Juliana Horatia Ewing And Her Books
Chapter 5
I shall know by the gleam and glitter Of the golden chain you wear, By your heart's calm strength in loving, Of the fire they have had to bear. Beat on, true heart, for ever; Shine bright, strong golden chain; And bless the cleansing fire, And the furnace of living pain!
ADELAIDE A. PROCTER.
Towards the end of October 1879, Julie started for Malta, to join Major Ewing, but she became so very ill whilst travelling through France that her youngest sister, and her friend, Mrs. R.H. Jelf (from whose house in Folkestone she had started on her journey), followed her to Paris, and brought her back to England as soon as she could be moved.
Julie now consulted Sir William Jenner about her health, and, seeing the disastrous effect that travelling had upon her, he totally forbade her to start again for several months, until she had recovered some strength and was better able to bear fatigue. This verdict was a heavy blow to my sister, and the next four years were ones of great trial and discomfort to her. A constant succession of disappointed hopes and frustrated plans, which were difficult, even for Madam Liberality, to bear!
She hoped when her husband came home on leave at Christmas, 1879, that she should be able to return with him, but she was still unfit to go; and then she planned to follow later with a sister, who should help her on the journey, and be rewarded by visiting the island home of the Knights, but this castle also fell to the ground. Meantime Julie was suffering great inconvenience from the fact that she had sent all her possessions to Malta several months before, keeping only some light luggage which she could take with her. Amongst other things from which she was thus parted, was the last chapter of "We and the World," which she had written (as she often did the endings of her tales) when she was first arranging the plot. This final scene was buried in a box of books, and could not be found when wanted, so had to be rewritten and then my sister's ideas seem to have got into a fresh channel, for she brought her heroes safely back to their Yorkshire home, instead of dropping the curtain on them after a gallant rescue in a Cornish mine, as she originally arranged. Julie hoped against hope, as time went on, that she should become stronger, and able to follow her _Lares_ and _Penates_, so she would not have them sent back to her, until a final end was put to her hopes by Major Ewing being sent on from Malta to Ceylon, and in the climate of the latter place the doctors declared it would be impossible for her to live. The goods, therefore, were now sent back to England, and she consoled herself under the bitter trial of being parted from her husband, and unable to share the enjoyment of the new and wonderful scenes with which he was surrounded, by thankfulness for his unusual ability as a vivid and brilliant letter-writer. She certainly practised both in days of joy and sorrow the virtue of being _lætus sorte meâ_; which she afterwards so powerfully taught in her "Story of a Short Life." I never knew her fail to find happiness wherever she was placed, and good in whomsoever she came across. Whatever her circumstances might be they always yielded to her causes for thankfulness, and work to be done with a ready and hopeful heart. That "lamp of zeal," about which Margery speaks in "Six to Sixteen," was never extinguished in Julie, even after youth and strength were no longer hers:--
Like most other conscientious girls, we had rules and regulations of our own devising; private codes, generally kept in cipher for our own personal self-discipline, and laws common to us both for the employment of our time in joint duties--lessons, parish work, and so forth.
I think we made rather too many rules, and that we re-made them too often. I make fewer now, and easier ones, and let them much more alone. I wonder if I really keep them better? But if not, may GOD, I pray Him, send me back the restless zeal, the hunger and thirst after righteousness, which He gives us in early youth! It is so easy to become more thick-skinned in conscience, more tolerant of evil, more hopeless of good, more careful of one's own comfort and one's own property, more self-satisfied in leaving high aims and great deeds to enthusiasts, and then to believe that one is growing older and wiser. And yet those high examples, those good works, those great triumphs over evil which single hands effect sometimes, we are all grateful for, when they are done, whatever we may have said of the doing. But we speak of saints and enthusiasts for good, as if some special gifts were made to them in middle age which are withheld from other men. Is it not rather that some few souls keep alive the lamp of zeal and high desire which GOD lights for most of us while life is young?
In spite, however, of my sister's contentment with her lot, and the kindness and hospitality shown to her at this time by relations and friends, her position was far from comfortable; and Madam Liberality's hospitable soul was sorely tried by having no home to which she could welcome her friends, whilst her fragile body battled against constantly moving from one house to another when she was often unfit to do anything except keep quiet and at rest. She was not able to write much, and during 1880 only contributed two poems to _Aunt Judy's Magazine_, "Grandmother's Spring," and "Touch Him if You Dare."
To the following volume (1881) she again was only able to give two other poems, "Blue and Red; or the Discontented Lobster," and "The Mill Stream"; but these are both much longer than her usual Verses for Children--and, indeed, are better suited for older readers--though the former was such a favourite with a three-year-old son of one of our bishops that he used to repeat it by heart.
In November 1881, _Aunt Judy's Magazine_ passed into the hands of a fresh publisher, and a new series was begun, with a fresh outside cover which Mr. Caldecott designed for it. Julie was anxious to help in starting the new series, and she wrote "Daddy Darwin's Dovecot" for the opening number. All the scenery of this is drawn from the neighbourhood of Ecclesfield, where she had lately been spending a good deal of her time, and so refreshed her memory of its local colouring. The story ranks equal to "Jackanapes" as a work of literary art, though it is an idyll of peace instead of war, and perhaps, therefore, appeals rather less deeply to general sympathies; but I fully agree with a noted artist friend, who, when writing to regret my sister's death, said, "'Jackanapes' and 'Daddy Darwin' I have never been able to read without tears, and hope I never may." Daddy had no actual existence, though his outward man may have been drawn from types of a race of "old standards" which is fast dying out. The incident of the theft and recovery of the pigeons is a true one, and happened to a flock at the old Hall farm near our home, which also once possessed a luxuriant garden, wherein Phoebe might have found all the requisites for her Sunday posy. A "tea" for the workhouse children used to be Madam Liberality's annual birthday feast; and the spot where the gaffers sat and watched the "new graft" strolling home across the fields was so faithfully described by Julie from her favourite Schroggs Wood, that when Mr. Caldecott reproduced it in his beautiful illustration, some friends who were well acquainted with the spot, believed that he had been to Ecclesfield to paint it.
Julie's health became somewhat better in 1882, and for the Magazine this year she wrote as a serial tale "Lætus Sorte Meâ; or, the Story of a Short Life." This was not republished as a book until four days before my sister's death, and it has become so well known from appearing at this critical time that I need say very little about it. A curious mistake, however, resulted from its being published then, which was that most of the reviewers spoke of it as being the last work that she wrote, and commented on the title as a singularly appropriate one, but those who had read the tale in the Magazine were aware that it was written three years previously, and that the second name was put before the first, as it was feared the public would be perplexed by a Latin title. The only part of the book that my sister added during her illness was Leonard's fifth letter in Chapter X. This she dictated, because she could not write. She had intended to give Saint Martin's history when the story came out in the Magazine, but was hindered by want of space.[32] Many people admire Leonard's story as much as that of Jackanapes, but to me it is not quite so highly finished from an artistic point of view. I think it suffered a little from being written in detachments from month to month. It is, however, almost hypercritical to point out defects, and the circumstances of Leonard's life are so much more within the range of common experiences than those of Jackanapes, it is probable that the lesson of the Short Life, during which a V.C. was won by the joyful endurance of inglorious suffering, may be more helpful to general readers than that of the other brief career, in which Jackanapes, after "one crowded hour of glorious life," earned his crown of victory.
[Footnote 32: Letter, Oct. 5, 1882.]
On one of Julie's last days she expressed a fear to her doctor that she was very impatient under her pain, and he answered, "Indeed you are not; I think you deserve a Victoria Cross for the way in which you bear it." This reply touched her very much, for she knew the speaker had not read Leonard's Story; and we used to hide the proof-sheets of it, for which she was choosing head-lines to the pages, whenever her doctors came into the room, fearing that they would disapprove of her doing any mental work.
In the volume of _Aunt Judy_ for 1883 "A Happy Family" appeared, but this had been originally written for an American Magazine, in which a prize was offered for a tale not exceeding nine hundred words in length. Julie did not gain the prize, and her story was rather spoiled by having to be too closely condensed.
She also wrote three poems for _Aunt Judy_ in 1883, "The Poet and the Brook," "Mother's Birthday Review," and "Convalescence." The last one and the tale of "Sunflowers and a Rushlight" (which came out in November 1883) bear some traces of the deep sympathy she had learned for ill health through her own sufferings of the last few years; the same may, to some extent, be said of "The Story of a Short Life." "Mother's Birthday Review" does not come under this heading, though I well remember that part, if not the whole of it, was written whilst Julie lay in bed; and I was despatched by her on messages in various directions to ascertain what really became of Hampstead Heath donkeys during the winter, and the name of the flower that clothes some parts of the Heath with a sheet of white in summer.
In May 1883, Major Ewing returned home from Ceylon, and was stationed at Taunton. This change brought back much comfort and happiness into my sister's life. She once more had a pretty home of her own, and not only a home but a garden. When the Ewings took their house, and named it Villa _Ponente_ from its aspect towards the setting sun, the "garden" was a potato patch, with soil chiefly composed of refuse left by the house-builders; but my sister soon began to accumulate flowers in the borders, especially herbaceous ones that were given to her by friends, or bought by her in the market. Then in 1884 she wrote "Mary's Meadow," as a serial for _Aunt Judy's Magazine_, and the story was so popular that it led to the establishment of a "Parkinson Society for lovers of hardy flowers." Miss Alice Sargant was the founder and secretary of this, and to her my sister owed much of the enjoyment of her life at Taunton, for the Society produced many friends by correspondence, with whom she exchanged plants and books, and the "potato patch" quickly turned into a well-stocked flower-garden.
Perhaps the friend who did most of all to beautify it was the Rev, J. Going, who not only gave my sister many roses, but planted them round the walls of her house himself, and pruned them afterwards, calling himself her "head gardener." She did not live long enough to see the roses sufficiently established to flower thoroughly, but she enjoyed them by anticipation, and they served to keep her grave bright during the summer that followed her death.
Next to roses I think the flowers that Julie had most of were primulas of various kinds, owing to the interest that was aroused in them by the incident in "Mary's Meadow" of Christopher finding a Hose-in-hose cowslip growing wild in the said "meadow." My sister was specially proud of a Hose-in-hose cowslip which was sent to her by a little boy in Ireland, who had determined one day with his brothers and sisters, that they would set out and found an "Earthly Paradise" of their own, and he began by actually finding a Hose-in-hose, which he named it after "Christopher," and sent a bit of the root to Mrs. Ewing.
The last literary work that she did was again on the subject of flowers. She began a series of "Letters from a Little Garden" in the number of _Aunt Judy_ for November 1884, and these were continued until February 1885. The Letter for March was left unfinished, though it seemed, when boxes of flowers arrived day by day during Julie's illness from distant friends, as if they must almost have intuitively known the purport of the opening injunction in her unpublished epistle, enjoining liberality in the practice of cutting flowers for decorative purposes! Her room for three months was kept so continuously bright by the presence of these creations of GOD which she loved so well:--
"DEAR LITTLE FRIEND,
"A garden of hardy flowers is pre-eminently a garden for cut flowers. You must carefully count this among its merits, because if a constant and undimmed blaze outside were the one virtue of a flower-garden, upholders of the bedding-out system would now and then have the advantage of us. For my own part I am prepared to say that I want my flowers quite as much for the house as the garden, and so I suspect do most women." The gardener's point of view is not quite the same.
"Speaking of women, and recalling Mr. Charles Warner's quaint idea of all his 'Polly' was good for on the scene of his conflicts with Nature, the 'striped bug' and the weed 'Pusley,'--namely, to sit on an inverted flower-pot and 'consult' him whilst he was hoeing,--it is interesting to notice that some generations ago the garden was very emphatically included within woman's 'proper sphere,' which was not, in those days, a wide one."
The Letters were the last things that my sister wrote; but some brief papers which she contributed to _The Child's Pictorial Magazine_ were not published until after her death. In the May number "Tiny's Tricks and Toby's Tricks" came out, and in the numbers for June, July, and August 1885, there were three "Hoots" from "The Owl in the Ivy Bush; or the Children's Bird of Wisdom." They are in the form of quaint letters of advice, and my sister adopted the _Spectator's_ method of writing as an eye-witness in the first person, so far as was possible in addressing a very youthful class of readers. She had a strong admiration for many of both Steele and Addison's papers.
* * * * *
The list that I promised to give of Julie's published stories is now completed; and, if her works are to be valued by their length, it may justly be said that she has not left a vast amount of matter behind her, but I think that those who study her writings carefully, will feel that some of their greatest worth lies in the wonderful condensation and high finish that they display. No reviewer has made a more apt comparison than the American one in _Every other Saturday_, who spoke of "Jackanapes" as "an exquisite bit of finished work--a Meissonier, in its way."
To other readers the chief value of the books will be in the high purpose of their teaching, and the consciousness that Julie held her talent as a direct gift from GOD, and never used it otherwise than to His glory. She has penned nothing for which she need fear reproach from her favourite old proverb, "A wicked book is all the wickeder because it can never repent." It is difficult for those who admire her writings to help regretting that her life was cut off before she had accomplished more, but to still such regrets we cannot do better than realize (as a kind friend remarked) "how much she has been able to do, rather than what she has left undone." The work which she did, in spite of her physical fragility, far exceeds what the majority of us perform with stronger bodies and longer lives. This reflection has comforted me, though I perhaps know more than others how many subjects she had intended to write stories upon. Some people have spoken as if her _forte_ lay in writing about soldiers only, but her success in this line was really due to her having spent much time among them. I am sure her imagination and sympathy were so strong, that whatever class of men she was mixed with, she could not help throwing herself into their interests, and weaving romances about them. Whether such romances ever got on to paper was a matter dependent on outward circumstances and the state of her health.
One of the unwritten stories which I most regret is "Grim the Collier"; this was to have been a romance of the Black Country of coal-mines, in which she was born, and the title was chosen from the description of a flower in a copy of Gerarde's _Herbal_, given to her by Miss Sargant:--
_Hieracium hortense latifolium, sine Pilosella maior_, Golden Mouseeare, or Grim the Colliar. The floures grow at the top as it were in an vmbel, and are of the bignesse of the ordinary Mouseeare, and of an orenge colour. The seeds are round, and blackish, and are carried away with the downe by the wind. The stalks and cups of the flours are all set thicke with a blackish downe, or hairinesse, as it were the dust of coles; whence the women who keepe it in gardens for novelties sake, have named it Grim the Colliar.
I wish, too, that Julie could have written about sailors, as well as soldiers, in the tale of "Little Mothers' Meetings," which had been suggested to her mind by visits to Liverpool. The sight of a baby patient in the Children's Hospital there, who had been paralyzed and made speechless by fright, but who took so strange a fancy to my sister's sympathetic face that he held her hand and could scarcely be induced to release it, had affected her deeply. So did a visit that she paid one Sunday to the Seamen's Orphanage, where she heard the voices of hundreds of fatherless children ascending with one accord in the words, "I will arise and go to my Father," and realized the Love that watched over them. These scenes were both to have been woven into the tale, and the "Little Mothers" were boy nurses of baby brothers and sisters.
Another phase of sailor life on which Julie hoped to write was the "Guild of Merchant Adventurers of Bristol." She had visited their quaint Hall, and collected a good deal of historical information and local colouring for the tale, and its lesson would have been one on mercantile honour.
I hope I have kept my original promise, that whilst I was making a list of Julie's writings, I would also supply an outline biography of her life; but now, if the Children wish to learn something of her at its End, they shall be told in her own words:--
Madam Liberality grew up into much the same sort of person that she was when a child. She always had been what is termed old-fashioned, and the older she grew the better her old-fashionedness became her, so that at last her friends would say to her, "Ah, if we all wore as well as you do, my dear! You've hardly changed at all since we remember you in short petticoats." So far as she did change, the change was for the better. (It is to be hoped we do improve a little as we get older.) She was still liberal and economical. She still planned and hoped indefatigably. She was still tender-hearted in the sense in which Gray speaks--
"To each his sufferings: all are men Condemned alike to groan, The tender for another's pain, The unfeeling for his own."
She still had a good deal of ill-health and ill-luck, and a good deal of pleasure in spite of both. She was happy in the happiness of others, and pleased by their praise. But she was less head-strong and opinionated in her plans, and less fretful when they failed. It is possible, after one has cut one's wisdom-teeth, to cure oneself even of a good deal of vanity, and to learn to play the second fiddle very gracefully; and Madam Liberality did not resist the lessons of life.
GOD teaches us wisdom in divers ways. Why He suffers some people to have so many troubles, and so little of what we call pleasure in this world, we cannot in this world know. The heaviest blows often fall on the weakest shoulders, and how these endure and bear up under them is another of the things which GOD knows better than we.
Julie did absolutely remain "the same" during the three months of heavy suffering which, in GOD'S mysterious love, preceded her death. Perhaps it is well for us all to know that she found, as others do, the intervals of exhausted relief granted between attacks of pain were not times in which (had it been needed) she could have changed her whole character, and, what is called, "prepare to die." Our days of health and strength are the ones in which this preparation must be made, but for those who live, as she did, with their whole talents dedicated to GOD'S service, death is only the gate of life--the path from joyful work in this world to greater capacities and opportunities for it in the other.
I trust that what I have said about Julie's religious life will not lead children to imagine that she was gloomy, and unable to enjoy her existence on earth, for this was not the case. No one appreciated and rejoiced in the pleasures and beauties of the world more thoroughly than she did: no one could be a wittier and brighter companion than she always was.
Early in February 1885, she was found to be suffering from a species of blood-poisoning, and as no cause for this could then be discovered, it was thought that change of air might do her good, and she was taken from her home at Taunton, to lodgings at Bath. She had been three weeks in bed before she started, and was obliged to return to it two days after she arrived, and there to remain on her back; but this uncomfortable position did not alter her love for flowers and animals.
The first of these tastes was abundantly gratified, as I mentioned before, by the quantities of blossoms which were sent her from friends; as well as by the weekly nosegay which came from her own Little Garden, and made her realize that the year was advancing from winter to spring, when crocuses and daffodils were succeeded by primroses and anemones.
Of living creatures she saw fewer. The only object she could see through her window was a high wall covered with ivy, in which a lot of sparrows and starlings were building their nests. As the sunlight fell on the leaves, and the little birds popped in and out, Julie enjoyed watching them at work, and declared the wall looked like a fine Japanese picture. She made us keep bread-crumbs on the window-sill, together with bits of cotton wool and hair, so that the birds might come and fetch supplies of food, and materials for their nests.
Her appreciation of fun, too, remained keen as ever, and, strange as it may seem, one of the very few books which she liked to have read aloud was Mark Twain's "Adventures of Huckleberry Finn"; the dry humour of it--the natural way in which everything is told from a boy's point of view--and the vivid and beautiful descriptions of river scenery--all charmed her. One of Twain's shorter tales, "Aurelia's unfortunate Young Man," was also read to her, and made her laugh so much, when she was nearly as helpless as the "young man" himself, that we had to desist for fear of doing her harm. Most truly may it be said that between each paroxysm of pain "her little white face and undaunted spirit bobbed up ... as ready and hopeful as ever." She was seldom able, however, to concentrate her attention on solid works, and for her religious exercises chiefly relied on what was stored in her memory.
This faculty was always a strong one. She was catechized in church with the village children when only four years old, and when six, could repeat many poems from an old collection called "The Diadem," such as Mrs. Hemans' "Cross in the Wilderness," and Dale's "Christian Virgin to her Apostate Lover"; but she reminded me one day during her illness of how little she understood what she was saying in the days when she fluently recited such lines to her nursery audience!
She liked to repeat the alternate verses of the Psalms, when the others were read to her; and to the good things laid up in her mind she owed much of the consolation that strengthened her in hours of trial. After one night of great suffering, in which she had been repeating George Herbert's poem, "The Pulley," she said that the last verse had helped her to realize what the hidden good might be which underlaid her pain--
Let him be rich and weary; that, at least, If goodness lead him not, yet weariness May toss him to My breast.
During the earlier part of her illness, when every one expected that she would recover, she found it difficult to submit to the unaccountable sufferings which her highly-strung temperament felt so keenly; but after this special night of physical and mental darkness, it seemed as if light had broken upon her through the clouds, for she said she had, as it were, looked her pain and weariness in the face, and seen they were sent for some purpose--and now that she had done so, we should find that she would be "more patient than before." We were told to take a sheet of paper, and write out a calendar for a week with the text above, "In patience possess ye your souls." Then as each day went by we were to strike it through with a pencil; this we did, hoping that the passing days were leading her nearer to recovery, and not knowing that each was in reality "a day's march nearer home."
For the text of another week she had "Be strong and of a good courage," as the words had been said by a kind friend to cheer her just before undergoing the trial of an operation. Later still, when nights of suffering were added to days of pain, she chose--"The day is Thine, the night also is Thine."
Of what may be termed external spiritual privileges she did not have many, but she derived much comfort from an unexpected visitor. During nine years previously she had known the Rev. Edward Thring as a correspondent, but they had not met face to face, though they had tried on several occasions to do so. Now, when their chances of meeting were nearly gone, he came and gave great consolation by his unravelling of the mystery of suffering, and its sanctifying power; as also by his interpretation that the life which we are meant to lead under the dispensation of the Spirit who has been given for our guidance into Truth, is one which does not take us out of the world, but keeps us from its evil, enabling us to lead a heavenly existence on earth, and so to span over the chasm which divides us from heaven.
Perhaps some of us may wonder that Julie should need lessons of encouragement and comfort who was so apt a teacher herself; but however ready she may always have been to hope for others, she was thoroughly humble-minded about herself. On one day near the end, when she had received some letter of warm praise about her writings, a friend said in joke, "I wonder your head is not turned by such things"; and Julie replied: "I don't think praise really hurts me, because, when I read my own writings over again they often seem to me such 'bosh'; and then, too, you know I lead such a useless life, and there is so little I _can_ do, it is a great pleasure to know I may have done _some_ good."
It pleased her to get a letter from Sir Evelyn Wood, written from the Soudan, telling how he had cried over _Lætus_; and she was almost more gratified to get an anonymous expression from "One of the Oldest Natives of the Town of Aldershot" of his "warm and grateful sense of the charm of her delightful references to a district much loved of its children, and the emotion he felt in recognizing his birthplace so tenderly alluded to." Julie certainly set no value on her own actual MSS., for she almost invariably used them up when they were returned from the printers, by writing on the empty sides, and destroying them after they had thus done double duty. She was quite amused by a relation who begged for the sheets of "Jackanapes," and so rescued them from the flames!
On the 11th of May an increase of suffering made it necessary that my sister should undergo another operation, as the one chance of prolonging her life. This ordeal she faced with undaunted courage, thanking God that she was able to take chloroform easily, and only praying He would end her sufferings speedily, as He thought best, since she feared her physical ability to bear them patiently was nearly worn out.
Her prayer was answered, when two days later, free from pain, she entered into rest. On the 16th of May she was buried in her parish churchyard of Trull, near Taunton, in a grave literally lined with moss and flowers;--so many floral wreaths and crosses were sent from all parts of England, that when the grave was filled up they entirely covered it, not a speck of soil could be seen; her first sleep in mother earth was beneath a coverlet of fragrant white blossoms. No resting-place than this could be more fitting for her. The church is deeply interesting from its antiquity, and its fine oak-screen and seats, said to be carved by monks of Glastonbury, whilst the churchyard is an idyllically peaceful one, containing several yew-trees; under one of these, which over-shadows Julie's grave, the remains of the parish stocks are to be seen--a quaint mixture of objects, that recalls some of her own close blendings of humour and pathos into one scene. Here, "for a space, the tired body lies with feet towards the dawn," but I must hope and believe that the active soul, now it is delivered from the burden of the flesh, has realized that Gordon's anticipations were right when he wrote: "The future world must be much more amusing, more enticing, more to be desired, than this world,--putting aside its absence of sorrow and sin. The future world has been somehow painted to our minds as a place of continuous praise, and, though we may not say it, yet we cannot help feeling that, if thus, it would prove monotonous. It cannot be thus. It must be a life of activity, for happiness is dependent on activity: death is cessation of movement; life is all movement."
If Archbishop Trench, too, was right in saying;
The tasks, the joys of earth, the same in heaven will be; Only the little brook has widen'd to a sea,
have we not cause to trust that Julie still ministers to the good and happiness of the young and old whom she served so well whilst she was seen amongst them? Let her, at any rate, be to us one of those who shine as the stars to lead us unto God:
God's saints are shining lights: who stays Here long must passe O'er dark hills, swift streames, and steep ways As smooth as glasse; But these all night, Like Candles, shed Their beams, and light Us into bed.
They are, indeed, our pillar-fires, Seen as we go; They are that Citie's shining spires We travel to. A sword-like gleame Kept man for sin-- First _out_, this beame Will guide him _In_.
"If we still love those we lose, can we altogether lose those we love?"
"_The Newcomes_," Chap. vii.
(_The last entry in J.H.E.'s Commonplace Book._)
LIST OF MRS. EWING'S WORKS.
+-------------------+------------------------+-------------------+------------+ | TITLE. | FIRST PUBLISHED IN: | SUBSEQUENTLY. | PUBLISHER. | +-------------------+------------------------+-------------------+------------+ |A Bit of Green |_Monthly Packet_, |"Melchior's Dream, |Bell & Sons,| | |July, 1861 | and other Tales" | 1862 | | | | | | |The Blackbird's |--August, 1861 | " | " | | Nest | | | | | | | | | |Melchior's Dream |--December, 1861 | " | " | | | | | | |Friedrich's Ballad | ---- | " | " | | | | | | |The Viscount's | ---- | " | " | | Friend | | | | | | | | | |The Mystery of the |_London Society_, |"Miscellanea," | S.P.C.K. | | Bloody Hand |January and February, |vol. xvii. | | | |1865 | | | | | | | | |The Yew Lane Ghosts|_Monthly Packet_, |"Melchior's Dream, |Bell & Sons,| | | June, 1865 |and other Tales" | 1885. | | | | | | |The Brownies |_Monthly Packet_, |"The Brownies, | " | | |1865 |and other Tales" | | | | | | | |Mrs. Overtheway's | | | | | Remembrances-- | | | | | Ida |_Aunt Judy's |"Mrs. Overtheway's | " | | |Magazine_,May, 1866 |Remembrances" | | | Mrs. Moss |--June and July, 1866 | " | " | | | | | | |The Promise |--July, 1866 |"Verses for |S.P.C.K. | | | |Children" vol. ix. | | | | | | | |The Burial of the |--September, 1866 { |"Songs for Music, |H. King & Co| | Linnet | { |by Four Friends" | | | | { |"Papa Poodle, |S.P.C.K. | | | { |and other Pets" | | | | | | | |Christmas Wishes |--December, 1866 |"Verses for | " | | | |Children" vol. ix. | | | | | | | |Mrs. Overtheway's | | | | | Remembrances-- | | | | | The Snoring|--December, 1866; Jan. |"Mrs. Overtheway's |Bell & Sons.| | Ghosts | and February, 1867 | Remembrances" | | | | | | | |An Idyll of the |--September, 1867 |"The Brownies, | " | | Wood | |and other Tales" | | | | | | | |Three Christmas |--December, 1867 | " | " | | Trees | | | | | | | | | |Mrs. Overtheway's | | | | | Remembrances-- | | | | | Reka Dom |--June, July, August, |"Mrs. Overtheway's | " | | |September, and Oct. 1868|Remembrances" | | | Kerguelen's|--October, 1868 | " | " | | Land | | | | | | | | | |The Land of Lost |--March and April, 1869 |"The Brownies, |Bell & Sons.| | Toys | | and other Tales" | | | | | | | |Kind William and |--November, 1869 |"Old-fashioned |S.P.C.K. | | the Water Sprite | | Fairy Tales" | | | | | | | |Christmas Crackers |--December, 1869; |"The Brownies, |Bell & Sons.| | | Jan. 1870 | and other Tales" | | | | | | | |Amelia and the |--February and March, | " | " | | Dwarfs | 1870 | | | | | | | | |The Cobbler and |--February, 1870 |"Old-fashioned |S.P.C.K. | | the Ghosts | | Fairy Tales" | | | | | | | |The Nix in |--April, 1870 | " | " | | Mischief | | | | | | | | | |Benjy in |--May and June, 1870 |"Lob Lie-by-the- |Bell & Sons.| | Beastland | | Fire and other | | | | | Tales" | | | | | | | |The Hillman and |_Aunt Judy's Magazine_, |"Old-Fashioned |S.P.C.K. | | the Housewife | May, 1870 | Fairy Tales" | | | | | | | |The Neck |--June, 1870 | " | " | | | | | | |Under the Sun |--July, 1870 | ---- | ---- | | | | | | |The First Wife's |--August, 1870 |"Old-fashioned |S.P.C.K. | | Wedding Ring | | Fairy Tales" | | | | | | | |The Magic Jar |--September, 1870 | " | " | | | | | | |Snap Dragons |_Monthly Packet_, |"Snapdragons" | " | | | Christmas Number, | | | | | 1870 | | | | | | | | |Timothy's Shoes |_Aunt Judy's Magazine_, |"Lob Lie-by-the- |Bell & Sons.| | | November, December, | Fire, and other | | | | 1870; January, 1871 | Tales" | | | | | | | |A Flat Iron for |--November, 1870, to |"A Flat Iron | " | | a Farthing | October, 1871 | for a Farthing" | | | | | | | |The Widow and |--February, 1871 |"Old-fashioned |S.P.C.K. | | the Strangers | | Fairy Tales" | | | | | | | |The Laird and |--April, 1871 | " | " | | the Man of Peace | | | | | | | | | |The Blind Hermit |_Monthly Packet_, |"Dandelion Clocks" | " | | and the Trinity | May, 1871 | | | | Flower | | | | | | | | | |The Ogre Courting |_Aunt Judy's Magazine_, |"Old-fashioned | " | | | June, 1871 | Fairy Tales" | | | | | | | |The Six Little |--August, 1871 | ---- | ---- | | Girls and the | | | | | Five Little Pigs | | | | | | | | | |The Little Master |--September, 1871 |"Papa Poodle, and |S.P.C.K. | | to his Big Dog | | other Pets" | | | | | | | |The Peace Egg |--December, 1871 |"Lob Lie-by-the- |Bell & Sons.| | | | Fire, and other | | | | | Tales" | | | | | | | |Six to Sixteen |--January to October. |"Six to Sixteen" | " | | | 1872 | | | | | | | | |Murdoch's Rath |--February, 1872 |"Old-fashioned |S.P.C.K. | | | | Fairy Tales" | | | | | | | |The Magician's |--March, 1872 | " | " | | Gifts | | | | | | | | | |Knave and Fool |--June, 1872 | " | " | | | | | | |The Miller's Thumb |--November, 1872 to |"Jan of the |Bell & Sons.| | | October, 1873 | Windmill. A Story | | | | | of the Plains" | | | | | | | |Ran Away to Sea |--November, 1872 |"Songs for Music, |King & Co. | | | | by Four Friends" | | | | | | | |Among the Merrows |--November, 1872 |"Brothers of Pity, |S.P.C.K. | | | | and other Tales" | | | | | | | |The Willow Man |--December, 1872 |"Tongues in Trees" | " | | | | | | |The Fiddler in |--January, 1873 |"Old-fashioned | " | | the Fairy Ring | | Fairy Tales" | | | | | | | |A Friend in |--January, 1873 |"Verses for | " | | the Garden | | Children," | | | | | vol. ix. | | | | | | | |In Memoriam |--November, 1873 |"Parables from |Bell & Sons.| | --Margaret Gatty | | Nature." | | | | |(Complete edition) | | | | | | | |Madam Liberality |_Aunt Judy's Magazine_, |"A Great | " | | |December, 1873 | Emergency, | | | | | and other Tales" | | | | | | | |Old Father |_Little Folks_ { |"Lob Lie-by-the- | " | | Christmas | { | Fire, and other | | | | { | Tales, 1873 | | | | { | (Illustrated by | | | | { | R. Caldecott.) | | | | { | | | |Lob Lie-by-the- | ---- { | " | " | | Fire | { | | | | | | | | |Our Garden |_Aunt Judy's Magazine_, |"Our Garden" |S.P.C.K. | | | March, 1874 | | | | | | | | |Dolly's Lullaby |--April, 1874 |"Baby, Puppy, | " | | | | and Kitty" | | | | | | | |The Blue Bells |--May, 1874 |"The Blue Bells | " | | on the Lea | | on the Lea" | | | | | | | |May Day, Old Style |--May, 1874 |"Miscellanea," | " | | and New Style | | vol. xvii. | | | | | | | |A Great Emergency |--June to October, |"A Great Emergency,|Bell & Sons.| | | 1874 | and other Tales" | | | | | | | |The Dolls' Wash |--September, 1874 |"The Dolls' Wash" |S.P.C.K. | | | | | | |Three Little |--October, 1874 |"Three Little | " | | Nest-Birds | | Nest-Birds" | | | | | | | |A very Ill- |--December, 1874, to |"A Great Emergency,|Bell & Sons.| | tempered Family | March, 1875 | and other Tales" | | | | | | | |Songs for Music, | | | | | by Four Friends | | | | | | | | | | Ah! Would I | | | | | Could Forget | | | | | | | | | | The Elleree. A | | | | | Song of | | | | | Second Sight | | | | | | | | | | Faded Flowers | | | | | | | | | | Fancy Free. A | | | | | Girl's Song | | | | | | | | | | From Fleeting | | | | | Pleasures. A | | | | | Requiem for | | | | | One Alive | | | | | | | | | | How Many Years |"Songs for Music, by |"Verses for |S.P.C.K | | Ago? | Four Friends," H. | Children, and | | | | | | | | The Lily of | King & Co., 1874. | Songs for Music,"| | | the Lake | | vol. ix. | | | | | | | | Madrigal | | | | | | | | | | Maiden with | | | | | the Gipsy | | | | | Look | | | | | | | | | | My Lover's | | | | | Gift | | | | | | | | | | Other Stars | | | | | | | | | | The Runaway's | | | | | Return, or | | | | | Ran Away to | | | | | Sea | | | | | | | | | | Serenade | | | | | | | | | | Speed Well | | | | | | | | | | Teach Me |(From the Danish.) | | | | With a | | | | | Difference | | | | | | | | | | Anemones (left | | | | | in MS.) | | | | | | | | | | Autumn Leaves | | | | | (left in | | | | | MS.) | | | | | | | | | |Cousin Peregrine's |_Aunt Judy's Magazine_, |"Miscellanea," vol.|S.P.C.K. | | Wonder Stories. | | xvii. | | | | | | | | The Chinese | --March, 1875 | | | | Jugglers | | | | | | | | | |Waves of the |--May, 1875 | " | " | | Great South Sea | | | | | | | | | |Jack of Pera |--July, 1875 | " | " | | | | | | |Little Woods |--August, 1875 | " | " | | | | | | |Good Luck is Better|--August, 1875 |"Old-fashioned | " | | than Gold | | Fairy Tales" | | | | | | | |A Hero to his |--October, 1875 |"Little Boys and | " | | Hobby Horse | | Wooden Horses" | | | | | | | |The Kyrkegrim |--November, 1875 |"Dandelion Clocks" | " | | turned Preacher | | | | | | | | | |Hints for Private |--November and |"The Peace Egg," | " | | Theatricals |--December, 1875; | vol. x. | | | |--February, 1876 | | | | | | | | |Toots and Boots |--January, 1876 |"Brothers of Pity, | " | | | | and other Tales | | | | | of Beasts and | | | | | Men" | | | | | | | |The Blind Man |--February, 1876 |"Dandelion Clocks" | " | | and the Talking | | | | | Dog | | | | | | | | |The Princes of |--April, 1876 |"Miscellanea," | S.P.C.K. | | Vegetation | | vol. xvii | | | | | | | |I Won't |--April, 1876 |"Old-fashioned | " | | | | Fairy Tales" | | | | | | | |Father Hedgehog and|--June to August, 1876 |"Brothers of Pity, | " | | His Neighbours | | and other Tales" | | | | | | | |House Building |--June, 1876 |"Doll's | " | | and Repairs | | Housekeeping" | | | | | | | |An Only Child's |--July, 1876 | " | " | | Tea-Party | | | | | | | | | |Dandelion Clocks |--August, 1876 |"Dandelion Clocks, | " | | | | and other Tales" | | | | | | | |Our Field |--September, 1876 |"A Great Emergency,|Bell & Sons.| | | | and other Tales" | | | | | | | |Papa Poodle |--September, 1876 |"Papa Poodle, and | S.P.C.K. | | | | other Pets" | | | | | | | |A Week Spent in a |--October, 1876 |"A Week Spent in a |Wells, | | Glass Pond | | Glass Pond" |Darton & Co.| | | | | | |Big Smith |--October, 1876 |"Little Boys and | S.P.C.K. | | | |Wooden Horses" | | | | | | | |The Magician turned|--November, 1876 |"Old-fashioned | " | | Mischief-Maker | | Fairy Tales" | | | | | | | |A Bad Habit |--January, 1877 |"Melchior's Dream, |Bell & Sons,| | | | and other Tales" | 1885. | | | | | | |Brothers of Pity |--April, 1877 |"Brothers of Pity, | S.P.C.K. | | | | and other Tales" | | | | | | | |Kit's Cradle |--April, 1877 |"Baby, Puppy, and | " | | | | Kitty" | | | | | | | |Ladders to Heaven |--May, 1877 |"Dandelion Clocks,"| " | | | | &c. | | | | | | | |Boy and Squirrel |--June, 1877 |"Tongues in Trees" | " | | | | | | |Master Fritz |--August, 1877 |"Master Fritz" | " | | | | | | |A Sweet Little |--September, 1877 |"A Sweet Little | " | | Dear | | Dear" | | | | | | | |We and the World |--November, 1887, to |"We and the World" |Bell & Sons.| | | June, 1878, and | | | | | April to October, | | | | | 1879 | | | | | | | | |The Yellow Fly |--December, 1877 |"Baby, Puppy, and | S.P.C.K. | | | | Kitty" | | | | | | | |So-so |--September, 1878 |"Dandelion Clocks,"| " | | | | &c. | | | | | | | |Flaps |_Aunt Judy's Magazine_ |"Brothers of Pity, | " | | |January, 1879 | and other Tales" | | | | | | | |Canada Home |--January, 1879 |"Verses for | " | | | | Children," &c. | | | | | vol. ix. | | | | | | | |Garden Lore |--March, 1879 | " | " | | | | | | |A Soldier's |--July, 1879 |"A Soldier's | " | | Children | | Children" | | | | | | | |Jackanapes |--October, 1879 |"Jackanapes" | " | | | | | | |Grandmother's |--June, 1880 |"Grandmother's | S.P.C.K. | | Spring | | Spring" | | | | | | | |Touch Him if You |--July, 1880 |"Touch Him if you | " | | Dare | | Dare" | | | | | | | |The Mill Stream |--August, 1881 |"The Mill Stream" | " | | | | | | |Blue and Red; or, |--September, 1881 |"Blue and Red," | " | | the Discontented | | &c. | | | Lobster | | | | | | | | | |Daddy Darwin's |--November, 1881 |"Daddy Darwin's | " | | Dovecote | | Dovecote" | | | | | | | |Lætus Sorte Meâ: |--May to October, 1882 |"The Story of a | " | | or, the Story | | Short Life" | | | of a Short Life | | | | | | | | | |Sunflowers and a |--November, 1882 |"Mary's Meadow." | " | | Rushlight | | &c., vol. xvi. | | | | | | | |The Poet and the |--January, 1883 |"The Poet and the | " | | Brook | | Brook" | | | | | | | |Mother's Birthday |--April, 1883 |"Mother's Birthday | " | | Review | | Review" | | | | | | | |Convalescence |--May, 1883 |"Convalescence" | " | | | | | | |A Happy Family |--September, 1883 |"Melchior's Dream, |Bell & Sons.| | | | and other Tales" | | | | | | | |Mary's Meadow |--November, 1883, to |"Mary's Meadow, | S.P.C.K. | | | March, 1884 | and other Tales" | | | | | | | |The Peace Egg. |--January, 1884 |"The Peace Egg," | " | | A Christmas | | &c. | | | Mumming Play | | | | | | | | | |Letters from a |--November, 1884, to |"Mary's Meadow, | " | | Little Garden | February, 1885 | and other Tales" | | | | | | | |Tiny's Tricks and |_Child's Pictorial |"Brothers of Pity, | " | | Toby's Tricks |Magazine_ | and other | | | |May, 1885 | Tales," vol. xii.| | | | | | | |The Owl in the |--June, 1885 | " | " | | Ivy Bush; or, | | | | | the Children's | | | | | Bird of Wisdom | | | | | --Introduction | | | | | --Owlhoot I. |--July, 1885 | " | " | | --Owlhoot II. |--August, 1885 | " | " | +-------------------+------------------------+-------------------+------------+
TRANSLATIONS.
