Interpretations of Poetry and Religion

Part 5

Chapter 53,830 wordsPublic domain

Such is the necessary logic of natural religion. If Nature manifests the existence of a god, she must to that extent manifest his character; if she does not manifest his character, she cannot involve his existence. We observe to-day a process exactly analogous to that by which the natural divinities of Greece were reduced again to the physical or social forces from which poetry had originally evoked their forms. Many minds are grown too timid to build their religious faith unblushingly on revelation, or on that moral imagination or inward demand which revelation comes to express and to satisfy. They seek, therefore, to naturalize the Deity and to identify it with some principle of history, of Nature, or of logic. But this identification cannot be made without great concessions on both sides. The accommodations which ensue inevitably involve many equivocations, and some misrepresentations of the heterogeneous principles, now natural, now moral, which it is sought to unify. Confused and agonized by these contradictions, the natural theologian, if he keep his honesty, can only rest in the end in a chastened recognition of the facts of experience, toward which he will, no doubt, exercise his acquired habits of acquiescence and euphemism. But these habits, the survival of which gives his philosophy some air of being still a religion, will not be inherited by his disciples and successors; a pious manner may survive religious faith, but will not survive it long. The society to whom the reformer teaches a reticent and embarrassed naturalism will discard the reticence and avow the naturalism with pride. The masses of men will see no reason why they should not live out their native impulses or acquired passions without fear of that environing power of which they are, after all, the highest embodiment; while a few thinkers, devout and rational by temperament, will know how to maintain their dignity of spirit in the face of a universe of which they ask no favour save the revelation of its laws. Thus irreligion for the many and Stoicism for the few is the end of natural religion in the modern world as it was in the ancient.

But natural religion (that is, the turning of the facts and laws of Nature or of experience into an object of worship) is by no means a primitive nor an ultimate form of religion; it is rather of all the forms of religion the most unnatural and the least capable of existing without a historical and emotional setting, independent of its own essence and inconsistent with its principle. No nation has ever had a merely natural religion. What is called by that name has been the appanage of a few philosophers in ages of religious disintegration, when the habit of worship, surviving the belief in any proper object of worship, has been transferred with effort and uncertainty to the natural order which alone remained before the mind,--to the cosmos, the self, the state, or humanity. Mythology, of which natural religion is the last and most abstract phase, was originally religious only in so far as it was supernatural in so far, I mean, as the analogies of outer Nature led the poet to conceive some moral ideal, some glorious being full of youth and serenity, of passion and wisdom. Only when thus transfigured into the human could the natural seem divine. The Greeks were never idolaters, and no more worshipped the sun or moon or the whole of Nature than they did statues of bronze or marble; they worshipped only the god who had a temporal image in the temple as he had an eternal image in the sun or in the universe.

It happened, therefore, that in the decay of mythology the gods could still survive as moral ideals. The more they were cut off from their accidental foothold in the world of fact, the more clearly could they manifest their essence as expressions of the world of values. We have mentioned the fact that the greater gods of Greece were almost wholly detached from the cosmographical hints which had originally suggested their character and fable. Thus emancipated, these nobler gods could survive in the consciousness of the devout, fixed there by their purely moral significance and poetic truth. Apollo or Athena showed little or nothing of a naturalistic origin; they were patrons of life, embodiments of the ideal, objects of contemplation for souls that by prayer would rise to the semblance of the god to whom they prayed. This transformation into the moral had been going on from the beginning in the religious mind of Greece. It was really the legitimate fulfilment of that translation into the human to which mythology itself was due. But mythology had merely turned the physical into the personal and impassioned; religion was now to turn the psychical into the good. This tendency came to a vivid and rational expression in Plato. The gods, he declared, should be represented only as they were, _i.e._ as moral ideals. The scandal of their fables should be removed and they should be regarded as authors only of the good, in their own lives as in ours. To refer all things to the efficacy of the gods should be accounted impiety. They, like the supreme and abstract principle of all excellence which they embodied, could be the authors only of what is good.

