_She goes_.
GUENEVERE. (_looks after her, then drifts over to the mantel, leans against it staring out into space, and then murmurs_)--Lancelot!
_She goes slowly back to her chair, sits still a moment, and then quietly resumes the darning of socks.
Enter, from the side door, Mary, the pretty servant girl, who fusses about at the back of the room_.
GUENEVERE. (_absently_) Going, Mary?
MARY. No, ma'am. I don't feel like going out tonight.
_Something in her tone makes Guenevere turn_.
GUENEVERE. (_kindly_) Why, Mary, what is the matter?
MARY. (_struggling with her sobs_) I'm sorry, ma'am, I can't help it--I wasn't going to say anything. But when you spoke to me--
GUENEVERE. (_quietly_) What is it, Mary?
MARY. I'm a wicked girl. (_She sobs again_.)
GUENEVERE. (_after a moment's reflection_.) Yes? Tell me about it.
MARY. Shall I tell you?
GUENEVERE. Yes. I think you'd better tell me.
MARY. I wanted to tell you. (_She comes to Guenevere, and sinks beside her chair_.) I wanted to tell you before Mr. Robinson came back. I couldn't tell you if he was here.
GUENEVERE. (_smiling_) My husband? Are you afraid of him, Mary?
MARY. Yes, ma'am.
GUENEVERE. (_to herself_) Poor Arthur! He does frighten people. He looks so--just.
MARY. That's what it is, ma'am. He always makes me think of my father.
GUENEVERE. Is your father a just man, too, Mary?
MARY. Yes, ma'am. He's that just I'd never dare breathe a word to him about what I've done. He'd put me out of the house.
GUENEVERE. (_hesitating_) Is it so bad, Mary, what you have done?
MARY. Yes, ma'am.
GUENEVERE. Do you--do you want to tell me who it is?
MARY. It's Mr. Jones, ma'am.
GUENEVERE. (_reflectively_) Jones? (_Then, astoundedly_)--Jones! (_Incredulously_)--You don't mean--! (_Quietly_)--Do you mean Mr. Lancelot Jones?
MARY. Yes, ma'am.
GUENEVERE. This is terrible! When did it happen?
MARY. It--it sort of happened last night, ma'am. It was this way--
GUENEVERE. No details, please!
MARY. No, ma'am. I just wanted to tell you how it was. You see, ma'am, I went to his studio--
GUENEVERE. (_unable to bear it_) Please, Mary, please!
MARY. Yes, ma'am.
GUENEVERE. I don't mean that I blame you. One can't help--falling in love....
MARY. No, you just can't help it, can you?
GUENEVERE. But Lancelot--Mr. Jones--should have behaved better than that....
MARY. Should he, ma'am?
GUENEVERE. He certainly should. I wouldn't have believed it of him. So that is why--Mary! Do you know--? But I'm not sure that I ought to tell you. Still, I don't see why I should protect _him_. Do you know that he is going away?
MARY. No, ma'am. Is he?
GUENEVERE. Yes. In the mo'rning. You must go to see him tonight. No, you can't do that....Oh, this is terrible!
MARY. I'm _glad_ he's going away, Mrs. Robinson.
GUENEVERE. Are you?
MARY. Yes, ma'am.
GUENEVERE. Why?
MARY. Because I'd be so ashamed every time I saw him.
GUENEVERE. (_looking at her with interest_) Really? I didn't know people felt that way. Perhaps it's the right way to feel. But I didn't suppose anybody did. So you want him to go?
MARY. Yes, ma'am.
GUENEVERE. And you don't feel you've any claim on him?
MARY. No, ma'am. Why should I?
GUENEVERE. Well! I really don't know. But one is supposed to. Mary, you _are_ a modern woman!
MARY. Am I?
GUENEVERE. One would think, after what happened--
MARY. That's just it, ma'am. If it had been anything else--But after what happened, I just want never to see him again. You see, ma'am, it was this way--
GUENEVERE. (_gently_) Is it necessary to tell me that, Mary? I know what happened.
MARY. But you don't, ma'am. That's just it. I've been trying to tell you what happened, ma'am.
GUENEVERE. Good heavens, was it so horrible! Well, go on, then. (_She nerves herself to hear the worst_.) What _did_ happen?
MARY. Nothing, ma'am....
GUENEVERE. Nothing?
MARY. That's just it....
GUENEVERE. But I--I don't understand.
MARY. You said a while ago, Mrs. Robinson, that you couldn't help falling in love. It's true. I tried every way to stop, but I couldn't. So last night I--I went to his studio--
GUENEVERE. Yes?
