Part 17

"Shoot the dog through the head. Hang him on the nearest tree. Carry him into Rome and torture him to death."

The Italian still continued on his knees, his hands clasped before him, his face working with terror and agony that could not be disguised.

"Mercy, monsignore," he cried. "Mercy. I cannot, I dare not, I am not fit to die. For the blessed Host, monsignore, have mercy--for the love of Jesu--for the sake of Jesu."

As he said these last words Inglesant's attitude altered, and the cruel light faded out of his eyes. His hand ceased to finger the carabine at his saddle, and he sat still upon his horse, looking down upon the abject wretch before him, while a man might count fifty. The Italian saw, or thought he saw, that his judge was inclining to mercy, and he renewed his appeals for pity.

"For the love of the crucifix, monsignore; for the blessed Virgin's sake."

But Inglesant did not seem to hear him. He turned to the horsemen behind him, and said,--

"Take him up, one of you, on the crupper. Search him first for arms. Another keep his eye on him, and if he moves or attempts to escape, shoot him dead. You had better come quietly;" he continued, "it is your only chance for life."

Two of the men-at-arms dismounted and searched the prisoner, but found no arms upon him. He seemed indeed to be in the greatest distress from hunger and want, and his clothes were ragged and thin. He was mounted behind one of the soldiers and closely watched, but he made no attempt to escape, and indeed appeared to have no strength or energy for such an effort.

They went on down the pass for about an Italian league. The country became more thickly wooded, and here and there on the hillsides patches of corn appeared, and once or twice in a sheltered spot a few vines. At length, on the broad shoulder of the hill round which the path wound, they saw before them a few cottages, and above them, on the hillside, in a position that commanded the distant pass till it opened on the plain, was a Chapel, the bell of which had just ceased ringing for mass.

Inglesant turned his horse's head up the narrow stony path, and when the gate was reached, he dismounted and entered the Chapel, followed by his train. The Capella had apparently been built of the remains of some temple or old Roman house, for many of the stones of the front were carved in bold relief. It was a small narrow building, and possessed no furniture save the altar and a rude pulpit built of stones; but behind the altar, painted on the plaster of the wall, was the rood or crucifix, the size of life. Who the artist had been cannot now be told; it might have been the pupil of some great master, who had caught something of the master's skill, or, perhaps, in the old time, some artist had come up the pass from Borgo san Sepolcro, and had painted it for the love of his art and of the Blessed Virgin; but, whoever had done it, it was well done, and it gave a sanctity to the little Chapel, and possessed an influence of which the villagers were not unconscious, and of which they were even proud.

The mass had commenced some short time as the train entered, and such few women and peasants as were present turned in surprise.

Inglesant knelt upon the steps before the altar, and the men-at-arms upon the floor of the Chapel, the two who guarded the prisoner keeping close behind their leader.

The priest, who was an old and simple-looking countryman, continued his office without stopping; but when he had received the sacred elements himself, he turned, and, influenced probably by his appearance and by his position at the altar, he offered Inglesant the Sacrament. He took it, and the priest, turning again to the altar, finished the mass.

Then Inglesant rose, and when the priest turned again he was standing before the altar with his drawn sword held lengthwise across his hands.

"My Father," he said, "I am the Cavaliere di San Georgio, and as I came across the mountains this morning on my way to Rome, I met my mortal foe, the murderer of my brother, a wretch whose life is forfeit by every law, either of earth or heaven, a guilty monster steeped in every crime. Him, as soon as I had met him,--sent by this lonely and untrodden way as it seems to me by the Lord's hand,--I thought to crush at once, as I would a venomous beast, though he is worse than any beast. But, my Father, he has appealed from me to the adorable Name of Jesus, and I cannot touch him. But he will not escape. I give him over to the Lord. I give up my sword into the Lord's hands, that He may work my vengeance upon him as it seems to Him good. Henceforth he is safe from earthly retribution, but the Divine Powers are just. Take this sword, reverend Father, and let it lie upon the altar beneath the Christ Himself; and I will make an offering for daily masses for my brother's soul."

The priest took the sword, and kneeling before the altar, placed it thereon like a man acting in a dream.

He was one of those child-like peasant-priests to whom the great world was unknown, and to whom his mountain solitudes were peopled as much by the saints and angels of his breviary as by the peasants who shared with him the solitudes and the legends that gave to these mountain fastnesses a mysterious awe. To such a man as this it seemed nothing strange that the blessed St. George himself, in jewelled armour, should stand before the altar in the mystic morning light, his shining sword in his hand.

He turned again to Inglesant, who had knelt down once more.