Had this remarkable doctrine been carried out fully it would have led to important results. We should have had goodness as the criterion of divinity, to the exclusion of power. God would have become avowedly an ideal, a pattern to which the world might or might not conform. Such potential conformity would have remained dependent on causes, natural or free, with which God, not being a power, could have nothing to do. Plato and Aristotle did, in fact, construct a theology on these lines, but they obscured its purity in their well-meant attempts to connect (more or less mythically or magically) their own Socratic principle of excellence with the cosmic principles of the earlier philosophers. The elements of confusion and pantheism which were thus introduced into the Socratic philosophy made it more acceptable, perhaps, to the theologians of later times, in whose religion a pantheistic tendency was also latent. In the hands of Jewish, Christian, or Mohammedan commentators the mythical and magical part of the Greek conceptions was naturally emphasized and the rational part reinterpreted and obscured. Plato had spoken, in one of his myths, of a Demiurgos, a personification of the Idea of the Good, who directly or indirectly made the world in his own image, rendering it as perfect as the indeterminate Chaos he worked on would allow. Aristotle had spoken of an intelligence, happy and self-contemplative, who was the principle of movement in the heavens, and through the heavens in the rest of Nature. Such expressions had a sound far too congruous with Mosaic doctrine not to be seized upon with joy by the apologists of the new faiths, who were glad to invoke the authority of classic poets and philosophers in favour of doctrines that in their Hebrew expression might so easily seem crude and irrational to the Gentiles. This assimilation gave to the casual myths of Plato and to the meagre though bold argumentation of Aristotle a turn and a significance which they hardly had to their authors. If we approach these philosophers as we should from the point of view of Greek literature and life, and prepare ourselves to see in them the disciples of Socrates rather than (what Plato was once actually declared to be) the disciples of Moses, we shall see that they were simply, mythologists of the Ideal; they refined the gods of tradition into patrons of civic discipline and art, the gods of natural philosophy into principles of intelligibility and beauty.

The creation described in the Timæus is a transparent parable. Elements which ethical reflection distinguishes in the field of experience are turned in that dialogue, with undisguised freedom of fancy, into so many half-personified primitive powers; the Ideas, the Demiurgos, Chaos, the Indeterminate, and the "gods of gods." Plato has not forgotten the lessons of Socrates and Parmenides. He distrusts as much as they any natural or genetic philosophy of existence. He virtually tells us that, if we must have a history of creation, we can hardly do better than to take ideal or moral principles, combine them as we might so many material elements, and see how the intelligible part of existence may thus receive a quasi-explanation. God remains the creator of the good only, because what he is mythically said to create is merely that in Nature which spontaneously resembles him or conforms to his idea; only this element in Nature is intelligible or good, and therefore the principle of goodness may be said to be its cause. Thus, for example, if we chose to write an Anatomy of Melancholy, we might attribute to the Demon of Spleen or to the Blue Devils only the sombre elements of that soulful compound, which, however, the evil imps would eternally tend to make as absolutely dyspeptic and like unto themselves as its primordial texture would allow. In exactly such a way Plato, in his allegorical manner, constructed a universe with a poetical machinery of moral forces, personified and treated as agents. When the thin veil of allegory is drawn aside, there remains nothing but a splendid illustration of the Socratic philosophy; we are taught that the only science is moral science, and that, if we wish to understand the world, we must bend our minds to the definition of its qualities and values, which are all that is intelligible in it. Essences and values alone are knowable and fixed and amenable to science. If we insist on history and cosmogony, we must be satisfied with having them presented to us in allegorical form, and made to follow ethics as the Timæus follows the Republic. Natural philosophy can be nothing but a sort of analytic retrospect by which we trace the first glimmerings and the progressive manifestation in Nature of those ideas which have authority over our own minds.

Phenomena had for Plato existence without reality, that is, without intelligibility or value. They were a mere appearance. We need not be surprised, then, that he refused altogether to construct a theology by the poetic interpretation of phenomena and preferred to construct one allegorically out of his moral conceptions, the good and the ideal. Aristotle, too, while adhering incidentally, as we have seen, to a purified astronomical theology, capped this with a purified moral theology of his own. The Platonic picture-gallery of ideas, with the abstract principle of excellence that unified them, gave place in his philosophy to an Ideal realized in the concrete and existing as an individual. We may venture to say that among the thinkers of all nations Aristotle was the first to reach the conception of what may fitly be called God. Neither the national deity of the Hebrews, as then conceived, nor the natural deities of the Gentiles, nor the half-physical, half-logical abstractions of the earlier Greek philosophers really corresponded to the notion of a being spiritual, personal, and perfect, immutable without being abstract, and omnipotent without effort and without degradation. Aristotle first constructed this ideal, not out of his fancy, but by building on the solid ground of human nature and following to their point of union the lines which moral aspiration and effort actually follow. Nay, the ideal he pointed to was to be the goal not of human life only but of natural life in all its forms. The analytic study of Nature (a study which at the same time must be imaginative and sympathetic) could guide us to the conception of her inner needs and tendencies and of what their proper fulfilment would be. We could then see that this fulfilment would lie in intelligence and thought. Growth is for the sake of the fruition of life, and the fruition of life consists in the pursuit and attainment of objects. The moral virtues belong to the pursuit, the intellectual to the attainment. Knowledge is the end of all endeavour, the justification and fulfilment of all growth. Intelligence is the clarification of love.