MARY. I told you I was a wicked girl, Mrs. Robinson. You know I've a key to let myself in to clean up for him. So last night I just went in. He--he was asleep--
GUENEVERE. Yes?
MARY. I--shall I tell you, ma'am?
GUENEVERE. Yes. You _must_ tell me, now.
MARY. And I--(_She sits kneeling, looking straight ahead, and continues speaking, in a dead voice_) I couldn't help it. I put my arms around him.
GUENEVERE. Yes?
MARY. And he put his arms around me, Mrs. Robinson, and kissed me. And I didn't care about anything else, then. I was glad. And then--
GUENEVERE. Yes?
MARY. And then he woke up--and he was angry at me. He swore at me. And then he laughed, and kissed me again, and put me out of the room.
GUENEVERE. Yes, yes. And that--that was all?
MARY. I came home. I thought I would have died. I knew I had been wicked. Oh, Mrs. Robinson--(_She breaks down and sobs_.)
GUENEVERE. (_patting her head_) Poor child, it's all right. You aren't so wicked as you think. Oh, I'm so glad!
MARY. But it's jest the same, Mrs. Robinson. I wanted to be wicked.
GUENEVERE. Never mind, Mary. We all want to be wicked at times. But something always happens. It's all right. You're a good girl, Mary. There, stop crying!... Of course, of course! I might have known. Lancelot couldn't--and yet, I wonder.... Mary, stand up and let me look at you!
MARY. (_obeying_) Yes, ma'am.
GUENEVERE. (_in a strange tone_) You're a very good-looking girl, Mary.... So he laughed, and gave you a kiss, and led you to the door!... Well! Go to bed and think no more about it. It's all right.
MARY. Do you really think so, Mrs. Robinson? Isn't it the same thing if you _want_ to be wicked--
GUENEVERE. You're talking like a professor of philosophy now, Mary. And you're a woman, and you ought to know better. No, it isn't the same thing, at all. Run along, child.
MARY. Yes, ma'am. Thank you, ma'am. Good night, ma'am.
_She goes_.
GUENEVERE. Good-night, Mary. (_She returns to her darning. She smiles to herself, then becomes serious, stops work, and looks at the clock. Then she says_)--Vivien! Vivien's tears! Poor Lancelot! Oh, well! (_She shrugs her shoulders, and goes on working. Then suddenly she puts down her work, rises, and walks restlessly about the room.... There is a knock at the door. She turns and stares at the door. The knock is repeated. She is silent, motionless for a moment. Then she says, almost in a whisper_)--Come!
_A young man enters_.
GUENEVERE. Lancelot!
LANCELOT. Guenevere! (_They go up to each other, and he takes both her hands. They stand that way for a moment. Then he says lightly_) --Darning King Arthur's socks, I see!
GUENEVERE. (_releasing herself, and going back to her chair_) Yes. Sit down.
LANCELOT. Where's his royal highness?
GUENEVERE. New York. Why don't you ever come to see us?
LANCELOT. (_not answering_) Charming domestic picture!
GUENEVERE. Don't be silly!
LANCELOT. I am going away.
GUENEVERE. Are you? I'm sorry. Don't you like our little village?
LANCELOT. Thought I'd stop in to say good-bye.
GUENEVERE. That's very sweet of you.
LANCELOT. (_rising_) I've got to go back and finish packing.
GUENEVERE. Not really?
LANCELOT. Going in the morning.
GUENEVERE. Why the haste? The summer's just begun. I hear you've been doing some awfully good things. I was going over to see them.
LANCELOT. Thanks. Sorry to disappoint you. But I've taken it into my head to leave.
GUENEVERE. You're not going tonight, anyway. Sit down and talk to me.
LANCELOT. All right. (_He sits, constrainedly_.) What shall I talk about?
GUENEVERE. (_smiling_) Your work.
LANCELOT. (_impatiently_) You're not interested in my work.
GUENEVERE. Your love-affairs, then.
LANCELOT. Don't want to.
GUENEVERE. Then read to me. There's some books on the table.
LANCELOT. (_opening a serious-looking magazine_) Here's an article on "The Concept of Happiness"--by Professor Arthur B. Robinson. Shall I read that?
GUENEVERE. I gather that you are not as fond of my husband as I am, Lancelot. But try to be nice to me, anyway. Read some poetry.
