Jersey Street and Jersey Lane: Urban and Suburban Sketches
Chapter 3
Her family, if I remember rightly, had distinguished itself in public service. It was one of those good old American houses where the men-children are born with politics in their veins--that is, with an inherited sense of citizenship, and a conscious pride in bearing their share in the civic burden. The young man just out of college, who has got a job at writing editorials on the Purification of Politics, is very fond of alluding to such men as "indurated professional office-holders." But the good old gentleman who pays the young ex-collegian's bills sometimes takes a great deal of pleasure--in his stupid, old-fashioned way--in uniting with his fellow-merchants of the Swamp or Hanover Square, to subscribe to a testimonial to some one of the best abused of these "indurated" sinners, in honor of his distinguished services in lowering some tax-rate, in suppressing some nuisance, in establishing some new municipal safeguard to life or property. This blood in her may, in some measure, account for the vigor and enthusiasm with which this old lady expressed her sense of the loss the community had sustained in the death of President Lincoln, in April of 1865.
Summoning two or three of us youngsters, and a dazed Irish maid fresh from Castle Garden and a three weeks' voyage in the steerage of an ocean steamer, she led us up to the top of the house, to one of those vast old-time garrets that might have been--and in country inns occasionally were--turned into ballrooms, with the aid of a few lights and sconces. Here was stored the accumulated garmenture of the household for generation upon generation; and as far as I could discover, every member of that family had been born into a profound mourning that had continued unto his or her latest day, unmitigated save for white shirts and petticoats. These we bore down by great armfuls to the front portico, and I remember that the operation took nearly an hour. When at length we had covered the shaky warped floor of the long porch with the strange heaps of black and white--linens, cottons, silks, bombazines, alpacas, ginghams, every conceivable fabric, in fashion or out of fashion, that could be bleached white or dyed black--the old lady arranged us in working order, and, acting at once as directress and chief worker, with incredible quickness and dexterity she rent these varied and multiform pieces of raiment into broad strips, which she ingeniously twisted, two or three together, stitching them at the ends to other sets of strips, until she had formed immensely long rolls of black and white. Mounting a tall ladder, with the help of the strongest and oldest of her assistants, she wound the great tall white columns with these strips, fastening them in huge spirals from top to bottom, black and white entwined. Then she hung ample festoons between the pillars, and contrived something painfully ambitious in the way of rosettes for the cornice and frieze.
Then we all went out in the street and gazed at the work of our hands. The rosettes were a failure, and the old lady admitted it. I have forgotten whether she said they looked "mangy," or "measly," or "peaky;" but she conveyed her idea in some such graphic phrase. But I must ask you to believe me when I tell you that, from the distant street, that poor, weather-worn old front seemed to have taken on the very grandeur of mourning, with its great, clean, strong columns simply wreathed in black and snowy white, that sparkled a little here and there in the fitful, cold, spring sunlight. Of course, when you drew near to it, it resolved itself into a bewildering and somewhat indecent confusion of black petticoats, and starched shirts, and drawers, and skirts, and baby-clothes, and chemises, and dickies, and neck-cloths, and handkerchiefs, all twisted up into the most fantastic trappings of woe that ever decked a genuine and patriotic grief. But I am glad, for myself, that I can look at it all now from even a greater distance than the highway at the foot of the lawn.
I must admit that, even in my day, the shops and houses of the Moderate Means colony had so fringed the broad highway with their trivial, common-place, weakly pretentious architecture, that very little of the distinctive character of the old road was left. Certainly, from Tiemann's to the Deaf and Dumb Asylum--about two miles of straight road--there was little that had any saving grace of honorable age, except here and there where some pioneer shanty had squatted itself long enough ago to have acquired a pleasant look of faded shabbiness. The tavern and the stage-office, it is true, kept enough of their old appearance to make a link between those days and the days when swarms of red-faced drovers, with big woollen comfortables about their big necks, and with fat, greasy, leather wallets stuffed full of bank-notes, gathered noisily there, as it was their wont to gather at all the "Bull's Head Taverns" in and around New York. The omnibuses that crawled out from New York were comparatively modern--that is, a Broadway 'bus rarely got ten or fifteen years beyond the period of positive decrepitude without being shifted to the Washington Heights line. But under the big shed around the corner still stood the great old George Washington coach--a structure about the size and shape of a small canal-boat, with the most beautiful patriotic pictures all over it, of which I only remember Lord Cornwallis surrendering his sword in the politest and most theatrical manner imaginable, although the poignancy of his feelings had apparently turned his scarlet uniform to a pale orange. This magnificent equipage was a trifle rheumaticky about its underpinning, but, drawn by four, six, or eight horses, it still took the road on holidays; and in winter, when the sleighing was unusually fine, with its wheels transformed into sectional runners like a gigantic bob-sled, it swept majestically out upon the road, where it towered above the flock of flying cutters whose bells set the air a-jingle from Bloomingdale to King's Bridge.