"It is well done, monsignore," he said, "as all that thou doest doubtless is most well. The sword shall remain here as thou sayest, and the Lord doubtless will work His blessed will. But I entreat, monsignore, thy intercession for me, a poor sinful man; and when thou returnest to thy place, and seest again the Lord Jesus, that thou wilt remind Him of His unworthy priest. Amen."

Inglesant scarcely heard what he said, and certainly did not understand it. His sense was confused by what had happened, and by the sudden overmastering impulse upon which he had acted. He moved as in a dream; nothing seemed to come strange to him, nothing startled him, and he took slight heed of what passed. He placed his embroidered purse, heavy with gold, in the priest's hand, and in his excitement totally forgot to name his brother, for whose repose masses were to be said.

He signed to his men to release the prisoner, and, his trumpets sounding to horse before the Chapel gate, he mounted and rode on down the pass.

But his visit was not forgotten, and long afterwards, perhaps even to the present day, popular tradition took the story up, and related that once, when the priest of the mountain Chapel was a very holy man, the blessed St. George himself, in shining armour, came across the mountains one morning very early, and himself partook of the Sacrament and all his train; and appealed triumphantly to the magic sword--set with gold and precious stones--that lay upon the altar from that morning, by virtue of which no harm can befall the village, no storm strike it, and, above all, no pillage of armed men or any violence can occur.

The Austrian boy returned to Umbria with his story of the marriage; but the old Duke never heard it. No sooner had Inglesant left him than his depression and despair returned; he loathed the sight of the day, and of the costly palace in which he lived; the gay arts and the devised fancies by which men have sought to lure happiness became intolerable to him; and, ill as he was, he caused himself to be removed to the Castel Durante, amid the lonely mountain ravines, to abide his end. As Inglesant bowed beneath the care-cloth--the fine linen cloth laid over the newly-married in the Church,--kneeling till mass was ended, with his heart full of love and brightness and peace, the last of the house of Revere--"worn out," says the chronicler, with a burst of unusual candour, "by priestly torments"--breathed his last, and went to another world, where, it may be hoped, sacrifice and devotion are better rewarded than they are here, and superstitious terrors are unknown.

*CHAPTER XIII.*

The Castello di San Georgio, or, as it might more properly have been called, the "Casa" or Villa di San Georgio, was built upon the summit of a small conical hill, amid the sloping bases of the Apennines, at a part of their long range where the summits were low and green. In that delightful region, the cultivation and richness of the plain is united to the wildness and beauty of the hills. The heat is tempered in the shady valleys and under the thick woods. A delicious moisture and soft haze hangs about these dewy, grassy places, which the sun has power to warm and gladden, but not to parch. Flowers of every hue cover the ground beneath the oaks and elms. Nightingales sing in the thickets of wild rose and clematis, and the groves of laurel and of the long-leaved olives are crowded with small creatures in the full enjoyment of life and warmth. Little brooks and rippling streams, half hidden by the tangled thickets, and turned from their courses by the mossy rocks, flow down from the hill ravines, as joyful and clear as in that old time when each was the care of some protecting nymph or rural god. In the waters of the placid lake are reflected the shadows of the hills and the tremulous shimmer of waving woods.

In this favoured region, the Villa di San Georgio stood upon its leafy hill-top, set in the background of the mountains. The steep slope was terraced here and there in patches of ground planted with fruit-trees, and at the foot, towards the south, a large lake slept beneath the blue sky, its shores lined with brushwood, interspersed here and there with grassy slopes, where the orchis and hyacinth and narcissus sprang up from the green rich turf.

Through this pastoral land, at all seasons of the year, wandering shepherds with their flocks, peasants with their cattle and dogs, ladies and cavaliers from the neighbouring villas, woodmen, vine-dressers, fishermen from the lake, traversed the leafy stage, and diversified the scene; but when the grape was fully ripe, and the long year was crowned at last with the fatness of the vintage, a joyous age of rural wealth and jollity seemed for a time to fill the mellow, golden-tinted land. Then, indeed, wandering amid the woods and rocks interspersed with vineyards and patches of yellow wheat, as you met the loaded wain, or came upon the wine-press, trodden by laughing girls and boys, you seemed to understand the stories of the rural wanderings of the gods, for you met with many a scene to which it might well be fancied that they might still be allured, as to that garden at the foot of Mount Bermion where the roses grew. The gracious gods of plenty still filled the luscious vats; rustling Zephyr still whispered love among the flowers, still came laden with the ripening odours of the fruit. The little cherub Loves peeped out from behind oak stems and ruined plinth and sculptured frieze, half hidden among roots and leaves.