LANCELOT. (_takes a book from the table, and reads_)--
"It needs no maxims drawn from Socrates To tell me this is madness in my blood--"
_He pauses. She looks up inquiringly. Presently he goes on reading--_
"Nor does what wisdom I have learned from these Serve to abate my most unreasoned mood. What would I of you? What gift could you bring, That to await you in the common street Sets all my secret ecstasy a-wing Into wild regions of sublime retreat? And if you come, you will speak common words--"
_He stops, and flings the book across the room. She looks up_.
GUENEVERE. Don't you like it?
LANCELOT. (_gloomily_) Hell! That's too true.
GUENEVERE. Try something else.
LANCELOT. No--I can't read. (_Guenevere bends to her darning_.) Shall I go?
GUENEVERE. No.
LANCELOT. Do you enjoy seeing me suffer?
GUENEVERE. Does talking to me make you suffer?
LANCELOT. Yes.
GUENEVERE. I'm sorry.
LANCELOT. Then let me go.
GUENEVERE. No. Sit there and talk to me, like a rational human being.
LANCELOT. I'm not a rational human being. I'm a fool. A crazy fool.
GUENEVERE. (_smiling at him_) I like crazy fools.
LANCELOT. (_desperately, rising as he speaks_) I am going to be married.
GUENEVERE. (_in a mocking simulation of surprise_) What, again?
LANCELOT. Yes--again--and as soon as possible--to Vivien.
GUENEVERE. I congratulate you.
LANCELOT. I _love_ her.
GUENEVERE. Naturally.
LANCELOT. _She_ loves _me_.
GUENEVERE. I trust so.
LANCELOT. Then _why_ should I be at this moment aching to kiss _you_? Tell me that?
GUENEVERE. (_looking at him calmly_) It does seem strange.
LANCELOT. It is absolutely insane! It's preposterous! It's contradictory!
GUENEVERE. Are you quite sure it's all true?
LANCELOT. Yes! I'm sure that I never would commit the rashness of matrimony again without being in love. Very much in love. And I'm equally sure that I would not stand here and tell you what a fool I am about you, if _that_ weren't true. Do you think I _want_ to be this way? It's too ridiculous--I didn't want to tell you. I wanted to go. You made me stay. Well, now you know what a blithering lunatic I am.
GUENEVERE. (_quietly_) It _is_ lunacy, isn't it?
LANCELOT. Is it?
GUENEVERE. Sheer lunacy. In love with one woman, and wanting to kiss another. Disgraceful, in fact.
LANCELOT. I know what you think! You think I'm paying you an extremely caddish compliment--or else--
GUENEVERE. (_earnestly, as she rises_) No, I don't think that at all, Lancelot. I believe you when you say that about me. And I don't imagine for one moment that you're not really in love with Vivien. I know you are. I could pretend to myself that you weren't--just as you've tried to pretend to yourself sometimes, that I'm not really in love with Arthur. But you know I am--don't you?
LANCELOT. Yes. ...
GUENEVERE. Well, Lancelot, there are--two lunatics here. (_He stares at her_.) It's almost funny. I don't know why I'm telling you. But--
LANCELOT. You--!
GUENEVERE. Yes. I want to kiss you, too.
LANCELOT. But this won't do. As long as there was only one of us--
GUENEVERE. There's been two all along, Lancelot. I've more self-control than you--that's all. But I broke down tonight. I knew I oughtn't to tell you--now. But I knew I would.
LANCELOT. You, too!
_They have unconsciously circled about to the opposite side of the room_.
GUENEVERE. Oh, well, Lance, I fancy we aren't the only ones. It's a common human failing, no doubt. Lots of people must feel this way.
LANCELOT. What do they do about it?
GUENEVERE. Well, it all depends on what kind of people they are. Some of them go ahead and kiss. Others think of the consequences.
LANCELOT. Well, let's think of the consequences, then. What are they? I forget.
GUENEVERE. I don't. I'm keeping them very clearly in mind. In the first place--
LANCELOT. Yes?
GUENEVERE. What was it? Yes--in the first place, we would be sorry. And in the second place--
LANCELOT. In the second place--
GUENEVERE. In the second place--I forget what's in the second place. But in the third place we mustn't. Isn't that enough?
LANCELOT. Yes. I know we mustn't. But--I feel that we are going to.
GUENEVERE. Please don't say that.
LANCELOT. But isn't it true? Don't you feel that, too?
GUENEVERE. Yes.
LANCELOT. Then we're lost.
GUENEVERE. No. We must think!
LANCELOT. I can't think.
GUENEVERE. Try.
LANCELOT. It's no use. I can't even remember "in the first place," now.
GUENEVERE. Then--before we do remember--!
_He takes her in his arms. They kiss each other--a long, long kiss_.