A being, then, whose life should be a life of pure and complete knowledge, would embody the goal toward which all Nature strives. When we ponder duly the short phrases in which Aristotle propounds his conception of God we find that he has called up before us the noblest possible object of human thought, the presentiment of that thought's perfect fulfilment. There is no alloy of naturalism in this conception, and at the same time no suspicion of irrelevancy. This God is not a mere title of honour for the psycho-physical universe, confusedly conceived and lumped together; he is an ultra-mundane ideal, to be an inviolate standard and goal for all moving reality. Yet he is not irrelevant to the facts and forces of the world, not the dream of an abstracted poet. He is an idea which reality everywhere evokes in evoking its own deepest craving and need. Nothing is so pertinent and momentous in life as the object we are trying to attain by thought or action, since that object is the source of our inspiration and the standard of our success. Thus Aristotle's God is not superfluous, not invented. This theology is a true idealism, I mean an idealism itself purely ideal, which establishes the authority of human demands, ethical, and logical, without impugning the existence or efficacy of that material universe which it endows with a meaning and a standard.

Yet this rational conception, the natural out-growth of the Socratic philosophy, establishes a dualism between the actual and the ideal against which the human mind easily rebels. Aristotle himself was hardly faithful to it. He tried to prove the existence of his God, and existence is something quite irrelevant to an ideal. This confusion is very excusable, especially in an age when the strictly mechanical view of Nature still seemed hopelessly inadequate. Aristotle consequently tried to understand the natural world by viewing it systematically from the point of view of moral science, as Plato had done less coherently in his myths; and hence came what we must regard as the great error of Aristotle's philosophy, the belief in the efficacy of final causes and in the preëxistence of entelechies. But, apart from this unhappy question of existence, which is, as we have said, irrelevant to an ideal, Aristotle's conception of God remains, perhaps, the most philosophical that has yet been constructed. Without any concessions to sentiment or superstition, it presents us with a sublime vision of the essentially human, of a nature as free from an unworthy anthropomorphism as from an inhuman abstractness. It is made both human and superhuman by the same principle of idealization. It is the final cause of Nature and man, the realization of their imminent upward effort, the essence that would contain all their values and escape all their imperfections.

We may well doubt, however, whether men in general will ever be ready to accept so austere a theology in guise of a religion; they were certainly not ready to do so at the end of the classical period. The inheritance of Paganism fell instead to Christianity, in which ethical and naturalistic elements were again united, although united in a new way. For, while the scheme of Paganism, and of all the philosophies that sought to rationalize Paganism, was cosmic and static, the scheme of Christianity was historical. They spoke of the dynamic relations of heaven and earth, or of the immutable hierarchy of ideas and essences; even Aristotle's God was somehow in spatial relations to the Universe which he set in motion. The religion of the Hebrews, on the other hand, had been essentially historical and civic: it had been concerned with the moral destinies of Israel and the dealings of Jehovah with his people. Christianity inherited this historical character; its mysteries occurred in time. Not only the redemption of the world but the vocation and sanctification of the individual were progressive, and when the habits and problems of Christian theology were carried over by the German idealists into the region of pure metaphysics, the systems they conceived were still systems of evolution. God was to be manifest in the development of things. For Christianity in its own way had spoken from the beginning of a gradual and yet to be completed descent of the divine into the natural by the agency of prophecy, law, and sacramental institutions; it had represented the relations of God to man in a vast historic drama, of which creation constituted the opening, the fall and redemption the nexus, and the last judgment the unravelling.