The Castello was a modern building, although there were ruins in one of the courtyards of a very antique date. It consisted of three or four lofty blocks of buildings, at right angles to each other, covered with low, red-tiled roofs. The principal windows were in the upper stories, and gave light to large and handsome rooms, from which on all sides the most enchanting landscapes satisfied the eye.

The weeks that succeeded Inglesant's marriage grew into months, and the months into years, in this delightful scene. The old Count spent some months in peaceful satisfaction with his daughter and her husband, delighted with the company of his one grandchild, a little boy. In the spacious dining-saloon, with its cool polished floor, it was a pretty sight to see the old, courteous nobleman tempting the child with the ripest fruit. The shaded light fell upon the plate and yellow ware on the table, and upon the old cabinets of Italian marqueterie against the walls; whilst by the carved mantel-piece sat the pleased parents, of whom it is recorded that in Rome they passed for the handsomest pair in Italy. In this way, the days of some three sunny summers passed away, while the winters were spent in the Papal city.

But this Arcadian life was not lasting. The old Count was not long content if absent from city life, and the time at the Castello hung somewhat heavily upon the spirits of both Inglesant and his wife. They were neither of them fitted by previous habits and education for a retired country life; but the circumstance which outwardly appeared to weigh upon Lauretta's mind was uncertainty concerning her brother's fate. From the time of the marriage the Cavaliere had disappeared, and from that day no word of tidings had been received respecting him. It was known that his circumstances were desperate, and the danger he lay under from secret enemies imminent. The account which her husband had given her of the condition in which he had seen Malvolti dwelt in her imagination, and she brooded over the idea of her brother in a similar state of destitution and misery. It seemed probable that, had he been assassinated, tidings of the event would have reached his family; and if alive, it was strange that he had made no application for assistance to those who were so well able and so willing to render it. This suspense and mystery were more insupportable than certainty of evil would have been.

The characters of Inglesant and his wife were of such a nature as most effectively to produce and aggravate this sleepless uneasiness. Upon Lauretta's lenient and gracious, if somewhat pleasure-loving disposition, the impression of the unkindness she had experienced from her brother faded without leaving a trace, and she thought only of some pleasant, long-past incidents, when she had been a pretty, engaging child; whilst the life of romance and excitement, combined with a certain spiritual Quixotism, which Inglesant had so long followed, had rendered any other uncongenial to him, and it required little persuasion to induce him to re-enter upon it.

But there were other causes at work which led to the same result. For many weeks a sultry wind had, without variation, passed over the south of Italy, laden with putrid exhalations from the earth, and by its sullen steadiness causing stagnation in the air. It would be difficult to describe the terrible effect upon the mind and system of the long continuance of such a state of the atmosphere. A restless fear and depression of spirits prepared the body for the seeds of disease, and the contagion, which was not perhaps generated in the atmosphere, was carried by it with fearful rapidity. The plague struck down its victims at once in city and in country, and spared no rank nor condition of life. Then all bond of fellowship and of society was loosened, strange crimes and suspicions,--strange even to that land of crime and treachery,--influenced the lives and thoughts of all men. Innocent persons were hunted to death, as poisoners and spreaders of infection; the terrors of the grave broke through the forms of artificial life, and the depravity of the heart was exposed in ghastly nakedness, as the bodies of the dead lay unburied by the waysides.

The Castello di San Georgio, standing on the summit of a breezy hill, in a thinly-peopled district, was as safe a refuge as could perhaps be found, and, if uneasiness of mind could have been banished, might have been a happy one. Three hundred years before, in the child-like unconsciousness of spiritual conflict which the unquestioned rule of Rome for so long produced, it had been possible, in the days of Boccacio, for cultivated and refined society to shut itself up in some earthly paradise, and, surrounded by horrors and by death, to spend its days in light wit and anecdote, undisturbed in mind, and kept in bodily health by cheerful enjoyment; but the time for such possibilities as these had long gone by. A mental trouble and uneasiness, which pervaded the whole of human life at the most quiet times, gave place, at such periods of dread and fear, to an intolerable restlessness, which altogether precluded the placid enjoyment of the present, however guarded and apparently secure.

The apprehension which most weighed upon Lauretta's mind, was that her brother, flying from some city where the pestilence raged, might be refused succour and assistance, and might even be murdered in the village to which he might flee. Such incidents were of daily occurrence, nor can it be wondered at that human precaution and terror became cruel and merciless, when it is an authenticated fact that the very birds themselves forsook the country places, and disappeared from their native groves at the approach of the plague. Nor were inanimate things, even, indifferent to the scourge; patches and blotches of infection broke out upon the walls and houses, and when scraped off would reappear until the house itself was burnt down.