+----------------------+-----------------------+--------------------------+ |A Child's Wishes |From the German of |_Aunt Judy's Magazine_, | | | R. Reinick | 1866. | | | | | |War and the Dead |From the French of |--October, 1866. | | | Jean Mace | | | | | | |Tales of the Khoja |From the Turkish |--April to December, 1874.| | | | | |The Adventures of an |Adapted from the German|--November and | | of an Elf | | December, 1875. | | | | | |The Snarling Princess |Adapted from the German|--December, 1875. | | | | | |The Little Parsnip |Adapted from the German|--January, 1876. | | Man | | | +----------------------+-----------------------+--------------------------+
LETTERS
TO MISS E. LLOYD
_Ecclesfield._ August 19, 1864.
MY DEAREST ELEANOR
It is with the greatest pleasure that I "sit down" and square my elbows to answer one question of your letter. The one about the Liturgical Lessons. Nothing (I find) is more difficult in this short life than to emulate John's example--and "explain my meaning!" but I will do my best. Beloved! In the first place I am going to do what I hope will be more to your benefit than my credit! Send you my rough notes. If you begin at the first page and read straight ahead to where allusion is made to the Apocryphal Lessons, you will have my first Course, and you will see that I was working by degrees straight through the Morning Prayer. But then (like the Turnip Tom-toddies!) we found that "the Inspector was coming"--and though the class was pretty well getting up "Matins"--it knew very little about the Prayer-book--so then I took a different tack. We left off minutiæ and Bible references and took to a sort of general sketch of the whole Prayer-book. For this I did not make fresh notes at the time--but when the Inspector came and I being too ill to examine them--M. did it--I wrote out in a hurry the questions and answers that follow the Apocrypha point for her benefit. My dear old Eleanor--I am such a bad hand myself--that I feel it perfectly ludicrous to attempt to help you--but here are a few results of my limited experience which are probably all wrong--but the best I have to offer!
Don't teach all the school.
Make up a "Liturgical Class" (make a favour of it if possible) of mixed boys and girls.
Have none that cannot read.
Tell them to bring their Prayer-books with them on the "Liturgy Day."
If any of them say they have none--let nothing induce you to supply them.
Say "Well, you must look over your neighbour, but you ought to have one for yourself--I can let you have one for _2d._, so when you go home, 'ask Papa,' and bring me the _2d._ next time."
Never give the Prayer-book "in advance"--! (I never _pressed_ the Prayer-books on them, or insisted on their having them. But gradually they all wanted to have them, and I used to take them with me, and they brought up their _2d._'s if they wanted any. The class is chiefly composed of Dissenters, but they never have raised any objection, and buy Prayer-books for children who never come to Church. The first prize last time was very deservedly won by the daughter of the Methodist Minister.)
If you know any that cannot afford them, give them in private.
Deal round the School Bibles to the Class for reference.
One's chief temptation is to attempt too much. The great art is to make a good _skeleton_ lesson of the leading points, and fill in afterwards.
_Wait_ a long time for your answers.
Repeat the question as simply as possible, and keep saying--Now _think_--_think_. One generally gets it in time.
Lead up to your answer: thus--
_Eleanor._ "S. Augustine was a missionary Priest from--now answer all together?"
_The whole Class._ Rome.
_Eleanor._ "Now who was S. Augustine?--All together."
The result probably will be that one or perhaps two will give the whole answer--and then you can say--
"That's right. But I want you all to say it. Now all together. Who was S. Augustine?"
Then you will get it from all.
If you don't mind it, the black board is often of great use. In this way--
[_Sketch._] X represents the black board.
Suppose you have undertaken for the day's lesson (a _long_ one!) to begin at the question of whether we know the exact date of the first introduction of Christianity into England and to go on to S. Augustine's Consecration. When you first arrive take your chalk and write--
S. PAUL and draw a line; ---------------------------- then ARLES . . . . . 314 NICÆA . . . . . 323 ---------------------------- AUGUSTINE ROME ARCHBISHOP OF CANTERBURY 597 ----------------------------
Make them read everything as you write it, telling them the words till they are familiar. Then "lead up to" the written words in your questions and point with the stick, so that they will finish the answer by reading it _all together_. Thus--"The Council of ---- (stick to Aries) in the year ---- (stick to 314)."
When you are _teaching_ a thing, make them answer all together. When you are examining what you have taught before, let those answer who can.
Of course my _notes_ give no idea of the way one teaches, I mean of course one has perpetually to use familiar examples, and go back and back--and _into_ things.
Put the more backward children _behind_ the others, and never let any of the _front row_ answer till the back row have tried.
If they are very young or backward, perhaps before you attempt anything like Church History, you might _familiarize_ them with the Prayer-book services--by making them find the places in their proper rotation--turn quickly to the Psalms for the Day. Make them find the Lessons for the Day, for Holy-days--Collect for the week--Baptism Service. In fact I should advise you to _begin_ so. Say for the first Lesson you take a CHRISTMAS DAY Service--make them look out everything in succession. Ask them what a Collect is--where the Lessons come from--who wrote the Psalms, etc. Make them understand how the Holy Communion is administered--suppose a Baptism--and make them explain--the two Sacraments in the words of the Catechism. (Never mind whether they understand it--one can't explain everything at once!)
Indeed I strongly advise you to go on this tack for some time.
Say that for the first lesson or two (the above is too advanced) you take _the Psalms_. Ask them what Book they were taken from, etc.--make them find them for the day, and show them where and how to find the Proper Psalms. In succeeding lessons, if you like, you can explain that the Psalms are translations--and why the Bible and Prayer-book versions are different--show which are the seven Penitential--(the three Morning and three Evening for Ash Wednesday and the 51st). Point out the latter as used as a general confession in the Commination Service--having been written on the occasion of David's fall. Also the Psalms of Degrees (the most exquisite of all I think!), which were used to be sung as the Jews came up from all parts of the land to Jerusalem--"I was glad when they said unto me," etc.
Tell them of any Psalms authentically connected with History--and any anecdotes or traditions that you can meet with connected with them. How S. Augustine and his band of missionaries first encountered the King with his choristers carrying the Cross and chanting Psalms to those Gregorians that Gregory (birch in hand!) had taught him in Rome, etc., etc.
I find they like stray anecdotes--and they are _pegs_ to hang things on. (Trevor says that our Blessed Lord is supposed to have repeated the _whole_ of the twenty-second Psalm on the Cross.) The "Hymn" sung before they went out after the Last Supper was a Psalm. (See marginal Bible notes.) You can do no greater kindness than give them an appreciation and interest in that inexhaustible store of "Prayer and Penitence and Praise"--that has put words into the mouth of the whole Church of God from the days of David to the present time, which is used by every Church (however else divided) in common--and rejected by no sect however captious!
Point out what Psalms are used in the course of the services--(like the _Venite_, etc.)
Don't be alarmed if the Psalms last you for months! you can't do better--and you must go over and over unless your bairns are Solomons! Make them understand that they were intended, and are adapted for singing.
_Get up_ your lessons beforehand--but teach as familiarly and as much with no book but the Prayer-book and Bible as you can.
Then you might take the Lessons in a similar fashion, and the Collects, etc.
Excuse all this ramble. I have no doubt I have bored you with a great deal of chaff--but I hardly know quite what you want to know. As to the subject--it is a Hobby with me--so excuse rhapsodies!
I don't believe you can confer a greater kindness than to make them well acquainted with their Prayer-books. I believe you may teach every scrap of necessary theology from it--the Life of Jesus in the Collects, and special services from Advent to Trinity--Practical duties and the _morale_ of the Gospel in the twenty-five Sundays of Trinity. Apostles--Martyrs--the Communion of Saints--and the Ministry of Angels in the rest. As to the History of Liturgies--it is simply the History of the Church. I believe the Prayer-book contains Prayer, Praise, Confession, Intercession and Ejaculation fitted to every need and occasion of all conditions of men!--with very rare if any exceptions. I believe in _ignorance_ of the Prayer-book the poor lose the greatest fund of instruction and consolation next to the Bible (and it is our best Commentary on that!) that is to be got at. And people's ignorance of it is _wonderful_! You hear complaints of the shifting of the services--the arrangement of the Lessons--and a precious muddle it must seem to any one who does not know--that Isaiah is skipped in the reading of the Old Testament--that as the Evangelical Prophet he may be read at the Advent and Nativity of Christ--that we dip promiscuously into the Apocrypha on Saints' Days--because those books are read "for example of life and instruction of manners"--and not to establish doctrine, etc., etc. Somebody has compiled a straight ahead Prayer-book, and I fancy it will be found very useful--about the same time that we get a royal road to learning--or that services compiled on the most comprehensive and comprehensible system by men of the highest and devoutest intellect for every age, class, sex, and succeeding generations of the Church of a whole country, can be made at the same time to fit the case of every ignoramus who won't take the trouble to do more than lick his thumb and turn over a page!!! If people would but understand that the shortest way to anything is to get at the first principles!! When one humbles oneself to learn those, the arrangement of the Liturgy becomes as beautiful and lovable a piece of machinery as that of Nature or God's Providence almost! and is just as provocative of ignorant complaint and sarcasm if one doesn't.
Oh! Eleanora! What _will_ you say to this sermon!!--My "lastly" is--teach your bairns the "why" their great-great-great-(very great!) Grandfathers put all these glorious Prayers together in their present order--and "when they are old they will not" ... need any modern wiseacres to help them to get blindfold from the _Venite_ to the Proper Psalms.
Adieu, beloved. Post time almost--and another letter to write. I have had a sort of double quinsy--but am better, thank God.
Your devoted and prosy,
JULIANA HORATIA GATTY.
The Books I have used are _Wheatley on the Common Prayer_, Hook's _Lives of the Archbishops_, and _Church Dictionary_, and anything I could get hold of. Get any decent book on the Psalms--compare the two versions--read the _prefaces_, _rubrics_, etc.--above all. Have you the Parker Society edition of Edward VI. Prayer-book?
To H.K.F.G.
_Hotel de l'Europe, Anvers._ September 22, 1865.
MY DEAREST D----,
"Here we are again!" at the Hotel Dr. Harvey recommended. The Captain of our boat said it was cheaper and better than S. Antoine. You must excuse a not very lively letter, for I am still so ill from the voyage. I can't get over it somehow at present, but shall be all right to-morrow. We enjoyed our day in Hull immensely! you will be amused to hear. At night we went to the Harvest Thanksgiving service at S. Mary's. Nice service, capital sermon, and crammed congregation. The decorations were scarlet geraniums, corn, evergreen, and grapes. The _Alster_ wasn't to time, but they said she would sail at four, so we slept on board. We "turned over" an awful night. R. and I wandered over the ship, and finally settled on the saloon benches. Then, however, the Captain came, and said he couldn't allow us to sleep there, so we sat up, for I couldn't breathe in the berth, and at last I think the Captain saw I really couldn't stand it, and told me to lie down again. At six we went on deck, and it was awfully jolly going up the Humber. At eight we got into the sea, and I didn't get my "shore legs" again till we got into the Scheldt this morning. At about three this morning I went on deck, and R. and I enjoyed it immensely, splendidly starlight, and we were just off Flushing, and the lights looked wonderful with the flat shore and a black windmill. Then the Captain gave me tea and packed me up in the saloon, and I slept till six, when T. came out and woke me, and we went "aloft." We were going down the Scheldt, and R. was in fits of delight because every tree you see is exactly like the trees in boxes of toys. Not a bit like English trees. The flat green banks and odd little villages (of which you can only see the _tops_ of the houses) were charming.
To M.S.G.
_Hotel de l'Europe, Antwerp._ Sunday, September 24, 1865.
MY DEAREST M.,
We are getting on capitally, and enjoying it immensely. I hope T. got home pretty well. I miss him dreadfully, tell him--especially to-day--for both Churches and pictures bore R. However, I have only taken him into one Church to-day, that of S. Jacques, where he really was pleased to see the tomb of Rubens. I have found the whereabouts of two other celebrated ones, and shall try to slip off without him. He is utterly happy when he has got a cigar, "tooling" up and down the streets, turning in at a café, or buying a peach, and doing "schneeze" with the "Flams." He does a little French now and then with people in the streets. I got into the Cathedral just in time to see the glorious Descent from the Cross, and (which I admire less) the Elevation ditto by Rubens. I must tell you this morning I went to high mass in the Cathedral. In fact I heard two masses and a _sermon in Flemish_. It was wonderful. A very intelligent-looking old priest in surplice and stole, in the huge carved pulpit, preached with the most admirable dramatic force, in a language that one can _all but_ understand. It is so like English and German. Every now and then I could catch a word. If you want to have an idea of the congregation, imagine the _nave_ of York Minster (the side aisles rather filled up by altars, etc.)--covered like a swarm of bees, with a congregation with really rare exceptions of Flemish poor. Flam women, men, and children, and a great many common soldiers. The women are dressed in white caps, and all have scarves (just like funeral scarves) of fine ribbed black silk; and, Flemish prayer-books in hand, they sit listening to the sermon. Then it comes to an end with some invocation of something, at which there is a scraping of chairs and everybody goes round to the Altar. Then organ, fiddles, all sorts of instruments, and a splendid "company" of singers--the musical Mass began.
* * * * *
It is all wonderful, and I feel laying up a store of happiness in going over it at home. How I wish some of you were here! I know my letters are very dull, and I am _so_ sorry. But though I have a famous appetite, and can walk and "sight-see" like anything, I have not got back my _nerve_. Somehow I can't describe it, but you must excuse my stupidity. I hope R. is happy. He says he is, and dreads it coming to an end!!! I am very glad, for I feel a heavy weight on _him_ and _he_ feels like reposing on a floating soap-bubble! We are as jolly as possible really, and nothing is left in me, but a rather strained nervous feeling, which will soon be gone. You would have laughed to see R. buying snuff to-day, and cigars. He goes in, lays his finger on the cigars, and says--"Poor wun frank?" To which the woman replies--"trieze," and he buys six and sneezes violently, on which she produces snuff, fills his box, and charges a trifle, and he abuses her roundly in English, with a polite face, to his own great enjoyment. We mean to make the cash hold out if possible to come home in the _Alster_. If it runs short, we shall give up Ghent and Bruges--this place alone is worth coming for.
Your ever loving sister, J.H.G.
To H.K.F.G.
_Hotel de Vieux, Doellen, The Hague._ September 27, 1865.
DEAREST D----,
This morning we had a great treat! We took an open carriage and drove from the Hague to Scheveningen on the coast. All the way you go through an avenue of elms, which is lovely. It is called "the Wood," and to the left is Sorgoliet, where the Queen mother lives, and which was planted, the man says, by Jacob Cats. He lived there. Scheveningen is a bare-looking shore, all sand, and bordered with sandbanks, or Dunes. It was _fiercely_ hot, scorching, and not an atom of shade to be had; but in spite of sun, slipping sandbank-seat, sand-fleas, and a hornet circling round, I did make a sketch, which I hope to finish at home. Both Regie and I bathed, and it was _delicious_--an utterly calm sea, and I enjoyed it thoroughly. The bathing machines seem to be a Government affair. They and the towels are marked with a _stork_, and you take a ticket and get your gown and towels from a man at a "bureau" on the sands. I must tell you, this morning when we came down, we found breakfasting in the _salle-à-manger_ our Dutch friend, the bulb merchant. We had our breakfast put at his table, and had a jolly chat. It was so pleasant! Like meeting an old friend. He has gone, I am sorry to say, but I have made great friends with Stephanie's father; he cannot speak a word of English, so we can only talk in such French as I can muster; but he is very pleasant, and his children are so nice! eight--four boys and four girls. The wife is Dutch, and I do not think can speak French, so I do not talk to her. After dinner the _maître d'hôtel_ asked us if we would not go to "the Wood" (on the road to Scheveningen), and hear the military band--so we went. I can't describe it. It was like nothing but scenes in a theatre. Pitch dark in all the avenues, except for little lamps like tiny tumblers fixed on to the trees, and so [_Sketch_] on to the Pavilion, which was lighted up by chains of similar lamps like an illumination--[_Sketch_]--and round which--seated round little green tables--were gathered, I suppose, about two thousand people. Their politeness to each other--the perfect good-behaviour, the quiet and silence during the music, and the buzz and movement when it was over, were wonderful. The music was very good. R. and I had each a tiny cup of coffee, and a little brandy and water, for it was very cold!! Now I have come in, and he has gone back, I think. Stephanie was there, and lots of children. As I lay awake last night I heard the old watchman go round. He beats two pieces of wood together and calls the hours of the night. I saw a funeral too, this morning, and the coachman wears a hat like this--[_Sketch_]. In the streets we have met men in black with cocked hats. They are "Ansprekers," who go to announce a man's death to his friends. The jewellery of the common women is marvellous; Mr. Krelage (our Dutch friend) says they have sometimes £400 of gold and jewels upon them!!! A common market woman I saw to-day wore a plate of gold under her cap of this shape--[_Sketch_]. Then a white [_Sketch_] lace cap. Then a bonnet highly-trimmed with flowers, and a white feather and green ribbons; and on her temples filagree gold and pearl, pins, brooches and earrings; round her neck three gold chains--one of many little ones together clasped by a gorgeous clasp--the next supporting a highly-elaborate gold cross--a longer one still supporting a heart and some other device. She had rings also, and a short common purple stuff dress which she took up when she sat down for fear of crushing it; no shawl and a black silk apron!!
_Thursday._ We have been to the Museum. Below is the "Royal Cabinet" of curiosities, and above are the pictures. Some of the former were _very_ interesting. The hat, doublet, etc. in which William the Silent was murdered--the pistol, two bullets, etc., and a copy of Balthazar Geraardt's condemnation, and his watch, on which were some beautiful little paintings. Admiral Ruiter's sabre, armour, chain and medal; Admiral Tromp's armour; Jacqueline of Bavaria's chair, and locks of her hair. Also a very curious model--a large baby-house imitating a Dutch _ménage_, intended by Peter the Great as a present to his wife. A wonderful toy!! R. was quite at home among the "relics." Besides historical relics, the cabinet contains the most marvellous collection of Japanese things. It is a most choice collection. There were some such funny things--a _fiancé_ and _fiancée_ of Japan in costume were killing! and made-up monsters like life-sized mummies of the most hideous demons! Besides indescribably exquisite workmanship of all sorts. The pictures are not so charming a collection as those at Antwerp, but there are some grand ones. Tell Mother--Paul Potter's Bull is too indescribable! His nose, his hair, and a frog at his feet are wonderful! There is a portrait by Rubens of his second wife that would have charmed T.; she is _lovely_, and the picture has that _sunshiny_ beauty he will remember in "S. Anne teaching the B.V.M." I suspect she was the model for his most lovable faces. There is a large and wonderful Rembrandt--a splendid collection of Wouvermans--the most charming Ruisdael I ever saw. Some beautiful Vandykes--a Van de Velde of Scheveningen, Teniers, Weenix, Snyders, etc. I do so wish M. could see the pictures, she would enjoy them so, and get more out of them than I can. The collection is _free_ to the public, and the utmost good behaviour prevails. After that R. went into the town, and I sat down to a hurried sketch on the "Vyfeiberg," a quiet sort of promenade. But gradually the populace collected, till I was nearly smothered. My veil blew over my face, and I suddenly felt it seized from behind, and looking round, found that a young baker in white had laid hold of it, but only to fasten it out of my way, as he began volubly to explain in Dutch! I couldn't speak, so remonstrance was impossible, and I let them alone. Soldiers, boys, women, etc.! I could hear them recognizing the various places. They were very polite, kept out of my line of sight, and decided that it was "Photogeraphee" like the people in Rotterdam! When we parted, I bowed to them and they to me!!! To-morrow we go back to Rotterdam for one night, the next day to Antwerp.
_Friday night. Michaelmas Day._ Hotel Pay Bas, Rotterdam.--Back again! and to-morrow at 8.15 a. m. we go back to dear old Antwerp. For the solemn fact has made itself apparent, that the money will not hold out till to-morrow week, as we intended. So we must give up our dear Captain, and come home in the _Tiger!!_ We shall be with you D.V. on Saturday week, starting on Wednesday from Antwerp. We have been to the Poste Restante, and got dear Mother's letter, to my infinite delight. I am so glad Miss Yonge likes "the Brownies."
Your ever loving, JUDY
TO MRS. GATTY.
_Sevenoaks_. January 12, 1866.
MY DEAR, DEAR MOTHER,
I do humbly beg your pardon for having written such scrappish, snappish, selfish letters! The tide of comfort has begun to set in from Ecclesfield to my infinite delight. So far from being vexed at your being so careful--I earnestly hope you will never be less so. If you had been, _I_ should have been dead long ago. I have no more doubt than of my present well-being. And as it is--taking care is so little in my line--that if _you_ took to _ignoring_ one's delicacy, or fancying it was fancy--I know I should merely (by instinct) hold out to the last gasp of existence, and do _what_ I could, _while_ I could!!...
I am cheered beyond anything with these critiques on "The Brownies." I must tell you I have read Aunt Mary the beginning of my new story, and she likes it very much. It will be longer than "The Brownies." ... I am writing most conscientiously--it will not be a bit longer than it should be, but naturally of itself will spread into a good deal. In fact, it is several stories together--a _Russian_ one among them ("Mrs. Overtheway's Remembrances").
TO A.E.
_Ecclesfield_. May 28, 1866.
I send you a song,[33] "which is not very long"--and that is about its only merit. I am utterly disgusted with it myself for producing nothing better.... However, here it is, and now I must explain it.
I have endeavoured to bear in mind three things--simplicity of idea, few verses, and a musical swing. I have constructed it so that one child's voice may sing for the Child, another child's voice for the Bird, and as many children as you please in the Chorus.
The "Hush! hush! hush!" I thought ought to have a piano effectiveness, and it is a word children enjoy.
[Footnote 33: "The Promise": "Verses for Children." Vol. ix. Set to music by Alexander Ewing.--_Aunt Judy's Magazine_, July 1866.]
THE PROMISE.
_Child._
Five blue eggs hatching, With bright eyes watching, Little brown mother, you sit on your nest.
_Bird._
Oh! pass me blindly, Oh! spare me kindly, Pity my terror, and leave me to rest.
_Chorus of Children._
Hush! hush! hush! 'Tis a poor mother thrush. When the blue eggs hatch, the brown birds will sing-- This is a promise made in the spring.
_Child._
Five speckled thrushes, In leafy bushes, Singing sweet songs to the hot summer sky. In and out twitting, Here and there flitting, Happy in life as the long days go by.
_Chorus._
Hush! hush! hush! 'Tis the song of the thrush: Hatched are the blue eggs, the brown birds do sing-- Keeping the promise made in the spring.
If you liked, one voice, or half the party, might sing, "When the blue eggs hatch," and the other, "The brown birds will sing." Some are doubtful about the last lines, but the word "promise" had a jubilant musical rhythm in my head. However, you can alter it; if it has not the same in yours.... I don't set up for a versifier, and you may do what you please with this.
There is a certain class of child's song which is always taught in the National system by certificated infant school mistresses. They are semi-theatrical, very pretty, and serve at once as music, discipline, and amusement. Such as "The Clock," in which they beat the hours, swing for the pendulum, etc. There are certain actions in these songs which express listening.... I am very fond of the National system for teaching children, and it has struck me that this song is a little of that type.... I am doubly vexed it is so poor, because your next thing to "Jerusalem the Golden" ought to be very good. If you can, make your Processional Hymn very grand, and I will do my very best. I have more hope of that. Would the metre of Longfellow's "Coplas de Manrique" be good for music? It would be a fine hymn measure.... Don't hamper yourself about the metre. I will fit the words to the music.
TO MRS. GATTY.
_S.S. China._ June 10, 1867.
I staggered up yesterday morning to have my first sight of an iceberg.... The sea was dark-blue, a low line of land (Cape Race) was visible, and the iceberg stood in the distance dead white, like a lump of sugar.... I think the first sight of Halifax was one of the prettiest sights I ever saw. When I first came up there was no horizon, we were in a sea of mist. Gradually the horizon line appeared--then a line of low coast--muddy-looking at first--it soon became marked with lines of dark wood--then the shore dotted with grey huts--then the sun came out--the breeze got milder--and the air became strongly redolent of pine-woods. Nearer, the coast became more defined, though still low, rather bare, and dotted with brushwood, and grey stones low down, and crowned always with "murmuring pines." As we came to habitations, which are dotted, and sparkle along the shore, the effect was what we noticed in Belgium, as if a box of very bright new toys had been put out to play with, red roofs--even red houses--cardboard-looking churches--little bright wooden houses--and stiffish trees mixed everywhere. It looks more like a quaint watering-place than a city, though there are some fine buildings.... We took a great fancy to the place, which was like a new child's picture book, and I was rather disappointed to learn it is not to be our home. But Fredericton, where we are going, has superior advantages in some respects, and will very likely be quite as pretty.
_Halifax._ June 19, 1867.
* * * * *
Rex and I went down to the fish-market that I might see it. Coming back we met an old North American Indian woman. Such a picturesque figure. We talked to her, and Rex gave her something. I do not think it half so degraded-looking a type as they say. A very broad, queer, but I think acute and pleasant-looking face. Since I came in I have made two rather successful sketches of her.[34] She wore an old common striped shawl, but curiously thrown round her so that it looked like a chief's blanket, a black cap embroidered with beads, black trousers stuffed into moccasins, a short black petticoat, and a large gold-coloured cross on her breast, and a short jacket trimmed with scarlet, a stick and basket for broken victuals. She said she was going to catch the train! It sounded like hearing of Plato engaged for a polka!...
[Footnote 34: See pages 175, 176.]
TO MISS E. LLOYD.
[_Sketch._] _Cathedral Church of Fredericton, New Brunswick._
August 23, 1867.
MY DEAREST OLD ELEANORA,
I have been a wretch for not having written to you sooner. It seems strange there should remain any pressure of business or hurry of life in this place, where workmen look out of the windows of the house (our house and a fact!); they are repairing nine at a time, and boys swing their buckets and dawdle to the well for water, as if Time couldn't be lounged and coaxed off one's hands!! And yet busy I have been, and every mail has been a scramble. Getting into our house was no joke, attending sales and shops, buying furniture--ditto, ditto--as to paying and receiving calls on lovely days with splendid sketching lights--they have been thorns in the flesh--and, worst of all, regular colonial experiences of servants--one went off at a day's notice--and for two or three days we had _nobody_ but Rex's _orderly_, such a handy, imperturbable soldier, who made beds, cooked the dinner, hung pictures, and blew the organ with equal urbanity. He didn't know much--and in the imperfect state of our cuisine had few appliances--but he affected to be _au fait_ at everything--and what he had not got, he "annexed" from somewhere else. One of our maids uniformly set tumblers and wine-glasses with the tea set, and I found "William" the Never-at-fault cleaning the plate with knife-powder, and brushing his own clothes with the shoe brush. However, we have got a very fair maid now, and are comfortable enough. Our house is awfully jolly, though the workmen are yet about. The drawing-room really is not bad. It is a good-sized room with a day window--green carpet and sofa in the recess--window plant shelf--on one long side of the wall--a writing-table between two book-shelves--and oh! my dear, I cannot sufficiently say the _pleasure_ as well as _use_ and _comfort_ all my wedding presents have been to me. You can hardly estimate the comforting effect of these dear bits of civilization out here, especially at first when we were less comfortable. But the _refinements_ of comfort, you know, are not to be got here for love or money as we get them at home. Your dear book and inkstand and weights (uncommonly useful at this juncture of new postage), etc., look so well on my writing-table--on which are also the Longleys' Despatch Box--Frank Smith's blotting book--my Japanese bronzes, Indian box, Chinese ditto, Japanese candlestick and Chinese shoes, etc. of Rex's--our standing photos, table book-stand, etc., etc. You can't imagine how precious any knick-knacks have become. My mother's coloured photo that Brownie gave me is propped in the centre--and we have bought a mahogany bracket for my old Joan of Arc!! We have hired a good harmonium. Altogether the room really looks pretty with a fawn-coloured paper and the few water colours up--round table, etc., etc. Our bedroom has a blue and white paper, is a bright, airy, two-windowed room, with a _lovely_ eastward view over the river--the willows--and the pine woods. Our abundant space mocks one's longing to invite a good many dear old friends to visit one! We have much to be thankful for--which excellent sentiment brings me to the Cathedral. It would be a fine, well-appointed Church even in Europe. It stands lovelily looking over the river, surrounded by maples, etc., etc. (and to the left a beautiful group of the "feathered elms" of the country). There is daily Morning Prayer at 7.30, to which we generally go, and where the Bishop always appears. There is a fair amateur choir, and a beautiful organ built by a man who died just when he had completed it. But, my dear, in addition to these privileges, we weekly "sit under" the most energetic, quaint-looking, and dignified of Bishops--who has a clear, soft, penetrating voice that rings down the Cathedral in the Absolution and Benediction, and who preaches such fine, able, practical, learned, and beautiful sermons--as I really do not think Oxon, or Vaughan, or any of our great men much excel. This would be nearly enough, even if one did not know him; but when we dined at Government House the other night--rather to my surprise, I was sent in with him, and found him very amusing, and full of funny anecdotes of the province. Since when we have rapidly become fast friends. He is very musical, and when he and Rex get nobbling over the piano and organ--there they stick!! Rex is appointed supplementary organist, and to-morrow (being their Annual Festival) he is to play. Last night we had a grand "practice" at the Bishop's, and it felt wonderfully like home. He has lots of books, and has put them at our disposal--and, to crown all, has offered to teach us Hebrew if we will teach him German this winter. His wife is _very_ nice too.... She is a good practical doctor, kind without measure, and being a great admirer of Mother's writings, has taken me under her wing--to see that I do nothing contrary to the genius of the climate! People are wonderfully kind here. They really keep us in vegetables, and I have a lovely nosegay on my table at this moment. There is a very pleasant Regiment (22nd) here, with a lovely band. On my birthday Rex gave me Asa Gray's _Botany_, a book on botany generally, and on North American plants in particular. Some of the wild-flowers are lovely. One (Pigeon Berry) [_sketch_] has a white flower amid largish leaves--thus. It grows about as large as wild anemone, in similar places and quantities. When the flower falls the stamens develop into a thick _bunch_ of _berries_, the size and colour of holly berries, only _brighter_ brilliant scarlet, and patches of pine wood are covered with them.
My dear, you _would_ like this place! My best love to all your people. Isabel's fan could have no more appropriate field for its exhibition than summer here! Adieu, beloved. (I say nothing about home news. Z.'s affair bewilders me. I am awfully anxious for news, but it's useless talking at this distance.) (See Lamb's Essay on Distant Correspondents in the Elia!!!!!)
Your ever loving, J.H. EWING.
TO MRS. GATTY.
_Fredericton._ September 21, 1867.