But if the beauty of Broadway as a country high-road had been marred by its adaptation to the exigencies of a suburb of moderate means, we boys felt the deprivation but little. To right and to left, as we wandered northward, five minutes' walk would take us into a country of green lanes and meadows and marshland and woodland; where houses and streets were as yet too few to frighten away that kindly old Dame Nature who was always so glad to see us. If you turned to the right--to the east, that is--you found the laurel-bordered fields where we played baseball--I don't mean that the fields sprouted with laurels for us boys in those old days of 29 to 34 scores, but that the _Kalmia latifolia_ crowned the gray rocks that cropped out all around. Farther up was the wonderful and mysterious old house of Madame Jumel--Aaron Burr's Madame Jumel--set apart from all other houses by its associations with the fierce, vindictive passions of that strange old woman, whom, it seems to me, I can still vaguely remember, seated very stiff and upright in her great old family carriage. At the foot of the heights, on this side, the Harlem River flowed between its marshy margins to join Spuyten Duyvil Creek--the Harlem with its floats and boats and bridges and ramshackle docks, and all the countless delights of a boating river. Here also was a certain dell, halfway up the heights overlooking McComb's Dam Bridge, where countless violets grew around a little spring, and where there was a real cave, in which, if real pirates had not left their treasure, at least real tramps had slept and left a real smell. And on top of the cave there was a stone which was supposed to retain the footprint of a pre-historic Indian. From what I remember of that footprint I am inclined to think that it must have been made by the foot of a derrick, and not by that of an Indian.
But it was on the other side of the Island, between the Deaf and Dumb Asylum and Tubby Hook, and between the Ridge and the River, that I most loved to ramble. Here was the slope of a woodland height running down to a broad low strip, whose westernmost boundary was the railroad embankment, beyond which lay the broad blue Hudson, with Fort Lee and the first up-springing of the Palisades, to be seen by glimpses through the tree-trunks. This was, I think, the prettiest piece of flower-spangled wildwood that I have ever seen. For centuries it had drained the richness of that long and lofty ridge. The life of lawns and gardens had gone into it; the dark wood-soil had been washed from out the rocks on the brow of the hill; and down below there, where a vagrom brooklet chirped its way between green stones, the wholesome soil bloomed forth in grateful luxuriance. From the first coming of the anemone and the hepatica, to the time of the asters, there was always something growing there to delight the scent or the sight; and most of all do I remember the huge clumps of Dutchman's-breeches--the purple and the waxy white as well as the honey-tipped scarlet.
There were little sunlit clearings here, and I well recall the day when, looking across one of these, I saw something that stood awkwardly and conspicuously out of the young wood-grass--a raw stake of pine wood, and beyond that, another stake, and another; and parallel with these another row, marking out two straight lines, until the bushes hid them. The surveyors had begun to lay out the line of the new Boulevard, on which you may now roll in your carriage to Inwood, through the wreck of the woods where I used to scramble over rock and tree-trunk, going toward Tubby Hook.
It was on the grayest of gray November days last year that I had the unhappy thought of revisiting this love of my youth. I followed familiar trails, guided by landmarks I could not forget--although they had somehow grown incredibly poor and mean and shabby, and had entirely lost a certain dignity that they had until then kept quite clearly in my remembrance. And behold, they were no longer landmarks except to me. A change had come over the face of this old playground of mine. It had forgotten the withered, modest grace of the time when it was middle-aged, and when I was a boy. It was checkered and gridironed with pavements and electric lights. The Elevated Railroad roared at its doors behind clouds of smoke and steam. Great, cheerless, hideously ornate flat buildings reared their zinc-tipped fronts toward the gray heaven, to show the highest aspirations of that demoralized suburb in the way of domestic architecture. To right, to left, every way I turned, I saw a cheap, tawdry, slipshod imitation of the real city--or perhaps I should say, of all that is ugliest and vulgarest, least desirable, and least calculated to endure, in the troubled face of city life. I was glad to get away; glad that the gray mist that rolled up from the Hudson River hid from my sight within its fleecy bosom some details of that vulgar and pitiful degradation. One place alone I found as I had hoped to find it. Ex-Mayor Tiemann's house was gone, his conservatory was a crumbling ruin; the house we decked for Lincoln's death was a filthy tenement with a tumble-down gallery where the old portico had stood, and I found very little on my upward pilgrimage that had not experienced some change--for the worse, as it seemed to me. The very cemetery that belongs to old Trinity had dandified itself with a wonderful wall and a still more wonderful bridge to its annex--or appendix, or extension, or whatever you call it. But just above it is a little enclosure that is called a park--a place where a few people of modest, old-fashioned, domestic tastes had built their houses together to join in a common resistance against the encroachments of the speculator and the nomad house-hunter. I found this little settlement undisturbed, uninvaded, save by a sort of gentle decay that did it no ill-service, in my eyes. The pale dust was a little deeper in the roadways that had once been paved with limestone, a few more brown autumn leaves had fallen in the corners of the fences, the clustered wooden houses all looked a little more rustily respectable in their reserved and sleepy silence--a little bit more, I thought, as if they sheltered a colony of old maids. Otherwise it looked pretty much as it did when I first saw it, well nigh thirty years ago.
