Chapter Twelve

THE PREVIEW

The girls stared hard at Henry Thorne. It was so like him to toss off an important statement in an off-hand manner that it left them almost gasping for breath.

"Why, Dad, what do you mean?" demanded Helen.

"Just what I said," smiled her father. "How would you and Janet like to go to Radio City for several weeks?"

"I'd like it fine," put in Janet quickly and Helen chorused her own agreement.

"Now tell us what it's all about," insisted Helen.

"I'm a little vague on it myself," admitted her father, "except that the studio is planning an extensive promotion stunt to boost my last picture, 'Kings of the Air,' and the general manager, Mr. Rexler, is going to send a part of the cast to New York City where they'll put on a radio drama based on the action in the new picture. The whole idea is to whet the appetites of the film fans by giving them just enough of the story over the air to make them rush to the nearest theater and see the actual picture."

"But where do we come in?" asked Janet. "We were only very minor members of the cast."

"True enough, but some of the principals are now working on other pictures and it would be impractical to release them and send them east for a promotional stunt so some of the lesser members of the company will make the trip."

"Maybe we're lucky to be lesser members," smiled Helen. "When do we start?"

"I don't know exactly. The release date for 'Kings' is next month, so I expect you'll leave here in a few weeks."

"That will give me just time enough to try the scenario for Billy Fenstow," said Janet. "Maybe I'd better start work on it tonight."

"You look pretty tired. Better wait until morning when you'll be thoroughly rested," advised Helen's father.

They adjourned to the living room where they gathered around a large table and discussed possible story plots that Janet could use. She made several notes and then, with Helen, retired early.

A second night of sleep found the girls feeling greatly refreshed. Henry Thorne loaned Janet his own portable typewriter and she set it on a low table beside the swimming pool, found some yellow copy paper in the house, rolled a fresh sheet into the typewriter, and sat down waiting for an idea to pop into her head.

"Hello, author!" said someone from behind her and she swung about to face Curt Newsom, who had walked up unheralded.

"Hello, Curt. Sit down. My, but I'm glad to see you. Are you all right after the fire?"

The cowboy smiled. "As right as I'll ever be. I was scared half to death that night. Say, I saw Billy Fenstow this morning. The picture's all together now and they're going to screen it at the Bijou down the street after the regular feature. Better be there tonight."

"I'll be there in fear and trembling," smiled Janet.

"Oh, I wouldn't feel that way about it. I think you did a lot better than most of the girls I've had in the company."

"Thanks, Curt. That was nice of you to say that, but I realize I have very definite limitations as an actress."

"Well, I'm not so hot as an actor," he admitted. "About all I have to do is stick on a horse and shoot a gun loaded with blank cartridges."

"That isn't all and you know it," reproved Janet.

Curt looked at the typewriter and the blank sheet of paper.

"I'm keeping you from your work. I only dropped in to tell you about the preview tonight. I've got to get along."

"I'm supposed to be generating ideas for Mr. Fenstow's next script," confessed Janet, "but the mental generator seems to have gone on a strike."

"What's the story going to be about?"

"You guess," smiled Janet.

"Well, why don't you have a young heiress, pretty much spoiled, who owns a ranch. She's never seen it so she goes west for a trip and while there learns that most of her fortune has been wiped out through the declining value of securities and by embezzlement of some of her trustees. About all she has left is the ranch and a brother who is pretty much worthless."

"It's a grand idea," exulted Janet. "Then of course we could have a cattle war, some rustling, maybe a vein of gold found on the ranch, and plenty of action."

"You're supposed to write the story," chided Curt. "Well, I must get along."

"Thanks for the help. I'll make you coauthor," called Janet as Curt strode toward the street.

Curt's suggestion gave her the nucleus of her story. It would be a little different treatment of the western theme. Janet started working, her fingers flowing rhythmically over the keys. She wrote simply. All that was required of her was a good, comprehensive outline of the story. The studio writers would put in the dialogue.

But Janet's interest grew as the story progressed and she found herself putting in conversation and bits of description of the characters. She was so absorbed that Helen came and stood beside her for several minutes before she was aware of her presence.

"Going strong?" she asked.

Janet, barely interrupting the smooth flow of her story, nodded.

"Preview's tonight at the Bijou after the regular feature. Curt Newsom stopped to tell us."

"Then you'd better stop writing now. You've been at it steadily for more than hour. You want to feel peppy tonight when we go to see the preview."

Janet finished the paragraph and pulled the sheet of copy from the machine. She had written eight pages and the top and bottom margins were narrow. She wanted to keep on writing, but knew that Helen's advice was sound. She wanted to be rested enough to enjoy "Water Hole," to see herself, for probably the only time in her life, as the leading lady of a motion picture.

They met Billy Fenstow at the box office and he handed them tickets for a few seats which had been reserved for his friends.

"Nervous?" he asked Janet.

"A little. How is it?"

"Wait and see. Here comes Mr. Rexler."

The girls turned in time to see the taciturn general manager of the Ace studio stride into the lobby. Close behind him was Helen's father. Janet felt her heart sink. Here was the chief of the studio on hand to pronounce final judgment on the picture. But Bill Fenstow seemed unperturbed and she forced herself to be calm.

They all went in together. The feature was a south sea love drama produced by a rival studio and it was typical program picture with nothing to make it outstanding in interest.

Then the picture they had been waiting for flashed on the screen. "'Water Hole,' directed by Billy Fenstow, starring Curt Newsom and produced by the Ace Motion Picture Corp." Then came the credits for the story, photography, etc., and finally the cast of characters with Curt's name at the top. Janet felt her heart stop for one breathless moment, Her name--_Janet Hardy_--was the second in the cast and directly under that was Helen's.

Then the picture zoomed away to a fast start with the action that always characterized a Billy Fenstow production. Janet tried to be critical, but she couldn't help enjoying the picture and her voice didn't sound so terribly bad as it came out of the loudspeakers.

The picture ended all too suddenly. The house lights came up and Janet found herself staring at the others, waiting for their verdict.

Rexler was the first to speak. He leaned over and tapped Billy Fenstow on the shoulder.

"Nice show, Billy. Got the girl signed up?"

Billy turned to Janet.

"How about it; want to sign a contract to stay with my unit?"

Suddenly Janet knew that she didn't. It had been a wonderful summer, climaxed in the picture she had just seen with herself as leading lady, but now she was just a little homesick. Then, too, there was the trip to Radio City.

"Not right now," she told the director. "Later, perhaps, but not now."

The general manager looked at her strangely.

"I wouldn't be surprised if it is the smartest thing you could do. If you change your mind, let me know."

He stood up and stalked down the aisle, but Janet knew now that she would never change her mind.