MY DEAREST MOTHER,
The room being rather warm (with a fire!) and having been very busy all day sketching, etc., etc., and having just done my Hebrew lesson in a sleepyish sort of manner--I have turned lazy about working at Mrs. Overtheway to-night, and am going to get on with my letter instead. Rex is mouthing Hebrew gutturals at my elbow, so don't be astonished if I introduce the "_yatz_, _yotz_, _yomah_," etc., that sound in my ears! I must tell you we have actually despatched a small parcel to Ecclesfield. We crossed early one day by the ferry, and went to the Indian settlement, where we bought a small and simple basket of a squaw which she had just made, and which shows their work, and will hold a few of your odds and ends. We send M. a little card-case of Indian work, and R. a cigar-case. These two things are worked by Huron Indians in stained moose hair. The Melicites who are _here_ work in basket-work and in coloured beads. I got two strips of their coloured bead-work, and Sarah and I "ran up" two red velvet bags and trimmed them with these strips for tobacco bags for A. and S. I thought you would like to see the different kinds of work. The MicMacs work in stained porcupine, but I have not sent any of their work. They are only very little things, but they come from _us!_ We have had so much to do, I have got on very badly with my botanizing, but I have sent one or two ferns for you. We were late for flowers. Tell S. the _Impatiens Fulva_ is a wonderful flower. When you touch (almost when you _shake_ with approaching) the seed vessels, they burst and curl up like springs, and fling the seed away. I mean to try to preserve seed. The _Chelone Glabra_ as pressed by me gives no idea of the beautiful dead-white flower, something like a foxglove only more compact. I have told you what the parcel contains that you may not expect greater things than will appear from our little Christmas Box!...
To-day has been lovely and we have enjoyed it. Rex has been with me all day, though when I speak of his being with me I speak of his bodily presence only. In spirit he is with the conjugations Kal, Highil, etc., etc. He has bought Gesenius' Grammar, and a very fine one it seems. He lives with Gesenius, and if he doesn't take it to bed, it is not that he leaves Hebrew in the drawing-room. He undresses to the tune of the latest exercise, and puts me through the imperfect and perfect of [Hebrew: khatah] before we get up of mornings! (He has just discovered that Eden was about the same latitude as Fredericton!) There is always Morning Prayer and Holy Communion here on Saints' Days, and to-day being S. Matthew, we went to the 11 service. After Church we went a little way up the road, and I did a sepia sketch of "our street," Rex sitting by me and groaning Hebrew. It was gloriously sunny, and such a lovely sky, and such an exquisitely calm river with white-sailed boats on it. I have enjoyed it immensely....
_Fredericton._ 19th Sunday after Trinity, 1867.
* * * * *
I wonder if I send it by next mail, whether you would have room for a very short Christmas sort of prose Idyll suggested to me by a scene I saw when we were hunting for a sketch the other day. If I can jot it down, I don't suppose it would be more than two or three pages. If I send it at all it will come by the Halifax mail. It will be called "The Two Christmas Trees."...
TO H.K.F.G.
September 29, 1867.
... I have fallen head over ears in love with another dog. Oh! bless his nose!... His name is Hector. He is a _white_ pure bull-dog. His face is more broad and round--and delicious and ferociously good-natured--and affectionately ogreish--than you can imagine. The moment I saw him I hugged him and kissed his benevolence bump, and he didn't even _gowly powl_....
TO MRS. GATTY.
[_Fredericton_, 1867?]
... Talking of stories, if I only can get the full facts of his history, I think I shall send A.J.M. a short paper on a Fredericton Dog. Did I ever tell you of him? He has the loveliest face I ever saw, I think, _in any Christian_. He knows us quite well when we go up the High Street where he lives. When he gets two cents (1_d._) given him, he takes it in his mouth to the nearest store and buys himself buscuits. I have seen him do it. If you only give him _one_ cent he is dissatisfied, and tries to get the second. The Bishop told me he used to come to Church with his master at one time; he would come and behave very well--TILL the offertory. Then he rose and _walked after the alms-collectors_, wagging his tail as the money chinked in, because he wanted his penny for his biscuits!!! He is a large dog--part St. Bernard, and has magnificent eyes. But (my _poor_!) they shaved him this summer like a poodle! There is a bear in the officers' quarters here--he belongs to the regiment. I have patted him, but he catches at one's clothes. To see him _patting_ at my skirts with his paw was delicious--but I don't like his _head_, he looks very sly!
January 2, 1868.
... Indeed it is hard not to be able to see each other at any moment and to be "parted" even for a time. But to us all, who all enjoy everything to be seen and heard, and heard of in new places and among other people; the fact that I have to lead a traveller's life gives us certain great pleasures we could not have had if Rex had been a curate at Worksop (we'll say), and we couldn't even afford a trip to the Continent! Also if I have any gift for writing it really _ought_ to improve under circumstances so much more favourable than the narrowing influence of a small horizon.... I only wish my gift were a little nearer _real_ genius!! As it is, I do hope to improve gradually; and as I _do_ work slowly and conscientiously, I may honestly look forward with satisfaction to the hope of being able to turn a few honest pennies to help us out: and it _is_ a satisfaction, and a blessing I am thankful for. I only wish I could please myself better! However, small writers are wanted as well as big ones, and there is no reason why donkey-carts shouldn't drive even if there are coaches on the road!...
[_Fredericton_.] February 3, 1868.
* * * * * *
I am so infinitely obliged to you for your wisdom _in re_ Reka Dom, and very thankful for the criticisms, to which I shall attend. I mean to compress it very much. I will keep the river part, though that is really the shadow of some of my best writing, I think, in the _Dutch_ tale describing that scene at Topsham. I wrote a good bit last night, and was much wishing for the returned MS. But the sight of the proof will help me more than anything. I lose all judgment of my own work in MS. I feel as if it must be as laborious to read as it has been to write. Whereas in print it comes freshly on me, and I can criticize it more fairly. It will not be very long when all is done, I think, and I am so anxious to make it good, I hope it will be satisfactory. A little praise really does help one to work, and I don't think makes one a bit less conscientious.
It has been a very jolly mail this time, though the Lexicon has not come. The Bishop's is getting worn with use, for Rex does his daily chapter with unfailing regularity, and is murmuring Hebrew at my elbow at this moment as usual. Mr. James McCombie, the uncle who lives in Aberdeen, the lawyer, has sent me such a pretty book of photographs of Aberdeen! with a kind message about my letter to the poor old Mother, and asking me to write to them. I had asked for a photo of the old Cathedral graveyard where Rex's parents and brother and sister are buried, and there is a lovely one of it, but it is a set of views of Aberdeen, very good photos, and a very pretty book. All Rex's old haunts. Isn't it nice?
[_Sketch of Old Machar Cathedral._]
* * * * * *
[_Fredericton._] April 4, 1868.
I hoped to have sent you the whole of Reka Dom this mail. But a most unexpected fall of snow has made the travelling so insecure that it is considered a risk to wait till Monday, and I must send off what I can to-day. It is so nearly done that I am not now afraid to send off the first part (which will be more than you will want for May), and you may rely on the rest by next mail; and the remainder of Mrs. O. as rapidly as possible. It has certainly given me a wonderful amount of bother this time, and I was disappointed in the feeling that Rex did not think it quite up to my other things. But to-day in reading it all, and a lot that he had not seen before, I heard him laughing over it by himself, and he thinks it now one of my best, so I am in great spirits, and mean to finish it with a flourish if possible. I have cut and carved and clipped till I lost all sense of what was fit to remain, and Rex has insisted on a good deal being replaced.
* * * * * *
_Fredericton._ April 17, 1868.
* * * * * *
The Squaw has been making the blotting-case, and Peter brought it to-day, and I am very much pleased with it and hope M. will like it. I would like to have got an envelope case and a canoe, but they are so difficult to pack, and it would be so aggravating to have them broken, so we got a few flat things. The blotting-case and moccasins, and a cigar-case for F., and a tiny pair of snow-shoes. The blotting-case is a good specimen, as it is made of the lovely birch bark; and they were all got direct from Indians we know. A squaw with a sad face of rather a nigh type called to beg the other day. She could hardly speak English. She said, "Sister, me no ate to-day;" so I gave her some bread-and-butter, which she gave at once to the boy with her, and went away.
We have had some splendid Auroras lately. They are not _rosy_ here, but very beautiful otherwise, and very capricious in shape, long grand tongues of light shooting up into the sky.
* * * * *
We are beginning now to talk of "Mayflower expeditions." I think I shall give one to a few select friends. I had thought of a child's one, but a nice old school-mistress here gives one for children, and I think one raid of the united juvenile population on the poor lovely flowers is enough. The Mayflower is a lovely wax-like ground creeper with an exquisite perfume. It is the first flower, and is to be found before the snow has left the woods....
May 12, 1868.
... I have a wonderful lot of gardening on my shoulders, for we have no _gardener_--only get a soldier to work in the kitchen garden--so I have had to make my plans and arrange my crops for the kitchen garden, as well as look after my own. We have really two _charming_ bits--a little, hot, sunny, good soil, vegetable plot--and quite away from this--by the house, my flower garden. Two round beds and four borders, with a high fence and two little gates, I have nearly got this tidy. The last occupant had never used it. It is a _great_ enjoyment to me, and does me great good, I think, by keeping me out of doors. Rexie has given me a dear little set of tools--French ones, like children's toys, but quite enough for me. They form the subject of one of the little rhymes that Hector and I make together, and that I croon to the bull-doge to his great satisfaction.
"The little Missus with the little spade Two little beds in the little garden has made. The Bull-doge watches (for he can't work) How she turns up the earth with her little fork. Then she takes up the little hoe And into the weeds doth bravely go, At last with the smallest of little rakes Quite smooth and tidy the beds she makes."
Another that was made in bed on the occasion of one of his _raids_ on my invalid breakfast was--
"'Tis the voice of the Bull-doge, I hear him complain, 'You have fed me but lately: I must grub again.' As a pauper for pudding--so he for his meat-- Gapes his jaws, and there's nothing a Bull-doge can't eat."
We sing these little songs together--and then I let him look in the glass, when he gowly powls and barks dreadfully at the rival _doge_....
TO H.K.F.G.
May 18, 1868.
... I am awfully busy with my garden, and people are very kind in giving me things. To-morrow we go to the Rowans, and I am to ransack _his_ garden! I do think the exchange of herbaceous perennials is one of the joys of life. You can hardly think how delicious it feels to _garden_ after six months of frost and snow. Imagine my feelings when Mrs. Medley found a bed of seedling bee larkspurs in her garden, and gave me at least two dozen!!! I have got a whole row of them along a border, next to which I _think_ I shall have mignonette and scarlet geraniums alternately. It is rather odd after writing Reka Dom, that I should fall heir to a garden in which almost the only "fixture" is a south border of lilies of the valley!...
TO MISS E. LLOYD.
_Fredericton, N.B._ June 2, 1868.
MY DEAREST ELEANOR--
* * * * *
I can hardly tell you what a pleasure it is to me to have a garden. The place has never felt so like a home before! I went into my little flower garden (a separate plat from the other--fenced round, and simply composed of two round beds, and four wooden-edged borders and one elm tree) [_sketch_] early this morning, and it seemed so jolly after the long winter. My jonquils are just coming out, and one or two other things. In the elm tree two bright yellow birds were cheeping. I mean to plant scarlet-runners to attract the humming birds. It is something to see fireflies and humming birds in the flesh, one must admit!
* * * * *
I cannot echo your severe remarks on the Queen, though I am _quite_ willing to second your praise of the Prince Consort. Her Most Gracious Majesty is--excuse me--a subject I feel rather strongly about. We are not--as an age--guilty of much weakness in the way of over loyalty to anything or any person, and I cannot help at times thinking that it must be a painful enough reflection to a woman like Queen Victoria, who at any rate is as well read in the history and constitution of England as most of us, to know what harvests of love and loyalty have been reaped by Princes who lived for themselves and not for their people, who were fortunate in the accidents of more power and less conscience, and of living in times when you couldn't get your sovereign's portrait for a penny, or suggest to the loyal and well-behaved Commons that if the King's health was not equal to all that you thought fit, you would rather he abdicated. When one thinks of all that noble hearts bled and suffered and held their peace for--to prop up the throne of Stuart--of all the vices that have been forgiven, the weaknesses that have been covered, the injustice that has been endured from Kings--when one thinks--if _she_ thinks!--of all that has been suffered from successive mistresses and favourites of royalty a thousand times more easily than she can be forgiven for (grant it!) a weak and selfish grief for a noble husband--it is enough to make one wonder if nations are not like dogs--better for beating. If the Queen could cut off a few more heads, and subscribed to a few less charities, if she were a little less virtuous, and a little more tyrannical, if she borrowed her subjects' plate and repudiated her debts, instead of reducing her household expenses, and regulating court mournings by the interests of trade, I am very much afraid we should be a more loyal people! If we had a slender-limbed Stuart who insisted upon travelling with his temporary favourite when the lives and livelihoods of the best blood of Britain were being staked for his throne whilst he amused himself, I suppose we should wear white favours, and believe in the divine right of Kings. It must be impossible for her to forget that the Prince, whom death has proved to be worthy of the praise most people now accord him, was far from popular in his lifetime, and the pet gibe and sport of _Punch_. I suppose when she is dead or abdicated we shall discover that England has had few better sovereigns--and one can only hope that the reflection may not be additionally stimulated by the recurrence of her successor to some of the more popular--if not beneficial--peculiarities of former reigns. It is true that then we might kick royalty overboard altogether, but, judging by the United States, I don't know that we should benefit even on the points where one might most expect to do so. In truth, I believe that the virtue of loyalty is extinct and must be--except under one or two conditions. Either more royal prerogative than we have--or in the substitution of a loyal affection that shall in each member of the commonwealth cover and be silent over the weak points which the publicity of the present day exposes to vulgar criticism--for the spirit which used to give the blood and possessions which are not exacted of us. This is why the Queen's books do not trouble _my_ feelings about her. She is no great writer certainly, and has perhaps made a mistake in thinking that they would do good. I think they will do good with a certain class, perhaps they lower her in the eyes of others. I do think myself that the virtues she (and even her books incidentally) display are so great, and her weaknesses comparatively so small, that one's loyalty must be little indeed if one cannot honour her. "Them's my sentiments." I am ashamed to have bored you with them at such length.
I wonder whether you thought of us yesterday? But I know you did! We had planned a Johnny Gilpin out for the day, but it proved impossible. So we spent it thus--A.M. Full Cathedral Service with the Holy Communion, which was very nice, though, as it was a Feast Day, the service was later than usual, so it took all our morning. Rex played the organ. We spent most of the afternoon in tuning the organ, and then R. went off to mesmerize a man for neuralgia, and I went up town to try and get something good for dinner!
I am very happy, though at times one _longs_ to see certain faces. But GOD is very good, and I have all that I can desire almost.
The Spring flowers are very lovely, some of them. I must go out. Adieu.
_Best_ love to your Mother and all, to Lucy especially.
Your ever affectionate, J.H.E.
TO MRS. GATTY.
_Fredericton._ June 8, 1868.
MY DEAREST MOTHER,
Does the above sketch give you the faintest idea of what it is to paddle up and down these lovely rivers with their smaller tributaries and winding creeks, on a still sunny afternoon? It really is the most fascinating amusement we have tried yet. Mr. Bliss took us out the other day, it being the first time either of us was in a canoe, and Rex took one of the paddles, and got on so well that we intend to have a canoe of our own. Peter Poultice is building it, and I hope soon to send you a sketch of Rex paddling his own canoe! Of us, I may say, for I tried a paddle to-day, and mean to have a little one of my own to give _my_ valuable assistance in helping the canoe along. Next month when Rex can get away we think of going up the river to "Grand Falls" (the next thing to Niagara, they say) by steamer, taking our canoe with us, and then paddling ourselves home with the stream. About eighty miles. Of course we should do it bit by bit, sleeping at stopping-places. One art Rex has not yet acquired, and it _looks_ awful! A sort of juggler's trick, that of _carrying_ his canoe. Imagine taking hold of the side of a canoe that would hold six people, throwing it up and overturning it neatly on your head, without injuring either your own skull or the canoe's bottom.... This canoeing is really a source of great pleasure to us, and will more thaw double the enjoyment of summer to me. With a canoe Rex can "pull" me to a hundred places where a short walk from the shore will give me sketching, botanizing, and all I want! Moreover, the summer heat at times oppresses my head, and then to get on the water gives a cool breeze, and _freshens one up_ in a way that made me think of what it must be to people in India to get to "the hills." I have never wished for some of you more than on this lovely river, gliding about close to the water (you sit on the very bottom of the canoe), all the trees just bursting into green, and the water reflecting everything exquisitely. Kingfishers and all kinds of birds flitting about and singing unfamiliar songs; bob-o-links going "twit-twit," little yellow birds, kingbirds, crows, and the robin-thrushes everywhere. I landed to-day at one place, and went into a wood to try and get flowers. I only got one good one, but it was very lovely! Two crows were making wild cries for the loss of one of their young ones which some boys had taken, and as I went on I heard the queer chirrup (like a bird's note) of Adjidaumo the squirrel! and he ran across my path and into a hollow tree. It is a much smaller squirrel than ours, about the size of a water rat, and beautifully striped.
The only drawback to the paddling is that the beloved Hector cannot go with us. He would endanger the safety of the canoe. One has to sit very still....
June 16, 1868.
MY DEAREST MOTHER,
We sent off the first part of "Kerguelen's Land" yesterday.... Rex is so much pleased with the story that _I_ am quite in spirits about it, and hope you may think as favourably. He thinks if you read the end bit before you get the rest you will never like it, and yet I am very anxious to take the chance of the first part's having gone, as I want a proof--so if you do not get the first part, please put this by till you do, and don't read it.
Would it be possible for Wolf to illustrate it? If he knows the breeding islands of the Albatross he would make a lovely thing of it. This is the last _story_. There will only be a _conclusion_ now. I have got my "information" from Rex, and "Homes without Hands."--The only point I am in doubt about is whether the parent birds would have remained on the island so _long_--I mean for _months_. Do you know any naturalist who would tell you this? When they are not breeding they seem to have no home, as they follow ships for weeks.
How we miss Dr. Harvey, and his _fidus Achates_--poor old Dr. Fisher!--I so often want things "looked up"--and we do lack books here!...
_Fredericton_. November 3, 1868.
... I _must_ tell you what Mrs. Medley said to me this evening as we came out of church. She said, "It is an odd place to begin in about it, but I must thank you for the end of Mrs. Overtheway. The pathos of those old Albatrosses! The Bishop and I cried over them. I suppose it's the highest compliment we can pay you to say it is equal to anything of your Mother's, and that you are a worthy daughter of your Mother." Wasn't that a splendid bit of praise to hear all these miles away from one's dear old wonderful old Mother?...
To H.K.F.G.
_Fredericton N.B._ Tuesday, December 8, 1868.
... Tell the dear Mother, please, that I got dissatisfied with my story, and _recast it_ and began again--and got on awfully well, and was very well satisfied with it. But Rex read what was done and doesn't care for it a bit--in fact quite the reverse, which has rather upset my hopes. However, he says he cannot properly judge till it is finished, so I am going to finish it off, and if he likes it better then, I shall send it next mail. It is a regular child's story--about Toys--not at all sentimental--in fact meant to be amusing; but as Rex read it with a face for a funeral, I don't know how it will be. I don't somehow think the idea is bad. It is (roughly) this: A pickle of a boy with a very long-suffering sister (I hope you won't object to her being called Dot. You know it's a very common pet name, and it "shooted" so well) gets all her toys and his own and makes an "earthquake of Lisbon" in which they are all smashed. From which a friend tells them the story of a dream she is supposed to have had (but I flattered myself the dream was rather neatly done up) of getting into fairyland to the Land of Lost Toys--where she meets all her old toys that she destroyed in her youth. Here she is shown in a kind of vision Dutch and German people making these toys with much pains and industry, and is given a lot of material and set to do the like. Failing this she is condemned to suffer what she inflicted on the toys, each one passing its verdict upon her. Eventually a doll (MY Rosa!!!!) that she had treated very well rescues her, and the story reverts to the sister and brother, who takes to amusing himself by establishing himself as toy-mender to the establishment, instead of cultivating his bump of destructiveness. I sketch the idea because (if the present story fails) if you think the _idea_ good I would try to recast it again. If I send it as it is, it is pretty sure to come by the Halifax mail next week.... I do miss poor dear old Dr. Fisher, so! I very much wanted some statistics about toy-making. You never read anything about the making of common Dutch toys did you?...
_Fredericton_, December 8, 1868.
* * * * *
Tell Mother I think she ought to get _Henry_ Kingsley to write for _Aunt Judy's Magazine_. The _children_ and the _dogs_ in his novels are the best part of them. They are utterly first rate! I am sure he would make a hit with a child and dog story.
I told you that Bishop Ewing had written me such a charming letter, and sent me a sermon of his? This mail he sent us a number of the _Scottish Witness_ with "Jerusalem the Golden" in Gaelic in it....
To MRS. GATTY.
_Fredericton, N.B._
Easter Monday, 1869,
* * * * *
You are very dear and good about our ups and downs, and it makes me doubly regret that I cannot reward you by conveying a perfectly truthful _impression_ of our life, etc. here to your mind, I trace in your very dearness and goodness about it, in your worrying more about discomfort for me in our moves than about your own hopes of our meeting at Home, how little able one is to do so by mere letters, I wish it did not lead you to the unwarrantable conclusion that it is because you are "weak and old" that you do not appreciate the uncertainties of our military housekeeping, and can only "admire" the coolness with which I look forward to breaking up our cosy little establishment, just when we were fairly settled down. You can hardly believe how well I understand your feelings for me, _because I have so fully gone through them for myself_. I never had D.'s "spirit" for a wandering life, and it is out of the fulness of my experience that I _know_ and wish unspeakably that I could convey to you, how very much of one's shrinking dread has all the _unreality_ of fear of an _unknown_ evil. When I look back to all I looked forward to with fear and trembling in reference to all the strangenesses of my new life, I understand your feelings better than you think. I am too much your daughter not to be strongly tempted to "beat my future brow," much more so than to be over-hopeful. Rex is given that way too in his own line; and we often are brought to say together how inexcusable it is when everything turns out so much better than we expected, and when "God" not only "chains the dog till night," but often never lets him loose at all! Still the natural terrors of an untravelled and not herculean woman about the ups and downs of a wandering, homeless sort of life like ours are not so comprehensible by him, he having travelled so much, never felt a qualm of sea-sickness, and less than the average of home-sickness, from circumstances. It is one among my many reasons for wishing to come Home soon, that one chat would put you in possession of more idea of our passing home, the nest we have built for a season, and the wood it is built in, and the birds (of many feathers) amongst whom we live, than any _letters_ can do.... You can imagine the state of (far from blissful) ignorance of military life, tropical heat, Canadian inns, etc., etc., in which I landed at Halifax after such a sudden wrench from the old Home, and such a very far from cheerful voyage, and all the anecdotes of the summer heat, the winter cold, the spring floods, the houses and the want of houses, the servants and the want of servants, the impossibility of getting anything, and the ruinous expense of it when got! which people pour into the ears of a new-comer just because it is a more sensational and entertaining (and _quite_ as stereotyped) a subject of conversation as the weather and the crops. The points may be (isolatedly) true; but the whole impression one receives is alarmingly false! And I can only say that my experience is so totally different from my fears, and from the cook-stories of the "profession," that I don't mean to request Rex to leave Our Department at present!...
TO MRS. GATTY,
_Fredericton._ Septuagesima, 1869.
... I am sending you two fairy stories for your editorial consideration. They are not intended to form part of "The Brownies" book--they are an experiment on my part, and _I do not mean to put my name to them_.
You know how fond I have always been of fairy tales of the Grimm type. Modern fairy tales always seem to me such _very_ poor things by comparison, and I have two or three theories about the reason of this. In old days when I used to tell stories to the others, I used to have to produce them in considerable numbers and without much preparation, and as that argues a _certain_ amount of imagination, I have determined to try if I can write a few fairy tales of the genuine "uninstructive" type by following out my theories in reference to the old traditional ones. Please _don't_ let out who writes them (if you put them in, and if any one cares to inquire!), for I am very anxious to hear if they elicit any comments from your correspondents to confirm me in my views. In one sense you must not expect them to be original. _My aim is_ to imitate the "old originals," and I mean to stick close to orthodox traditions in reference to the proceedings of elves, dwarfs, nixes, pixies, etc., and if I want them to use such "common properties of the fairy stage"--as unscrupulous foxes, stupid giants, successful younger sons, and the traditional "fool"--with much wisdom under his folly (such as Hans in Luck)--who suggests the court fools with their odd mixture of folly and shrewdness. _One_ of my theories is that all real fairy tales (of course I do not allude to stories of a totally different character in which fairy machinery is used, as your Fairy Godmothers, my "Brownies," etc., etc.), that all real "fairy tales" should be written as if they were oral traditions taken down from the lips of a "story teller." This is where modern ones (and modern editions of Grimm, _vide_ "Grimm's Goblins," otherwise a delicious book) fail, and the extent to which I have had to cut out reflections, abandon epithets, and shorten sentences, since I began, very much confirms my ideas. I think the Spanish ones in _Aunt Judy's Magazine_ must have been so obtained, and the contrast between them and the "Lost Legends" in this respect is marked. There are plenty of children who can appreciate "The Rose and the Ring," "The Water Babies," your books, and the most poetical and suggestive dreams of Andersen. But (if it can be done) I think there is also a strong demand for new combinations of the Step-mother, the Fox, the Luck Child, and the Kings, Princesses, Giants, Witches, etc. of the old traditions. I say combinations advisedly, for I suppose _not_ half of Grimm's Household Stories have "original" plots. They are palpable "_réchauffées_" of each other, and the few original germs might, I suspect, be counted on one's fingers, even in fairy-lore, and then traced back to a very different origin. Of course the market is abundantly stocked with modern versions, but I don't think they are done the right way. This is, however, for the Editorial ear, and to gain your unbiased criticism. But, above all, don't tell any friends that they are mine for the present. Of course if they DID succeed, I would republish and add my name. But I want to be incognito for the present--1st, to get free criticism; 2nd, to give them fair play; 3rd, not to do any damage to my reputation in another "walk" of story-writing. I do not in the least mean to give up my own style and take to fairy tale-telling, but I would like to try this experiment....
Monday, April 19, 1869.
... I have two or three _schemes_ in my head.
"Mrs. Overtheway" (_2nd series_), "Fatima's Flowers," etc.
"The Brownies (and other Tales)."
"Land of Lost Toys," "Three Christmas Trees," "Idyll," etc.
"Boneless," "Second Childhood," etc., etc.
"The Other Side of the World," etc., etc.
"Goods and Chattels" (quite vague as yet).
"A Sack of Fairy Tales" (in abeyance).
"A Book of _weird queer_ Stories" (none written yet).
"Bottles in the Sea," "Witches in Eggshells," "Elephants in Abyssinia," etc.
And (a dear project) a book of stories, chiefly about Flowers and Natural History associations (_not scientific, pure fiction_),
"The Floating Gardens of Ancient Mexico," the "Dutch Story," "Immortelles," "Mummy Peas," etc., etc. (none even planned yet!)...
To H.K.F.G.
[Undated, _Fredericton_.]
... How well I know what you say about the truth of Mother's sayings of the soothing effects of Nature! I used to feel it about gardening also so much. Visions of three yellow, three white, and three purple crocuses blooming in one pot beguile the mind from less happy fancies--perhaps too the _largeness_ and _universality_ of Nature disperse the selfishness of personal cares and worries. Then I think the smell of _earth_ and _plants_ has a physical anodyne about it somehow! One cannot explain it....
TO MRS. GATTY.
_Fredericton, N.B._ 5th Sunday after Trinity, 1869.
... We have another "dogue."... _Trouvé_ is the name of Hector's successor. 'Cos for why, we found him locked up in one of the barrack rooms, when I was with Rex on one of his inspections. He is a "left behind" either of the 1st Battalion 22nd, or the 4th Battalion 60th Rifles, we do not know which. He has utterly taken to us, and is especially fond of me I think. He is a big, black fellow, between a Newfoundland and a retriever. In the "Sweep" line, but not so big. He is wonderfully graceful and well-mannered (barring a trifling incident yesterday, when he got into my little cupboard, ate about two pounds of cheese and all the rolls, and _snuffed_ the butter). And another trifling occurrence to-day. We chained him to the sofa, which, during our absence, he _dragged_ (exactly as the dogs dragged _Mons. Jabot's bed_) across the room, upset the ink on to the carpet, threw my photo-book down by it, and established himself in Rex's arm-chair. It was most ludicrous, for the other day he slipped his collar, and _chose the sofa_ to lie on, but because he was tied to the sofa, with full permission to use it, he chose the chair! and must nearly have lugged his own head off. He does wonderfully little damage with his pranks; there were wine-glasses, bottles, pickles, &c., in the cupboard when he got the cheese; but he extracted his supper as daintily as a cat, and not a thing was upset! Oddly enough, when we are with him, he never thinks of getting into cushions and chairs like that blessed old sybarite the Bull-dogue. But if we leave him tied up, he plays old gooseberry with the furniture. I had been fearing it would be rather a practical difficulty in the way of his adoption, the question of where he should sleep; but he solved it for himself. He walks up-stairs after us, flops on to the floor, gives two or three sighs, and goes gracefully to sleep.... I wish you could have seen him lying in perverse dignity in the arm-chair, with the sofa attached to the end of his chain like a locket!!!
To H.K.F.G.
12th Sunday after Trinity. _Fredericton, N.B._ August 16, 1869.
... We had a great scene with Peter yesterday. Rex has two guns, you must know--a rifle, and an old fowling-piece--good enough in its way, but awfully _old-fashioned_ (not a breech-loader), and he determined to make old Peter a present of this, for he is a good old fellow, and does not _cheat_ one, and we had resolved to give him something, and we knew this would delight him. I wish you _could_ have seen him. He burst out laughing, and laughed at intervals from pure pleasure, and went away with it laughing. But with the childlike _enjoyment_ (which negroes have also), the Indians have a power and grace in "expressing their sentiments" on such an occasion which far exceeds the attempts of our "poor people," and is most dignified. His first _speech_ was an emphatic (and _always slow_) "_Too_ good! Too much!" and when Rex assured him it was very old, not worth anything, etc., etc., he hastily interrupted him with a _thoroughly_ gentlemanlike air, almost Grandisonian, "Oh! oh! as good as new to me. Quite as good as new." They were like two Easterns! For not to be outdone in courtesy, Rex warned him not to put too large charges of powder for fear the barrel should burst--being so old. A caution which I believe to be totally unnecessary, and a mere hyperbole of depreciation--as Peter seemed perfectly to understand! He told me it was "The first present I ever receive from a gentleman. Well--well--I never forget it, the longest day I live." The graceful candour with which he said, "I am very thankful to you," was quite pretty.
TO MRS. GATTY.
[_Aldershot._] February 23, 1870.
MY DARLING MOTHER,
I was by no means sensible of your iniquities in not acknowledging my poor Neck,[35] for I had entirely forgotten his very existence! Only I was thinking it was a long time since I heard from you--and hoping you were not ill. I am _very_ glad you like the Legend--I was doubtful, and rather anxious to hear till I forgot all about it. The "Necks" are Scandinavian in locality, and that desire for immortal life which is their distinguishing characteristic is very touching. There is one lovely little (real) Legend in Keightley. The bairns of a Pastor play with a Neck one day, and falling into disputes they taunt him that he will never be saved--on which he flings away his harp and weeps bitterly. When the boys tell their father he reproves them for their want of charity, and sends them back to unsay what they had said. So they run back and say, "Dear Neck, do not grieve so; for our father says that your Redeemer liveth also," on which the Neck was filled with joy, and sat on a wave and played till the sun went down. He appeared like a boy with long fair hair and a red cap. They also appear in the form of a little old man wringing out his beard into the water. I ventured to give my Neck both shapes according to his age. All the rest is _de moi-même_....
[Footnote 35: The Neck in "Old-fashioned Fairy Tales."]
[_Aldershot._] March 22, 1870.
MY DARLING MOTHER,
I am so very much pleased that you think better of Benjy[36] now. As I have plenty of time, I mean to go through it, and soften Benjy down a bit. He is an awful boy, and I think I can make him less repulsive. The fact is the story was written _in fragments_, and I was anxious to show that it was not a little boyish roughness that I meant to make a fuss and "point a moral" about--nor did I want to go into fine-drawn questions about the cruelties of sport, and when I came to join the bits into a whole and copy out, I found I had overproved my point and made Benjy a _fearful_ brute. But there _are_ some hideously cruel boys, and I do think a certain devilish type of cruelty is generally combined with a certain _lowness_ and _meanness_ of general style--even in born gentlemen--and though quite curable, I would like to hear what the boys think of it, if it would not bore them to read it. But I certainly shall soften Benjy down--and will attend to all your hints--and put in the "Mare's Nest" (many thanks!). Tell D. I do not know how I could alter about Rough--unless I take out his death altogether--but beg her to observe that he was not the least neglected as to food, etc.; what he died of was joy after his anxiety....
[Footnote 36: Included in "Lob Lie-by-the-Fire, and other Tales," vol. vii.]
[_Aldershot._] May Day, 1870.
... I have got some work into my head which has been long seething there, and will, I think, begin to take shape. It is about _flowers_--the ancestry of flowers; whether the flowers will tell their own family records, or what the _plot_ will be I have not yet planned, and it will take me some time to collect my data, but the family histories of flowers which came originally from old Mexico in the days of Montezuma, and the floating gardens, and the warriors who wore nosegays, and the Indians who paddled the floating gardens on which they lived up the waters of that gorgeous city with early vegetables for the chiefs--would be rather weird! And then the strange fashions and universal prevalence of Japanese gardening. The wistaria rioting in the hedges, and the great lilies wild over the hills. Ditto the camellias. With all the queer little thatched Japanese huts that always have lumps of _iris_ on the top, which the Japanese ladies use for bandoline. Then the cacti would have queer legends of South America, where the goats climb the steep rocks and dig them up with their horns and roll them down into the valley, and kick and play with them till the _spines_ get rubbed off, and then devour them at leisure. I give you these instances in case anything notable about flowers comes in your way, "when found to make a note of" for me....
TO MRS. ELDER.
_Ecclesfield_, October 25, 1871.
MY DEAREST AUNT HORATIA,
Your letter _was_ shown to me, and I cannot tell you how much obliged to you I am for the prospect of the gold thimble, _a thing I have always wished to possess_.
I--(if it fits!!! But, as I told Charlie, if it is too big I _can_ wrap a sly bit of rag round my finger, but if it's too small, unless I cut the tip, as Cinderella's sisters cut their heels, I don't know how I can secure it!) shall additionally value it as a testimony of your approval of my dear old Hermit[37], for that is one of my greatest favourites amongst my efforts. Miss Yonge prefers it, I believe, to anything I have ever done, and Rex nearly so....
Your loving niece, J.H.E.
[Footnote 37: "The Blind Hermit and the Trinity Flower," vol. xvi.]
TO C.T. GATTY.