LANCELOT. Sweetheart!
GUENEVERE. (_holding him at arm's length_) That was in the second place, Lancelot. If we kiss each other, we'll begin saying things like that--and perhaps believing them.
LANCELOT. What did I say?
GUENEVERE. Something very foolish.
LANCELOT. What, darling?
GUENEVERE. There, you did it again. Stop, or I shall be doing it, too. I want to, you know.
LANCELOT. Want what?
GUENEVERE. To call you darling, and believe I'm in love with you.
LANCELOT. Aren't you?
GUENEVERE. I mustn't be.
LANCELOT. But aren't you?
GUENEVERE. Oh, I--(_She closes her eyes, and he draws her to him. Suddenly she frees herself_.) No! Lancelot--no! I'm not in love with you. And you're not in love with me. We're just two wicked people who want to kiss each other.
LANCELOT. Wicked? I don't feel wicked. Do you?
GUENEVERE. No. I just feel natural. But it's the same thing. (_He approaches her with outstretched arms. She retreats behind the chair_.) No, no. Remember that I'm married.
LANCELOT. I don't care.
GUENEVERE. Then remember that you're engaged!
LANCELOT. Engaged?
GUENEVERE. Yes: to Vivien.
LANCELOT. (_stopping short_) So I am.
GUENEVERE. And you're in love with her.
LANCELOT. That's true.
GUENEVERE. You see now that you can't kiss me, don't you?
LANCELOT (_dazedly_) Yes.
GUENEVERE. Then thank heavens! for I was about to let you. And that's in the fifth place, Lancelot: if we kiss each other once, we're sure to do it again and again--and again. Now go over there and sit down, and we'll talk sanely and sensibly.
LANCELOT. (_obeying_) Heavens, what a moment! I'm not over it yet.
GUENEVERE. Neither am I. We're a pair of sillies, aren't we? I never thought I should ever behave in such a fashion.
LANCELOT. It was my fault. I shouldn't have started it.
GUENEVERE. I am as much to blame as you.
LANCELOT. I'm sorry.
GUENEVERE. Are you?
LANCELOT. I ought to be. But I'm not, exactly.
GUENEVERE. I'm not either, I'm ashamed to say.
LANCELOT. The truth is, I want to kiss you again.
GUENEVERE. And I... But do you call this talking sensibly?
LANCELOT. I suppose it isn't. Well, go ahead with your sixth place, then. Only, for heaven's sake try and say something that will really do some good!
GUENEVERE. Very well, Lancelot. Do you really want to elope with me?
LANCELOT. Very much.
GUENEVERE. That's not the right answer. You know perfectly well you want to do nothing of the sort. What! Scandalize everybody, and ruin my reputation, and break Vivien's heart?
LANCELOT. No--I don't suppose I really want to do any of those things.
GUENEVERE. Then do you want us to conduct a secret and vulgar intrigue?
LANCELOT. (_hurt_) Guenevere!
GUENEVERE. You realize, of course, that this madness of ours might last no longer than a month?
LANCELOT. (_soberly_) Perhaps.
GUENEVERE. Well, do you still want to kiss me?--Think what you are saying, Lancelot, for I may let you. And that kiss may be the beginning of the catastrophe. (_She moves toward him_.) Do you want a kiss that brings with it grief and fear and danger and heartbreak?
LANCELOT. No--
GUENEVERE. Then what do you want?
LANCELOT. I want--a kiss.
GUENEVERE. Never. If you had believed, for one your chance.
LANCELOT. Kiss me!
GUENEVERE. Never. If you had believed, for one moment, that it _was_ worth the price of grief and heartbreak, I should have believed it too, and kissed you, and not cared what happened. I should have risked the love of my husband and the happiness of your sweetheart without a qualm. And who knows? It might have been worth it. An hour from now I shall be sure it wasn't; I shall be sure it was all blind, wicked folly. But now I am a little sorry. I wanted to gamble with fate. I wanted us to stake our two lives recklessly upon a kiss--and see what happened. And you couldn't. It wasn't a moment of beauty and terror to you. You didn't want to challenge fate. You just wanted to kiss me.... Go!
LANCELOT. (_turning on her bitterly_) You women! Because you are afraid, you accuse us of being cowards.
GUENEVERE. What do you mean?
LANCELOT. (_brutally_) You! You want a love-affair. Your common sense tells you it's folly. Your reason won't allow it. So you want your common sense to be overwhelmed, your reason lost. You want to be swept off your, feet. You want to be _made_ to do something you don't approve of. You want to be wicked, and you want it to be some one else's fault. Tell me--isn't it true?