It was in the midst of this ghastly existence, this life in death, that a wandering mendicant, driven from Rome by the pestilence and craving alms at the Castello, asserted that he knew the Cavaliere di Guardino, and that he was ill in Rome, doubtless by this time dead. The man probably lied, or, if it were true that he had known the Cavaliere, as he had passed him on the steps of the Trinita, the latter part of his story was certainly imaginary. It caused Lauretta, however, so much distress, that her husband, to comfort her, proposed to ride to Rome, and endeavour to discover the truth. The plague was not so virulent in Rome as it was in the south of Italy, and especially in Naples, and to a man using proper precautions the danger might not be very great. Lauretta was distracted. The restless anxiety, which gave her no peace until her brother's fate was known, urged her to let her husband go. How, then, should she be more at ease when, in addition to one vision of dread and apprehension, she would be haunted by another? The new anxiety seemed a relief from the old; anyhow the old was intolerable,--any change offered hope.

Upon his arrival at Rome Inglesant went hither and thither, from place to place, as one false report and another led him. Every beggar in the city seemed to have known the Cavaliere. The contagion was sufficiently virulent to stop all amusements, and to drive every one from the city who was not compelled to remain. The streets were almost deserted, and those who passed along them walked apart, avoiding each other, and seldom spoke. The most frequented places were the churches, and even there, the services were short and hurried, and divested of everything that could attract the eye. In the unusual silence the incessant tolling of the bells was more marked than ever. White processions carrying the Host glided over the hushed pavements.

Once Inglesant thought he had discovered the man of whom he was in search. The Cavaliere, the story now ran, had arrived in Rome a few days ago from Naples, where the plague had the mastery, so that the living could not bury the dead. He had come, flying towards the healthy north before the pestilence, which had overtaken him as he entered the Giovanni gate, and had taken refuge in a pest-house, which had been established in the courtyard of a little church, "S. Salvatoris in Laterano ad scalas sanctas." Thither Inglesant repaired, in the full glare of an afternoon in the late summer. In a sort of cloister, round a little courtyard, the beds were laid out side by side, on which lay the dying and the dead. Between the worn stones of the courtyard, sprinkled with water, bright flowers were springing up. The monks were flitting about; two or three of these also were dead already. Inglesant inquired for the stranger who had arrived from Naples. He was dead, the monks told him, but not yet taken away for burial; he lay there still upon his couch. They took Inglesant to a corner of the courtyard, where, looking down upon the dead body, he saw at once it was not that of the Cavaliere. It was the body of a man in the very prime of life, of a singularly noble and lofty look. He lay with his hand clasped over a little bit of crossed wood the monks had made, his eyes closed, something like a smile upon his lips.

"The Cavaliere will not look like that," thought Inglesant to himself.

Who was he? In some part of Italy, doubtless, there were at that moment those who waited for him, and wondered, just as he and Lauretta were doing. Perhaps in some distant lazaretto some one might be standing over the body of the Cavaliere, at just such a loss for a name and clue. It did not seem strange to Inglesant; he had wandered through these cross ways and tangled paths of life from a child.

He went out into the hot sunshine and down the long straight street, by the great church of the Sancta Maria, into the Via Felix, scarcely knowing where he went. Across the whole breadth of Rome the few persons he met regarded him with suspicion, and crossed over to the other side. He himself carried a pomander of silver in the shape of an apple, stuffed with spices, which sent out a curious faint perfume through small holes. He wandered down the steps of the Trinita, where even the beggars were few and quiet, and seeking unconsciously the cooler air of the river, passed the desolate Corso, and came down to the Ripetta, to the steps.

The sun was sinking now, and the western sky was all ablaze with a strange light. All through the streets the image of the dead man had haunted Inglesant, and the silent city seemed full of such pale and mystic forms. The great dome of St. Peter's stood out dark and clear against the yellow light, which shone through the casements below the dome till the whole seemed faint and ethereal as the air itself. In the foreground, across the river, were low meadows, and the bare branches of trees the leaves of which had already withered and fallen. In the distance the pollard firs upon the ramparts stood out distinctly in fantastic forms; to the left the spires and domes of the city shone in the light; in front flowed the dark river, still and slow. The large steps by the water's edge, usually so crowded and heaped with market produce, were bare and deserted; a wild superstitious terror took possession of Inglesant's mind.

In this solitude and loneliness, amid the busiest haunts of life, with the image of death on every hand, he felt as though the unseen world might at any moment manifest itself; the lurid sky seemed ready to part asunder, and amid the silent courts and pavements the dead would scarcely seem strangers were they to appear. He stood waiting, as though expecting a message from beyond the grave.