_Aldershot_. Holy Innocents, 1871,
... I had the very latest widow here for two days "charring." She is the lady alluded to by Rex when he told Stephen that she had been weighed, and was found wanting. In justice to her physique, I must say that this was not according to avoirdupois measure!! but figurative. She whipped about as nimbly as an elephant. She was rather given to panting and groaning. You can fancy her. [_Sketch_.] "Mrs. Hewin, ma'am, _don't_ soil your 'ands! _Let_ me! As I says to the parties at the 'Imperial' at Folkstone, ladies thinks an elderly person can't get through their work, but they can do a deal more than the young ones that has to be told every--Using the table-cloth to wipe the dishes am I? Tst, tst! so I ham! M'm! Hemma! where's your kitchen cloths? I don't know where things his yet, Mrs. Hewin. But I've 'ad a 'Ome of my own, Mrs. Hewin, and been use to take care of things"--("Take care, Mrs. Plumridge")--"Well now! 'owever did _that_ slip through my fingers now? Tst! tst! tst! There must have been a bit of butter on the hunder side I think. Eh! deary dear! Ah--! Oh--!" Pause--Solo recitative--"Eh, dear! If my poor 'usband was but alive, I shouldn't be wanting now! I Ope I give you satisfaction, Mrs. Hewin. If I'm poor, I'm honest. I ope I give satisfaction in hevery way, Mrs. Hewin, Your property is safe in _my_ 'ands, Mrs. Hewin! What do you think of my papers, Mrs. Hewin? One lady as see them said she didn't know what more _hany_ one could require." (Said papers chiefly consisting of baptism registers of the little Plumridges. Marriage lines of Mrs. P., and forms in reference to the late Mr. P., a pensioner.)
SEQUEL.
"Emma, where's the water-can?"
"Please 'm, Mrs. Plumberridge, she left it outside of the door yesterday, and some one's took it."
There is yet a later widow, but I do _not_ think of taking her into the house. The Widow Bone has taken to _boning_ her daughter's clothes, so _she_ is forbidden the house....
To A.E.
_Brighton_. April 17, 1872.
... I got here all right, and wonderfully little tired, though the train shook a good deal the latter part of the way.
Oh! the FLOWERS! The cowslips, the purple orchids, the kingcups, the primroses! And the grey, drifting cumuli with gaps of blue, and the cinnamon and purple woods, broken with yellowish poplars and pale willows, with red farms, and yellow gorse lighted up by the sun!!! The oaks just beginning to break out in yellowish tufts, [_Sketch._] I can't tell you what lovely sketches I passed between Aldershot and Redhill!
On to Brighton I took charge of a small boy being sent by a fond mother to school. When I mention that he was nine years old,--and informed me--that he had got "a jolly book," which proved to be _A School for Fathers_, that his own school wasn't _much of a one_, and he was going to leave, and ate hard-boiled eggs and crystallized oranges by the way--you will see how this generation waxes apace!!
_Ecclesfield_. May 27, 1872.
... The weather is very nice now. I stayed till the end of the Litany in church yesterday, and then slipped out by the organ door and sat with Mother. I sat on the Boy's school side of the chancel, where a little lad near me was singing _alto_ (not a "second" of thirds!) strong and steady as a thrush in a hedge!! The music went very well.
The country looks lovely, _but for the smoke_. If it had but our blue distance it would be grand. But the
"wreathed smoke afar That o'er the town like mist upraised Hung, hiding sun and star,"
gets worse every year! And when I think of our lovely blue and grey folds of distance, and bright skies, and tints, I feel quite _Ruskinish_ towards mills and manufactories.
TO C.T. GATTY.
_X Lines, South Camp, Aldershot._ August 10, 1873.
MY VERY DEAR OLD CHARLIE,
Don't you suppose your sister is forgetting you. Two causes have delayed your drawings.
1. I have been working--oh _so_ hard! It was because Mr. Bell announced that he wanted a "volume," and that for the Xmas Market one must begin at once in July!
Such is competition!
He had an idea that something which had not appeared in any magazine would be more successful than reprints. _So_ I have written "Lob Lie-by-the-Fire, or the Luck of Lingborough," and you will recognize your _Cockie_ in it! I have taken no end of pains with it, and it has been a matter of seven or eight hours a day lately. I mean the last few days. Rather too much. It knocked me off my sleep, and reduced "my poor back" to the consistency of pith. But I am picking up, partly by such gross material aid as _bottled stout_ affords! and any amount of fresh air blowing in full draughts over my bed at night!!
2. I _have_ been at work for you, but I get so horribly dissatisfied with my things. No; I must do some real steady _work_ at it. One can't jump with a little "nice feeling" and plenty of theories into what can give any lasting pleasure to oneself or any one else. I will send you shortly (I hope) a copy of one of Sir Hope Grant's Chinnerys, and perhaps a wee thing of Ecclesfield. The worst of drawing is, it wants mind as well as hands. One can't go at it _jaded_ from head work, as one could "sew a long white seam" or any mechanical thing!...
When D---- was with me, we went to a _fête_ in the North Camp Gardens, and I was talking to Lady Grant about the Chinnerys, and the "happy thought" struck her to introduce me to a Mr. Walkinshaw. They live somewhere in this country, and Mrs. Walkinshaw came up afterwards to ask if she might call on me, as they have a Chinnery collection (gathered in China), and Mr. Walkinshaw would show them to me!... I mean to collect all possible information on the subject, and either to write myself, or _prime you_ to write an article on him some day!
TO C.T. GATTY.
_X Lines._ August 20, 1873.
DEAR OLD BOY,
... I enjoyed your letter very much, and am so glad you keep "office hours." It is very good of you not to be angry with my good advice! "Experientia does it," as Mr. 'Aughton would say.... _I_ break down about once in three months like clockwork--from sheer overwork. I certainly am never happy idle; but I have too often to sit in sackcloth in the depths of my heart--whilst everybody is beseeching me to be "idle"--from a consciousness that, not from doing nothing, but by doing B when I should have done A, and C when I should have done B, a kind of indolence at the critical moment, I have _wasted_ my strength and time, not MERELY overworked myself. Also that on _many_ things--drawing, languages, etc.--I have spent in my life a great deal of labour with little result, because it has not been consecutive and methodical. One would like one's own failures to be one's friends' stepping-stones. I _may_ say too that I have an excuse which, thank GOD, you can't plead now--ill-health. It is not always easy, even for oneself, to judge when languor at the precise instant of recurring duty is spine-ache from brain work, and the sofa is the remedy,--or when it is what (in reference to an unpublished--indeed unwritten--story on this head) I call Boneless on the spine! MY back is apt to ache in any case!... I am trying to teach myself that if one _has_ been working, one has not necessarily been working to good purpose, and that one may waste strength and forces of all sorts, as well as time!
Curious that _you_ and D---- should both have quoted that saying of J.H. Newman to me in one week! I also will adopt it! Indeed "bit by bit" is the only way _I_ feel equal to improve in _anything_, and I do think it is GOD's way of teaching and leading us all as a rule, and it is the principle on the face of all His creation--_Gradual_ growth. The art of being happy was never difficult to me. I think I am permitted an unusual _intensity_ of joy in common cheap pleasures and natural beauties--fresh air, colour, etc., etc., to compensate for some ill-health and deprivations.
Herewith comes my "Portrait by Spoker," and a copy of a Chinnery. The first-fruits of "regular" work at drawing an hour a day!!!
Farewell, Beloved.... Ever your very loving old sister, JULIANA HORATIA EWING.
TO A.E.
_Ecclesfield Vicarage, Sheffield_. Sunday, Oct. 5, 1873.
... It is all over. She _is_ with your Father and Mother, and the dear Bishop, and my two brothers, and many an old friend who has "gone before." Had she been merely a friend she is one of those whose loss cannot but be felt more as years and experience make one realize the value of certain noble qualities, and their rarity; but if GOD has laid a heavy cross upon us in this blow,--which seems such a blow in spite of long preparing!--He has given us every comfort, every concession to the weaknesses of our love in the accidents of her death.... It was an ideal end. GOD Who had permitted her to suffer so sorely in body, and to be often visited in old times--by dread of death and of "death-agonies," parted the waves of the last Jordan, and she "went through dryshod!"... The sense of her higher state is so overwhelming, one _cannot_ indulge a _common_ sorrow. For myself I can only say that I feel as if I were a child again in respect of her. She is as much with _me_ now, as with any of her children, even if I am in Jamaica or Ceylon. _Now_ she knows and sees my life, and I have a feeling as if she were an ever-present _conscience_ to me (as a mother's _presence_ makes a child alive to what is right and what is wrong), which I hope by GOD's grace may never leave me and may make me more worthy of having had such a Mother....
TO C.T. GATTY,
_R Lines; South Camp._ January 4, 1874.
DEARLY BELOVED,
What _would_ I give to have a visit from you! I fear you did not get home at Xmas! Thank you a thousand times for your card--I think it almost the very prettiest I ever saw!
... As I am not prompt _to time_ with my Xmas Box I may as well be appropriate in kind. Is there any trifle you are "in want" of?
"Price ner object," as Emmanuel Eaton (the old Nursery man) (very appropriately) named his latest Fuchsia, when he saw us children turning down the Wood End Lane in the Donkey Carriage on a birthday, flush of coppers--and bashful about abating prices!
... I was on the border of sending you a nice collection of poetry--and a shadow crossed my brain that you have said you "don't care about poetry"--"Lives there a man with soul so dead"--or does the great commercial whirl weary out the brain?--If I am wrong and you like it--will you have (if you don't possess) Trench's fine collection of poems of all dates?
Your ever devoted J.H.E.
TO C.T. GATTY,
_X Lines, South Camp._ March 13, 1874.
MY DEAREST CHARLIE,
I am _quite a brute_ not to have written before. I didn't, because (to say the truth!) I had a "return compliment" in the Valentine line in my head, and I never got time to do it! You know what the _pressure_ of work is, and I have had a lot in hand, and been _very_ far from well.
It was VERY good of you to send me a Val., and much appreciated.
I also owe you thanks for a copy of the "fretful" Porcupine [_Sketch_] duly received. I was very glad to get it--for you have greatly, wonderfully improved in your writing. I liked your article extremely, and was so very glad to see the marked improvement....
I am _not_, when I speak of improvement in the art of English composition, alluding solely to the time when you wrote as follows (italics and caps your own):
"Mr. Gatty thinks that Messrs. Fisher & Holmes has sent more than he desired _he said 2s._ or _2s. 6d._ and he thinks there is here more than that he hopes he will answer and tell me what price the LOT is and how many plants I may take for _2s._ or _2s. 6d._ by return of post or by Cox which will be better Ecclesfield June 1866."
I wouldn't part with the original of the above under a considerable sum of money! It always refreshes my brain to go back to it--and I laugh as often as one laughs, and re-laughs at Pickwick!--the way the pronouns become entangled and after making an imperfectly distinctive stand at "_he said_," jump desperately to the pith of the matter in "what price the LOT is." All difficulties of punctuation being disposed of by the process of omitting stops entirely--like old Hebrew--written without points!
(What an autograph for collectors if ever you're the "King Cole" of Liverpool!)
* * * * *
... I have been staying with M.M. I wish I could impart my mental gleanings. I made several experiments on her intellect. I tried to _pin her_ again and again--but QUITE without success--or (on _her_ part) sense of failure. I tried to remember what she had said afterwards--and I could not succeed. I couldn't carry a single sentence.
Generally speaking I gather that--
"The Kelts are destroying themselves--the Teuton Element MUST prevail--one feels--genius--the thing--Herr Beringer--Dr. Zerffi--but whatever one may FEEL--so it is! Every other nation COMMENCED where we LEAVE OFF. WE BEGAN with the DRAMA and left off with the Epic--Milton's--what-is-it? But there you have Hamlet--where do you find a character like Hamlet?--NOWHERE! That's the beauty of it. The young lady's maid never reads anything--but Macbeth. ANNE I _can_ trust with Faust. I read Lessing myself--and the Greek Testament (not the Epistles--don't let me exaggerate)--with a bit of dry toast and a cup of tea without a saucer or anything. I never sit down till the Easter holidays--before breakfast--I ought to feel--what is it--PROUD. Dr. Zerffi says he'll show A.B.'s papers at any University against the first-class men--and they won't understand a word of them. What were those girls when they came? There's the Duchess of Somerset's 15th coz twice removed. _Its all blood._ My father drove four-in-hand down this very hill in the old _coaching_ days (!!!)--and there's not another school in England where the young ladies read Bopp before breakfast. But the Vedas are a mine of--you know what--_Sanskrit_ is _English_--change the letters and I could make myself understood by a Parsee better than by half the young ladies of this establishment. We're all Indians!"
If her conversation is what it was--and _more so_, her hospitality, her generosity--and her admirable management of the girls and the house is as A1 as ever. I never saw a prettier, jollier, nicer set of girls. H---- is growing _very_ charming, I think. I believe the secret of her success, in spite of that extraordinary fitful intellect of hers, is that one never learns anything _well_ but what one learns _willingly_, and that she makes life so much more pleasant and reasonable that the girls work themselves, and so get on.
It's getting late! Good-night. I wish we met oftener!
Ever your very loving sister, J.H.E.
Have you seen March _A.J.M._? I particularly want you to read a thing of mine called "Our Garden." I'll send it if you can't get it.
_For Private Circulation Only._
(Oh, Charles! Charles!)
Time, 2 p.m. Julie in bed for the sake of "perfect quiet." M.M. "without a moment to spare."
"I SEE I'm tiring you--I shall NOT stop--I haven't a moment--I can't speak--I've given lessons on the mixed Languages this morning--and paid all my bills--Mr. B---- has called--he's better-looking than I thought, but too much hair--and the BREWER all over--you look very white--you're killing yourself--why DO you DO it?--and U----'s as bad--I mean D----. Dear me! what a pleasure it has been! When I THINK of Ecclesfield!!!! You are NOT to kill yourself--I forbid it--why should you work for daily bread as I have to do?--Our bread bill doesn't exceed £4 a week--I mean a month--TEN pounds a month for groceries and wine--spirits we never have in the house--you've seen all that we have--when I was senseless and Dr. F---- called--when the other doctors came he left his card and retired, but we've employed him since--he ordered gin cloths--they sent out--when the bill came in I said Brown! BROWN! BROWN!!--_what's this?_ GIN! GIN! GIN! WHO'S 'ad GIN! They said YOU! Such is life!
"Dear, dear, IT is a pleasure to see you--but I see your head's bad and I'm going--I MUST dress.--May I ring your bell for the maid--a black silk, Julie, good and well cut is economical, my dear. No _underground to Whiteley's_ for me! Lewis and Allenby--they dress me--I order nothing--I know nothing--I haven't a rag of clothing in the world--they line the bodices with silk and you can darn it down to the last--I eat nothing--I drink nothing--I only _work_--I never sleep--I read German classics in bed--Lessing--and the second part of Schiller's _Faust_--I give lessons on it before breakfast in my dressing-gown--this morning the young ladies hung on my lips--I _know_ the lesson was a good one--It was the Sorrows of Goethe. Last week Dr. Zerffi said--'All religions are one and one religion is all--particularly the Brahmas.' It was splendid! and none of the young ladies knew it before they came. But Poor Mrs. S----! She didn't seem one bit wiser. I sent him a Valentine on the 14th--designed by the young ladies. He said 'I _knew_ where it came from--by the word BOPP. Zis is ze only establishment in England where the word BOPP is known.' He's a great man--and the Teutonic element _must_ prevail. The Kelts are very charming, but they will GO. We've the same facial angle as the Hindoo, but poor Mrs. S---- can't see it. Dr. A---- says I must have some sleep--so I've given up Sanscrit--You can't do everything even in bed. And it's _English_ when all's done--and Brown speaks it as well as I do!! _Go_ to India, Julie, if ever you have the chance, and talk to the natives--they'll understand you. They understand me. Signor Ricci sometimes does NOT. But then he speaks the modern--the base--Italian, and _I_--the _classic_. He said, 'I do not understand you, Mees M----.' I said, 'E vero, Signor--I know you don't. But that's because I speak _classic_ Italian. All the organ-boys understand me.' And he smiled. Dear, dear! How pleasant it is to see a Gatty--but I wish you didn't look so white--when I see other people suffer, and think of all the years of health I've enjoyed, I never can be thankful enough--and when I've paid my monthly bills I'm the happiest woman in England. When I think of how much I have and how little I deserve, I don't know what to do but say my prayers. Dear, I'm sorry I told you that story about X----. If she sent this morning for £10 I must let her have it, if I had to go out and borrow it. I am going out--the Dr. says I must. In the holidays I go on the balcony--and look down into the street--and see the four-in-hands--and the policemen--and the han(d)som cabmen (they're most of them gentlemen--and some of them Irish gentlemen), and I say--'Such is life!' And poor Mrs. S---- says '_Is it_, Miss M----?' and I know I speak sharply to her, which I should _not do_. And I go into Kensington Gardens--and see the Princess--and the Ducks in the water--and the little ragged boys going to bathe--and I say 'This is a glorious world!' I saw Lord--Lord--dear me! I know his name as well as my own--Lord--Lord--Oh Lord! he believes in Tichborne--K----, that's it--Lord K---- in the Row. He always asks after me. HE married a woman--well. No more about that. He couldn't get a divorce. HER sister married a parson. SHE was the mother of that poor woman--you know--who was murdered by those people--THEY lived two streets off Derby House--the brother--a handsome man--lived opposite Gipsey Hill Station. You know _that_? _Well._ His wife had a bunch of curls behind (I hate curls and bunches behind--keep your hair clean and put it up simply). SHE--got off and so did HE. THEY--that's the parson and his wife--wrote to Lord K---- and said 'Lady K---- is dead,' He said 'Then bury her.' and he married again at once. SHE was a Miss A., and she said--'I marry him because I've been told to'--but that's neither here nor there, and these things occur. ANN! is that you? My dear, how black you are under the eyes--DO, Julie, try and take better care of yourself--and _keep quiet_. If I were Major Ewing I'd _thrash_ you if you didn't. Coming, Ann!--What was it?--Oh, Lord K---- and Tichborne--well--just let me shut the door. He IS Tichborne--but _he murdered him_. That's the secret.
"ANN! My black silk--go to my room--murdered who? why--_Castor_.
"Now try and get some sleep. If I find you with papers I'll _burn them_. Oh! there go all the drags and Mr. M---- on the box--and there go the 4.45, 5.15, and 5.25 to Baker St.--The days fly! But it's a glorious life. Work! Work!--Keep quiet, dear--I shall be back directly."
TO A.E.
_"Sheffield House," New Quay, Dartmouth._ June 4, 1874.
... The above I find is our _correct_ address, though what I sent you is all-sufficient, especially as you can't land without our seeing you out of our window, as we are almost within speaking distance of the steamer....
From Exeter here the line is lovely. Half the way you run along the shore. The fields ploughed and meadowed, and with trees, and cattle come down to the shore. [_Sketch._]
TORBAY is in this line. The cliffs are a deep red sandstone, the sky deep blue, and the fields deep green!! [_Sketch._]
At Dawlish, Torquay, etc. the jutting rocks of worn-away sandstone mark the points of the little bays with fantastic looking shapes, like petrified giants. [_Sketch._]
Looking back from Teignmouth is a very curious one on which the sea-birds sit. Bless their noses! and their legs! How they do enjoy the waves! [_Sketch._]
Those lazy ripples damp their boots so nicely!
In the Exeter Station sat a ---- [_Sketch_] Bull Dogue. O dear! He looked so "savidge," and was so nervous; every train made him tremble in every limb! I bought him a penny bun, but he was too nervous to eat, though he looked very grateful. The porter promised me to give him plenty of water, and as I gave the porter plenty of coppers I hope he did!
Tell Stephen the flowers on the railway banks give you quite a turn! Crimson, pale pink, and dead-white Valerian against a deep blue sky in hot sunshine make one not know whether to PAINT or press!
As to Dartmouth itself it is a mixture of Matlock, Whitby and Antwerp!!! The defect is it is really oil the river, not on the sea, but the neighbouring bays are so get-at-able we have settled here. The town is very old. Some of the streets, or rather terraces--if a perfectly irregular perching and jumbling of houses up and down a steep lull can be called a terrace--are very curious. [_Sketch._]
Flowers everywhere....
TO H.K.F.G.
July 12, 1874.
Dr. Edghill preached a fine sermon this morning on "Friend! wherefore art thou come?" Terribly didactic on the fate of Judas, but the practical application was wonderful and _so_ like him! It being chiefly on the "patient love of Christ." Quite merciless on Judas, and on the coarseness, coldness and brutalness of betrayal by the tenderest sign of human love. "But" (plunging head-first among the Engineers!) "if there's any man sitting here with a heart and conscience every bit as black as Judas's _in that hour_: to thee, Brother, in this hour--in thy worst and vilest hour--Jesus speaks--'_Friend!_--You may have worn out human love, you may try your hardest to wear out Mine'"--(parenthesis to the A.S.C. and a nautical _hitch_ of half his surplice)--("and we all try hard enough, _that's_ certain!)--'but _you never can_--Friend, still My Friend!'" (Pull up, and obvious need of bronchial troches. Tonsure mopped and a re-commencement.) "Then there's the appeal to the _conscience_ as well as to the _heart_. _Wherefore art thou come?_ what art thou about--what is thy object? I tell you what, I believe if Judas had answered this in plain language to himself he would have stopped short even then. And we should stop short of many a sin if we'd _face_ what we're going to do" (Dangerous precipitation of the whole Chaplain at the heads of the privates below.) "Some of you ask yourselves that question to-day--this evening _as you're walking to Aldershot_, 'Wherefore am I come?' And don't let the Devil put something else into your head, but just _answer it_," etc. etc.
He's not exactly an _equal_ or a _finished_ preacher for highly educated ears, but that sort of transparent candour which he has makes him _very_ affecting when on his favourite topic, the inexhaustible love of God. His face when he quotes--"The Son of God Who loved _Me_ and gave Himself for _Me_," is like a man showing the Rock he has clung to himself in shipwreck.
TO C.T.G.
_X Lines._ July 22, 1874.
DEAREST CHARLIE,
It was a _great_ disappointment not to see you! Now don't fail me next week--you scoundrel! I want you _most_ particularly for most selfish reasons. I am just taking my hero[38] into Victoria Docks, and want to dip my brush in _Couleur locale_ with your help. Do come, and we'll go up to London by _barge_ and sketch all the way!!! I know an A1 Bargemaster, and we can get beds at the inns _en route_. A two days' voyage! Or we can go for a shorter period and come home by rail. It won't cost us much.
[Footnote 38: "A Great Emergency," vol. xi.]
I am so glad to think of you in the dear _Old_--_New_ Forest.
* * * * *
Now mind you come--if only to see my Nelson (bureau) Relic!! It is such a comfort to me and _my papers_!
Ever your most loving sister, J.H.E.
TO MRS. ELDER.
_X Lines, South Camp._ August 7, 1874.
MY DEAR AUNT HORATIA,
I have begged the Tiger Tom for you!
He is the handsomest I ever saw, with such a head! His name is _Peter_. [_Sketch._]
Nothing--I assure you, can exceed his beauty--or the depth of his stripes....
If I had not too many cats already I should have adopted Peter long ago. We always quote William Blake's poem to him when we see him prowling about our garden.
"Tiger! Tiger! burning bright, In the forest of the night, What immortal Hand and Eye Framed thy fearful symmetry?"
Do you remember it?
I feel _quite a wretch_ not to like your "Ploughman"[39] as well as usual. There is always poetry in your things, but TO ME the _spirit_ of this one has not quite that reality which is the highest virtue of "a sentiment"--or at least its greatest strength. But I may be wrong. Only that kind of constant lifting of the soul from the labour of daily drudgery to the Father of our spirits seems to me one of the highest, latest, and most refined Christian Graces in natures farthest removed from "the ape and tiger," and most at leisure for contemplative worship. I know there are exceptions. Rural contemplative saints among shepherds and ploughmen. But that the agricultural labourer as a type seeks "Nature's God" at the plough-tail and in the bosom of his family I fear is _not_ the case--and it would be very odd if poverty and ignorance did lead to such results, even in the advantages of an "open-air" life. Perhaps Burns knew such a Cottar on Saturday Nights as he painted--he wasn't _sick_ himself! unless you interpret _a neet wi' Burns_ by that poem!--and there has been one contemplative Shepherd on Salisbury Plain--though the proverb says--
"Salisbury Plain Is seldom without a thief or twain."
--_not_ I believe supposed to refer to highwaymen!! and agricultural labourers stand (among trades) statistically high (or low!) for the crime of murder.
[Footnote 39: Sonnet by H.S. Elder, _Aunt Judy's Magazine_.]
But I won't inflict any more rigmarole on you, because of an obstinate conviction _in my inside_ that dear Mother was right in the idea that it is the learned--not the ignorant--who wonder, and that the ploughman feels no wonder at all in the glory of the rising sun--though YOUR mind might overflow with awe and admiration. As to the last verse--that a "cot" should ever be "cheerful" which "serves him for" washhouse, kitchen, nursery and all--is a triumph of the "softening influence of use"--and I concede it to you! But where "he reigns as a king his toils forgot" is, I am convinced, at the Black Bull with highly-drugged beer!!!!!!
Now am I _not_ a Brute?
And yet it is _very_ pretty, and--strange to say--the class to whom I believe it would be acceptable, is the class of whom I believe it is not (typically) true, and PERHAPS it is good for every class to have an _ideal_ of its own circumstances before its eyes. But I don't think it is good for rich people's children to grow up with the belief that twelve shillings a week, and cider and a pig, are the wisest and happiest earthly circumstances in which humanity with large families can be placed for their temporal and spiritual progress. I don't think it ever leads to a wish in the young Squire to exchange with Hodge for the good of his own soul, but I think it fosters a fixed conviction that Hodge has nothing to complain of, _plus_ being placed at a particular advantage as to his eternal concerns.
Will you ever forgive me? I like the descriptive parts so much, the "rival cocks at dawn"--the "autumn's mist and spring's soft rain," the team that "turn in their trace in the furrow's face," and the life-like descriptions in verse 4. It is as true to one's observation as it is graceful....
Your loving niece, J.H.E.
TO A.E.
_Ecclesfield._ May 14, 1876.
[_Sketch._] Do you remember Whitley Hall? I used to be so fond of the place when I was a child, and no one lived there but an old woman--old Esther Woodhouse--with a face like an ideal witch--at the lodge. As you know I always hated _writing down_--but long before I accomplished a tale on paper I wrote a novel _in my head_ to Whitley Hall, and used to walk about in the wood there, by the pond--_to think it_!
_York._ February 23, 1879.
... Yesterday was sunny though cold, and I had a delicious drive to Escrick and Naburn. Oh, it _does_ send thrills of delight through me, when the hay-coloured hedge-grass begins to mix itself with green, and the hedges have a very brown-madderish tint in the sun, and all the trunks of all the old trees are far greener than the fields, and the earth is turned over, and the rooks hold Parliaments.
* * * * *
[_York._] Easter Day, 1879.
... I went to Church at S. John's, Mr. Wilberforce's Church; I had never been in it. That window with S. Christopher, and those strange representations of the Trinity, and the five Master Yorkes kneeling all in blue on one side, and their four sisters on the other, is very wonderful. One of the most wonderful. How fascinating these dear old churches are! Mr. Wilberforce has a fine voice, a most rich and flexible baritone, and sings ballads with a great deal of taste and expression. I shall for ever love York and its marble-white walls and dear old churches, but "Benedetta sia 'l giorno e 'l mese e 'l anno," when you set your face with your black poodle towards the island called Melita! This north-east wind which still blows _cruelly_ would have made you very ill, I think....
I must tell you of another thing. On Thursday I went to the Blind School to a concert. I went rather against my will, for you know I was sadly impressed before by their _very_ unhealthy and miserable look, but oh, dear, they do sing well! and it was very affecting. One of the Barnbys teaches them. They have a good organ, and one of the blind men played very well. They sang very refinedly. No doubt they are well taught, but no doubt also the sense of hearing is delicate with them....
_Frimhurst._ April 18, 1879.
I got here safely yesterday, though I had a horrid headache on Wednesday, and expected to arrive here in very bad condition. I felt rather bad yesterday morning, but as I drew near, marvellous to relate, my headache went away! Oh! I thought so much of you, as the misty network of pines against the sky--the stretches of moor--the flashes of the canal--and all the dear familiar Heimath Land came nearer and nearer....
It is still "chill April" even here, but wonderfully different from Yorkshire. Sunshine--and green things so much more forward--and birds singing their very throats out.
"Lion," the mastiff, I am rather frightened of, but he loves me and gives me paws over and over again. He is pawing me now and will interrupt.
April 22.
The weather is intensely cold again, though nothing can make this country quite dreary--but cold it is! Still there are all the dear old features, I did not know the Mitchett side (of the Frimhurst bridge) of the canal; but I have been a good way down getting water-weeds--but of course you know it well. It is curiously like bits of the S. John [New Brunswick] River. One could almost see birch-bark canoes at points.
To-day the Jelfs came. It was an affecting meeting, our first since he was so ill in Cyprus, and he said, "It used to seem so little likely one would ever again see the old faces."... He spoke at once about your calling this country Heimath Land, saying it seemed the very word.
I am going on Thursday to stay with the Jelfs till Monday; I shall be so thankful to get a Sunday in the old Tin Tabernacle.
_K Lines, South Camp, Heimath Land._ April 25.
It is a sunny sweet day, so that I have been strolling about in the garden without a jacket. It is strangely pleasant being here, the old scenes without, and all Sir Howard Elphinstone's pretty things within. The Jelfs are staying in the Elphinstones' hut. In the matter of pictures I do not always agree with Sir Howard, but his decorative taste is very good, and the things he has picked up in all parts of the world are delightful. "Et ego, etc." We have things and things as it is, and shall pick up more! He is so very ingenious, and has made a dado over the mantelpiece, with a white or coloured border on which he puts pictures and photographs; in the centre is a square of coloured material with other things mounted on it. I foresee making a similar design for our Malta mantelpiece, with a gold Maltese cross in the centre and tiles round illustrating the eight Beatitudes....
I am intensely enjoying this bit here. Yesterday the Jelfs and the boys and I had a long wander by the canal where the larches and the birches are getting their tenderest tints on.... On Thursday evening I went to the Tin Church, with the old bell _tankling_ as I went in, and the mess bugles tootling afar as I came out. Bell the schoolmaster and baritone started as if I were a ghost, and sent me a book for the special hymn. Not a soul in the officers' seats--but a good choir and a very fair congregation of men and barrack families. Said I to myself, "I've been living in wealthy Bowdon and in ecclesiastical York, and not had this. Well done--the Tug of War and the Tin Tabernacle and the Camp! and unpaid soldiers and their sons to sing the Lord's Song in the land of their pilgrimage!"
To-day I went with Mrs. Jelf to a meeting at the Club House about "Coffee Houses." When we got in a "rehearsal" (dramatic) was going on, and the chaff was "Have you come for the rehearsal or the coffee-house?" We "Coffee-housers" adjourned to the Whist Room. Sir Thos. Steele in the chair. I had a long chat with him. He says Music and the Drama have declined dreadfully. The meeting was full of friends. "Mat Irvine" nearly wrung my hand off, and I sat by poor Knollys, who is heart-broken at the death of that dear little soul, Captain Barton. It was a first-rate meeting, mixed military and Aldershot tradesmen--a very "nice feeling" displayed--altogether it was wonderfully pleasant.
_Exeter._ May 16, 1879.
... The weather alternates here between North-Easters and mugginess, and I have never slept without fires yet. All the same I have had some lovely _drives_, which you know are so good for me. When Mrs. Fox Strangways couldn't go the Colonel has taken me alone 12 or 14 miles in the dog-cart with a very "free-going" but otherwise prettily-behaved little mare named Daphne. The tumbledown of hills and dales is very pretty here, and the deep red of the earth, and the whitewashed and thatched cottages. Very pretty bits for sketching if it had been sketching-weather....
I hope to get several things done in London. Jean Ingelow has burst out rather about my writings, and wants me to do something "in the style of Madam Liberality," and let her try to get it into _Good Words_, as she thinks I ought to try for a wider audience. I shall certainly go and see her, and talk over matters.... I was _very_ much pleased Sir Anthony Home had been so much pleased with "Jan." To draw tears from a V.C. and a fine old Scotch medico is very gratifying! Capt. Patten said their own Dr. Craig had also been delighted with it. When "We and the World" is done I mean to rest well on my oars, and then try and aim at something to give me a better footing if I can....
June 14, 1879.
... I am getting as devoted to Browning as you. It is very funny--this sudden and simultaneous light on him!
May 23, 1879.
[_Sketch._]
Forty-four of these aquatic plant tubs stand in one part of the back premises of Clyst S. George Rectory, full of truly wondrous varieties. The above is a thing like white tassels and purple-pink buds. Fancy how I revel in them, and in the garden, which holds 1640 species of herbaceous perennials all labelled and indexed!! The old Rector (he is 89) is as hard at it as ever. He is so pleased to be listened to, and it is enormously interesting though somewhat fatiguing, and leaves me no time whatever for anything else! My brain whirls with tiles, mosaics, tesseræ, bell-castings, bell-marks, and mottos, electros, squeezes, rubbings, etc., etc. His latest plant fad is Willows and Bamboos, of which he has countless kinds growing and flourishing!!! He is infirm, but it is very grand to see life rich with interests, and with work that will benefit others--so near the grave!
We'd a funny scene this morning when I went over the church with him, and had to write my name in the book.
Very testily--"The _date_, my dear, put the date!"
"I have put it."
More testily at being in the wrong--"Then put your address, put your address."
I hesitated, and he threw up his hands: "Bless me! you've not got one. It has always puzzled me so what made _you_ take a fancy to a soldier."
He had been very full of all kinds of ancient Church matters--a wonderful bell dedicated to the Blessed Virgin in a very remarkable inscription, etc.,--so I seized the pen and wrote--_Strada Maria Stella, Malta_--and "I du thenk" (as they say here) it will considerably puzzle the old sexton!!!!!
Soon after sunrise on Ascension Day I was woke clear and clean by the bells _breaking into song_. You know campanology is his great hobby. They rang changes, with long pauses between. Bells often try me very much, at Ecclesfield _par exemple_, but I really enjoyed these....
May 24, 1879.
... A very pathetic bit of private news of poor little MacDowell. He was sent by the General to tell them to strike the tents, and was urging on the ammunition to the front, and encouraging the bandsmen to carry it, when a Zulu shot him. A good and not painful end--God bless him! The Capt. Jones who told this, said also that one little bugler killed three big Zulus with his side-arms before he fell! Also that a private of the 24th saved Chard's life at Rorke's Drift by pushing his head down, so that a bullet went over it!
_Woolwich._ Whit Monday, 1879.
* * * * *
Don't think you have all the picturesque beggars to yourself! Out in a street of Woolwich with Mrs. O'Malley the other day I saw this--[_Sketch._] The eyes though very clear and intense-looking decided me at once the man was blind, though he had no dog, and was only walking solemnly on, with a _carved fiddle_ of white wood under his arm! I ran back after him, and went close in front of him. He gazed and saw nothing. Then I touched him and said, "Are you blind?" He started and said, "Very nearly." I gave him a penny, for which he thanked me, and then I asked about the fiddle. He carved and made it himself out of firewood in the workhouse! The _handle part_ (forgive my barbarism!) is "a bit of ash." It was much about the level of North American Indian _art_, but very touching as to patient ingenuity. He asked if anybody had told me about him. I said, "No. But I've a husband who plays the fiddle," and I gave him the balance of my loose coppers! He said, "Have you? He plays, does he? Well. This has been a lucky day for me." He was a shipwright--can play the piano, he says--lives in the workhouse in winter and comes out in summer--with the flowers--and his fiddle! I knew you would like me to give something to that _povero fratello_.
_Woolwich._ June 6, 1879.
... _The_ painter of the Academy this year is Mrs. Butler!! I do hope some day somewhere you may see _The Remnants of an Army_ and _Recruits for the Connaught Rangers_. The first is in the _Academy Notes_, which I send you. The second is at least as fine. [_Sketch._] The landscape effect is the opal-like sky and bright light full of moisture after rain--heavy clouds hang above--the mountains are a leaden blue--and the sky of all exquisite pale shades of bright colour. Down the wet moor road comes the group. Two very tall, dark-eyed Connaught "boys"--one with a set face and his hands in his pockets looking straight out of the picture--the other with a yearning of Keltic emotion looking back at the hills as if his heart was breaking. The strapping young sergeant looks very grave; but an "old soldier" behind is lighting his pipe, and a bugler is holding back a dog. One of the best faces is that of the drummer who walks first, and whose 13-year-old face is so furrowed about the brow with oppressive anxiety--very truthful!