GUENEVERE. Yes, it is true--except for one thing, Lancelot. It's true that I wanted you to sweep me off my feet, to make me forget everything; it was wrong, it was foolish of me to want it, but I did. Only if you had done it, you wouldn't have been "to blame." I should have loved you for ever because you could do it. And now, because you couldn't I despise you. Now you know. ... Go.
LANCELOT. No, Guenevere, you don't despise me. You're angry with me and angry with yourself because you couldn't quite forget King Arthur. You are blaming me and I am blaming you, isn't it amusing?
GUENEVERE. You are right, Lancelot. It's my fault. Oh, I envy women who can dare to make fools of themselves who forget everything and don't care what they do! I suppose that's love--and I'm not up to it.
LANCELOT. You are different....
GUENEVERE. Different? Yes, I'm a coward. I'm not primitive enough. Despise me. You've a right to. And--please go.
LANCELOT. I'm afraid I'm not very primitive either, Gwen. I--
GUENEVERE. I'm afraid you're not, Lance. That's the trouble with us. We're civilized. Hopelessly civilized. We had a spark of the old barbaric flame--but it went out. We put it out--quenched it with conversation. No, Lancelot, we've talked our hour away. It's time for you to pack up. Good-bye. (_He kisses her hand lingeringly_.) You may kiss my lips if you like. There's not the slightest danger. We were unnecessarily alarmed about ourselves. We couldn't misbehave! ... Going?
LANCELOT. Damn you! Good-bye!
_He goes_.
GUENEVERE. Well, _that_ did it. If he had stayed a moment longer--!
_She flings up her arms in a wild gesture--then recovers herself, and goes to her chair, where she sits down and quietly resumes the darning of her husband's socks_.
THE RIM OF THE WORLD
A FANTASY
To MARJORIE JONES
"The Rim of the World" was first produced by the Liberal Club, New York City, at Webster Hall, in 1915, with the following cast:
The Maid ......... Jo Gotsch The Gypsy ........ Floyd Dell The King.......... Edward Goodman The Princess...... Marjorie Jones
_Morning. A room in a palace, opening on a balcony. Through the arched broad window at the back is seen the sky, just beginning to be suffused with the rosy streakings of dawn. A large, wide heavy seat stands on a dais, with a low square stool beside it. A girl kneels on the stool, with her head and arms on the chair, dozing.
The dark figure of a man appears on the balcony. He puts a leg over the window-ledge and climbs in slowly.
A little noise wakes the girl. She stirs, looks round, jumps up, and starts to scream_.
THE MAN. Oh, not so loud!
THE GIRL. (_finishes the scream in a subdued voice_.)
THE MAN. That's better! But you ought to be more careful. You might wake somebody up.
THE GIRL. Who are you?
THE MAN. That's just what I was about to ask you--tell me, are you a Princess, or a maidservant?
THE GIRL. A Princess?--did you really think I might be a Princess?
THE MAN. Well, there are pretty Princesses. But I had rather you were a maidservant.
THE GIRL. Would you? Well, so I am!
THE MAN. Thank you, my dear. And what would you like me to be?
THE MAID. I'm afraid you're somebody not quite proper!
THE MAN. Right, my dear. You are a person of marvellous discernment. I am, in fact--
THE MAID. The king of the Gypsies!
THE GYPSY. How did you know?
THE GIRL. I guessed it!
THE GYPSY. H'm. You knew, I suppose, that our band has just encamped outside the city?
THE MAID. Yes.
THE GYPSY. And you have heard of the exploits of the Gypsy king. You know that there is no wall high enough to keep him out, no force of soldiers strong enough--
THE MAID. I know it by your eyes. They have the gypsy look in them.
THE GYPSY. Where have you ever seen gypsies before?
THE MAID. Never mind. But tell me--the wall around the palace is seventeen feet high--
THE GYPSY. True enough!
THE MAID. A guard of soldiers continually marches around it--
THE GYPSY. Very true!
THE MAID. And there are spikes on the top. How did you get over?
THE GYPSY. That is my secret. Would I be the gypsy king if everybody knew what I know?
THE MAID. Won't you tell _me_?
THE GYPSY. Women have asked me that many times. But I never tell. But, though I won't tell you how I entered, I don't mind telling you _why_.
THE MAID. Oh, I know that already!
THE GYPSY. You think, perhaps, that I am a thief as well as a housebreaker--that it is in the hope of royal treasure left unguarded that I have come here. ...
THE MAID. You have come here because you took a fancy to see what was on the other side of the wall. Isn't that it?