To see if there were anything alive in that misty, dusty, faded little abode of respectability, I rang at the door of one house, and found some inquiries to make concerning another one that seemed to be untenanted.
It was a very pretty young lady who opened the door for me, with such shining dark eyes and with so bright a red in her cheeks, that you felt that she could not have been long in that dull, old-time spot, where life seemed to be all one neutral color. She answered my questions kindly, and then, with something in her manner which told me that strangers did not often wander in there, she said that it was a very nice place to live in. I told her that I knew it _had_ been a very nice place to live in.
THE BOWERY AND BOHEMIA
One day a good many years ago an old gentleman from Rondout-on-the-Hudson--then plain Rondout--was walking up Broadway seeing the sights. He had not been in New York in ten or twelve years, and although he was an old gentleman who always had a cask of good ale in his cellar in the winter-time, yet he had never tasted the strange German beverage called lager-beer, which he had heard and read about. So when he saw its name on a sign he went in and drank a mug, sipping it slowly and thoughtfully, as he would have sipped his old ale. He found it refreshing--peculiar--and, well, on the whole, very refreshing indeed, as he considerately told the proprietor.
But what interested him more than the beer was the sight of a group of young men seated around a table drinking beer, reading--and--yes, actually writing verses, and bandying very lively jests among themselves. The old gentleman could not help hearing their conversation, and when he went out into the street he shook his head thoughtfully.
"I wonder what my father would have said to that?" he reflected. "Young gentlemen sitting in a pot-house at high noon and turning verses like so many ballad-mongers! Well, well, well, if those are the ways of lager-beer drinkers, I'll stick to my good old ale!"
And greatly surprised would that honest old gentleman have been to know that the presence of that little group of poets and humorists attracted as much custom to good Mr. Pfaff's beer-saloon as did his fresh, cool lager; and that young men, and, for the matter of that, men not so young, stole in there to listen to their contests of wit, and to wish and yearn and aspire to be of their goodly company. For the old gentleman little dreamed, as he went on his course up Broadway, that he had seen the first Bohemians of New York, and that these young men would be written about and talked about and versified about for generations to come. Unconscious of this honor he went on to Fourteenth Street to see the new square they were laying out there.
Perhaps nothing better marks the place where the city of New York got clean and clear out of provincial pettiness into metropolitan tolerance than the advent of the Bohemians. Twenty-five years earlier they would have been a scandal and a reproach to the town. Not for their literature, or for their wit, or for their hard drinking, or even for their poverty; but for their brotherhood, and for their calm indifference to all the rest of the world whom they did not care to receive into their kingdom of Bohemia. There is human nature in this; more human nature than there is in most provincialism. Take a community of one hundred people and let any ten of its members join themselves together and dictate the terms on which an eleventh may be admitted to their band. The whole remaining eighty-nine will quarrel for the twelfth place. But take a community of a thousand, and let ten such internal groups be formed, and every group will have to canvass more or less hard to increase its number. For the other nine hundred people, being able to pick and choose, are likely to feel a deep indifference to the question of joining any segregation at all. If group No. 2 says, "Come into my crowd, I understand they don't want you in No. 1," the individual replies: "What the deuce do I care about No. 1 or you either? Here are Nos. 4, 5, 6, and 7 all begging for me. If you and No. 1 keep on in your conceit you'll find yourselves left out in the cold."
And as it frequently happens to turn out that way, the dweller in a great city soon learns, in the first place, that he is less important than he thought he was; in the second place, that he is less unimportant than some people would like to have him think himself. All of which goes to show that when New Yorkers looked with easy tolerance, and some of them with open admiration, upon the Bohemians at Pfaff's saloon, they had come to be citizens of no mean city, and were making metropolitan growth.
