Chapter 27

They got out of the train. The coldness and antagonism between them did not disappear during the first part of their walk. They stepped out side by side: she walked with a firm stride and looked at nothing: her hands were free: she swung her arms: her heels rang out on the frozen earth.--Gradually her face quickened into life. The swiftness of their pace brought the color to her pale cheeks. Her lips parted to drink in the keen air. At the turn of a zigzag path she began to climb straight up the hillside like a goat; she scrambled along the edge of a quarry, where she was in great danger of failing, clinging to the shrubs. Christophe followed her. She climbed faster and faster, slipping, stopping herself by clutching at the grass with her hands. Christophe shouted to her to stop. She made no reply, but went on climbing on all fours. They passed through the mists which hung above the valley like a silvery gauze rent here and there by the bushes: and they stood in the warm sunlight of the uplands. When she reached the summit she stopped: her face was aglow: her mouth was open, and she was breathing heavily. Ironically she looked down at Christophe scaling the slope, took off her cloak, flung it at him, then without giving him time to take his breath, she darted on. Christophe ran after her. They warmed to the game: the air intoxicated them. She plunged down a steep slope: the stones gave way under her feet: she did not falter, she slithered, jumped, sped down like an arrow. Every now and then she would dart a glance behind her to see how much she had gained on Christophe. He was close upon her. She plunged into a wood. The dead leaves crackled under their footsteps: the branches which she thrust aside whipped back into his face. She stumbled over the roots of a tree. He caught her. She struggled, lunging out with hands and feet, struck him hard, trying to knock him off: she screamed and laughed. Her bosom heaved against him: for a moment their cheeks touched: he tasted the sweat that lay on Anna's brow: he breathed the scent of her moist hair. She pushed away from him and looked at him, unmoved, with defiant eyes. He was amazed at her strength, which all went for nothing in her ordinary life.

They went to the nearest village, joyfully trampling the dry stubble crisping beneath their feet. In front of them whirled the crows who were ransacking the fields. The sun was burning, the wind was biting. He held Anna's arm. She had on a rather thin dress: through the stuff he could feel the moisture and the tingling warmth of her body. He wanted her to put on her cloak once more: she refused, and in bravado undid the hooks at her neck. They lunched at an inn, the sign of which bore the figure of a "wild man" (_Zum wilden Mann_). A little pine-tree grew in front of the door. The dining-room was decorated with German quatrains, and two chromolithographs, one of which was sentimental: _In the Spring (Im Frühling)_, and the other patriotic: _The Battle of Saint Jacques_, and a crucifix with a skull at the foot of the cross. Anna had a voracious appetite, such as Christophe had never known her to have. They drank freely of the ordinary white wine. After their meal they set out once more across the fields, in a blithe spirit of companionship. In neither was there any equivocal thought. They were thinking only of the pleasure of their walk, the singing in their blood, and the whipping, nipping air. Anna's tongue was loosed. She was no longer on her guard: she said just whatever came into her mind.

She talked about her childhood, and how her grandmother used to take her to the house of an old friend who lived near the cathedral: and while the old ladies talked they sent her into the garden over which there hung the shadow of the _Münster_. She used to sit in a corner and never stir: she used to listen to the shivering of the leaves, and watch the busy swarming insects: and she used to be both pleased and afraid.--(She made no mention of her fear of devils: her imagination was obsessed by it: she had been told that they prowled round churches but never dared enter: and she used to believe that they appeared in the shape of animals: spiders, lizards, ants, all the hideous creatures that swarmed about her, under the leaves, over the earth, or in the crannies of the walls).--Then she told him about the house she used to live in, and her sunless room: she remembered it with pleasure: she used to spend many sleepless nights there, telling herself things....

"What things?"

"Silly things."

"Tell me."

She shook her head in refusal.

"Why not?"

She blushed, then laughed, and added:

"In the daytime too, while I was at work."