_The Remnants of an Army_ is of course overpowering by the mere subject, and it is nobly painted. The man and his horse are wonderful alike. There is nothing to touch these two. But I _would_ like to steal Peter Graham's _The Seabirds' Resting-Place_. Such penguins sitting on wet rocks with wet Fucus _growing on_ them! Such myriads more in the _sea-mist_ that hides the horizon-line--sitting on distant rocks!--and _such_ green waves--by the light of a sunbeam into one of which you see Laminaria fronds and lumps of Fucus tossing up and down. You feel wet and ozoney to come near it! There are some very fine men's portraits, and Orchardson's _Gamblers Hard Hit_ is the best thing of his, I think, that I know....
... There is a very beautiful old gun in the Arsenal upon a gun-carriage with wheels thus [_Sketch_], and with bas-reliefs of St. Paul and the Viper. It is needless to say the gun came from the island called Melita! But for cunning workmanship and fine bold designs and delicate execution the Chinese guns are the ones! I am taking rubbings of the patterns for decorative purposes! They were taken in the war.
There is yet one picture I must tell you of--"_A Musical Story by Chopin_"--the boy playing to a group of lads and a tutor. His utterly absorbed face is _admirable_. It is a very pretty thing. Not marvellous, but very good.
August 5, 1879.
* * * * *
I must tell you that it is _on the cards_ that Caldecott is going to do a coloured picture for me _to write to_, for the October No. of _A.J.M._ (so that it will bind up with the 1879 volume and be the Frontispiece). He is so fragile he can't "hustle," but he wants to do it. D---- and he became great friends in London, and I think now he would help us whenever he could. We have been bold enough to "speak our minds" pretty freely to him, about wasting his time over second-rate "society" work for _Graphic_, etc., etc., when he has such a genius to interpret humour and pathos for good writers, and no real writing gifts himself. (He has done some things called _Flirtation in France_, supplying both letter-press and sketches!--that are terrible to any one who has gone heart and soul into his House that Jack built!!!) I've told him frankly if he "_draws down to me_" in the hopes of making _my_ share easy by making his commonplace, and gives me a "rising young family in sand-boots and frilled trousers with an over-fed mercantile mamma," my "few brains will utterly congeal," but I have made two suggestions to _him_, so closely on his own lines that if hints help him I think he would find it easy. You know _horses_ are really his spécialité. I have asked him to give me a coloured thing and one or two rough sketches, Either
An Old Coaching Day's Idyll or--A Trooper's Tragedy.
The same beginning for either:
Child learning to ride on hobby-horse rocking-horse donkey pony etc. etc.
Then (if coaching) an old haunted-looking posting-house on a coaching road (Hog's Back!)--a highwayman--a broken-down postilion--a girl on a pillion, etc., etc.
Or, if military:
A yokel watching a cavalry regiment in Autumn Manoeuvres over a bridge.
A Horse and Trooper--Riding for life (here or Hereafter!) with another man across his saddle.
Of course it may only hamper him to have hints (I've not heard yet), but I hope anyhow he'll do something for me.
* * * * *
August 9, 1879.
* * * * *
I was reading again at _Robert Falconer_ the other day. What _grand_ bits there are in it? With such _bosh_ close by. So like Ruskin in that, who is ever to me a Giant, half of gold and half of clay!
When G, Macdonald announces (by way of helping one to help the problems of life!) that the Gospel denounces the sins of the rich, but nowhere the sins of the poor, one wonders if he "has his senses," or knows anything about "the poor." "The Gospel" is pretty plain about drunkards, extortioners, thieves, murderers, cursers, and revilers, false swearers, whoremongers, and "all liars"--I wonder whether these trifling vices are confined to the Upper Ten Thousand!
But oh, that description to the _son_ of what it sounded like when _his father_ played the _Flowers of the Forest_ on his fiddle, isn't to be beaten in any language I believe! All the Scotch lasses after Flodden doing the work of an agricultural people in the stead of the men who lay on Flodden Field!--"Lasses to reap and lasses to bind--Lasses to stook." etc., etc., and "no a word I'll warrant ye, to the orra lad that didna gang wi' the lave"!!!![40] and the lad's outburst in reply, "I'd raither be gratten for nor kissed!"
[Footnote 40: _Robert Falconer_, chap. xix.]
Poor Z----! They don't teach that at Academies and Staff Colleges, nor in the Penny-a-line of newspaper correspondents and the like--but he should get some woman to soak it into his brains that the men women will love are men who would rather be "gratten for" in honour than be kissed in shame.
* * * * *
_Ecclesfield._ August 23, 1879.
* * * * *
Talking of drawings, what do you think? Caldecott has done me the most _lovely_ coloured thing to write a short tale to for October _A.J.M._ It is very good of him. He has simply drawn what I asked, but it is quite lovely!
A village Green, sweet little old Church, and house and oak tree, etc., etc. in distance, a small boy with aureole of fair hair on a red-haired pony, coming full tilt across it blowing a penny trumpet and scattering pretty ladies, geese, cocks and hens from his path. His dog running beside him! You will be delighted!
* * * * *
September 1, 1879.
I have done my little story to Caldecott's picture, and I have a strong notion that it will please you. It is called "Jackanapes."... I shall be so _disappointed_ if you don't like "Jackanapes." But I think it is just what you will like!! I think you will cry over him!
September 19, 1879.
Isn't it a great comfort that I have finished the serial story, and "Jackanapes"?--so that I am now quite free, and never mean to write against time again. I know you never cared for the serial; however, it is done, and tolerably satisfactory I think. "Jackanapes" I do hope you will like, picture and all. C---- sent Mr. Ruskin "Our Field," and I am proud to hear he says it is not a mere story--it's a poem! Great praise from a great man!
October 11, 1879.
* * * * *
I was knocked up yesterday in a good cause. We went to see Mr. Ruskin at Herne Hill. I find him _far_ more _personally_ lovable than I had expected. Of course he lives in the incense of an adoring circle, but he is absolutely unaffected himself, and with a GREAT charm. So much gentler and more refined than I had expected, and such clear Scotch turquoise eyes.
He had been out to buy buns and grapes for _me_ (!), carrying the buns home himself very carefully that they might not be crushed!! We are so utterly at one on some points: it is very delightful to hear him talk. I mean it is uncommonly pleasant to hear things one has long thought very vehemently, put to one by a Master!! _Par exemple._ You know my mania about the indecent-cruel element in French art, and how the Frenchiness of Victor Hugo chokes me from appreciating him: just as we were going away yesterday Mr. Ruskin called out, "There is something I MUST show Aunt Judy," and fetched two photos. One, an old court with bits of old gothic tracery mixed in with a modern tumbledown building--peaceful old doorway, wild vine twisting up the lintel, modern shrine, dilapidated waterbutt, sunshine straggling in--as far as the beauty of contrast and suggestiveness and form and (one could fancy) colour could go, perfect as a picture. (R---- didn't say all this, but we agreed as to the obvious beauty, etc.) Then he brought out the other photo, and said, "but the French artist cannot rest with that, it must be heightened and stained with blood," and there was the court (photo from a French picture), with two children lying murdered in the sunshine.
Another point we met on was my desire to write a tale on Commercial Honour. He was delighted, and will I think furnish me with "tips." His father was a merchant of the old school. And then to my delight I found him soldier-mad!! So we got on very affably, and I hope to go and stay there when I go home next summer.
* * * * *
November 7, 1879.
Friends are truly kind. Miss Mundella sent two season tickets for the Monday "Pop." to D---- and me. I managed to go and stay for most of it. Norman Neruda, Piatti, and _Janotha_--have you heard Janotha play the piano? I think she is _very_ wonderful. It is so absolutely without affectation, and so _selfless_, and yet such a mastery of the instrument. Her _rippling_ passages are like music writ in water, and she has a singing touch too, and when she accompanies, the subordination and sympathy are admirable. She is not pretty, nor in any way got up, but is elfish and quaint-looking, and quite young. We sat quite near to Browning, who is a nice-looking old man, delightfully _clean_. He seemed to delight in Neruda and Piatti, and followed the music with a score of his own.
_Ecclesfield._ Saturday, January 31, 1880.
How beautiful a day is to-day I cannot tell you! It does refresh me!... Head and spine very shaky this morning so that I could not get warm; but I wrapped in my fur cloak, and went out into the sunshine, up and down, up and down the churchyard flags. A sunny old kirkyard is a nice place, I always think, for aged folk and invalids to creep up and down in, and "Tombstone Morality" isn't half as wearing to the nerves as the problems of _life_!...
* * * * *
_Greno House_, Tuesday.
Harry Howard drove me up yesterday. It was _just_ as much as I could bear; but I lay on the sofa till dinner, and went to bed at eight, and though my head kept me awake at first, I did well on the whole. Breakfast in bed, a bigger one than I have eaten for three weeks, and since then I have had an hour's drive. The roughness of the roads is unlucky, but the air _divine_! Such sweet sunshine, and Greno Wood, with yellow remains of bush and bracken, and heavy mosses on the sandstone walls, and tiny streams trickling through boggy bits of the wood, and coming out over the wall to overflow those picturesque stone troughs which are so oddly numerous, and which I had in my head when I wrote the first part of "Mrs. Overtheway."
* * * * *
January 11, 1880.
* * * * *
Very dear to me are all your "tender and true" regards for the old home--the grey-green nest (more grey now than green!) a good deal changed and weatherbeaten, but not quite deserted--which is bound up with so much of our lives! It is one of the points on which we feel very much alike, our love for things, and places, and beasts!!! Another chord of sympathy was very strongly pulled by your writing of the "grey-green fields," and sending your love to them. No one I ever met has, I think, _quite_ your sympathy with exactly what the external world of out-of-doors is to me and has been ever since I can remember. From days when the batch of us went-out-walking with the Nurses, and the round moss-edged holes in the roots of gnarled trees in the hedges, and the red leaves of Herb Robert in autumn, and all the inexhaustible wealth of hedges and ditches and fields, and the Shroggs, and the brooks, were happiness of the keenest kind--to now when it is as fresh and strong as ever; it has been a pleasure which has balanced an immense lot of physical pain, and which (between the affectation of the sort of thing being fashionable--and other people being destitute of the sixth sense to comprehend it--so that one feels a fool either way)--one rarely finds any one to whom one can comfortably speak of it, and be _understanded_ of them. It is the one of my peculiarities which you have never doubted or misunderstood ever since we knew each other! I fancy we must (as it happens) _see_ those things very much alike. That grey-green winter tone (for which I have a particular love) has been "on my mind" for days, and it was odd you should send your love to it. Don't think me daft to make so much of a small matter, I am sure it is not so to me. It is what would make me _content_ in so many corners of the world! And I thought when I read your letter, that if we live to be old together, we have a common and an unalienable source of "that mysterious thing felicity" in any small sunny nook where we may end our days--so long as there is a bit of yellow sandstone to glow, or a birch stem to shine in the sun!...
[_Grenoside._] February 21, 1880.
* * * * *
I whiled away my morning in bed to-day by going through the _Lay of the Last Minstrel_. There are lovely bits in it.
Reading away at Mrs. Browning lately has very much confirmed my notion that the fault of her things is lack of condensation. They are almost without exception too long. I doubt if one should ever leave less than fifty per cent. of a situation to one's readers' own imagination, if one aims at the highest class of readers. That swan song to Camöens from his dying lady would have been very perfect in FIVE verses. As it is, one gets tired even of the exquisite refrain "Sweetest eyes, were ever seen" (an expression he had used about her eyes in a song, and which haunts her).
The other night we had Sergeant Dickinson up. He has lately settled in the village. He was in the Light Cavalry Charge at Balaklava (17th Lancers), and also at Alma, Inkerman, and Sebastopol. He has also the Mutiny Medal and Good Conduct and Service one, so he is a good specimen. Curious luck, he never had a _scratch_ (!). Says he has had far "worse wounds" performing in Gyms., as he was a good swordsman, etc. He told us some _dear_ tales of old Sir Colin Campbell. He said his men idolized him, but their wives rather more so, and if any of them failed to send home remittances, the spouses wrote straight off to Sir Colin, who had up "Sandy or Wully" for remonstrance, and stopped his grog "till I hear again from your wife, man."
On one occasion he saw a drummer-boy drunk, and a sergeant near. Sir Colin: "Sergeant, does yon boy belong to your company?"
Sergeant: "He does not, sir."
"Does he draw a rum allowance?"
"He does, sir."
"Well, away to the Captain of his company, and say it's my orders that the oldest soldier in this bairn's company is to draw his rum, till he feels convinced it's for the lad's benefit that he should tak it himsel'--and that'll not be just yet awhile I'm thinking."
Some brilliant tales too of the wit and gallantry of Irish comrades, several of whom wore the kilt. And almost neatest of all, a story of coming across a fellow-villager among the Highlanders:
"But I were fair poozled He came from t' same place as me, and a clever Yorkshireman too, and he were talking as Scotch as any of 'em. So I says, 'Why I'm beat! what are YOU talking Scotch for, and you a Knaresborough man?' 'Whisht! whisht! Dickinson,' he says, 'we mun A' be Scotch in a Scotch regiment--or there's no living.'"...
February 19, 1880.
I have been re-reading the _Legend of Montrose_ and the _Heart of Midlothian_ with _such_ delight, and poems of both the Brownings, and Ruskin, and _The Woman in White_, and _Tom Brown's Schooldays_, etc., etc.!!! I have got two volumes of _The Modern Painters_ back with me to go at.
What a treat your letters are! Bits are _nearly_ as good as being there. The sunset you saw with Miss C----, and the shadowy groups of the masquers below in the increasing mists of evening, painted itself as a whole on to my brain--in the way _scenes_ of Walter Scott always did. Like the farewell to the Pretender in _Red Gauntlet_, and the black feather on the quicksand in _The Bride of Lammermuir_.
March 1, 1880.
* * * * *
The ball must have been a grand sight, but I think, judging from the list, that your dress as Thomas the Rhymer stands out in marked _individuality_. Nothing shows more how few people are at all _original_ than the absence of any thing striking or quaint in most of the characters assumed at a Fancy Ball. This, however, is Pampering the Pride of you members of the Mutual Admiration Society. You must not become cliquish--no not Ye Yourselves!!!!
Above all _you_ must never lose that gracious quality (for which I have so often given you a prize) of patience and sympathy with small musicians and jangling pianos in the houses of kind and hospitable Philistines. Besides, I like you to be largely gracious and popular. All the same I confess that it is a grievance that music (and sherry!) are jointly regarded as necessary to be supplied by all hosts and hostesses--whether they can give you them good or not! People do not cram their bad drawings down your throats in similar fashion, Still what is, is--and Man is more than Music--and I have never felt the real mastership you hold in music more than when you have beaten a march out of some old tub for kindness' sake with a little gracious bow at the end! Don't you remember my telling you about that wisp of an organist whom Mr. R---- petted till he didn't know his shock head from his clumsy heels, and the insufferable airs he gave himself at their party over the piano, and the audience, and the lights, and silence, and what he would or would not play to the elderly merchants. And of all the amateur-and-water performances!!! I have heard enough good playing to be able to gauge him!...
Incapacity for every other kind of effort is giving me leisure for a feast of reading and _re-reading_ such as I have not indulged for years. Amongst other things I have read for the first time Black's _Strange Adventures of a Phaeton_--it is _very_ charming indeed, and if you haven't read it, some time you should. As a rule I detest German heroes _to English books_, but Von Rosen is irresistible! and the refrain outbreaks of his jealousy are really high art, when he unconsciously brings every subject back to the original motif--"but that young man of Twickenham--he is a most pitiful fellow--" you feel Dr. Wolff was never more simply sincere and self-deluded, than Von Rosen's belief that it is an abstract criticism. Also you know how tedious broken English in a novel is, as a rule. But Black has very artistically managed his hero's idioms so as to give great effect. And as we have a brain wave on about Womanhood you may like, as much as I have, V. Rosen's sketch of English women (to whom he gives the palm over those of other nations). Speaking of some others--"very nice to look at perhaps, and very charming in their ways perhaps, but not sensible, honest, frank like the English woman, _and not familiar with the seriousness of the world, and not ready to see the troubles of other people_. But your English-woman _who is very frank to be amused_, and can enjoy herself when there is a time for that, who is _generous in time of trouble and is not afraid_, and can be firm and active and yet very gentle, and who does not think always of herself, but is ready to help other people, and can look after a house and manage affairs--that is a better kind of woman I think--more to be trusted--more of a companion--oh, there is no comparison!"
It is very good, isn't it?--and he is mending the fire during this outburst, and keeps piling coal on coal as he warms with his subject.
I must also just throw you two quotations from Macaulay's most interesting _Life and Letters_. Quotations within quotations, for they are extracts.
"Antoni Stradivari has an eye That winces at false work and loves the true."
(BROWNING.)
"There is na workeman That can both worken wel and hastilie This must be done at leisure parfaitlie."
(CHAUCER.)
By the bye, the italics in Black's quotations are _mine_. Good wording I think.
But how one does go back with delight to Scott! I confess I think to have written the _Heart of Midlothian_ is to have put on record the existence of a moral atmosphere in one's own nation as grand as the ozone of mountains. WHAT a contrast to that of French novels (with no disrespect to the brilliant art and refreshing brain quickness of the latter); but Ruskin's appeal to the responsibility of those who wield Arts instead of Trades recurs to one as one under which Scott might have laid his hand upon his breast, and looked upwards with a clear conscience....
March 16, 1880.
* * * * *
I quite agree with you about an artlessness and roughness in Scott's work. I thought what I had dwelt on was the magnificent _tone_ of the _H. of Midlothian_. Also he has two of the first (first in rank and order if not first in degree) qualifications for a writer of fiction--Dramatism and individuality amongst his characters. He had (rather perhaps one should say), the quality which is _nascitur non fit_--Imagination. It is the great defect, _I think_, of some of our best modern writers. They are marvellously FIT and terribly little NASCITUR. It is why I can never concede the highest palm in her craft to G. Eliot. Her writing is glorious--Imagination limited--Dramatism--nil!
She draws people she has seen (Mrs. Poyser) like a photograph--she imagines a Daniel Deronda, and he is about "as natural as waxworks."
"I've been reading Jean Ingelow's _Fated to be Free_ lately, and it is a marvellous mixture of beauty and failure. But _lovely_ passages. Incisive as G. Eliot, and from the point of view of a tenderer mind and experience. This is beautiful, isn't it?
"Nature before it has been touched by man is almost always beautiful, strong, and cheerful in man's eyes; but nature, when he has once given it his culture and then forsaken it, has usually an air of sorrow and helplessness. He has made it live the more by laying his hand upon it and touching it with his life. It has come to relish of his humanity, and it is so flavoured with his thoughts, and ordered and permeated by his spirit, that if the stimulus of his presence is withdrawn it cannot for a long while do without him, and live for itself as fully and as well as it did before."
The double edge of the sentiment is very exquisite, and the truth of the natural fact very perfect as observation, and the book is full of such writing. But oh, dear! the confusion of plot is so maddening you have a delirious feeling that everybody is getting engaged to his half-sister or widowed stepmother, and keep turning back to make sure! But the dramatism is very good and leads you on....
March 22, 1880.
... I am getting you a curious little present. It is Thos. À Kempis's _De Imitatione Christi_ in Latin _and Arabic_. A scarce edition printed in Rome. I think you will like to have it. That old Thomas was much more than a mere monk. A man for all time, his monasticism being but a fringe upon the robe of his wisdom and _honest_ Love of God. It will be curious to see how it lends itself to Arabic. Well, I fancy. Being in very proverbial mould. Such verses as this (I quote roughly from memory):
"That which thou dost not understand when thou readest thou shalt understand in the day of thy visitation: for there be secrets of religion which are not known till they be felt and are not felt but in the Day of a great calamity!" (a piece of wisdom with application to other experiences besides religious ones). I think this will read well in the language of the East. As also "In omnibus rebus Respice Finem," etc.....
* * * * *
Tuesday.
I am quite foolishly disappointed. The À Kempis is gone already! It is a new Catalogue, and I fancied it was an out-o'-way chance. It seems Ridler has no other Arabic books whatever. He may not have known its value. It "went" for six shillings!!!
* * * * *
TO THE BISHOP OF FREDERICTON.
_131, Finborough Road, South Kensington._ March 23, 1880.
MY DEAR LORD,
I thank you with all my heart for the gift of your book,[41] and yet more for the kindly inscription, which affected me much.
[Footnote 41: _The Book of Job_, translated from the Hebrew Text by John, Bishop of Fredericton.]
As one gets older one feels distance--or whatever parts one from people one cares for--worse and worse, I think!--However, whatever helps to remedy the separation is all the dearer!
I had devoured enough of your notes, to have laughed more than once and almost to have heard you speak, before I moved from the chair in which the book found me, and had read all the Introduction. I could HEAR you say that "Bildad uttered a few trusims in a pompous tone"!
What I have read of your version seems to me grand, bits here and there I certainly had never felt the poetical power of before. Rex will be delighted with it!
I fully receive all you say about Satan and the Sons of God. But I think a certain painfulness about such portions of Holy Writ--does not come from (1) Unwillingness to lay one's hand upon one's mouth and be silent before God. (2) Or difficulty about the Personality of Satan. I fancy it is because in spite of oneself it is painful that one of the rare liftings of the Great Veil between us and the "ways" of the Majesty of God should disclose a scene of such petty features--a sort of wrangling and experimentalizing, that it would be _pleasanter_ to be able to believe was a parable brought home to our vulgar understandings rather than a real vision of the Lord our Strength.
I am, my dear Lord, Your grateful and ever affectionate old friend, J.H.E.
TO J.H.E.
_Fredericton._ April 8, 1880.
MY DEAR MRS. EWING,
I will not let the mail go out without proving that I am not a bad correspondent, and without thanking you for your delightful letter. Oh! why don't you squeeze yourself sometimes into that funny little house opposite Miss Bailey's, and let me take a cup of tea off the cushions, or some other place where the books would allow it to be put? And why don't you allow me to stumble over my German? And why doesn't Rex, Esq. (for Rex is too familiar even for a Bishop) correct my musical efforts? How terrible this word _past_ is! The past is at all events _real_, but the future is so shadowy, and like the ghosts of Ulysses it entirely eludes one's grasp. I speak of course of things that belong to this life. It was (I assure you) a treat to lay hold of you and your letters, and (a minor consideration) to find that even your handwriting had not degenerated, and had not become like spiders' legs dipped in ink and crawling on the paper, as is the case of some nameless correspondents. There was only one word I could not make out. In personal appearance the letters stood thus, _[Greek: us]_. It looks like "us," or like the Greek _[Greek: un]_, which being interpreted is "pig." But M----, who is far cleverer than I am, at once oracularly pronounced it "very," and I believe her and you too....
I was greatly tickled in your getting _amusement_ out of "Job," the last book where one would have expected to find it; but stop--I recollect it is out of _me_, not the patriarch, that you find something to smile at, and no doubt you are right, for no doubt I say ridiculous things sometimes. _Au sérieux_, it pleases me much that you enter into my little book, and evidently have _read_ it, for I have had complimentary letters from people who plainly had not read a word, and to the best of my belief never will. I wish you had been more critical, and had pointed out the faults and defects of the book, of which there are no doubt some, if not many, to be found. I flatter myself that I have made more clear some passages utterly unintelligible in our A.V., such as, "He shall deliver the island of the innocent, yea," etc., chap. xxii. 30, and chap, xxxvi. 33, and the whole of chap. xxiv. and chap. xx. What a fierce, cruel, hot-headed Arab Zophar is! How the wretch gloats over Job's miseries. Yet one admires his word-painting while one longs to kick him! I am glad to see the _Church Times_ agrees with me in the early character of the book. There is not a trace in it of later Jewish history or feeling. The argument on the other side is derived from Aramaic words only, which words are not unsuitable to a writer who either lived, _or had lived_ out of Palestine, and scholars agree now that they may belong either to a very late or a very early time, and are used by people familiar with the cognate languages of the East.
A word about your very natural feeling on the subject of Satan. I suppose that Inspiration does not interfere with the character of mind belonging to the inspired person. The writer thinks Orientally, within the range of thought common to the age, and patriarchal knowledge, so that he could neither think nor write as S. Paul or S. John, even though inspired. We criticize his writing (when we do criticize it) from the standpoint of the nineteenth century, _i.e._ from the accumulated knowledge, successive revelations, and refined civilization of several thousand years.
Its extreme simplicity of description may appear to us trivial. But is not the fact indubitable that God tries us as He did Job, though by different methods? And is not our Lord's expression, "whom Satan hath bound, lo! these eighteen years," and S. Paul's, "to deliver such an one to Satan for the destruction of the flesh," analogous to the account in Job? One has only to try to transfer oneself to the patriarchal age, when there was no Bible, no Lord Jesus come in the flesh, but when at intervals divine revelations were given by personal manifestations and then withdrawn, and to take out of oneself all one has known about God from a child, to view the account as an Oriental would look at it, not as a Western Christian. The "experiment" (so to speak) involves one of the grandest questions in the world--Is religion only a refined selfishness, or is there such a thing as real faith and love of God, apart from any temporal reward? The devil asserts the negative and so (observe) do Job's so-called friends; but Job proves the affirmative, and hence amidst certain unadvised expressions he (in the main) speaks of God the thing that is right.
I do not know that there is in the early chapters anything that can be called "petty," more than in the speech of the devils to our Lord, and His suffering them to go into the swine.
We must, however, beware that we do not, when we say "petty," merely mean at bottom what is altogether different from our ordinary notions, formed by daily and general experience of life, as we ourselves find it.
All this long yarn, and not a word about your health, which is shameful. We both do heartily rejoice that you are better, and only hope for everybody's sake and your own, you will nurse and husband your strength....
Your affectionate old friend, JOHN FREDERICTON.
TO A.E.
April 10, 1880.
* * * * *
The night before last I dined with Jean Ingelow. I went in to dinner with Alfred Hunt (a water-colour painter to whose work Ruskin is devoted). A _very_ unaffected, intelligent, agreeable man; we had a very pleasant chat. On my other side sat a dear old Arctic Explorer, old _Ray_. I fell quite in love with him, and with the nice Scotch accent that overtook him when he got excited. Born and bred in the Orkneys, almost, as he said, _in the sea_; this wild boyhood of familiarity with winds and waves, and storms and sports, was the beginning of the life of adventure and exploration he has led. He told me some very interesting things about Sir John Franklin. He said that great and good as he was there were qualities which he had not, the lack of which he believed cost him his life. He said Sir John went well and gallantly at his end, if he could keep to the lines he had laid down; but he had not "fertility of resource for the unforeseen," and didn't _adapt_ himself. As an instance, he said, he always made his carriers _march_ along a given line. If stores were at A, and the point to be reached B, by the straight line from A to B he would send the local men he had _hired_ through bog and over boulder, whereas if he said to any of them, "B is the place you must meet me at," with the knowledge of natives and the instinct of savages they would have gone with half the labour and twice the speed. He said too that Franklin's party suffered terribly because none of his officers were _sportsmen_, which, he said, simply means starvation if your stores fail you. We had a long talk about scientific men and their _deductions_, and he said quaintly, "Ye see, I've just had a lot of rough expeerience from me childhood; and things have happened now and again that make me not just put implicit faith in all scientific dicta. I must tell you, Mrs. Ewing, that when I was a young man, and just back from America and the Arctic Regions, where I'd lived and hunted from a mere laddie, I went to a lecture delivered by one of the verra _first_ men of the day (whose name for that reason I won't give to ye) before some three thousand listeners and the late Prince Consort; and there on the table was the head and antlers of a male reindeer--beasts that, as I'm telling ye, I knew _sentimately_, and had killed at all seasons. And this man, who, as I'm telling ye, was one of the verra furrrst men of the day (which is the reason why I'm not giving ye his name) spoke on, good and bad, and then he said, 'Ladies and gentlemen, and your Royal Highness, be good enough to look at the head of this Reindeer. Here ye see the antlers,' and so forth, 'and ye'll obsairve that there's a horn that has the shape of a shovel and protrudes over the beast's eyes in a way that must be horribly inconvenient. But when ye see its shape, ye'll perceive one of the most beautiful designs of Providence, a _proveesion_ as we may say; for this inconvenient horn is so shaped that with it the beast can shovel away the deep winter snow and find its accustomed food.'
"And when I heard this I just shook with laughing till a man I knew saw me, and asked what I was laughing at, and I said, 'Because I happen to know that the male reindeer _sheds its antlers_ every year in the beginning of November, _snow shovel_ and all, and does not resume them till spring.'"!!!!!!
* * * * *
April 26, 1880.
* * * * *
Curious your writing to me about Dante's Hell--and Lethe. Two books in my childhood gave the outward and visible signs of that inward and spiritual interest in Death and the Life to Come which is one of the most vehement ones of childhood (and which breaks out QUITE as strongly in those who have been carefully brought up apart from "religious convictions" as in those whose minds have been soaked in them). One was Flaxman's _Dante_, the other Selous's illustrations in the same style to the _Pilgrim's Progress_. I do not know whether I suffered more in my childhood than other children. Possibly, as my head was a good deal too big for my body! But I remember two troubles that haunted me. One that I should get tired of Eternity. Another that I couldn't be happy in Heaven unless I could _forget_. And in this latter connection I loved indescribably one of Flaxman's best designs. [_Sketch._] I can't remember it well enough to draw decently, but this was the attitude of Dante whom Beatrice was just laving in the Waters of Forgetfulness before they entered Paradise.
And even more fond was I of the passing of the great river by Christiana and her children, and by that mixed company of the brave and the weak, the young and the old, the gentle and the impatient,--and that grand touch by which the "Mr. Ready-to-Halt" of the long Pilgrimage crossed the waters of Death without fear or fainting.
* * * * *
Why should you think I should differ with Dante in his estimate of sin? I doubt if I could rearrange his Circles, except that "Lust" is a wide word, as = Passion I should probably leave it where it is; but there are hideous forms of it which are inextricably mingled, if not identical with Cruelty,--and Cruelty I should put at the lowest round of all.
_Clyst S. George._ April 30, 1880.
* * * * *
We have had rather a chaff with Mr. Ellacombe (who in his ninety-first year is as keen a gardener as ever!) because he has many strange sorts of _Fritillary_, and when I told him I had seen and gone wild over a sole-coloured pale yellow one which I saw exhibited in the Horticultural Gardens, he simply put me down--"No, my dear, there's no such thing; there's a white Fritillary I can show you outside, and there's _Fritillaria Lutea_ which is yellow and spotted, but there's no such plant as you describe." Still it evidently made him restless, and he kept relating anecdotes of how people are always sending him _shaves_ about flowers. "I'd a letter the other day, my dear, to describe a white Crown Imperial--a thing that has _never been_!" Later he announced--"I have written to Barr and Sugden--'Gentlemen! Here's another White Elephant. A lady has seen a sole-coloured Yellow Fritillary!'"
This morning B. and S. wrote back, and are obliged to confess that "a yellow Fritillary has been produced," but (not being the producers) they add, "It is not a good yellow." _Pour moi_, I take leave to judge of colours as well as Barr and Sugden, and can assure you it is a very lovely yellow, pale and chrome-y. It has been like a chapter out of Alphonse Karr!
One of the horticultural papers is just about to publish Mr. Ellacombe's old list of the things he has grown in his own garden. Three thousand species!
* * * * *
I hope you liked that _Daily Telegraph_ article on the Back Gardener I sent you? It is really fine workmanship in the writing line as well as being amusing. I abuse the Press often enough, but I will say such Essays (for they well deserve the name) are a great credit to the age--in Penny Dailies!!!
"The Nursery Nonsense of the Birds," "A Stratified Chronology of Occupancies," "Waves of Whims," etc., etc., are the work of a man who can use his tools with a master's hand, or at least a _skilled_ worker's!
I am reading another French novel, by Daudet, _Jack_. So far (as I have got) it is marvellous _writing_. "Le petit Roi--Dahomey" in the school "des pays chauds" is a Dickenesque character, but quite marvellous--his fate--his "gri-gri"--his final Departure to the land where all things are so "made new" that "the former" do not "come into mind"--having in that supreme hour _forgotten_ alike his sufferings, his tormentors, and his friends--and only babbling in Dahomeian in that last dream in which his spirit returned to its first earthly home before "going home" for Good!--is superb!!! The possible meanness and brutality of civilized man in Paris--the possible grandeur and obvious immortality of the smallest, youngest, "gri-gri" worshipping nigger of Dahomey oh it is wonderful altogether, and I should fancy SUCH a sketch of the _incompris_ poet and the rest of the clique!! "_C'est_ LUI."
* * * * *
_Ecclesfield, Sheffield._ July 23, 1880.
MY DEAR MR. CALDECOTT,
I am sending you a number of "Jackanapes" in case you have lost your other.
I have made marks against places from some of which I think you could select easy scenes; I mean easy in the sense of being on the lines where your genius has so often worked.
I will put some notes about each at the end of my letter. What I now want to ask you is whether you _could_ do me a few illustrations of the vignette kind for "Jackanapes," so that it might come out at Christmas. Christmas _ought_ to mean October! so it would of course be very delightful if you could have completed them in September--and as soon as might be. But do not WORRY your brain about dates. I would rather give it up than let you feel the fetters of Time, which, when they drag one at one's work, makes the labour double. But if you will begin them, and _see_ if they come pretty readily to your fingers, I shall only too well understand it if after all you can't finish in time for this season!
In short I won't press _you_ for all my wishes!--but I do feel rather disposed to struggle for a good place amongst the hosts of authors who are besetting you; and as I am not physically or mentally well constituted for surviving amongst the fittest, if there is _much shoving_ (!) I want to place my plea on record.
So will you try?--
* * * * *
It was very kind of you and your wife to have us to see your sketches. I hope you are taking in ozone in the country.
Yours ever, J.H.E.
[NOTES.]
Respectfully suggested scenes to choose from.
Initial T out of the old tree on the green, with perhaps _to secure portrait_ the old POSTMAN sitting there with his bag _à la_ an old Chelsea Pensioner.
1. A lad carrying his own long-bow (by regulation his own height) and trudging by his pack-horse's side, the horse laden with arrows for Flodden Field (September 9, 1513). Small figures back view (!) going westwards--poetic bit of moorland and sky.
2. If you _like_--a portrait of the little Miss Jessamine in Church.
3 to 5. You may or may not find some bits on page 706, such as the ducking in the pond of the political agitator (very small figures including the old Postman, ex-soldier of Chelsea Pensioner type). Old inn and coach in distance, geese (not the human ones) scattered in the fray.
The Black Captain, with his hand on his horse's mane, bigger--(so as to secure portrait) and vignetted if you like; or _small_ on his horse stooping to hold his hand out to a child, Master Johnson, seated in a puddle, and Nurses pointing out the bogy; or standing looking amused behind Master Johnson (page 707).
6. Pretty vignetted portrait of the little Miss J., three-quarter length, about size of page 29 of _Old Christmas_. Scene, girl's bedroom--she with her back to mirror, face buried in her hands, "crying for the Black Captain"; her hair down to just short of her knees, the back of her hair catching light from window and reflected in the glass. Old Miss Jessamine (portrait) talking to her "like a Dutch uncle" about the letter on the dressing-table; aristocratic outline against window, and (as Queen Anne died) "with one finger up"!!!!! (These portraits would make No. 2 needless probably.)
7. Not worth while. I had thought of a very small quay scene with slaves, a "black ivory"--and a Quaker's back! (Did you ever read the correspondence between Charles Napier and Mr. Gurney on Trade and War?)
8. A very pretty elopement please! Finger-post pointing to Scotland--Captain _not_ in uniform of course.
9 or 10--hardly; too close to the elopement which we _must_ have!