A Bohemian may be defined as the only kind of gentleman permanently in temporary difficulties who is neither a sponge nor a cheat. He is a type that has existed in all ages and always will exist. He is a man who lacks certain elements necessary to success in this world, and who manages to keep fairly even with the world, by dint of ingenious shift and expedient; never fully succeeding, never wholly failing. He is a man, in fact, who can't swim, but can tread water. But he never, never, never calls himself a Bohemian--at least, in a somewhat wide experience, I have known only two that ever did, and one of these was a baronet. As a rule, if you overhear a man approach his acquaintance with the formula, "As one Bohemian to another," you may make up your mind that that man means an assault upon the other man's pocket-book, and that if the assault is successful the damages will never be repaired. That man is not a Bohemian; he is a beat. Your true Bohemian always calls himself by some euphemistic name. He is always a gentleman at odds with fortune, who rolled in wealth yesterday and will to-morrow, but who at present is willing to do any work that he is sure will make him immortal, and that he thinks may get him the price of a supper. And very often he lends more largely than he borrows.
Now the crowd which the old gentleman saw in the saloon--and he saw George Arnold, Fitz-James O'Brien, and perhaps N. P. Shepard--was a crowd of Bohemians rather by its own christening than by any ordinary application of the word. They were all young men of ability, recognized in their profession. Of those who have died, two at least have honor and literary consideration to-day; of those who lived, some have obtained celebrity, and all a reasonable measure of success. Mürger's Bohemians would have called them Philistines. But they have started a tradition that will survive from generation unto generation; a tradition of delusion so long as the glamour of poetry, romance, and adventure hang around the mysteriously attractive personality of a Bohemian. Ever since then New York has had, and always will have, the posing Bohemian and his worshippers.
Ten or fifteen years ago the "French Quarter" got its literary introduction to New York, and the fact was revealed that it was the resort of real Bohemians--young men who actually lived by their wit and their wits, and who talked brilliantly over fifty-cent table-d'hôte dinners. This was the signal for the would-be Bohemian to emerge from his dainty flat or his oak-panelled studio in Washington Square, hasten down to Bleecker or Houston Street, there to eat chicken badly _braisé_, fried chuck-steak, and soggy spaghetti, and to drink thin blue wine and chicory-coffee that he might listen to the feast of witticism and flow of soul that he expected to find at the next table. If he found it at all, he lost it at once. If he made the acquaintance of the young men at the next table, he found them to be young men of his own sort--agreeable young boys just from Columbia and Harvard, who were painting impressionless pictures for the love of Art for Art's sake, and living very comfortably on their paternal allowances. Any one of the crowd would think the world was coming to pieces if he woke up in the morning to wonder where he could get his breakfast on credit, and wonder where he could earn enough money to buy his dinner. Yet these innocent youngsters continue to pervade "The Quarter," as they call it; and as time goes on, by much drinking of ponies of brandy and smoking of cigarettes, they get to fancy that they themselves are Bohemians. And when they get tired of it all and want something good to eat, they go up to Delmonico's and get it.
And their Bohemian predecessors, who sought the French fifty-cent restaurants as _their_ highest attainable luxury--what has become of them? They have fled before that incursion as a flock of birds before a whirlwind. They leave behind them, perhaps, a few of the more mean-spirited among them, who are willing to degenerate into fawners on the rich, and habitual borrowers of trifling sums. But the true Bohemians, the men who have the real blood in their veins, they must seek some other meeting-place where they can pitch their never-abiding tents, and sit at their humble feasts to recount to each other, amid appreciative laughter, the tricks and devices and pitiful petty schemes for the gaining of daily bread that make up for them the game and comedy of life. Tell me not that Ishmael does not enjoy the wilderness. The Lord made him for it, and he would not be happy anywhere else.
There was one such child of fortune once, who brought his blue eyes over from Ireland. His harmless and gentle life closed after too many years in direst misfortune. But as long as he wandered in the depths of poverty there was one strange and mysterious thing about him. His clothes, always well brushed and well carried on a gallant form, often showed cruel signs of wear, especially when he went for a winter without an overcoat. But shabby as his garments might grow, empty as his pockets might be, his linen was always spotless, stiff, and fresh. Now everybody who has ever had occasion to consider the matter knows that by the aid of a pair of scissors the life of a collar or of a pair of cuffs can be prolonged almost indefinitely--apparent miracles had been performed in this way. But no pair of scissors will pay a laundry bill; and finally a committee of the curious waited upon this student of economics and asked him to say how he did it. He was proud and delighted to tell them.
"I-I-I'll tell ye, boys," he said, in his pleasant Dublin brogue, "but 'twas I that thought it out. I wash them, of course, in the basin--that's easy enough; but you'd think I'd be put to it to iron them, wouldn't ye, now? Well, I've invinted a substischoot for ironing--it's me big books. Through all me vicissichoods, boys, I kept me Bible and me dictionary, and I lay the collars and cuffs in the undher one and get the leg of the bureau on top of them both--and you'd be surprised at the artistic effect."