She thought for a moment, laughed once more, and then said:

"They were silly things, bad things."

He said, jokingly: "Weren't you afraid?"

"Of what?"

"Of being damned?"

The expression in her eyes froze.

"You mustn't talk of that," she said.

He turned the conversation. He marveled at the strength she had shown a short while before in their scuffle. She resumed her confiding expression and told him of her girlish achievements--(she said "boyish," for, when she was a child she had always longed to join in the games and rights of the boys).--On one occasion when she was with a little boy who was a head taller than herself she had suddenly struck him with her fist, hoping that he would strike her back. But he ran away yelling that she was beating him. Once, again, in the country she had climbed on to the back of a black cow as she was grazing: the terrified beast flung her against a tree, and she had narrowly escaped being killed. Once she took it into her head to jump out of a first-floor window because she had dared herself to do it: she was lucky enough to get off with a sprain. She used to invent strange, dangerous gymnastics when she was left alone in the house: she used to subject her body to all sorts of queer experiments.

"Who would think it of you now, to see you looking so solemn?..."

"Oh!" she said, "if you were to see me sometimes when I am alone in my room!"

"What! Even now?"

She laughed. She asked him--jumping from one subject to another--if he were a shot.

He told her that he never shot. She said that she had once shot at a blackbird with a gun and had wounded it. He waxed indignant.

"Oh!" she said. "What does it matter?"

"Have you no heart?"

"I don't know."

"Don't you ever think the beasts are living creatures like ourselves?"

"Yes," she said. "Certainly. I wanted to ask you: do you think the beasts have souls?"

"Yes. I think so."

"The minister says not. But I think they have souls.... Sometimes," she added, "I think I must have been an animal in a previous existence."

He began to laugh.

"There's nothing to laugh at," she said (she laughed too). "That is one of the stories I used to tell myself when I was little. I used to pretend to be a cat, a dog, a bird, a foal, a heifer. I was conscious of all their desires. I wanted to be in their skins or their feathers for a little while: and it used to be as though I really was. You can't understand that?"

"You are a strange creature. But if you feel such kinship with the beasts how can you bear to hurt them?"

"One is always hurting some one. Some people hurt me. I hurt other people. That's the way of the world. I don't complain. We can't afford to be squeamish in life! I often hurt myself for the pleasure of it."

"Hurt yourself?"

"Myself. One day I hammered a nail into my hand, here."

"Why?"

"There wasn't any reason."

(She did not tell him that she had been trying to crucify herself.)

"Give me your hand," she said.

"What do you want it for?"

"Give it me."

He gave her his hand. She took it and crushed it until he cried out. They played, like peasants, at seeing how much they could hurt each other. They were happy and had no ulterior thought. The rest of the world, the fetters of their ordinary life, the sorrows of the past, fear of the future, the gathering storm within themselves, all had disappeared.

They had walked several miles, but they were not at all tired. Suddenly she stopped, flung herself down on the ground, and lay full length on the stubble, and said no more. She lay on her back with her hands behind her head and looked up at the sky. Oh! the peace of it, and the sweetness!... A few yards away a spring came bubbling up in an intermittent stream, like an artery beating, now faintly, now more strongly. The horizon took on a pearly hue. A mist hung over the purple earth from which the black naked trees stood out. The late winter sun was shining, the little pale gold sun sinking down to rest. Like gleaming arrows the birds cleft the air. The gentle voices of the country bells called and answered calling from village to village.... Christophe sat near Anna and looked down at her. She gave no thought to him. She was full of a heartfelt joy. Her beautiful lips smiled silently. He thought:

"Is that you? I do not know you."

"Nor I. Nor I. I think I must be some one else. I am no longer afraid: I am no longer afraid of Him.... Ah! How He stifled me, how He made me suffer! I seemed to have been nailed down in my coffin.... Now I can breathe: this body and this heart are mine. My body. My dear body. My heart is free and full of love. There is so much happiness in me! And I knew it not. I never knew myself! What have you done to me?..."