11. You are sure to make that pretty.
12. Might be a very small shallow vignette of the field of Waterloo. I will look up the hours, etc., and send you word.
13. As you please--or any part of this chapter.
16. I mean a tombstone like this [_Sketch of flat-topped tombstone_], very common with us.
17, 18. I leave to you.
19 or 20, might suit you.
21. Please let me try and get you a photo of a handsome old general!! I think I will try for General MacMurdo, an old Indian hero of the most slashing description and great good looks.
22. I thought some comic scene of a gentleman in feather-bed and nightcap with a paper--"Rumours of Invasion" conspicuous--might be vignetted into a corner.
23 might be fine, and go down side of page; quite alone as vignette, or distant indication of Jackanapes looking after or up at him.
24. Should you require military information for any scene here?
25-26. I hope you could see your way to 26. Back view of horses--"Lollo the 2nd" and a screw, Tony lying over his holding on by the neck and trying to get at his own reins from Jackanapes' hand. J.'s head turned to him in full glow of the sunset against which they ride; distant line of dust and "retreat" and curls of smoke.
The next chapter requires perhaps a good deal of "war material" to paint with, and strictly soldier-type faces.
27. The cobbler giving his views might be a good study with an advertisement somewhere of the old "souled and healed cheap."
28. This scene I think you might like, and please on the wall have a hatchment with "Dulce et decorum est pro patriâ mori" (excuse my bad Latinity if I have misquoted).
29 would make a pretty scene, I think, and
30 would make me too happy if you scattered pretty groups and back views of the young people, "the Major" and one together, in one of your perfect bits of rural English summer-time.
If there _were_ to be a small vignette at the end, I should like a wayside Calvary with a shadowy Knight in armour, lance in rest, approaching it from along a long flat road.
Now please (it is nearly post time!) forgive how very badly I have written these probably confusing suggestions. I am not very well, and my head and _thumb_ both fail me.
If you can do it, do it as you like. I will send you a photo of an officer who will do for the Black Captain, and will try and secure a General also. If you could lay your hands on the Illustrated Number that was "extra" for the death of the Prince Imperial--a R.A. officer close by the church door, helping in one end of the coffin, is a very typical military face.
Yours, J.H.E.
TO A.E.
July 30, 1880.
* * * * *
Oh, with what sympathy I hear you talk of Shakespeare. Nay! not Dante and not Homer--not Chaucer--and not Goethe--"not Lancelot nor another" are really his peers.
Here blossom sonnets that one puts on a par with his--there, _in another man's_ work the illimitable panorama of varied and life-like men and women "merely players," may draw laughter and tears (Crabbe, and much of Dickens and other men, and Don Quixote). His coarse wit and satire and shrewdness, when he is least pure, may I suppose find rivals in some of the eighteenth or seventeenth century English writers, and in the marvellous brilliancy of French ones. When he is purest and highest I cannot think of a Love Poet to touch him. Tennyson perhaps nearest. But _he_ seems quite unable to fathom the heart of a noble woman with any _strength_ of her own, or any knowledge of the world. "Enid" is to me intolerable as well as the degraded legend it was founded on. Perhaps the brief thing of Lady Godiva is the nearest approach, and Elaine faultless as the picture of a maiden-heart brought up in "the innocence of ignorance." But he can write fairly of "fair women." Scott runs closer, but his are paintings from without. "Jeanie Deans" is bad to beat!!
Shelley comes to his side when _weirdness_ is concerned.
"Five fathom deep thy father lies," etc.,
is run hard by--
"Its passions will rock thee As the storms rock the ravens on high: Bright reason will mock thee, Like the sun from a wintry sky.
From thy nest every rafter Will rot, and thine eagle home _Leave thee naked to laughter, When leaves fall and cold winds come._"
But I will not bore you with comparisons. My upshot is that no one of the many who may rival him in SOME of his perfections, COMBINE them all in ONE genius. In all these philosophizing days--who touches him in philosophy? From the simplest griefs and pleasures and humanity at its simplest--Macduff over the massacre of his wife and children--to all that the most delicate brain may search into and suffer, as Hamlet--or the ten thousand exquisite womanish thoughts of Portia, a creature of brain power and feminine fragility--
"By my troth, Nerissa, my little body is a-weary of this great world."
* * * * *
TO C.T.G.
_Greno House, Grenoside, Sheffield._ Aug. 3, 1880.
* * * * *
_À propos_ of my affairs ... next year we might do something with some of my "small gems." Don't _you_ like "Aldegunda" (Blind Man and Talking Dog)? D. does so much. Do you like the "Kyrkegrim turned Preacher," "Ladders to Heaven," and "Dandelion Clocks"?...
... As you know, these _little_ things are the chief favourites with my more educated friends, whose kindness consoles me for the much labour I spend on so few words (The "Kyrkegrim turned Preacher" was "in hand" two years!!!), and I think their only chance would be to be so dressed and presented as to specially and downrightly appeal to those who would value the Art of the Illustrator, and perhaps recognize the refinement of labour with which the letter-press has been ground down, and clipped, and condensed, and selected--till, as it would appear to the larger buying-public, there is _wonderfully little left you for your money_!!...
Poor old Cruikshank! How well--and willingly--he would have done "Kyrkegrim turned Preacher." He said, when he read my things, "the Fairies came and danced to him"--which pleased me much.
* * * * *
Yesterday I pulled myself together and wrote straight to the printers, to the effect that the suffering the erratic and careless printing of "We and the World" cost me was such that I was obliged to protest against X. and Sons economizing by using boys and untrained incapables to print (printing from print being easier, and therefore adapted for teaching the young P.D. how to set up type), pointing out one sentence in which (clear type in _A.J.M._) the words "insist on guiding my fate by lines of their own ruling" was printed to the effect that they wouldn't insist on _gilding_ my _faith_, etc., _their_ being changed to _there_. All of which the _reader_ had overlooked--to concern himself with my Irish brogue--and certain _reiterations of words_ which he mortally hates, and which I regard the chastened use of, as like that of the _plural of excellence_ in Hebrew!
(He would have put that demoniacal mark [symbol: checkmark] against one of the summers in "All the fragrance of summer when summer was gone"!!!)
I sent SUCH a polite message PER X. to his reader, thanking him much for trying to mend my brogue (which had already passed through the hands of three or four Irishmen, including Dr. Todhunter and Dr. Littledale), but proposing that for the future we should confine ourselves to our respective trades,--That the printer should print from copy, and not out of his own head--that the reader should read for clerical errors and bad printing, which would leave me some remnant of time and strength to attend to the language and sentiments for which I alone was responsible. My dear love, I must stop.
Ever your devoted, J.H.E.
TO A.E.
_Farnham Castle, Surrey._ Oct. 10, 1880.
DIARY OF MRS. PEPYS.
"_Oct. 9._--Passed an ill night, and did early resolve to send a carrier pigeon unto the Castle to notify that I must lie where I was, being unable to set forward. But on rising I found myself not so ill that I need put others to inconvenience; so I did but order a cab and set forth at three in the afternoon, in pouring rain. My hostess sent with me David her footman, who saved me all trouble with my luggage, and so forth from Frimley to Farnham. A pause at the South Camp Station, dear familiar spot, a little before which the hut where my good lord lay before we were married loomed somewhat drearily through the mist and rain. At Farnham the Lord Bishop's servitor was waiting for me, and took all my things, leading me to a comfortable carriage and so forth to the Castle.
Somewhat affrighted at the hill, which is steep, and turns suddenly; but recovered my steadfastness in thinking that no horses could know the way so well as these.
The Bishopess and her daughter received me on the stair-case, and we had tea in the book-gallery, a most pleasing apartment.
Thence to my room to rest till dinner. It is a mighty fine apartment, vast and high, with long windows having deep embrasures, and looking down upon the cedars and away over the whole town, which is a pretty one.
Methinks if I were a state prisoner, I would fain be imprisoned in an upper chamber, looking level with these same cedar-branches, whereon, mayhap, some bird might build its nest for mine entertainment.
Dinner at 8.15. Wore my ancient brocade newly furbished with olive-green satin, and tinted lace about my neck, fastened with a brooch made like to a Maltese Cross, green stockings and shoes embroidered with flowers.
Was taken down to dinner by Sir Thos. Gore Browne, an exceeding pleasant old soldier, elder brother to the Bishop,--having before dinner had much talk with his Lordship, whom I had not remembered to have been the dear friend of our dear friend the Lord Bishop of Fredericton, when both prelates were curates in Exeter."
* * * * *
I am very much enjoying my visit to this dear old Castle. They are superabundantly kind! After the evening yesterday everybody, visitors and family, all trooped into the dimly-lighted chapel for Evening Prayer. They sang "Jerusalem the Golden," and Gen. Lysons sang away through his glass, in his K.C.B. star, and came up to compliment me about it afterwards....
October 22, 1880.
Yesterday was Trafalgar Day. About half-a-dozen old Admirals of ninety and upwards met and dined together! I don't know what I would not have given to have been present at that most ghostly banquet! How like a dream, a shadow, a bubble, a passing vapour, and all the rest of it, must life not have seemed to these ex-midshipmen of the _Victory_ and the _Téméraire_! muffling their poor old throats against this sudden frost, and toddling to table, and hobnobbing their glass in old-fashioned ways to immortal memories,
"here in London's central roar, Where the sound of those, he wrought for, And the feet of those he fought for, Echo round his bones for Evermore!"
The cold is sudden and most severe. I fear it will hustle some of those dear old Admirals to rejoin their ancient comrade--the "Saviour of the silver-coasted isle."
* * * * *
May 1881.
"The Harbour Bay was clear as glass-- So smooth--ly was it strewn! And on--the Bây--the moonlight lay And--the--Shad--ow of--the Moon!"
--thus was it at 11 p.m. on the night of the 4th of May, when I looked out of my bedroom window at Plâce Castle, Fowey, on the coast of Cornwall!!!!--(and we must also remember that Isolde was married to the King of Cornwall, and lived probably in much such a place as Plâce!)
* * * * *
I caught a train on to Fowey, which I reached about 5. There I found a brougham and two fiery chestnuts waiting for me, and after some plunging at the train away went my steeds, and we turned almost at once into the drive. There is no park to Plâce that I could see, but the drive is _sui generis_! You keep going through _cuttings_ in the rock, so that it has an odd feeling of a drive _on the stage_ in a Fairy Pantomime. On your right hand the cliff is _tapestried_, almost hidden, by wild-flowers and ferns in the wealthiest profusion! Unluckily the wild garlic smells dreadfully, but its exquisite white blossoms have a most aërial effect, with pink campion, Herb Robert, etc., etc. On the left hand you have perpetual glimpses of the harbour as it lies below--oh, _such_ a green! I never saw such before--"as green as em-er-âld!"--and the roofs of the ancient borough of Fowey!--I hope by next mail to have photographs to send you of the place. It perpetually reminded me of the Ancient Mariner. As to Plâce (P. Castle they call it now), the photographs will really give you a better idea of it than I can. You must bear in mind that the harbour of Fowey and a castle, carrying artillery, have been in the hands of the Treffrys from time immemorial.... We went over the Church, a fine old Church with a grand tower, standing just below the Castle. The Castle itself is chiefly Henry VI, and Henry VII. I never saw such elaborate stone carving as decorates the outside. There are beautiful "Rose" windows close to the ground, and the Lilies of France, of course, are everywhere. The chief drawing-room is a charming room, hung with pale yellow satin damask, and with beautiful Louis Quinze furniture. The porphyry hall is considered one of _the_ sights, the roof, walls, and floor are all of red Cornish porphyry....
_Frimhurst_, May 10, 1881.
I have been into the poor old Camp. I will tell thee. Did you ever meet Mr. F., R.E.? a young engineer of H.'s standing, and his chief friend. A Lav-engro (Russian is his present study) with a nice taste in old brass pots and Eastern rugs, and a choice little book-case, and a terrier named "Jem "--the exact image of dear old "Rough." He asked us to go to tea to see the pictures you and I gave to the Mess and so forth. So the General let us have the carriage and pair and away we went. It _is_ the divinest air! It was like passing quickly through BALM of body and mind. And you know how the birds sing, and how the young trees look among the pines, and the milkmaids in the meadows, and the kingcups in the ditches, and then the North Camp and the dust, and Sir Evelyn Wood's old quarters with a new gate, and then the racecourse with polo going on and more dust!--and then the R.E. theatre (where nobody has now the spirit to get up any theatricals!), and the "Kennêl" (as Jane Turton called it) where I used to get flags and rushes, and where Trouvé, dear Trouvé! will never swim again! And then the Iron Church from which I used to _run_ backwards and forwards not to be late for dinner every evening, with the "tin" roof that used to shake to the "Tug of War Hymn,"--and then more dust, and (it must be confessed) dirt and squalor, and _back views_ of ashpit and mess-kitchens and wash-houses, and turf wall the grass won't grow on, and rustic work always breaking up! and so on into the R.E. Lines! Mr. F. was not quite ready for us, so we drove on a little and looked at No. 3. N. Lines. T.'s hut is nearly buried in creepers now. An _Isle of Man_(do you remember?) official lives there, they say; but it looked as if only the Sleeping Beauty could. Our hut looks just the same. Cole's greenhouse in good repair. But through all the glamour of love one could see that there _is_ a good deal of dirt and dust, and refuse and coal-boxes!!!
Then a bugle played!--
"The trumpet blew!"
I _think_ it was "Oh come to the Orderly Room!" _We_ went to the Mess. The Dining-Room is much improved by a big window, high pitched, opposite the conservatory. It is new papered, prettily, and our pictures hang on each side of the fireplace. Mr. G. joined us and we went into the Ante-Room. Then to the inevitable photo books, in the window where poor old Y. used to sit in his spotless mufti. When G. (who is not _spirituel_) said, turning over leaves for the young ladies, "that and that are killed" I turned so sick! Mac G. and Mac D.! Oh dear! There be many ghosts in "old familiar places." But I have no devouter superstition than that the souls of women who die in childbed and men who fall in battle go straight to Paradise!!! Requiescant in Pace.
Then to tea in Mr. F.'s quarters next to the men. Then--now mark you, how the fates managed so happy a coincidence--G. said casually, "I saw Mrs. Jelf in the Lines just now!" I nearly jumped out of my boots, for I did not know she had got to England. Then F. had helped to nurse Jelf in Cyprus and was of course interested to see her, so out went G. for Mrs. J., and anon, through the hut porch in she came--Tableau--!
Then I sent the girls with Messrs F. and G. to "go round the stables," and M. and _Jem_ and I remained together. Jem went to sleep (with one eye open) under the table, and the sun shone and made the roof very hot, and outside--"The trumpets blew!"
It was an afternoon wonderfully like a Wagner opera, thickset with recurring _motifs_....
_Frimhurst._ June 15, 1891.
* * * * *
The old editions of Dickens are here, and I have been re-reading _Little Dorrit_ with keen enjoyment. There is a great deal of poor stuff in it, but there is more that is first-rate than I thought. I had quite forgotten Flora's enumeration of the number of times Mr. F. proposed to her--"seven times, once in a hackney coach, once in a boat, once in a pew, once on a donkey at Tunbridge Wells, and the rest on his knees." But she is very admirable throughout.
I've also been reading some more of that American novelist's work, Henry James, junior,--_The Madonna of the Future_, etc. He is not _great_, but very clever.
Used you not to like the first-class Americans you met in China very much? It is with great reluctance--believing Great Britons to be the salt of the earth!!--but a lot of evidence of sorts is gradually drawing me towards a notion that the best type of American Gentleman is something like a generation ahead of our gentlemen in his attitude towards women and all that concerns them. There are certain points of view commonly taken up by Englishmen, even superior ones, which always exasperate women, and which seem equally incomprehensible by American men. You will guess the sort of things I mean. I do not know whether it is more really than the _élite_ of Yankees (in which case we also have our _ámes d'élite_ in chivalry)--but I fancy as a race they seem to be shaking off the ground-work idea of woman as the lawful PREY of man, who must keep Mrs. Grundy at her elbow, and _show cause why she shouldn't be insulted_. (An almost exclusively _English_ feeling even in Great Britain, I fancy. By the bye, what odd flash of self-knowledge of John Bull made Byron say in his will that his daughter was not to marry an Englishman, as either Scotch or Irishmen made better husbands?)...
July 6, 1881.
* * * * *
The Academy this year is very fine. Some truly beautiful things. But before one picture I stood and simply laughed and shook with laughing aloud. It is by an Italian, and called "A frightful state of things." It is a baby left in a high chair in a sort of Highland cottage, with his plate of "parritch" on his lap--and every beastie about the place, geese, cocks, hens, chicks, dogs, cats, etc., etc., have invaded him, and are trying to get some of his food. The painting is exquisite, and it is the most indescribably funny thing you can picture: and so like dear Hector, with one paw on little Mistress's eye eating her breakfast!!!...
* * * * *
_Ecclesfield._ August 24, 1881.
... André has made the "rough-book" (water colours) of "A week spent in a Glass Pond, By the Great Water Beetle." I only had it a few hours, but I scrambled a bit of the title-page on to the enclosed sheet of green paper for you to see. It is entirely in colours. The name of the tale is beautifully done in letters, the initials of which _bud and blossom_ into the Frogbit (which shines in white masses on the Aldershot Canal!) [_Sketch._] To the left the "Water Soldier" (_Stratiotes Aloides_) with its white blossoms. At the foot of the page "the Great Water Beetle" himself, writing his name in the book--_Dyticus Marginalis_. There is another blank page at the beginning of the book, where the beetle is standing blacking himself in a penny ink-pot!!!! and another where he is just turning the leaves of a book with his antennæ--the book containing the name of the chromolithographers. He has adopted almost all my ideas, and I told him (though it is not in the tale) "I should like a _dog_ to be with the children in all the pictures, and a cat to be with the old naturalist,"--and he has such a dog (a white bull terrier) [_sketch_], who waits on the woodland path for them in one picture, _noofles_ in the colander at the water-beasts in another, examines the beetle in a third, stands on his hind legs to peep into the aquarium in a fourth, etc. But I cannot describe it all to you. I have asked to have it again by and by, and will send you a coloured sketch or two from it. I am so much pleased!... Perhaps the best part of the book is _the cover_. It is very beautiful. The Bell Glass Aquarium (lights in the water beautifully done) carries the title, and reeds, flowers, newts, beetles, dragon-flies, etc., etc., are grouped with wondrous fancy! This entirely his own design....
_Jesmond Dene, Newcastle-on-Tyne._ August 30, 1881.
* * * * *
The four Jones children and their nurse are in lodgings at a place called Whitley on the coast, not far from here. Somebody from here goes to see them most days. To-day Mrs. J. and I went. As we were starting dear "Bob" (the collie who used to belong to the Younghusbands) was determined to go. Mrs. Jones said No. He bolted into the cab and crouched among my petticoats; I begged for him, and he was allowed. At the station he was in such haste he _would_ jump into a 2nd class carriage, and we had hard work to get him out. (This _is_ rather funny, because she usually goes there 2nd class with the children: and he looked at the 1st and would hardly be persuaded to get in.) Well, the coast is rather like Filey, and such a wind was blowing, and _such_ white horses foamed and fretted, and sent up wildly tossed fountains of foam against the rocks, and such grey and white waves swallowed up the sands! I ran and played with the children and the dog--and built a big sand castle ("Early English if not Delia Cruscan"!!), and by good-luck and much sharp hunting among the storm-wrack flung ashore among the foam, found four cork floats, and made the children four ships with paper sails, and had a glorious dose of oxygen and iodine. How strange are the properties of the invisible air! The air from an open window at Ecclesfield gives me neuralgia, and doubly so at Exeter. To-day the wild wind was driving huge tracts of foam across the sands in masses that broke up as they flew, and driving the sand itself after them like a dust-storm. I could barely stand on the slippery rocks, and yet my teeth seemed to _settle in my jaws_ and my face to get PICKLED (!) and comforted by the wild (and very cold) blast.... Now to sweet repose, but I was obliged to tell you I had been within sound of the sea, aye! and run into and away from the waves, with children and a dog. This is better than a Bath Chair in Brompton Cemetery!...
_Thornliebank, Glasgow._ September 8, 1881.
... "It is good to be sib to" kindly Scots! and I am having a very pleasant visit. You know the place and its luxuries and hospitalities well.
I came from Newcastle last Friday, and (in a good hour, etc.) bore more in the travelling way than I have managed with impunity since I broke down. I came by the late express, got to Glasgow between 8 and 9 p.m., and had rather a hustle to to get a cab, etc. A nice old porter (as dirty and hairy as a Simian!) secured one at last with a cabby who jabbered in a tongue that at last I utterly lost the running of, and when he suddenly (and as it appeared indignantly!) remounted his box, whipped up, and drove off, leaving me and my boxes, I felt inclined to cry(!), and said piteously to the porter, "What _does_ he say? I _cannot_ understand him!" On which the old Ourang-Outang began to pat me on the shoulder with his paw, and explain loudly and slowly to my Sassenach ears, "He's jest telling ye--that 't'll be the better forrr ye--y'unnerstan'--to hev a caaaab that's got an i(ro)n railing on the tôp of it--for the sake of yourrr boxes." And in due time I was handed over to a cab with an iron railing, the Simian left me, and so friendly a young cabby (also dirty) took me in hand that I began to think he was drunk, but soon found that he was only exceedingly kind and lengthily conversational! When he had settled the boxes, put on his coat, argued out the Crums' family and their residences, first with me and then with his friends on the platform, we were just off when a thought seemed to strike him, and back he came to the open window, and saying "Ye'll be the better of havin' this ap"--scratched it up from the outside with nails like Nebuchadnezzar's. Whether my face looked as if I did not like it or what, I don't know, but down came the window again with a rattle, and he wagged the leather strap almost in my face and said, "there's _hôals_ in't, an' ye can jest let it down to yer own satisfaction if ye fin' it gets clos." Then he rattled it up again, mounted the box, and off we went. Oh, _such_ a jolting drive of six miles! Such wrenching over tramway lines! But I had my fine air-cushions, and my spine must simply be another thing to what it was six months back. Oh, he was funny! I found that he did NOT know the way to Thornliebank, but having a general idea, and a (no doubt just) faith in his own powers, he swore he did know, and utterly resented asking bystanders. After we got far away from houses, on the bleak roads in the dark night, I merely felt one must take what came. By and by he turned round and began to retrace his steps. I put out my head (as I did at intervals to his great disgust; he always pitched well into me--"We're aal right--just com--pôse yeself," etc.), but he assured me he'd only just gone by the gate. So by and by we drew up, no lights in the lodge, no answer to shouts--then he got down, and in the darkness I heard the gates grating as if they had not been opened for a century. Then under overhanging trees, and at last in the dim light I saw that the walls were broken down and weeds were thick round our wheels. I could bear it no longer, and put out my head again, and I shall never forget the sight. The moon was coming a little bit from behind the clouds, and showed a court-yard in which we had pulled up, surrounded with buildings in ruins, and overgrown with nettles and rank grass. We had not seen a human being since we left Glasgow, at least an hour before,--and of all the places to have one's throat cut in!! The situation was so tight a place, it really gave one the courage of desperation, and I ordered him to drive away at once. I believe he was half frightened himself, and the horse ditto, and never, never was I in anything so nearly turned over as that cab! for the horse got it up a bank. At last it was righted, but not an inch would my Scotchman budge till he'd put himself through the window and confounded himself in apologies, and in explanations calculated to convince me that, in spite of appearances, he knew the way to Thornliebank "pairfeckly well." "Noo, I do beg of ye not to be narrrr-vous. Do NOT give way to't. Ye may trust me entirely. Don't be discommodded in the least. I'm just pairfectly acquainted with the road. But it'll be havin' been there in the winter that's just misled me. But we're aal right." And all right he did eventually land me here! so late J. had nearly given me up.
* * * * *
TO MRS. ELDER.
_Greno House, Grenoside, Sheffield._ October 26, 1881.
DEAREST AUNT HORATIA,
* * * * *
D. says you would like some of the excellent Scotch stories I heard from Mr. Donald Campbell. I wish I could take the wings of a swallow and tell you them. You must supply gaps from your imagination.
They were as odd a lot of tales as I ever heard--_drawled_ (oh so admirably drawled, without the flutter of an eyelid, or the quiver of a muscle) by a Lowland Scotchman, and queerly characteristic of the Lowland Scotch race!!!! Picture this slow phlegmatic rendering to your "mind's eye, Horatia!"
A certain excellent woman after a long illness--departed this life, and the Minister went to condole with the Widower. "The Hand of affliction has been heavy on yu, Donald. Ye've had a sair loss in your Jessie."
"Aye--aye--I've had a sair loss in my Jessie--an' a heavy ex-pense."
* * * * *
A good woman lost her husband, and the Minister made his way to the court where she lived. He found her playing cards with a friend. But she was _æquus ad occasionem_--as Charlie says!--
"Come awa', Minister! Come awa' in wi' ye. Ye'll see _I'm just hae-ing a trick with the cairds to ding puir Davie oot o' my heid_."
* * * * *
I don't know if the following will _read_ comprehensibly. _Told_ it was overwhelming, and was a prime favourite with the Scotch audience.
Hoo oor Baby was _burrrned_. (How our Baby was burnt.)
(You must realize a kind of amiable bland _whine_ in the way of telling this. A caressing tone in the Scotch drawl, as the good lady speaks of _oor wee Wullie_, etc. Also a roll of the r's on the word burned.)
"Did ye never hear hoo oor wee Baby was burrrned? Well ye see--it was _this_ way. The Minister and me had been to _Peebles_--and we were awfu' tired, and we were just haeing oor bit suppers--when oor wêê Wullie cam doon-stairs and he says--'Mither, Baby's _burrrning_.'
"--Y'unerstan it was the day that the Minister and me were at Peebles. We were _awful_ tired, and we were just at oor suppers, and the Minister says (very loud and nasal), '_Ca'll Nurrse_!'--but as it rarely and unfortunitly happened--Nurrse was washing and she couldna be fashed.
"And in a while our WEE Wullie cam down the stairs again, and he says--'Mither! Baby's burning.'
"--as I was saying the Minister and me had been away over at Peebles, and we were in the verra midst of oor suppers, and I said to him--'Why didna ye call Nurse?'--and off he ran.
"--and there was the misfirtune of it--Nurrse was washing, and she wouldn't be fashed.
"And--in--a while--oor weee Wullie--came doon the stairs again--and he says 'Mither! Baby's burrrned.' And that was the way oor poor woe baby was burnt!"
* * * * *
Now for one English one and then I must stop to-day. I flatter myself I can tell this with a nice mincing and yet vinegar-ish voice.
"When I married my 'Usbin I had no expectation that he would live three week.
"But Providence--for wise purposes no doubt!--has seen fit to spare him three years.
"And there he sits, all day long, a-reading the _Illustrious News_."
Now I must stop....
Your loving niece, JULIANA HORATIA EWING.
TO A.E.
_Grenoside._ Advent Sunday, 1881.
* * * * *
On one point I think I have improved in my sketching. I have been long wanting to get a _quick style_ sketching not painting. Because I shall never have the time, or the time and strength to pursue a more finished style with success. Now I have got paper on which I can make no corrections (so it forces me to be "to the point"), and which takes colour softly and nicely. I have to aim at very correct drawing _at once_, and I lay in a good deal both of form and shade with a very soft pencil and then wash colour over; and with the colour I aim at blending tints as I go on, putting one into the other whilst it is wet, instead of washing off, and laying tint over tint, which the paper won't bear. I am doing both figures and landscape, and in the same style. I think the nerve-vigour I get from the fresh air helps me to decision and choice of colours. But I shall bore you with this gallop on my little hobby horse!...
November 30.
... I have sketched up to to-day, but it was cold and sunless, so I did some village visiting. I am known here, by the bye, as "_Miss Gatty as was_"! I generally go about with a tribe of children after me, like the Pied Piper of Hamelin! They are now fairly trained to keeping behind me, and are curiously civil in taking care of my traps, pouring out water for me, and keeping each other in a kind of rough order by rougher adjurations!
"Keep out o' t' _leet_ can't ye?"
"Na then! How's shoo to see through thee?"
"Shoo's gotten t' Dovecot in yon book, and shoo's got little Liddy Kirk--and thy moother wi' her apron over her heead, and Eliza Flowers sitting upo' t' doorstep wi' her sewing--and shoo's got t' woodyard--and Maester D. smooking his pipe--and shoo's gotten _Jack_."
"Nây! Has shoo gotten Jack?"
"Shoo _'as_. And shoo's gotten ould K. sitting up i' t' shed corner chopping wood, and shoo's bound to draw him and Dronfield's lad criss-cross sawing."
"Aye. Shoo did all Greno Wood last week, they tell me."
"Aye. And shoo's done most o' t' village this week. What's shoo bound to do wi' 'em all?"
"_Shoo'll piece 'em all together and mak a big picter of t' whole place._" (These are true bills!)
Mr. S---- brings in some amusing _ana_ of the village on this subject.
A.W., a nice lad training for schoolmaster, was walking to Chapeltown with several _rolls of wall paper_ and a big wall paste-brush, when he was met by "Ould K." (a cynical old beggar, and vainer than any girl, who has been affronted because I put Master D. into my foreground, and not him), who said to him--"Well, lad! I see thou's _going out mapping_, like t' rest on 'em." This evening Mr. S---- tells me his landlord told him that some men who work for a very clever file-cutter here, who is _facile princeps_ at his trade, but _mean_, and keeps "the shop" cold and uncomfortable for his workmen--devised yesterday the happy thought of going to their Gaffer and telling him that I had been sketching down below (true) and was coming up their way, and that I was sure to expect a glint of fire in the shop, which ought to look its best. According to N. he took the bait completely, piled a roaring fire, and as the day wore on kept wandering restlessly out and peering about for me! When they closed for the night he said it was strange I hadn't been, but he reckoned I was sure to be there next day, and he could wish I would "tak him wi' his arm uplifted to strike." (He is a very powerful smith.) I think I _must_ go if the shop is at all picturesque....
Nov. 25, 1881.
* * * * *
Be happy in a small round. But, none the less, all the more does it refresh me to get the wave of all your wider experience to flood my narrow ones--and to enjoy all the _calm_ bits of your language study and the like. And oh, I am _very_ glad about the Musical Society! Though I dare say you'll have some _mauvais quarts d'heure_ with the strings in damp weather!...
I have really got some pretty sketches done the last few days. Not _finished_ ones, the weather is not fit for long sitting; but H.H. has given me some "Cox" paper, a rough kind of stuff something like what _sugar_ is wrapped up in, and with a very soft black pencil I have been getting in quick outlines--and then tinting them with thin pure washes of colour. I have been doing one of the Clog-shop. This quaint yard has doors--old doors--which long since have been painted a most charming red. Then the old shop is red-tiled, and an old stone-chimney from which the pale blue smoke of the wood-fire floats softly off against the tender tints of the wood, on the edge of which lie fallen logs with yellow ends, ready for the clog-making, and all the bare brown trees, and the green and yellow sandstone walls, and Jack the Daw hopping about. The old man at the clog-yard was very polite to me to-day. He said, "It's a pratty bit of colour," and "It makes a nicet sketch now you're getting in the _dit_tails." He went some distance yesterday to get me some india-rubber, and then wanted me to keep it! He's a perfect "picter card" himself. I must try and get _his_ portrait.
* * * * *
_Ecclesfield._ Dec. 23, 1881.
... I cannot tell you the pleasure it gives me that you say what you do of "Daddy Darwin." No; it will not make me overwork. I think, I hope, nothing ever will again. Rather make me doubly careful that I may not lose the gift you help me to believe I have. I have had very kind letters about it, and Mrs. L. sent me a sweet little girl dressed in pink--a bit of Worcester China!--as "Phoebe Shaw."...
Aunt M. sent "Daddy Darwin" to T. Kingdon (he is now Suffragan Bishop to Bishop Medley), and she sent us his letter. I will copy what he says: "'Daddy Darwin' is very charming--directly I read it I took it off to the Bishop--and he read it and cried over it with joy, and then read it again, and it has gone round Fredericton by this time. The story is beautifully told, and the picture is quite what it should be. When I look at the picture I think nothing could beat it, and then when I read the story I think the story is best--till I look again at the picture, and I can only say that _together_ I don't think they could be beaten at all in their line. I have enjoyed them much. There is such a wonderful fragrance of the Old Country about them."
I thought you would like to realize the picture of our own dear old Bishop crying with joy over it! What a young heart! tenderer than many in their teens; and what unfailing affection and sympathy....
January 17, 1882.
* * * * *
Mrs. O'M. is delighted with "Daddy Darwin." I had a most curious letter about it from Mrs. S., a very clever one and very flattering! F.S. too wrote to D., and said things almost exactly similar. It seems odd that people should express such a sense of "purity" with the "wit and wisdom" of one's writing! It seems such an odd reflection on the tone of other people's writings!!! But the minor writers of the "Fleshly school" are perhaps producing a reaction! Though it's _marvellous_ what people will read, and think "so clever!" Some novels lately--_Sophy_ and _Mehalah_, deeply recommended to me, have made me aghast. I'm not very young, nor I think very priggish; but I do decline to look at life and its complexities solely and entirely from a point of view that (bar Christian names and the English language) would do equally well for a pig or a monkey. If I _am_ no more than a Pig, I'm a fairly "learned" pig, and will back myself to get some small piggish pleasures out of this mortal stye, before I go to the Butcher!! But--IF--I am something very different, and very much higher, I won't ignore my birthright, or sell it for Hog'swash, because it involves the endurance of some pain, and the exercise of some faith and hope and charity! _Mehalah_ is a well-written book, with a delicious sense of local colour in nature. And it is (pardon the sacrilege!) a LOVE _story_! The focus point of the hero's (!) desire would at quarter sessions, or assizes, go by the plain names of outrage and murder, and he succeeds in drowning himself with the girl who hates him lashed to him by a chain. In not one other character of the book is there an indication that life has an aim beyond the lusts of the flesh, and the most respectable characters are the tenants whose desires are summed up in the desire of more suet pudding and gravy!! To any one who KNOWS the poor! who knows what faiths and hopes (true or untrue) support them in consumption and cancer, in hard lives and dreary deaths, the picture is as untrue as it is (to me!) disgusting.
* * * * *
March 22, 1882.
* * * * *
On Saturday night I went down with A. and L. to Battersea, to one of the People's Concerts. I enclose the programme. It is years since I have enjoyed anything so much as _Thomas's_ Harp-playing. (He is not Ap-Thomas, but he _is_ the Queen's Harper.) His hands on those strings were the hands of a _Wizard_, and form and features nearly as quaint as those of Mawns seemed to dilate into those of a poet. It was very marvellous.
Did I tell you that Lady L. has sent _me_ a ticket this year for her Sunday afternoons at the Grosvenor? We went on Sunday. The paintings there just now are Watts's. Our old blind friend at Manchester has sent a lot. It is a very fine collection. I think few paintings do beat Watts's 'Love and Death'--Death, great and irresistible, wrapped in shrowd-like drapery, is pushing relentlessly over the threshold of a home, where the portal is climbed over by roses and a dove plays about the lintel. You only see his back. But, facing you, Love, as a young boy, torn and flushed with passion and grief, is madly striving to keep Death back, his arms strained, his wings crushed and broken in the unequal struggle.
Beside the paintings it was great fun seeing the company! Princess Louise was there, and lots of minor stars. And--my Welsh Harper was there! I had a long chat with him. He talks like a true artist, and WE must know him hereafter. When I said that when I heard him play the 'Men of Harlech,' I understood how Welshmen fought in the valleys if their harpers played upon the hills (_most true!_), he seized my hand in both his, and thanked me so excitedly I was quite alarmed for fear Mrs. Grundy had an eye round the corner!!!
* * * * *
_Amesbury_, May 28, 1182.