Thus appeared a new scheme for the unification of the natural and the moral. The harmony which the old religion had failed to establish in space and in Nature, the new sought to establish in history and in time. It was hoped that life and experience, sin and redemption, might manifest that divinity which had fled out of the sea and sky, and which it seemed sacrilege to identify any longer with the animal vitality of the universe. Whether the same criticism that disintegrated mythology and isolated its elements of science and of poetry would not be fatal to the new combination of the moral and the factual in the history of man, is hardly a question for us here. Suffice it to point out the problem and to register the solution which was found in the ancient world to the analogous problem that presented itself there. The first impulse of the imagination is always to combine in the object all the elements which lie together in the mind, to project them indiscriminately into a single conception of reality, enriched with as many qualities as there are phases and values in our experience. But these phases and values have diverse origins and do not permanently hang together. It becomes after a while impossible to keep them attached to a single image; they have to be distributed according to their true order and connections, some objectified into a physical universe of mechanism and law, others built into a system of rational objects, into a hierarchy of logical and moral ideas. So the lovely pantheon of the Greeks yielded in time to analysis and was dissolved into abstract science and conscious fable. So, too, the body and soul of later religions may come to be divided, when they render back to earth what they contain of positive history and to the heaven of man's indomitable idealism what they contain of aspiration and hope.

IV

THE POETRY OF CHRISTIAN DOGMA

The deathbed of Paganism was surrounded by doctors. Some, the Stoics, advised a conversion into pantheism (with an allegorical interpretation of mythology to serve the purposes of edification); others, the Neo-Platonists, prescribed instead a supernatural philosophy, where the efficacy of all traditional rites would be justified by incorporation into a system of universal magic, and the gods would find their place among the legions of spirits and demons that were to people the concentric spheres. But these doctors had no knowledge of the patient's natural constitution; their medicines, prescribed with the best intentions, were in truth poisons and only hastened the inevitable end. Nor had the unfortunate doctors the consolation of being heirs. Parasites that they were, they perished with the patron on whose substance they had fed, and Christianity, their despised rival, came into sole possession.

Yet Neo-Platonism, for all we can see, responded as well as Christianity to the needs of the time, and had besides great external advantages in its alliance with tradition, with civil power, and with philosophy. If the demands of the age were for a revealed religion and an ascetic morality, Neo-Platonism could satisfy them to the full. Why, then, should the Hellenic world have broken with the creations of its own genius, so plastic, eloquent, and full of resource, to run after foreign gods and new doctrines that must naturally have been stumbling-blocks to its prejudices, and foolishness to its intelligence? Shall we say that the triumph of Christianity was a miracle? Is it not a doubtful encomium on a religion to say that only by miracle could it come to be believed? Perhaps the forces of human reason and emotion suffice to explain this faith. We prefer to think so; otherwise, however complete and final the triumph of Christianity might be, it would not be justified or beneficent.

Neo-Platonism arose in the midst of the same conditions as Christianity. There was weariness and disgust with the life of nature, decay of political virtue, desire for some personal and supernatural good. It was hardly necessary to preach the doctrine of original sin to that society; the visible blight that had fallen on classic civilization was proof enough of that. What it was necessary to preach was redemption. It was necessary to point to some sphere of refuge and of healthful resort, where the ignominies and the frivolities of this world might be forgotten, and where the hunger of a heart left empty by its corroding passions might be finally satisfied. But where find such a supernatural world? By what revelation learn its nature and be assured of its existence?

Neo-Platonism opened vistas into the supernatural, but the avenues of approach which it had chosen and the principle which had given form to its system foredoomed it to failure as a religion. This avenue was dialectic, and this principle the hypostasis of abstractions. Plato had pointed out this path in his genial allegories. He had, by a poetical figure, turned the ideas of reason into the component forces of creation. This was, with him, a method of expression, but being the only method he was inclined to employ, it naturally entangled and occasionally, perhaps, deceived his intelligence; for a poet easily mistakes his inspired tropes for the physiology of Nature. Yet Platonic dogma, even when meant as such, retained the transparency and significance of a myth; philosophy was still a language for the expression of experience, and dialectic a method and not a creed. But the master's counters, current during six centuries of intellectual decadence, had become his disciples' money. Each of his abstractions seemed to them a discovery, each of his metaphors a revelation. The myths of the great dialogues, and, above all, the fanciful machinery of the Timæus, interpreted with an incredible literalness and naive earnestness, such as only Biblical exegesis can rival, formed the starting point of the new revelation. The method and insight thus obtained were then employed in filling the _lacunæ_ of the system and spreading its wings wider and wider, until a prodigious hierarchy of supernatural existences had been invented, from which the natural world was made to depend as a last link and lowest emanation.