So he thought he could hear her softly sighing to herself. But she was thinking of nothing, only that she was happy, only that all was well.

The evening had begun to fall. Behind the gray and lilac veils of mist, about four o'clock, the sun, weary of life, was setting. Christophe got up and went to Anna. He bent down to her. She turned her face to him, still dizzy with looking up into the vast sky over which she seemed to have been hanging. A few seconds passed before she recognized him. Then her eyes stared at him with an enigmatic smile that told him of the unease that was in her. To escape the knowledge of it he closed his eyes for a moment. When he opened them again she was still looking at him: and it seemed to him that for many days they had so looked into each other's eyes. It was as though they were reading each other's soul. But they refused to admit what they had read there.

He held out his hand to her. She took it without a word. They went back to the village, the towers of which they could see shaped like the pope's nose in the heart of the valley: one of the towers had an empty storks' nest on the top of its roof of mossy tiles, looking just like a toque on a woman's head. At a cross-roads just outside the village they passed a fountain above which stood a little Catholic saint, a wooden Magdalene, graciously and a little mincingly holding out her arms. With an instinctive movement Anna responded to the gesture and held out her arms also, and she climbed on to the curb and filled the arms of the pretty little goddess with branches of holly and mountain-ash with such of their red berries as the birds and the frost had spared.

On the road they passed little groups of peasants and peasant women in their Sunday clothes: women with brown skins, very red cheeks, thick plaits coiled round their heads, light dresses, and hats with flowers. They wore white gloves and red cuffs. They were singing simple songs with shrill placid voices not very much in tune. In a stable a cow was mooing. A child with whooping-cough was coughing in a house. A little farther on there came up the nasal sound of a clarionet and a cornet. There was dancing in the village square between the little inn and the cemetery. Four musicians, perched on a table, were playing a tune. Anna and Christophe sat in front of the inn and watched the dancers. The couples were jostling and slanging each other vociferously. The girls were screaming for the pleasure of making a noise. The men drinking were beating time on the tables with their fists. At any other time such ponderous coarse joy would have disgusted Anna: but now she loved it: she had taken off her hat and was watching eagerly. Christophe poked fun at the burlesque solemnity of the music and the musicians. He fumbled in his pockets and produced a pencil and began to make lines and dots on the back of a hotel bill: he was writing dance music. The paper was soon covered: he asked for more, and these too he covered like the first with his big scrawling writing. Anna looked over his shoulder with her face near his and hummed over what he wrote: she tried to guess how the phrases would end, and clapped her hands when she guessed right or when her guesses were falsified by some unexpected sally. When he had done Christophe took what he had written to the musicians. They were honest Suabians who knew their business, and they made it out without much difficulty. The melodies were sentimental, and of a burlesque humor, with strongly accented rhythms, punctuated, as it were, with bursts of laughter. It was impossible to resist their impetuous fun: nobody's feet could help dancing. Anna rushed into the throng; she gripped the first pair of hands held out to her and whirled about like a mad thing; a tortoise-shell pin dropped out of her hair and a few locks of it fell down and hung about her face. Christophe never took his eyes off her: he marveled at the fine healthy animal who hitherto had been condemned to silence and immobility by a pitiless system of discipline: he saw her as no one had ever seen her, as she really was under her borrowed mask: a Bacchante, drunk with life. She called to him. He ran to her and put his arms round her waist. They danced and danced until they whirled crashing into a wall. They stopped, dazed. Night was fully come. They rested for a moment and then said good-by to the company. Anna, who was usually so stiff with the common people, partly from embarrassment, partly from contempt, held out her hand to the musicians, the host of the inn, the village boys with whom she had been dancing.