... 'Tis a sweet, sweet spot! Not one jot or one tittle of the old charm has forsaken it. Clean, clean shining streets and little houses, pure, pure air!--a changeful and lovely sky--the green watermeads and silvery willows--the old patriarch in his smock--the rushing of the white weir among the meadows, the grey bridge, the big, peaceful, shading trees, the rust-coloured lichen on the graves where the forefathers of the hamlet sleep (oh what a place for sleep!), the sublime serenity of that incomparable church tower, about which the starlings wheel, some of them speaking words outside, and others replying from the inside (where they have no business to be!) through the belfry windows in a strange chirruping antiphon, as if outside they sang:
"Have you found a house, and a nest where you may lay your young?
(and from within):
Even Thy altars, O Lord of Hosts! my King and my God!"
D. and I wandered (how one _wanders_ here) a long time there yesterday evening. Then we went up to the cemetery on the hill, with that beautiful lych-gate you were so fond of. I picked you a forget-me-not from the old Rector's grave, for he has gone home, after fifty-nine years' pastorship of Amesbury. His wife died the year before. Their graves are beautifully kept with flowers.
_Whit-Monday_, 9.30 p.m. We are in the upper sitting-room to-day, the lower one having been reserved for "trippers." It is a glorious night--beyond the open window one of several Union Jacks waves in the evening breeze, and one of several brass bands has just played its way up the street. How these admirable musicians have found the lungs to keep it up as they have done since an early hour this morning they best know! Oh, how we have laughed! How _you_ would have laughed!! It has been the most good-humoured, civil crowd you can imagine! Such banners! such a "gitting of them" up and down the street by ardent "Foresters" and other clubs in huge green sashes and flowers everywhere! Before we were up this morning they were hanging flags across the street, and seriously threatening the stability of that fine old window!
When I was dressed enough to pull up the blind and open the window some green leaves fluttered in in the delicious breeze. I went off into raptures, thinking it was a big _Vine_ I had not noticed before, creeping outside!!
It was a maypole of sycamore branches, placed there by the Foresters!!!
Frances Peard laughed at me much for something like to this I said at Torquay! She said, "You are just like my old mother. Whenever we pass a man who has used a fusee, she always becomes knowing about tobacco, and says, _There_, Frances, my dear--there IS a fine cigar.'"
* * * * *
... We came here last Thursday. When I got to Porton D. had sent an air-cushion in the fly, and though I had a five miles drive it was through this exquisite air on a calm, lovely evening, and by the time we got to a spot on the Downs where a little Pinewood breaks the expanse of the plains, the good-humoured driver and I were both on our knees on the grass digging up plots of the exquisite Shepherd's Thyme, which carpets the place with blue!
Yesterday we drove by Stonehenge to Winterbourne Stoke. It was glaring, and I could not do much sketching, but the drive over the downs was like drinking in life at some primeval spring. (And this though the wind did give me acute neuralgia in my right eye, but yet the air was so exquisitely refreshing that I could cover my eye with a handkerchief and still enjoy!) The charm of these unhedged, unbounded, un-"cabined, cribbed, confined" _prairies_ is all their own, and very perfect! And _such_ flowers _enamel_ (it _is_ a good simile in spite of Alphonse Karr!) the close fine grass! The pale-yellow rock cistus in clumps, the blue "shepherd's thyme" in tracts of colour, sweet little purple-capped orchids, spireas and burnets, and everywhere "the golden buttercup" in sheets of gleaming yellow, and the soft wind blows and blows, and the black-nosed sheep come up the leas, and I drink in the breeze! Oh, those flocks of black-faced lambs and sheep are TOO-TOO! and I must tell you that the old Wiltshire "ship-dog" is nearly extinct. I regret to say that he is not found equal to "the Scotch" in business habits, and one see Collies everywhere now....
_London._ June 29, 1882.
* * * * *
I had a great treat last Sunday. One you and I will share when you come home. D., U., and I took Jack to church at the Chelsea Hospital, and we went round the Pensioners' Rooms, kitchen, sick-wards, etc. afterwards, with old Sir Patrick Grant and Col. Wadeson, V.C. (Govr. and Lieut.-Govr.), and a lot of other people.
It is an odd, perhaps a savage, mixture of emotions, to kneel at one's prayers with some _pride_ under fourteen French flags--_captured_ (including one of Napoleon's while he was still Consul, with a red cap of Liberty as big as your hat!), and hard by the FIVE bare staves from which the FIVE standards taken at Blenheim have rotted to dust!--and then to pass under the great Russian standard (twenty feet square, I should say!) that is festooned above the door of the big hall. If Rule Britannia IS humbug--and we are mere Philistine Braggarts--why doesn't Cook organize a tour to some German or other city, where we can sit under fourteen captured British Colours, and be disillusioned once for all!!! Where is the Hospital whose walls are simply decorated like some Lord Mayor's show with trophies taken from us and from every corner of the world? (You know Lady Grant was in the action at Chillianwallah and has the medal?) We saw two Waterloo men, and Jack was handed about from one old veteran to another like a toy. "Grow up a brave man," they said, over and over again. But "The Officer," as he called Colonel Wadeson, was his chief pride, he being in full uniform and cocked hat!!
And I must tell you--in the sick ward I saw a young man, fair-curled, broad-chested, whose face seemed familiar. He was with Captain Cleather at the Aldershot Gym., fell, and is "going home"--slowly, and with every comfort and kindness about him, but of spinal paralysis. It _did_ seem hard lines! He was at the Amesbury March Past, and we had a long chat about it.
* * * * *
July 21, 1882.
* * * * *
I cannot tell you how it pleases me that you liked the bit about Aldershot in "Lætus." I hope that it must have _grated_ very much if I had done it badly or out of taste, on any one who knows it as well as you do; and that its moving your sympathies does mean that I have done it pretty well. I cannot tell you the pains I expended on it! All those sentences about the Camp were written in scraps and corrected for sense and euphony, etc., etc., bit by bit, like "Jackanapes"!!! Did I tell you about "Tuck of Drum"? Several people who saw the proof, pitched into me, "Never heard of such an expression." I was convinced I knew it, and as I said, as a _poetical_ phrase; but I could not charge my memory with the quotation: and people exasperated me by regarding it as "camp slang." I got Miss S. to look in her _Shakespeare's Concordance_, but in vain, and she wrote severely, "My Major lifts his eyebrows at the term." I was in despair, but I sent the proof back, trusting to my instincts, and sent a postcard to Dr. Littledale, and got a post-card back by return--"Scott"--"Rokeby."
"With burnished brand and musketoon, So gallantly you come, I rede you for a bold dragoon, That lists the tuck of drum."-- "I list no more the tuck of drum, No more the trumpet hear; But when the beetle sounds his hum, My comrades take the spear."
And I copied this on to another postcard and added, _Tell your Major!_ and despatched it to Miss S.! She said, "You _did_ Cockadoodle!"--
But isn't it _exquisite_? _What_ a creature Scott was! Could words, could a long romance, give one a finer picture of the ex-soldier turned "Gentleman of the Road"? The touch of regret--"I list no more the tuck of drum," and the soldierly necessity for a "call"--and then _such_ a call!
When the Beetle _sounds his hum_--
The Dor Beetle!--
I hope you will like the tale as a whole. It has been long in my head.
* * * * *
Oh! how funny Grossmith was! Yesterday I was at the Matinée for the Dramatic School, and he did a "Humorous Sketch" about Music, when he said with care-carked brows that there was only one man's music that _thoroughly_ satisfied him (after touching on the various schools!)--and added--"my own." It was inexpressibly funny. His "Amateur Composer" would have made you die!
Ah, but THE treat, such a treat as I have not heard for years--was that old Ristori RECITED the 5th Canto of the _Inferno_. I did not remember which it was, and feared I should not be able to follow, but it proved to be "Francesca." Never could I have believed it possible that reciting could be like that. I could have gone into a corner and cried my heart out afterwards, the tension was so extreme. And oh what power and WHAT refinement!
* * * * *
July 28, 1882.
* * * * *
Last Saturday D. and I went down to Aldershot to the Flat Races!!! As we went along, tightly packed in a carriage full of ladies in what may be termed "dazzling toilettes," pretty girls and Dowager Mammas everywhere!--and as we ran past the familiar "Brookwood North Camp," where white "canvas" shone among the heather (and the heather, the cat heather, oh SO bonny! with here and there a network of the red threads of the dodder, so thick that it looked like red flowers), and all the ladies, young and old, craned forward to see the tents, etc., I really laughed at myself for the accuracy of my own descriptions in "Lætus"! P. met us at the R.E. Mess, where we had luncheon. After lunch we went to the familiar stables, and inspected the kit for Egypt. Then P. drove us to the Race Course. I met a lot of old friends. The Duke and Duchess of Connaught were there. It all looked very pretty, the camp is so much grown up with plantations now. The air was wondrous sweet. P. drove us back to the Mess for tea, and then down to the station. It was a great pleasure, though rather a sad one. Everybody was very grave. A sort of feeling, "What will be the end?"...
_The Castle, Farnham._ Aug. 17, 1882.
* * * * *
It is one of the sides of X.'s mind which makes me feel her so _limited_ an artist that she seems almost to take up a school as she takes up a lady-friend--"one down another come on." I think her abuse of Wagner now curiously _narrow_. I can't see why one should not feel the full spell and greater purity of Brahms without dancing in his honour on Wagner's bones!! It seems like her refusing to see any merit in, or derive any enjoyment from modern pictures because she has been "posted" in the Early Italian School. So from year to year these good people who have been to Florence will not even look at a painting by Brett or Peter Graham, though by the very qualities and senses through which one feels the sincerity, the purity, the nobleness, and the fine colour of those great painters, the photographs of whose pictures even stir one's heart,--one surely ought also to take delight in a landscape school which simply did not exist among the ancients. If sea and sky as GOD spreads them before our eyes are admirable, I can't think how one can be blind to delight in such pictures as 'The Fall of the Barometer,' 'The Incoming Tide,' or Leader's 'February Fill-dyke.' Things which no Florentine ever approached, as transcripts of Nature's mood apart from man....
Yesterday we had a most delicious drive through the heather and pines to Crookham. Ah, 'tis a bonny country, and I _did_ laugh when I said to Mr. Walkinshaw, "How glorious the heather is this year!" and he said, "Yes. If only it was growing on its native heath." For a minute I couldn't tell what he meant. Then I discovered that he regards heather as the exclusive property of bonnie Scotland!!!
I think you will be pleased to hear that I did, what I have long wanted, yesterday. Thoroughly made Mrs. Walkinshaw's acquaintance, and thanked her for that old invitation we never accepted to go there to see the Chinnerys' sketches. How Scotch and _kindly_ she is! She insisted on bringing her husband and daughters to be introduced, and sent _warmest_ messages to you. She said she feared you must have quite forgotten her; but I told her she was quite wrong there! She says she has a little Chinnery she meant to give me long ago, and she insists on sending it....
Sept. 1, 1882.
* * * * *
I must tell you that I had such a mixture of pain and pleasure at Britwell in the nearest approach to Trouvé I have ever known. A larger dog, and not quite so "Möcent," but in character and ways his living image. The same place on his elbow (which his Aunt was always wanting to gum a bit of astrachan on to); he "took" to his Aunt at once! _Nero_ by name. The sweetest temper. I have kissed the nice soft places on his black lips and shaken hands by the hour!!! Yesterday the others went to a garden-party, so I went on to the Downs to sketch, and when the dogs saw me, off they came, Nero delighted, and little Punch the Pug. They came with me all the way, and lay on the grass while I was sketching, and Nero kept sitting down to save a corner, and watch which way I meant to go, just like dear True! [_Sketch._] They were very good, sitting with me on the downs, but they roamed away into the woods after game a good deal on the road home!...
_Grenoside._ Oct 5, 1882.
* * * * *
I do so long to hear how you like the end of "Lætus." As F.S.'s tale turned out seven pages longer than was accounted for, I had to cut out some of _my_ story, and so have missed the point of its being S. Martin's Day on which Leonard died. S. Martin was a soldier-saint, and the Tug-of-War Hymn is only sung on Saints' Days.
I have completed a tale[42] for the November No., and gave a rough design to André for the illustration, which will be in colours. I hope you will like _that_. There is not a tear in it this time! "Lætus" was too tragic!
[Footnote 42: "Sunflowers and a Rushlight," vol. xvi.]
* * * * *
Will we or will we not have a Persian Puss in our new home by the name of--Marjara?--It is quite perfect! Do Brahmans like cats? I must have a tale about Marjara!!!--
Karava is grand too!
Oh Karava! Oh the Crier! Oh Karava! Oh the Shouter! Oh Karava, oh the Caller! Very glossy are your feathers, Very thievish are your habits, Black and green and purple feathers, Bold and bad your depredations!!!
Doesn't he sound like a fellow in _Hiawatha_?
Oh, it's a fine language, and must have fine _lils_ in it!
* * * * *
TO MRS. JELF.
_Ecclesfield._ Oct. 10, 1882.
MY DEAREST MARNY,
Your dear, kind letter was very pleasant sweetmeat and encouragement. I am deeply pleased you like the end of "Lætus"--and feel it to the point--and that my polishings were not in vain! I polished that last scene to distraction in "the oak room" at Offcote!
I should _very_ much like to hear how it hits the General. I think "_Pav_ilions" (as my Yorkshire Jane used to call civilians!) may get a little mixed, and not care so much for the points. Some who have been rather extra kind about it are--Lady W---- (but yesterday she amusingly insisted that she _had_ lived in camp ---- at Wimbledon!!)--the Fursdons and "Stella Austin," author of _Stumps_, etc.--(literary "civilians" who think it the best thing I have ever done), and two young barristers who have been reading it aloud to each other in the Temple--with tears. And yet I fancy many non-military readers may get mixed. P. vouchsafes no word of it to _me_, but I hear from D. (under the veil of secrecy!) that he and Mr. Anstruther read it together in Egypt with much approval. I am more pleased by military than non-military approval. Old Aldershottians would so easily spot blunders and bad taste!!! Mrs. Murray wrote to me this morning about it--and of course wished they were back in dear old Aldershot!
You make me very egotistical, but I DO wish you to tell me what you, _and_ Aunty, _and_ Madre think of "Sunflowers and a Rushlight," when you read it. I fear it has rather scandalized my Aunt, who is staying with us. She is obviously shocked at the plain-speaking about drains and doctors, and thinks that part ought to have been in an essay--not in a child's tale. I am a little troubled, and should _really_ like (what is seldom soothing!) a candid opinion from _each of you_. You know how I think the riding _some_ hobbies takes the _fine edge_ off the mind, and if you think I am growing coarse in the cause of sanitation--I beseech you to tell me! As to putting _the teaching_ into an essay--the crux there is that the people one wants to stir up about sanitation are just good family folk with no special literary bias; and they will read a tale when they won't read an essay! But do tell me if any one of you feel that the subject _grates_, or my way of putting it.
Now, my darling, I must tell you that I have got a telegram from my goodman--the Kapellmeister!--to say he IS to be sent home in "early spring." This is a great comfort. I would willingly have let him stay two months longer to escape spring cold; but he has got to _hate_ the place so fiercely, that I now long for him to get away at any cost. It must be most depressing! The last _letter_ I got, he had had a trip by sea, and said he felt perfectly different till he got back to Colombo, when the oppression seized him again. He has been to Trincomalee, and is charmed with it, and said he could read small print when he got there, but his eyes quite fail in the muggyness of Colombo. However he will cheer up now, I hope! and Nov. and Dec. and Jan. are good months.
Now good-bye, dear. My best love to Aunty and Madre.
Your loving, J.H.E.
TO A.E.
_Ecclesfield._ October 24, 1882.
... It was very vexatious that the Megha Duta came just too late for last mail. It is a beautiful poem. Every now and then the local colour has a weird charm all its own. It lifts one into another land (without any jarring of railway or steamship!) to realize the _locale_ in which rearing masses of grey cumuli suggest elephants rushing into combat! And the husband's picture of his wife in his absence is as noble, as sympathetic, and as perceptive as anything of the kind I ever read. So full of human feeling and so refined. I enjoyed it very much. It reminded me, oddly enough, more than once of Young's _Night Thoughts_. I think perhaps (if the charm of another tongue, and the wonder of its antiquity did not lead one to give both more _attention_ and more _sympathy_ than one would perhaps bestow on an English poem) that the poem does not rank much higher than a degree short of the first rank of our poets. But it is very charming. And oh, what a lovely text! It is a _most beautiful_ character....
TO MRS. MEDLEY.
_Ecclesfield, Sheffield._ November 17, 1822.
MY VERY DEAR MRS. MEDLEY,
There has been long word silence between us! I made a break in it the other day by sending you my new "Picture Poem"--"A Week Spent in a Glass Pond."
It was a sort of repayment of a tender chromolithographic (!) debt.
Do you remember, when Fredericton was our home, and when everything pretty from Old England did look so very pretty--how on one of those home visits from which he brought back bits of civilization--the Bishop brought _me_ a "chromo" of dogs and a fox which has hung in every station we've had since?
Now--as a friend's privilege is--I will talk without fear or favour of myself! The last real contact with you was the Bishop's too brief peep at us in Bowdon--a shadowy time out of which his Amethyst ring flashes on my mind's eye. No! Not Amethyst--what IS the name? Sapphire!--(I have a little mental confusion on the subject. I have a weak--a very weak corner--in my heart for another Bishop, an old friend of your Bishop's--Bishop Harold Browne; and have had the honour now and again of wearing his rings on my thumb--a momentary relaxation of discipline and due respect, which I doubt if your Bishop would admit!!! though I hope he has a little love for me, frightened as I now and then am of him!!!! The last time but one I was at Farnham, I was asked to stay on another two days to catch the Brownes' fortieth wedding-day. Just as we were going down to dinner I reproached the Bishop for not having on his "best" ring! Very luckily--for he said he always made a point of it on his wedding-day--left me like a hot potato in the middle of the stairs and flew off to his room, and returned with _the_ grand sapphire!)
Well, dear--that's a parenthesis--to go back to Bowdon. I was not to boast of there, and after the move to York, and I had fitted up my house and made up for lost time in writing work, I was a very much broken creature, keeping going to Jenner and getting orders to rest!--and then came the order to Malta, not six months after we were sent to York, and I stayed to pack up and sent out all our worldly goods and chattels, and then started myself, and was taken ill in Paris and had to come back, and have been "of no account" for three years.
Well. My news is now far better than once I hoped it ever could be. I'm not strong, but I can work in moderation, though I can't "rackett" the least bit. And--Rex is to come home in Spring!--the season of hope and _nest-building_--and I am trying not to wonder my wits away as to what part of the British Isles it will be in which I shall lay the cross-sticks and put in the moss and wool of our next nest!! There is every reason to suppose we shall be "at home" for five years, I am thankful to say....
Rex loved Malta, and _hates_ Ceylon. But he has been _very_ good and patient about it.
Latterly he has consoled himself a good deal with the study of Sanscrit, which he means me also to acquire, though I have not got far yet! It is a beautiful character. He says, "Of all the things I have tried Sanscrit is the most utterly delicious! Of the alphabet alone there are (besides the ten vowels and thirty-three simple consonants) rather more than two hundred compound consonants," etc., etc.! He adds, "[Sanskrit: aayi] are my detached initials, but I could write my whole name in 'Devanagiri,' or 'Writing of the Gods.'"
TO A.E.
_Ecclesfield._ December 8, 1882.
... I got back from Liverpool on Monday. When I called at the Museum on that morning a Dr. Palmer was there, who said, "I was in Taku Forts with your husband," and was very friendly. He gave me a prescription for neuralgia! and sent you his best remembrances.
First and last I have annexed one or two nice "bits of wool for our nest." For _8s._ (a price for which I could not have bought _the frame_, a black one with charming old-fashioned gold-beading of this pattern) [_sketch_] I bought a real fine old soft mezzotint, after Sir Joshua Reynolds' portrait of Richard Burke. Oh, such a lovely face! Looking lovelier in powder and lace frill. But a charming thing, with an old-fashioned stanza in English deploring his early death, and a motto in Latin. It was a great find, and I carried it home from the Pawnbroker's in triumph!--
I have got a very nice Irish anecdote for you from Mr. Shee:
Two Irishmen (not much accustomed to fashionable circles) at a big party, standing near the door. After a long silence:
Paddy I.--"D'ye mix much in society?"
P. II.--"Not more than six tumblers in the evening."
* * * * *
S. John Evangelist, 1882.
* * * * *
C. "dealt" for me for the old Japanese Gentleman (pottery) on whom I turned my back at £1. He has got him for _15s._ You will be delighted with him, and I have just packed him (and a green pot lobster!) in a box with sawdust.
Do you remember how your 'genteel' clerk's wife came (starving) from Islington, or some such place, to us at Aldershot, and told me she had _sold_ all her furniture (as a nice preparation to coming to free but empty quarters) EXCEPT _her parlour pier-glass and fire-irons_?
I sometimes feel as if I bought house plenishing that packed together about as nicely as that!!! Witness my pottery old gentleman, and my bronze Crayfish....
December 20, 1882.
* * * * *
I am so glad you like "Sunflowers and a Rushlight." It was very pleasurable work, though hard work as usual, writing it. It was written at Grenoside, among the Sunflowers, and generally with dear old Wentworth, the big dog, walking after me or lying at my feet.
You may, or may not, have observed, that the _Times_ critic says, that "of one thing there can be no doubt"--and that is--"_Miss_ Ewing's nationality. No one but a Scotchwoman bred and born _could_ have written the 'Laird and the Man of Peace.'"
It is "rich in pawky humour." But if I can get a copy I'll send it to you. It is complimentary if not true!
I am putting a very simple inscription over our dear Brother. Do you like it?
TROUVÉ commonly and justly called TRUE. FOUND 1869; LOST 1881, by A.E. and J.H.E.
TO H.K.F.G.
_Eccelsfield._ December, 1882.
... I rather HOPE to have a story for you for March, which will be laid in France. Will it do if you have it by February 8?...
It is a terribly close subject, and I shall either fail at it, or make it I hope not inferior to "Jackanapes." I don't _think_ it will be long. The characters are so few, I have only plotted it. It will be called--
"THE THINGS THAT ARE SEEN": AN OLD SOLDIER'S STORY.
_DRAM. PERS._
MADAME. HER MAID. THE FATHER OF MADAME. THE FATHER OF THE SERGEANT. THE MOTHER OF THE SERGEANT. THE SERGEANT. THE PRIEST. THE MURDERER. A POODLE.
Soldiers, Peasants, Priests, Gendarmes, a Rabble, Reapers--but you know I generally overflow my limits. I hope I can do it, but it tears me to bits! and I've walked myself to bits nearly in plotting it this morning,--a very little written, but I believe I could be _ready_ by February 8. I don't think it will be as long as "Daddy Darwin," not nearly.
Please settle with Mr. B. what you will do about an illustration. The first scene is that of the death-bed of the sergeant's father. I think it would be quite as good a scene for illustration as any, and will, I trust, be ready in a day or two. Is it worth Mr. B.'s while to see if R.C. would do it in shades of brown or grey? (a very chiaroscuro scene in a tumble-down cottage, light from above). All _I_ must have is a good illustration or none at all. (I would send copy of scene to R.C. and ask him.) I think it might pay, because I am certain to want to _re_publish it, and whoever I publish it with will pay half-price for the old illustration. I do myself believe that it might be _colour-printed_ in (say seven instead of seventeen) shades of colour (blues, and browns, and black, and yellow, and white) at much less cost than a full-coloured one, but that I leave to Mr. B.: only I have some strong theories about it, and when I come to town I mean to make Edmund Evans's acquaintance.
Strange to say, I believe I _could_ make the tale illustrate the "Portrait of a Sergeant" if it were possible to get permission to have a thing photoed and reduced from _that_!!!--Goupil would be the channel in which to inquire--but the artist would not be a leading character, as far as I can see, so it might not be all one could wish. But it is worth investigating....
Or again, I wonder what Herkomer would charge for an _etching_ of the dying old Woodcutter, and his kneeling son? I believe THAT would be the thing!--But the plate must be surfaced so that _A.J.M._ mayn't exhaust all the good impressions. If Herkomer would etch that, and add a vignette of a scene I could give him with a beautiful peasant girl--or of the old sergeant and the portly and worldly "Madame," we SHOULD "do lovely!" Will you try for that, please?
No more today for
"I am exhaust I can not!"
Your devoted, J.H.E.
Remember _I_ wish for Herkomer. He will be the right man in the right place. R.C. is for dear old England, and this is French and Roman Catholic--and Keltic peasant life.
TO A.E.
January 4, 1883,
* * * * *
Caldecott says his difficulty over my writing is that "the force and finish" of it frightens him. It is painted already and does not need illustration; and he has lingered over "Jackanapes" from the conviction that he could "never satisfy me"!! This difficulty is, I hope, now vanquished. He is hard at work on a full and complete edition of "Jackanapes," of which he has now begged to take the entire control, will "submit" paper and type, etc. to me, and hopes to please. "But you are _so_ particular!"
I need hardly say I have written to place everything in his hands. I am "not such a fool as" to think I can teach _him_! (though I am insisting upon certain arrangements of types, etc., etc., to give a _literary_--not Toy Book--aspect to the volume).
André I _know I help_. But then only a man of real talent and mind would accept the help and be willing to be taught. The last batch of _A Soldier's Children_ that came had three pages that grated on me.
1. "They mayn't have much time for their prayers on active service, _and we ought to say them instead_." The first part of this line is splendidly done by a brush with Zulus among mealies, but the second part (as underlined) was thus. Nice old church (good idea) and the officer's wife and children at prayer. BUT--the lady was like a shop-girl, in a hat and feathers, tight-fitting jacket with skimpy fur edge (inexpressibly vulgar cheap finery style!), kneeling with a highly-developed figure backwards on to the spectator! and with her eyes up in a theatrical gaze heavenwards. Little boy _sitting_ on seat, with his hat on.
2. For "GOD bless the good soldiers like old father and Captain Powder and the men with good conduct medals, and please let the naughty ones be forgiven,"--he had got some men being released out of prison cells.
3. For "There are eight verses and eight Alleluias, and we can't sing very well, but we did our best.
"Only Mary would cry in the verse about 'Soon, soon to faithful warriors comes their rest'!"-- --he had got a very poor thing of three children singing.
Now these were all highly-finished drawings. Quite complete, and I know the man is _driven_ with work (for cheap pay!). So I hesitated, and worried myself. At last I took courage and sent them back, having faith in the "thoroughness" which he so eminently works with.
For 1, I sent him a sketch! said the lady must wear a bonnet in church, and her boys must take off their hats! That she must kneel _forwards_, be dressed in a deep sealskin with heavy fox edge, and have her eyes _down_, and the children must kneel _imitating her_, and I should like an old _brass_ on the wall above them with one of those queer old kneeling families in ruffs.
For 2, I said I could not introduce child readers to the cells, and I begged for an old Chelsea Pensioner showing his good conduct medal to a little boy.
3. I suggested the tomb of a Knight Crusader, above which should fall a torn banner with the words, "In Coelo Quies."
Now if he had kicked at having three pictures to do utterly over again, one could hardly have wondered, pressed as he is. But, back they came! "I am indeed much indebted to you," the worst he had to say! The lady in No. 1 now _is_ a lady; and as to the other two, they will be two of the best pages of the book. Old Pensioner first-rate, and Crusader under torn banner just leaving "Coelo Quies," a tomb behind "of S. Ambrose of Milan" with a little dog--and a snowy-moustached old General, with bending shoulders and holding a little girl by the hand, paying _devoir_ at the Departed Warrior's tomb in a ray of rosy sunlight!!
This is the sort of way we are fighting through the Ewing-André books.
* * * * *
_Ecclesfield._ January 10, 1883.
* * * * *
Fancy me "learning a part" again! _That_ has a sort of sound like old times, hasn't it?
I feel half as if I were a fool, and half as if it would be very good fun! R.A. theatricals at Shoeburyness. The FoxStrangways have asked me. Major O'Callaghan is Stage Manager I believe. Then there is a Major Newall, said to be very good. He says he "has a fancy to play 'A Happy Pair' with me!" It is his _cheval de bataille_ I believe.
I think it is best to try and do what one is _asked_ over parts (though they were very polite in offering me a choice), so I said I would try, and am learning it. I think I shall manage it. They now want me to take "A Rough Diamond" as well, _Margery_. I doubt its being wise to attempt both. It will be rather a strain, I think.
* * * * *
_Shoeburyness._ January 25, 1883.
* * * * *
I am playing Mrs. Honeyton in "A Happy Pair" with Major Newall. He knows his work well, is a good coach, and very considerate and kind.
In my soul I wish that were all, but they have persuaded me also to take Margery in "A Rough Diamond," and getting THAT up in a week is "rough on" a mediocre amateur like myself!
This is a _curious_ place. Very nice, bar the east winds. I have been down on the shore this morning. The water sobs at your feet, and the ships and the gulls go up and down. Above, a compact little military station clusters together, and everywhere are Guns, Guns, Guns; old guns lying in the grass, new guns shattering the windows, and only _not_ bringing down the plaster because the rooms are ceiled with wood "for the same purpose."...
TO MRS. JELF.
Sunday, April 1883.
MY DEAREST MARNY,
I must write a line to you about your poor friends! It is THE tragedy of this war! Very terrible. I hope the bitterness of death was _short_, and to gallant spirits like theirs hope and courage probably supported them till the very last, when higher hopes helped them to undo their grasp on this life.
In the dying--they suffered far less than most of us will probably suffer in our beds--but to be at the fullest stretch of manly powers in the service of their country among the world's hopes and fears and turmoils, and to be suddenly called upon to "leave all and follow Christ"--when the "all" for them had most righteously got every force of mind and body devoted to it--must be at least one hard struggle. And death away from home does seem so terrible!
Richard will feel it very much. That Nottingham election seems so short a time ago.
* * * * *
Back from Church! Great haste. We have had that grand hymn with--
"Soon, soon to faithful warriors comes their rest."
I did not forget the poor souls.
Prayers for the dead is one of those things which always seems to me the most curiously obvious and simple of duties!
Your most loving, J.H.E.
71, _Warwick Road_. April 9, 1883.
DEAREST MARNY,
I write a line to tell you that D. was at S. Paul's yesterday afternoon to Evensong, and to hear Liddon preach.
I know you will like to hear how very gracefully he alluded to your poor friend as "the accomplished Engineer," and to Charrington and Palmer. Of the last--he spoke very feelingly--as to his great loss from the learning point of view. He said--or to this effect--"We laid them here last Friday in the faith of Him who died for their sins and ours, and this is the first Sunday when above their ashes we commemorate that Resurrection through which we hope that they and we shall rise again." The "Drum Band" was duly played after the service, and D. says that crowds remained to listen.
I know you will like to hear this, though I have given a bad second-hand account.
I hope my Goodman gets to Malta to-day or to-morrow!
* * * * *
Ever, dearest Marny, Your loving J.H.E.
TO A.E.
April 24, 1883.
... I sent you a telegram this morning to make you feel quite happy in your holiday. "Real good times" (a Yankeeism I hate, but it is difficult to find its brief equivalent!) are not so common in "this wale" that you should cut yours short. I rather hope this may be in time to catch you (it is not _my_ fault that you will be without letters). If you would like to linger longer--Do. You are not likely to find "the like of" your present surroundings on leave in Scotland, least of all as to sunshine and flowers. One doesn't go to Malta every day. I wish I was there! But I can't be, and ten to one should catch typhoid where you only smell orange-blossoms, and I don't think my sins run in the Dog-in-the-manger line, and I hope you'll quaff your cup of content as deeply as you can.
For one thing winter has returned. We had snow yesterday, and the east wind, the Beast Wind! through which I went this morning to send your telegram was simply killing; dust like steel filings driving into your skin, waves of hard dust with dirty paper foam.--Ugh!!--Spend as much of your leave as you and your friends think well where you are. I've waited three years. I can wait an odd three weeks and welcome! Especially as I am up to my eyes in packing and arranging matters for our new home. What I do hope is you will be happy _there_! But I believe in laying in happiness like caloric. A good roast keeps one warm a long time!
How often I have thought that philosophers who argue from the premiss of the fleeting nature of pleasure, might give pause if they had had my experience. A body so frail that _nearly_ every pleasure of the senses has had to be enjoyed chiefly after it had "fleeted"--by the memory. Pictures (one of my chiefest pleasures), the theatre, any great sight, sound, or event, being a pleasure after they (and the _headache_!) have passed away. The "passing pleasures" of life are just those which this world gives very capriciously, but cannot take away! They are possessions as real as ... marqueterie chairs! Of which--more anon,--when you return to the domestic hearth.
* * * * *
I had such a round in Wardour Street the other day! I do wish for a Dutch marqueterie chest of drawers with toilet glass attached, but he is £8! Too much. But (I _must_ let it out!) I got two charming Dutch marqueterie chairs for my drawing-room for 35/- each. You will be surprised to find what nice things we have!...
TO MRS. JELF.
_7, Mount Street, Taunton._ June 3, 1883.
DEAREST MARNY,
I know you forgive a long silence--especially as I have "packed in spite of you "!
* * * * *
I took lots of time over it all. All my "remains" are piled in cases in the attics, and I have arranged "terms" with the Great Western, and hope to do my moving very cheaply.
We had need economize somewhere, for, my dear! we have been VERY extravagant over our house!!! I should like to hear if you and your dear ladies (I know Auntie would be candid!) think we have been wisely so!--Our predecessor had a cottage and garden for £35--the Col. Commanding only paid £55--and we are paying £70!!!
It is a question of _three things_: 1st, higher and healthier situation--2nd, modern appliances and drains unconnected with the old town sewers--3rd, my Goodman took a wild fancy to the house--and picked his own den--and said he could "live and be at peace" there: and this means life and death to _me_!
So we have boldly taken this other house! A mile _above_ the town--on high ground, built by one of the sanitary commission (!), brand new--and with a glorious view. Not a stick in the garden! but things grow fast here. I shall have a charming drawing room 24 feet long (so it will hold me!!!), with two quaint little fire-places with blue tiles. Rex has a very nice den with French doors into the garden, where he seems to hope to "attain Nirwana"--and live apart from the world. Small as I am, I have an odd liking for large rooms (the oxygen partly--and partly that I "quarterdeck" so when I am working--and suffer so in my spine and head from close heat). Now it is _very_ hot here. There's no doubt about it! So, on the whole, I hope we've done well to house ourselves as we have. And we _can_ give a comfortable bedroom to a friend! My dear Marny--you _must_ come and see me! It's really a quaint old town--with a rather foreign-looking cloistered "Place"--and a curious Saturday Market--with such nice red pottery on sale!!
Now to go back--and tell you about my Goodman. He had three weeks of "real high time" in Malta. Then he came home--to Warwick Road. At first I thought him much _hot-climatized_, and was worried. But he is now looking as well as can be. We had a few very happy days at Ecclesfield. It is a most tender spot with me that he is so fond of my old home! They know his ways--he says he is at peace--and he rambles about among the old books--and the people in the village are so glad to see him--and it is very nice.
He took up his duties here on our 16th wedding day!
The place suits him admirably. I felt sure it would. But I did not hope _I_ should feel as well in it as I do. It IS hot--and not VERY dry--but it is _much_ less relaxing than I thought, and where we have got our house it is high and breezy--and very, very nice. I am most thankful, and only long to get settled and be able to work!
We are in lodgings close to--next door to--the very fine barracks. Our room looks into the barrack-yard, and the dear bugles wake and send us to sleep!
Your loving J.H.E.
Caldecott has done _seventeen_ illustrations to "Jackanapes."
TO MRS. A.P. GRAVES.
June 15, 1883.
MY DEAR MRS. GRAVES,
Once more I thank you for lovely flowers! including one of my chief favourites--a white Iris. It is very good of you. You do not know what pleasure they give me! If you continue to bless me with an occasional nosegay when I move into my house, I shall not so bitterly suffer from the barrenness of the garden.