Once more they were alone under the brilliant frozen sky retracing the paths across the fields by which they had come in the morning. Anna was still excited. She talked less and less, and then ceased altogether, as though she had succumbed to fatigue or to the mysterious emotion of the night. She leaned affectionately on Christophe. As they were going down the slope up which they had so blithely scrambled a few hours before, she sighed. They approached the station. As they came to the first house he stopped and looked at her. She looked up at him and smiled sadly. The train was just as crowded as it had been before, and they could not talk. He sat opposite her and devoured her with his eyes. Her eyes were lowered: she raised them and looked at him when she felt his eyes upon her: then she glanced away and he could not make her look at him again. She sat gazing out into the night. A vague smile hovered about her lips which showed a little weariness at the corners. Then her smile disappeared. Her expression became mournful. He thought her mind must be engrossed by the rhythm of the train and he tried to speak to her. She replied coldly, without turning her head, with a single word. He tried to persuade himself that her fatigue was responsible for the change: but he knew that it was for a very different reason. The nearer they came to the town the more he saw Anna's face grow cold, and life die down in her, and all her beautiful body with its savage grace drop back into its casing of stone. She did not make use of the hand he held out to her as she stepped out of the carriage. They returned home in silence.

A few days later, about four o'clock in the evening, they were alone together. Braun had gone out. Since the day before the town had been shrouded in a pale greenish fog. The murmuring of the invisible river came up. The lights of the electric trams glared through the mist. The light of day was dead, stifled: time seemed to be wiped out: it was one of those hours when men lose all consciousness of reality, an hour which is outside the march of the ages. After the cutting wind of the preceding days, the moist air had suddenly grown warmer, too damp and too soft. The sky was filled with snow, and bent under the load.

They were alone together in the drawing-room, the cold cramped taste of which was the reflection of that of its mistress. They said nothing. He was reading. She was sewing. He got up and went to the window: he pressed his face against the panes, and stood so dreaming: he was stupefied and heavy with the dull light which was cast back from the darkling sky upon the livid earth: his thoughts were uneasy: he tried in vain to fix them: they escaped him. He was filled with a bitter agony: he felt that he was being engulfed: and in the depths of his being, from the chasm of the heap of ruins came a scorching wind in slow gusts. He turned his back on Anna: she could not see him, she was engrossed in her work; but a faint thrill passed through her body: she pricked herself several times with her needle, but she did not feel it. They were both fascinated by the approaching danger.

He threw off his stupor and took a few strides across the room. The piano attracted him and made him fearful. He looked away from it. As he passed it his hand could not resist it, and touched a note. The sound quivered like a human voice. Anna trembled, and let her sewing fall. Christophe, was already seated and playing. Without seeing her, he knew that Anna had got up, that she was coming towards him, that she was by his side. Before he knew what he was doing, he had begun the religious and passionate melody that she had sung the first time she had revealed herself to him: he improvised a fugue with variations on the theme. Without his saying a word to her, she began to sing. They lost all sense of their surroundings. The sacred frenzy of music had them in its clutches....

O music, that openest the abysses of the soul! Thou dost destroy the normal balance of the mind. In ordinary life, ordinary souls are closed rooms: within, there droop the unused forces of life, the virtues and the vices to use which is hurtful to us: sage, practical wisdom, cowardly common sense, are the keepers of the keys of the room. They let us see only a few cupboards tidily and properly arranged. But music holds the magic wand which drives back every lock. The doors are opened. The demons of the heart appear. And, for the first time, the soul sees itself naked.--While the siren sings, while the bewitching voice trembles on the air, the tamer holds all the wild beasts in check with the power of the eye. The mighty mind and reason of a great musician fascinates all the passions that he set loose. But when the music dies away, when the tamer is no longer there, then the passions he has summoned forth are left roaring in their tottering cage, and they seek their prey....

The melody ended. Silence.... While she was singing she had laid her hand on Christophe's shoulder. They dared not move: and each felt the other trembling. Suddenly--in a flash--she bent down to him, he turned to her: their lips met: he drank her breath....

She flung away from him and fled. He stayed, not stirring in the dark. Braun returned. They sat down to dinner. Christophe was incapable of thought. Anna seemed absent-minded: she was looking "elsewhere." Shortly after dinner she went to her room. Christophe found it impossible to stay alone with Braun, and went upstairs also.

About midnight the doctor was called from his bed to a patient. Christophe heard him go downstairs and out. It had been snowing ever since six o'clock. The houses and the streets were under a shroud. The air was as though it were padded with cotton-wool. Not a step, not a carriage could be heard outside. The town seemed dead. Christophe could not sleep. He had a feeling of terror which grew from minute to minute. He could not stir. He lay stiff in his bed, on his back, with his eyes wide open. A metallic light cast up from the white earth and roofs fell upon the walls of the room.... An imperceptible noise made him tremble. Only a man at a feverish tension could have heard it. Came a soft rustling on the floor of the passage. Christophe sat up in bed. The faint noise came nearer, stopped; a board creaked. There was some one behind the door: some one waiting.... Absolute stillness for a few seconds, perhaps for several minutes.... Christophe could not breathe, he broke out into a sweat. Outside flakes of snow brushed the window as with a wing. A hand fumbled with the door and opened it. There appeared a white form, and it came slowly forward: it halted a few yards away from him. Christophe could see nothing clearly: but he could hear her breathing: and he could hear his own heart thumping. She came nearer to him; once more she halted. Their faces were so near that their breath mingled. Their eyes sought each other vainly in the darkness.... She fell into his arms. In silence, without a word, they hugged each other close, frenziedly....

* * * * *

An hour, two hours, a century later, the door of the house was opened. Anna broke from the embrace in which they were locked, slipped away, and left Christophe without a word, just as she had come. He heard her bare feet moving away, just skimming the floor in her swift flight. She regained her room, and there Braun found her in her bed, apparently asleep. So she lay through the night, with eyes wide open, breathless, still, in her narrow bed near the sleeping Braun. How many nights had she passed like that!

Christophe could not sleep either. He was utterly in despair. He had always regarded the things of love, and especially marriage, with tragic seriousness. He hated the frivolity of those writers whose art uses adultery as a spicy flavoring. Adultery roused in him a feeling of repulsion which was a combination of his vulgar brutality and high morality. He had always felt a mixture of religious respect and physical disgust for a woman who belonged to another man. The doglike promiscuity in which some of the rich people in Europe lived appalled him. Adultery with the consent of the husband is a filthy thing: without the husband's knowledge it is a base deceit only worthy of a rascally servant hiding away to betray and befoul his master's honor. How often had he not piteously despised those whom he had known to be guilty of such cowardice! He had broken with some of his friends who had thus dishonored themselves in his eyes.... And now he too was sullied with the same shameful thing! The circumstances of the crime only made it the more odious. He had come to the house a sick, wretched man. His friend had welcomed him, helped him, given him comfort. His kindness had never flagged. Nothing had been too great a demand upon it. He owed him his very life. And in return he had robbed the man of his honor and his happiness, his poor little domestic happiness! He had basely betrayed him, and with whom? With a woman whom he did not know, did not understand, did not love.... Did he not love her? His every drop of blood rose up against him. Love is too faint a word to express the river of fire that rushed through him when he thought of her. It was not love, it was a thousand times a greater thing than love.... He was in a whirl all through the night. He got up, dipped his face in the icy water, gasped, and shuddered. The crisis came to a head in an attack of fever.

When he got up, aching all over, he thought that she, even more than he, must be overwhelmed with shame. He went to the window. The sun was shining down upon the dazzling snow. In the garden Anna was hanging out the clothes on a line. She was engrossed in her work, and seemed to be in no wise put out. She had a dignity in her carriage and her gesture which was quite new to him, and made him, unconsciously, liken her to a moving statue.