This is suggestive of the nasty definition of gratitude that it is a keen sense of favours to come!
I have been meaning to write to you to express something of our delight with the "Songs of Old Ireland."
Major Ewing is charmed by the melodies, on which his opinion is worth something and mine is not! and _I_ can't "read them out of a printed book" without an instrument. But--we are equally charmed by the words!!
It is a very rare pleasure to be able to give way to unmitigated enjoyment of modern verse by one's friends. Don't you know? But we have fairly raved over one after the other of these charming songs!
I do hope Mr. Graves does not consider that friendly criticisms come under the head of "personal remarks" and are offensive!
I cannot say how truly I appreciate them. Anything absolutely first-rately done of its kind is always very refreshing, and I do not see how such national songs could be done much better. They are Irish to the core!
Irish in local colour--in wealth of word variety--in poetry of the earliest and freshest type--in shallow passion like a pebbly brook!--and in a certain comicality and shrewdness. Irish--I was going to say in refinement, but that is not the word--modern literature is full of refinements--but Irish in the surpassingly Irish grace of purity, so rare a quality in modern verse!
How we have laughed over Father O'Flynn! Kitty Bawn is perfect of its kind--and No. 1 and No. 2.
It is a most graceful collection. Will it be published soon? My husband says this copy is only a proof.
I am unjustifiably curious to know if Mr. Graves has given much labour and polishing to these fresh impetuous things. It is against all my experiences if he has _not_!--but then it would be an addition to my experiences to find they were "tossed off"!
They have been a pleasant interlude amid the sordid cares of driving the workmen along! I am getting terribly tired of it!
Yours very sincerely, JULIANA HORATIA EWING.
TO MRS. GOING.
_Villa Ponente, Taunton._ July 11, 1883.
DEAR MADAM,
Your letter was forwarded to me last month, when I was (and to some extent am still) very very busy in the details of setting up a new home--of the temporary nature of military homes!--as Major Ewing has been posted to Taunton.
As yet there are many things on which I cannot "lay my hand," and a copy of the Tug of War Hymn is among them!
When I can find it--I will lend it to you. Should I omit to do so--please be good enough to jog my memory!
It is a rather "ranting" tune-but has tender associations for my ears.
The soldiers of the Iron Church, South Camp, Aldershot, used to "bolt" with it in the manner described, and some dear little sons of an R.E. officer always called it the "Tug of War Hymn."
With many thanks for your kind sayings, I am, dear Madam,
Yours very truly, JULIANA HORATIA EWING.
TO THE REV. J. GOING.
October 11, 1883.
DEAR MR. GOING,
I append a rough plan of my small garden. We do not stand dead E. and W., but perhaps a little more so than the arrows show. We are very high and the winds are often high too! The walls are brick--and that south bed is very warm. I mean to put bush roses down what is marked the Potato Patch--it is the original soil with one year's potato crop where I am mixing vegetables and flowers. The borders are given up to flowers--mixed herbaceous ones. And on my south wall I have already planted a Wistaria, a blue Passion-flower--and a Rose of Sharon! I am keeping a warm corner for "Fortune's Yellow"--and now looking forward with more delight and gratitude than I can express to "Cloth of Gold"!
I have sent to order the "well-rotted"--and the Gardener for Saturday morning!
Now will you present my grateful acknowledgments to Mrs. Going, and say that with some decent qualms at my own greediness--I "too-too" gratefully accept her further kind offers. I deeply desire some "Ladders to Heaven"--(does she know that old name for Lilies of the Valley?)--and I am devoted to pansies and have only a scrap or two. A neighbour _has_ given me a few Myosotis--but I am a daughter of the horse-leech I fear where flowers are concerned, and if you really have one or two TO SPARE I thankfully accept. The truly Irish liberality of Mrs. Going's suggestions--emboldens me to ask if you happen to have in your garden any of the Hellebores? I have one good clump of Xmas Rose--but I have none of those green-faced varieties for which I have a peculiar predilection.
(I do not expect much sympathy from you! In fact I fear you will think that any one whose taste is so grotesque as to have a devotion for Polyanthuses--Oxlips--Green Hellebores--every variety of Arum (including the "stinking" one!)--Dog's-tooth violets--Irises--Auriculas--coloured primroses--and such dingy and undeveloped denizens of the flower garden--is hardly worthy to possess the glowing colours and last results of development in the Queen of flowers!)
But I DO appreciate roses I assure you.
And I am most deeply grateful to you for letting me benefit by--what is in itself such a treat! your--enthusiasm.
Mrs. Going seems to think that my soil and situation are better than yours.
Could it be possible that you might have any rose under development that you would care to deposit here for the winter and fetch away in the spring? I don't know if change of air and soil is ever good for them?
I fear you'll think mine a barren little patch on which to expend your kindness! But you are a true _Ama_--teur--and will look at my Villa Garden through _rose_-coloured spectacles!
Yours gratefully, J.H.E.
TO MRS. JELF,
October 19, 1883.
DEAREST MARNY,
* * * * *
One bit more of egotism before I stop!
You know how I love my bit of garden!--An admirer--specially of "Laetus"--whom I had never seen--an Irishman--and a Dorsetshire Parson. (But who had worked for over twenty years in the slums of London--which it is supposed only the Salvation Army venture to touch!)--
--arrived here last Saturday with nineteen magnificent climbing roses, and has covered two sides of my house and the south wall of my garden!--but one sunny corner has been kept sacred to Aunty's Passion-flower, which is doing well--and one for a rose Mrs. Walkinshaw has promised me. He is a very silent Irishman--a little alarming--possibly from the rather brief, authoritative ways which men who have worked big parishes in big towns often get. When Rex said to him, at luncheon--"How did you who are a Rose Fancier and such a flower maniac--LIVE all those years in such a part of London?" in rather a muttered sort of way he explained,
"Well, I had a friend a little out of town who had a garden, and his wife wanted flowers, and they knew nothing about it: so I made a compact. I provided the roses--I made the soil--I planted them--and I used to go and prune them and look after them. They were _magnificent_".
"Oh, then you _had_ flowers?"
"Well, I made a compact. They never picked a rose on Saturday. On Saturday night I used to go and clear the place. I had roses over my church on Sundays--and all Festivals. The rest of the year his wife had them."
It struck me as a most touching story--for the man is Rose Maniac. What a sight those roses must have been to the eyes of such a congregation! The Church should have been dedicated to S. Dorothea! He is of the most modest order of Paddies--and as I say a little alarming. I was _appalled_ when I saw the _hedge_ of the "finest-named" roses he brought, and it was very difficult to "give thanks" adequately!--I said once--"I really simply cannot tell you the pleasure you have given me." He said rather grumpily--"You've given me pleasure enough--and to lots of others." Then he suddenly _chirped_ up and said--"Laetus cost me _2s. 6d._ though. My wife bet me _2s. 6d._ I couldn't read it aloud without crying. I thought I could. But after a page or two--I put my hand in my pocket--I said--There! take your half-crown, and let me cry comfortably when I want to!!!"
My dear, what a screed I have written to you!!
But your letter this morning _was_ a pleasure. There is something so nice in your getting the very hut where--as I think--"Old Father" first began to recover after Cyprus-fever. I wish you had had F. to stride about the old lines also--and knock his head against your door-tops!--Best love to R., F., and the Queers--
Your loving, J.H.E.
Dec. 3, 1883.
MY DEAREST MARNY,
You are always so forbearing!--and I have been driven to a degree by work which I had promised, and have just despatched! Some day it may appeal to "the Queers." For it is a collated (and Bowdlerized!) version of the old Peace Egg Mumming Play for Christmas. I have been often asked about it: and the other day a Canon Portal wrote to me, and he urged me to try and do it, and it is done!
But it was a much larger matter than I had thought. The version I have made up is made up from five different versions, and I hope I have got the cream of them. It will be in the January number, which will be out before Xmas.
I have also been trying to see my way--I SHOULD so like to go to you--and if I can't yet awhile I hope you'll give me another chance.
This week I certainly cannot--thank you, dear! And I _don't_ see my way in December at all. I will _post-card_ you in a day or two again.
I am yours always lovingly, J.H.E.
My garden is great joy to me. Even you, I think, would allow me a moderate amount of "grubbing" in between brain work.
TO MRS. GOING.
Thursday (December 1883).
MY DEAR MRS. GOING,
You are too profusely good to me. Have you really _given me_ Quarles? I have never even seen his _School of the Heart_, and am charmed with it. The Hieroglyphics of the life of Man were in the very old copy of _Emblems_ belonging to my Mother which I have known all my life.
Thank you a thousand times.
I write for a seemingly ungracious purpose, but I know you will comprehend my infirmities! I am not at all well. I had hoped to be better by the time your young ladies came--but luck (and I fear a little chill in the garden!) have been against me. I tried to get _Macbeth_ deferred but it could not be--and I think my only hope of enduring a long drive, and appearing as Lady Macbeth on Saturday evening with any approach to "undaunted mettle"--is to shut myself up in absolute silence and rest for several hours before we start. This, alas! means that it would be better for your young ladies (what is left of them, after brain fag and fish dinners!) to return to you by an earlier train, as I could be "no account" to them on Saturday afternoon.
* * * * *
_I'll take care_ of _the poor students_ though I _am_ not at my best! Their fish is ordered. We will spend a soothing evening on sofas and easy chairs--and go early to bed! They shall have breakfast in bed if they like. This does not sound amusing but I think it will be wholesome for their relics!
Again thanking you for the dear little book--which comes in so nicely for Advent!
TO MRS. R.H. JELF.
DEAREST MARNY,
The Queers' letters are VERY nice. Thank them with my love.
* * * * *
Forgive pencil, dear--I'm in bed. Got rid of my throat--and now all my "body and bones" seem to have given way, I thought it was lumbago or sciatica--but Rex said--"Simply nerve exhaustion from over-writing"--so I took to bed (for I couldn't walk!), high living and quinine! I hope I'll soon be round again. The vile body is a nuisance. I've got a story in my head--and that seems to take the vital force out of my legs!!!
Apropos to Richard's _Churchwarden's_ conscience, does he remember the (possibly churchwarden!) "soul long hovering in fear and doubt"--in À Kempis, who prostrated himself in prayer and groaned--"Oh if I only _knew that I should persevere_!" To whom came the answer of God--"If thou _didst_ know it, what wouldst thou do then? Continue to _do that_ and thou shalt be safe."
His letter and yours were _very_ comforting. I was just feeling very low about my writing. I always do when I have to re-read for new editions! It does seem such twaddle--and so unlike what I want to say!
Thank you greatly for believing in me!
* * * * *
Your loving, J.H.E.
TO MRS. HOWARD.
_Villa Ponente, Taunton._ Jan. 18, 1884.
MY DEAR MRS. HOWARD,
In this Green Winter (and _you_ know how I love a Green Winter!) you and all your kindness comes back so often to my mind. "Grenoside" is a closed leaf in my life as well as in yours, but it is one that I shall never forget so long as I can remember any of the things that have mitigated the pains of life for me, or added to its pleasures!--The bits of Green Winter I enjoyed with you did both--I hardly know which the most! For the pleasure was very great, and the benefit immeasurable--though now a fair amount of strength and "all my faculties" have come back to me, I feel what a very tedious companion I must have been when _vegetating_ was all I was fit for, and I did such delightful vegetating between your sofa--and Greno Wood.
I want to tell you that I have some bits of you in what does the work of Greno Wood for me here--namely, my little patch of garden, looking out upon, what I call _my_ big fields. For some time I feared the said bits were not going to live, but they have now, I really think, got grip of the ground. They are those offshoots of your American Bramble which you gave to me. And, ere long, I hope to sow a little paper of your poppy seed, and--if two years' keeping has not destroyed its vitality--I may, perchance, send you some of your own poppies to deck your London rooms. You cannot think--or rather I have no doubt that you can!--the refreshment my bit of garden is to me. It has become so dear, that (like an ugly face one loves and ceases to see plain!)--I find it so charming that it is _with a start_ that I recognize that new friends see no beauty in--
[_Sketch._]
This four-square patch!!
But A and B are "beds," and there are borders under the brick walls, and a rose-growing admirer of "Laetus" made a pilgrimage to see me!--and brought me nineteen grand climbing roses--and wall S faces _nearly quite_ south, and on it grow Maréchal Niel, and Cloth of Gold, and Charles Lefebvre, and Triomphe de Rennes, and a Banksia and Souvenir de la Malmaison, and Cheshunt Hybrid, and a bit of the old Ecclesfield summer white rose--sent by Undine--and some Passion Flowers from dear old Miss Child in Derbyshire--and a _Wistaria_ which the old lady of _the lodgings_ we were in when we first came, tore up, and gave to me, with various other _oddments_ from her garden! and--the American Bramble! And also, by the bye, a very lovely rose, "Fortune's Yellow,"--given to me by a friend in Hampshire.
Major Ewing declares my borders are "so full _there is no room for more_" which is very nasty of him!--but I have been very lucky in preserving, and even multiplying, the various contributions my bare patch has been blessed with! D. sent me a _barrel_ of bits last autumn from the Vicarage, and Reginald sent me an excellent hamper from Bradfield, and Col. Yeatman sent me a hamper from Wiltshire, and several friends here have given me odds and ends, and our old friend Miss Sulivan, before she went abroad, sent me a farewell memorial of sweet things--Lavender, Rosemary, Cabbage Rose, Moss Rose, and Jessamine!!!--Oh! talking of sweet things, I must tell you--I went into the market here one day this last autumn, and of a man standing there--I bought a dug-up clump of BAY _tree_--for 2/6.
You know how you indulged my senses with bay leaves when I was far from them? Well, I put my clump and myself into a cab and went home--where I pulled my clump to pieces and made eight nice plants of him--and set me a bay hedge, which has thriven so far very well!!! But then--'tis a Green Winter!
Now I want to know if there is a chance of tempting you down here for a little visit? I have thought that perhaps some time in the Spring the School might be taking holiday, and Harry might be striding off on a week or 10 days' country "breathe,"--and perhaps you would come to me? Or if he were inclined for fresh fields and pastures new, that you would come together, and he might make his head-quarters here, and go over to Glastonbury, etc., etc., etc., whilst we took matters more quietly at home?
I feel it is a long way to come, but it would be so very pleasant to me to welcome you under my own roof!
If you cannot get away in Spring, I _must_ persuade you when London gets hotter and less pleasant!
You _must_ miss your country home--and yet I envy you a few things! London has cords of charm to attract in many ways! I wish I could _fly over_, and see the Sir Joshuas and one or two things.
(I am stubbornly indifferent to the _Spectator's_ dictum that we like "Sir Joshuas" because we are a nation of snobs!!!)
Ever affectionately yours, JULIANA HORATIA EWING.
Do tell me what hope there is of seeing you--and showing you your own bramble on my own wall!
TO MRS. GOING.
March 11, 1884.
MY DEAR MRS. GOING,
I do not think you will ever let me have my Head Gardener here again!
I CAN'T take care of him!
I really could have sat down on the door-step and cried--when our old cabby--"the family coachman" as we call him, arrived and had missed Mr. Going. How _he_ did not miss his train, I cannot conceive! He must have run--he must have flown--he _must_ be a bit uncanny--and the flap-ends of the comforter must have spread into wings--or our clocks must have been beforehand--or the trains were behindhand--
Obviously luck favours him!!
But where was his great-coat?--
He got very damp--and there was no time to hang him out to dry!
Tell him with my love--I have been nailing up the children in the way they should go--and have made a real hedge of cuttings!
I wish the Weeding Woman could see my old Yorkshire "rack." It and its china always lend themselves to flowers, I think. The old English coffee-cups are full of primroses. In a madder-crimson Valery pot are Lent lilies--and the same in a peacock-blue fellow of a pinched and selfish shape. The white violets are in a pale grey-green jar (a miniature household jar) of Marseilles pottery. The polyanthuses singularly become a pet _Jap_ pot of mine of pale yellow with white and black design on it--and a gold dragon--and a turquoise-coloured lower rim.
I am VERY flowery. I must catch the post. I do hope my Head Gardener is not in bed with rheumatic fever!!!! I trust your poor back is rather easier?
Please most gratefully thank the girls for me.
Yours gratefully and affectionately, J.H.E.
TO THE REV. J. GOING.
All Fools, 1884.
MY DEAR HEAD GARDENER,
You are too good, and--as to the confusion of one's principles is sometimes the case--your virtues encourage my vices. You make me greedy when I ought only to be grateful.
I've been too busy to write at once, and also somewhat of set purpose abstained--for those bitter winds and hard-caked soil were not suited for transplantation, and still less fit for you to be playing the part of Honest Root-gatherer without your Cardigan Waistcoat!!!!
To-day
"a balmy south wind blows."
I feel convinced some poet says so. If not I do, and it's a fact.
Moreover by a superhuman--or anyhow a super-frail-feminine--effort last Saturday as ever was I took up all that remained of the cabbage garden--spread the heap of ashes, marked out another path by rule of line (not of thumb, as I planted those things you took up and _set straight_!), made my new walk, and edged it with the broken tiles that came off our roof when "the stormy winds did blow"--an economy which pleased me much. Thus I am now entirely flower-garden--and with room for more flowers!!
Now to your kind offer. I think it will take rather more than 50 bunches of primroses to complete the bank according to your plan--though not 100. Say 70: but if there are a few bunches to spare I shall put them down that border where the laurels are, against the wall under the ivy. They flower there, and other things don't.
Now about the wild daffodils--indeed I _would_ like some!!! I fear I should like enough to do this: [_Sketch._]
These be the Poets' narcissus along the edge of the grass above the strawberry bank, and I don't deny I think it would be nice to have a row of wild Daffys (where the red marks are) to precede the same narcissus next spring if we're spared! The Daffys to be planted _in the grass_ of the grass-plat.
I doubt if less than two dozen clumps would 'do it handsome'!!!!!!!!
Now I want your good counsel. This is my back garden: [_Sketch._]
Next to Slugs and Snails (to which I have recently added a specimen of)
Puppy Dog's Tails--
my worst enemy is--WIND!
The laurels are growing--for that matter, Xmas is coming!--but still we are very shelterless. I think I would like to plant in Bed A, _inter alia_--some shrubby things. Now I know your views about moving shrubs are somewhat wider than those of the every-day gardener's--but do you think I dare plant a bush of lauristinus now? It would have to travel a little way, I fancy. There is no man actually in Taunton, I fear, with good shrubs. I mean also to get some Japanese maples. I think I would like a copper-coloured-leaved _nut tree_. Are nuts hardy? I fear Gum Cistus is coming into flower--and unfit to move! How about rhododendrons? The soil here is said to suit them wonderfully. I could not pretend to buy peat for them--but I know hardy sorts will do in a firm fair soil, and I should like to plant a lilac one--a crimson--a blush--and a white. I think they would do fairly and shelter small fry.
_Can I risk it now?_ and how about hardy azaleas--things I love! If you say--we are too near summer sun for them to get established--I must wait till Autumn.
How has Mrs. Going stood the biting winds? Very unfavourable for one's aches and pains?
Tell her I have got one of those rather queer yellow flowers you condescended to notice!--to bring to her after Easter.
Is it not terrible about Prince Leopold? That poor young wife--and the Queen! What bitter sorrow she has known; also I do regard the loss as a great one for the country, he was so enlightened and so desirous of use in his generation.
Yours, J.H.E.
TO MRS. JELF.
MY DEAREST MARNY,
Thank you, dear, with much love for your Easter card. It is LOVELY (and Easter cards are not very beautiful as a rule). It is on a little stand on my knick-knack table--and looks so well!
I send you a few bits from my garden as an Easter Greeting. They are not much--but we are in a "nip" of bitter N.E. winds--and nothing will "come out."
Also I rather denuded my patch to send a large box to Undine to make the Easter wreaths for my Mother's grave. I was really rather proud of what I managed to scrape together--every bit out of my very own patch--and consequently of my very own planting!
I've got neuralgia to-day with the wind and a fourteen-miles drive for luncheon and two sets of callers since I got back!--so I can't write a letter--but I want you to tell me when you think there's a chance of your taking a run to see me! I seem to have such lots to say! I have found another charm (besides red pots) of our market. If one goes _very early_ on Saturday--one gets such nice old-fashioned flowers, "roots," and big ones too--very cheap! It's a most fascinating _ruination by penny-worths_!
Good luck to you, dear, in your fresh settling down in the Heimath Land.
Mrs. M---- (where we were _lunching_) asked tenderly after my large young family--as strangers usually do. Then she said, "But you write so sympathetically of children, and 'A Soldier's Children' is so real--I thought they MUST be yours." On which I explained the Dear Queers to her. To whom be love! and to Richard.
Ever, dear, yours lovingly, J.H.E.
TO MRS. GOING.
Midsummer Day, 1884.
MY DEAR MRS. GOING,
Not a moment till now have I found--to tell you I got home safe and sound, and that your delicious cream was duly and truly appreciated!
The last of it was merged in an admirable Gooseberry Fool!
The roses suffered by the hot journey--but even the least flourishing of them received great admiration--from their size--as the skeletons of saurians make a smaller world stand aghast!!!
This last sentence smacks of Jules Verne! I don't care much for him--after all. It is rather _bookmaking_.
But I have had a lot of hearty laughs over "the Heroine"! It is very funny--if not _very_ refined. Some of the situations admirable. There is something in the girl's calling her father "Wilkinson" all the way through--quite as comic as anything in _Vice Versâ_--a book which I never managed to get to the end of.
I hope your wedding went well to-day. My sister's--is postponed till the 28th--for the convenience of the best man. If _by Thursday_ (you must be a full two days' post from a Yorkshire country place) the Master had _one or two_ Bouquet D'Or or other white or yellow roses not very fully blown--and your handy Meta would wind wet rags about their stalks and put them in an empty coffee-tin and despatch them by parcels post to Miss Gatty, Ecclesfield Vicarage, Sheffield, Yorks, they would be greatly welcomed to eke out the white decorations of my Mother's grave for the wedding-day. I am wildly watering my Paris Daisies--and hope to get some wild Ox-eye daisies also--as her name was Margaret (and her pet name Meta!). I am applying prayers and slopwater in equal proportions--like any Kelt!--to my Bouquet D'Or and other white and yellow roses! I shall have some double white Canterbury Bells, etc.--but there is coming a _lull_ in the flowers, and they won't re-bloom much till we have rain.
Please give my love to all your party, not forgetting the house dove and the dog--
I reproach my Rufus with his tricks and talents!
I have had great benefit in a fit of neuralgia from your chili paste.
Yours, dear Mrs. Going, Sincerely and affectionately, JULIANA HORATIA EWING.
TO MRS. JELF.
November 3, 1884.
DEAREST MARNY,
Enclosed is "Daddy Darwin"--for Richard!--and two of the Verse Books for the two dear Queers I had so many luncheons with!
You know I risked printing 20,000 D.D.D. on my own book to cheapen printing--so you'll be glad to hear that after ordering 10,000 at the beginning of last week--S.P.C.K. have ordered another 10,000 at the end of it!! But I've been having _such_ "times" with the printers' and publishers' dæmons!!
I must not write, however, for I have been ill also!! A throat attack. We were afraid of diphtheria--but if it were that I should not be writing to you as you'll guess. There has been another outbreak of it just round us, and a good many throats of sorts in its train, but Dr. L---- does not seem to think mine due to much more than exhaustion--and he seemed to think nursing the dog had not been very good for me. He says distemper is typhoid fever!
We had a very jolly little visit from Colonel C----. He was at his _very_ funniest. Mimicked us both to our faces till we yelled again! As Rex said--"Not a bit altered! The old man! _Would any other play the bones about his bedroom in his night-shirt?_"
He went off waving farewells and shouting--"We'll _both_ come next time--and rouse ye well."
Your loving, J.H.E.
Saturday.
DEAREST MARNY,
You have indeed the sympathy of my whole heart!
God bless and prosper "Old Father" on the war-path and bring him home to his Queers and to you full of honour and glory and interesting experiences!
I know Mr. Anstruther--he is charming. I cannot say how I think it softens one's fears if Richard's strength were still a bit unequal to the strain--to know that he has such a subaltern--adjutant--and C.R.E. He could not have gone arm-in-arm with better comrades--unless the Giant had been ready as sick-nurse in case of need!
But I do feel for you, dear--you are very gallant.
I am not fit to write yet--my head _goes_ so--but I will write you next week about Gordon Browne (a thousand thanks!) and see if _I_ possibly could. Thank you so much.
The drummer's letter is charming. I must copy the bit about tip-toe for Sir Evelyn Wood! I got the enclosed from him--also from Wady Halfa--and I wanted you and R---- to hear the weird drum-band drunkard tale! and see how he likes "Soldier's Children."
Can you kindly return it, dear?
Your most loving, J.H.E.
[_In pencil._]
Where does R---- sail from?
I see by to-day's _Times_ the others have sailed from Dartmouth. My dear Marny--can't you and R---- come here _en route_ if only for a night? It _would_ be so nice! It would be such a pleasure to Rex and me to Godspeed him--and he would feel _quite like Gladstone_ if he had an ovation at every stopping point on the Flying Dutchman!
TO COLONEL JELF.
November 18, 1884.
DEAR RICHARD,
I wish you _could_ have paused here--I wish that you were even likely to run through Taunton station in the Flying Dutchman, and that we could have run down to head a cheer for you!--But Gravesend is handier for Marny.
She's a real Briton--and it is that "undaunted mettle" that does "compose" the sinews of "peace with honour" for a country as well as war!
Indeed I'm glad you have your chance--or make a very respectable assumption of that _virtus_! and I take leave to be doubly glad that it is in a fine climate and with good shoulder to shoulder comrades.
Tell Marny, Colonel Y. B---- in a letter about "Daddy Darwin" is very sympathetic. Another "old standard"--Jelf, he says--is going, and "Mrs. J---- puts a good face on it."
What will the theatricals and the Institute do?--
"Do without," I suppose! I am a lot better the last two days--and struggled off to the town to-day to a missionary meeting! It was a most unusually interesting one about the South American Missions. I must tell Marny about it.--However--at some tea afterwards, I was "interviewed" by one or two people--and one lady asked to introduce a "Major"--whose name I did not catch--as being so devoted to "Soldier's Children." I created quite a sensation by saying that "Old Father" was ordered to Bechuanaland--"Oh, how old are the Queers? Are they really losing Old Father again so soon?"
I feel, by the bye, that it is part of that fatality which besets you and me, that I should have stereotyped you in printers' ink as _Old_ Father!!!
Good-bye.--Godspeed and Good luck to you.
Your affectionate old friend, J.H.E.
TO THE REV. J. GOING.
December 3, 1884.
DEAR "HEAD GARDENER,"
I think there is a blessing on all your benevolences to me which defies ill luck!
After I wrote to Mrs. Going we'd a frost of ten degrees--and I got neuralgia back--and made a dismal picture in my own mind of your good things coming to an iron-bound border--and an Under Gardener deeply _died down_ under eider down and blankets--(even my old labourer being laid up with sore throat and scroomaticks!--but lo and behold, on Monday the air became like new milk--I became like a new Under Gardener--and leave was given to go out. (I am bound to confess that I don't think rose-planting was medically contemplated!) Fortunately the border was ready and well-manured--I only had to dig holes in very soft stuff--but I am very weak, and my stamping powers are never on at all a Nasmyth Hammer sort of scale--but--good luck again!--Major Ewing's orderly arrived with papers to sign--a magnificent individual over six foot--with larger boots than mine and a coal-black melodramatic moustache! Had the Major been present--I should not have dared to ask an orderly in full dress and on duty to defile his boots among Zomerset red-earth, but as I caught him alone I begged his assistance. He looked down very superbly upon me (swathed in fur and woollen shawls, and staggering under a full-sized garden fork) with a twinkle in his eye that prepared me for the least taste of brogue which kept breaking through his studied fine language--and consented most affably. I wish you'd seen him--balancing his figure with a consciousness of maids at the kitchen window, his cane held out, _toeing_ and _heeling_ your roses into their places!! He assured me he understood all about it, and he trode them in very nicely!
How good of you to have sent me such a stock,--and the pansies I wanted. The flower of that lovely mauve and purple one is on the table by me now. _One_ (only one) of your other roses died--the second Gloire near the front door--so when I saw it was hopeless I had that border "picked" up--a very rockery of rubbish came out--good stuff was put in, and one of the Souvenirs de Malmaison is now comfortably established there I hope. This wet weather keeps me a prisoner now--but it is good luck for the roses to settle in. I have had some nice scraps and remains of flowers to cheer me indoors--there are one or two late rosebuds yet!
They are such a pleasure to me--and I am indeed grateful to you for all you have done for my garden! Some of those roses I bought have thrown up hugely long shoots. They were all small plants as you know--so I cut none of them in the autumn. I suppose in the spring I had better cut off these long shoots from the bushes in the open border away from the hedge?
I must not write more--only my thanks afresh. With our best regards.
I am very gratefully yours, J.H.E.
[_Written with a typewriter._]
TO MRS. JELF.
_Taunton._ December 23, 1884.
DEAREST MARNY,
My right arm is disabled with neuralgia, and Rex is working one of his most delightful toys for me. He says I brought my afflictions on myself by writing too prolix letters several hours a day. I've got very much behindhand, or you'd have heard from me before. I must try and be highly condensed. Gordon Browne has done some wonderful drawings for "Lætus." Rex was wild over a "Death or Glory" Lancer, and I think he (the Lancer) and a Highlander would touch even Aunty's heart. They will rank among her largest exceptions. I can't do _any_ Xmas cards this year; I can neither go out nor write. I hoped to have sent you a little Xmas box, of a pair of old brass candlesticks such as your soul desireth. D. and I made an expedition to the very broker's ten days ago, but when I saw the dingy shop choke-full of newly-arrived dirty furniture, and remembered that these streets are reeking with small-pox--as it refuses to "leave us at present"--I thought I should be foolish to go in. D. knows of a pair in Ecclesfield, and I have commissioned her to annex them if possible; but they can't quite arrive in time. In case I don't manage to write Xmas greetings to Aunty and Madre, give them my dear love; and the same to yourself and the Queers. I am proud to tell you that I have persuaded my Admiral to put the Soldiers' Institute on his collecting book of Army and Navy Charities; and when I started it with a small subscription he immediately added the same.
Dear Xmas wishes to you all, and a Happy New Year to Richard also from us both.
Your loving, J.H.E.
[_In typewriting._]
TO MISS K. FARRANT.
_Taunton._ January 4, 1885.
DEAREST KITTY,
I should indeed not have been silent at this season if I had not been ill, and I should have got Rex to print me a note before now, but I kept hoping to be able to write myself, and I rather thought that you would hear that I was laid up, either from D. or M. I have not been very well for some time more than yourself, and I am afraid the root of this breakdown has been overwork. But the weather has been very sunless and wretched, and I have had a fortnight in bed with bad, periodic neuralgia, which has particularly disabled my right arm and head--two important matters in letter-writing. It put an entire stop to my Christmas greetings. I made a little effort for the nephews one day, and had a terrible night afterwards. The lovely blue (china) Dog, who reminds me of an old but incomprehensible Yorkshire saying, "to blush like a blue dog in a dark entry,"--which is what _I_ do when I think that I have not yet said "thank you" for him--is most delightful. You know how I love a bit of colour, and a quaint shape. He arrived with one foot off, but I can easily stick it on. Thank you so much. I must not say more to-day, except to hope you'll feel a little stronger when we see more of the sun; and, thanking you and Francie for your cards--(I was greatly delighted to see my friends the queer fungi again)--and with love to your Mother--who I hope is getting fairly through the winter.
Yours gratefully and affectionately, J.H. EWING.
TO MRS. JELF.
January 22, 1885.
DEAREST M.,
I am _so_ pleased you like the brazen candlesticks.
I have long wanted to tell you how _lovely_ I thought all your Xmas cards. Auntie's snow scene was exquisite--and your Angels have adorned my sick-room for nearly a month! Most beautiful.
I know you'll be glad I had my first "decent" night last night--since December 18!--No very lengthy vigils and no pain to _speak_ of. No pain to growl about to-day. A great advance.
Indeed, dear--I should not only be glad but _grateful_ to go to you by and by for a short _fillip_. Dr. L---- would have sent me away now if weather, etc. were fit--or I could move.
After desperate struggles--made very hard by illness--I hope to see "Lætus" in May at _one shilling_. Gordon Browne doing well. Do you object to the ending of "Lætus"--to Lady Jane having another son, etc.? Do the Farrants? My dear love to them. This bitter--sunless, lifeless weather must have tried Kitty very much.
* * * * *
Your loving, J.H.E.
[_In typewriting._]
_Taunton._ February 16, 1885.
MY DEAREST MARNY,
Rex is "typing" for me, but my own mouth must thank you for your goodness, for being so ready to take me in. By and by I shall indeed be grateful to go to you. But this is not likely to be for some weeks to come. You can't imagine what a Greenwich pensioner I am. I told my doctor this morning that he'd better send me up a wood square with four wheels, like those beggars in London who have no limbs; for both my legs and my right arm were _hors de combat_, and to-day he has found an inflamed vein in my left, so _that_ has gone into fomentations too.
But in spite of all this I feel better, and do hope I shall soon be up and about. But he says the risk of these veins would be likely to come if I over-exerted myself, so--anxious as I am to get to purer air, I don't think it would do to move until my legs are more fit. May I write again and tell you when I am fit for Aldershot? Dr. L---- highly approves of the air of it, but at present he thinks lying in bed the only safe course. Do thank dear Aunty next time you write to her for her goodness, and tell her that in my present state I should make her seem quite spry and active. A thousand thanks for the _Pall Mall_. I do _not_ neglect one word of what you say; but I need hardly say that I can't work at present.
The illustrations for "Lætus" are going on very well. I hope to send Richard a copy for perusal on the homeward voyage.
I daren't write about Gordon. Certainly not the least strange part of his wondrous career is this mystery which persists in clouding his close. I feel as if he would be like Enoch or Moses--that we shall never be permitted to know more than that--having walked with GOD--he "was not--for GOD took him," and that his sepulchre no man shall know.
Your loving, J.H.E.
_The present Series of Mrs. Ewing's Works is the only authorized, complete, and uniform Edition published._
_It will consist of 18 volumes, Small Crown 8vo, at 2s. 6d. per vol., issued, as far as possible, in chronological order, and these will appear at the rate of two volumes every two months, so that the Series will be completed within 18 months. The device of the cover was specially designed by a Friend of Mrs. Ewing._
_The following is a list of the books included in the Series_--
1. MELCHIOR'S DREAM, AND OTHER TALES,
2. MRS. OVERTHEWAY'S REMEMBRANCES.
3. OLD-FASHIONED FAIRY TALES.
4. A FLAT IRON FOR A FARTHING.
5. THE BROWNIES, AND OTHER TALES.
6. SIX TO SIXTEEN.
7. LOB LIE-BY-THE-FIRE, AND OTHER TALES.
8. JAN OF THE WINDMILL.
9. VERSES FOR CHILDREN, AND SONGS.
10. THE PEACE EGG--A CHRISTMAS MUMMING PLAY--HINTS FOR PRIVATE THEATRICALS, &c.
11. A GREAT EMERGENCY, AND OTHER TALES.
12. BROTHERS OF PITY, AND OTHER TALES OF BEASTS AND MEN.
13. WE AND THE WORLD, Part I.
14. WE AND THE WORLD, Part II.
15. JACKANAPES--DADDY DARWIN'S DOVE-COTE--THE STORY OF A SHORT LIFE.
16. MARY'S MEADOW, AND OTHER TALES OF FIELDS AND FLOWERS.
17. MISCELLANEA, including The Mystery of the Bloody Hand--Wonder Stones--Tales of the Khoja, and other translations.
18. JULIANA HORATIA EWING AND HER BOOKS, with a selection from Mrs. Ewing's Letters.
S.P.C.K., NORTHUMBERLAND AVENUE, LONDON, W.C.