Chapter 8

He was a tall, gaunt old man, and Robin stared at him for some minutes, wondering where he could have seen somebody very like him. At last he remembered. It was the old gentleman of the blue cloak.

The children threw off their wraps, the house-keeper helping them, and chatting ceaselessly, from sheer nervousness.

"Well, to be sure," said she, "their dresses are pretty, too, and they seem quite a better sort of children; they talk quite genteel. I might ha' knowed they weren't like common mummers, but I was so flustered hearing the bell go so late, and----"

"Are they ready?" said the old man, who had stood like a ghost in the dim light of the flaring tallow candle, grimly watching the proceedings.

"Yes, sir. Shall I take them to the kitchen sir----"

"For you and the other idle hussies to gape and grin at? No. Bring them to the library," he snapped, and then he stalked off, leading the way.

The house-keeper accordingly led them to the library and then withdrew, nearly falling on her face as she left the room by stumbling over Darkie, who clipped in last like a black shadow.

The old man was seated in a carved oak chair by the fire.

"I never said the dogs were to come in," he said.

"But we can't do without them, please," said Robin, boldly. "You see, there are eight people in 'The Peace Egg,' and there are only five of us; and so Darkie has to be the Black Prince, and Pax has to be the Fool, and so we have to have them."

"Five and two make seven," said the old man, with a grim smile; "what do you do for the eighth?"

"Oh, that's the little one at the end," said Robin, confidentially. "Mamma said we weren't to mention him, but I think that's because we're children. You're grown up, you know, so I'll show you the book, and you can see for yourself," he went on, drawing "The Peace Egg" from his pocket. "There, that's the picture of him on the last page; black, with horns and a tail."

The old man's stern face relaxed into a broad smile as he examined the grotesque wood-cut; but, when he turned to the first page, the smile vanished in a deep frown, and his eyes shone like hot coals, with anger. He had seen Robin's name.

"Who sent you here?" he asked, in a hoarse voice. "Speak, and speak the truth! Did your mother send you here?"

Robin thought the old man was angry with them for playing truant. He said slowly, "N--no. She didn't exactly send us; but I don't think she'll mind our having come if we get back in time for supper. Mamma never forbid our going mumming, you know."

"I don't suppose she ever thought of it," Nicholas said, candidly, wagging his curly head from side to side.

"She knows we're mummers," said Robin, "for she helped us. When we were abroad, you know, she used to tell us about the mummers acting at Christmas when she was a little girl. And so we acted to papa and mamma, and so we thought we'd act to the maids, but they were cleaning the passages, and so we thought we'd really go mumming; and we've got several other houses to go to before supper-time. We'd better begin, I think," said Robin, and without more ado he began to march round and round, raising his sword and shouting,--

"I am St. George, who from Old England sprung, My famous name throughout the world hath rung."

And the performance went off quite as creditably as before.

As the children acted, the old man's anger wore off. He watched them with an interest he could not repress. When Nicholas took some hard thwacks from St. George without flinching, the old man clapped his hands; and, after the encounter between St. George and the Black Prince, he said he would not have the dogs excluded on any consideration. It was just at the end, when they were all marching round and round, holding on by each other's swords "over the shoulder," and singing "A mumming we will go, etc.," that Nicholas suddenly brought the circle to a stand-still by stopping dead short and staring up at the wall before him.

"What are you stopping for?" said St. George, turning indignantly round.

"Look there!" cried Nicholas, pointing to a little painting which hung above the old man's head.

Robin looked, and said, abruptly, "It's Dora."

"Which is Dora?" asked the old man, in a strange, sharp tone.

"Here she is," said Robin and Nicholas in one breath, as they dragged her forward.

"She's the Doctor," said Robin; "and you can't see her face for her things. Dor, take off your cap and pull back that hood. There! Oh, it is like her!"

It was a portrait of her mother as a child; but of this the nursery mummers knew nothing.

The old man looked as the peaked cap and hood fell away from Dora's face and fair curls and then he uttered a sharp cry and buried his head upon his hands. The boys stood stupefied, but Dora ran up to him and, putting her little hands on his arms, said, in childish, pitying tones, "Oh, I am so sorry! Have you got a headache? May Robin put the shovel in the fire for you? Mamma has hot shovels for her headaches." And, though the old man did not speak or move, she went on coaxing him and stroking his head, on which the hair was white. At this moment Pax took one of his unexpected runs and jumped on the old man's knee, in his own particular fashion, and then yawned at the company. The old man was startled, and lifted his face suddenly.

It was wet with tears.

"Why, you're crying!" exclaimed the children, with one breath.

"It's very odd," said Robin, fretfully. "I can't think what's the matter to-night. Mamma was crying, too, when we were acting; and papa said we weren't to tease her with questions; and he kissed her hand, and I kissed her hand, too. And papa said we must all be very kind to poor, dear mamma; and so I mean to be, she's so good. And I think we'd better go home, or perhaps she'll be frightened," Robin added.

"She's so good, is she?" asked the old man. He had put Pax off his knee and taken Dora on to it.

"Oh, isn't she!" said Nicholas, swaying his curly head from side to side as usual.

"She's always good," said Robin, emphatically; "and so's papa. But I'm always doing something I oughtn't to," he added, slowly. "But then you know I don't pretend to obey Sarah. I don't care a fig for Sarah; and I won't obey any woman but mamma."

"Who's Sarah?" asked the grandfather.

"She's our nurse," said Robin; "and she tells--I mustn't say what she tells,--but it's not the truth. She told one about you the other day," he added.

"About me?" said the old man.

"She said you were our grandpapa. So then I knew she was telling 'you know what.'"

"How did you know it wasn't true?" the old man asked.

"Why, of course," said Robin, "if you were our mamma's father, you'd know her, and be fond of her, and come and see her. And then you'd be our grandfather, too, and you'd have us to see you, and perhaps give us Christmas-boxes. I wish you were," Robin added, with a sigh; "it would be very nice."

"Would you like it?" asked the old man of Dora.

And Dora, who was half asleep and very comfortable, put her little arms about his neck as she was wont to put them round the Captain's, and said, "Very much."

He put her down at last, very tenderly, almost unwillingly, and left the children alone. By-and-by he returned, dressed in the blue cloak, and took Dora up again.

"I will see you home," he said.

The children had not been missed. The clock had only just struck nine when there came a knock on the door of the dining-room, where the Captain and his wife sat still by the Yule-log. She said "Come in," wearily, thinking it was the frumenty and the Christmas cakes.

But it was her father, with her child in his arms!

VIII.

Lucy Jane Bull and her sisters were quite old enough to understand a good deal of grownup conversation when they overheard it. Thus, when a friend of Mrs. Bull's observed, during an afternoon call, that she believed that "officers wives were very dressy," the young ladies were at once resolved to keep a sharp lookout for the Captain's wife's bonnet in church on Christmas day.

The Bulls had just taken their seats when the Captain's wife came in. They really would have hid their faces, and looked at the bonnet afterwards, but for the startling sight that met the gaze of the congregation. The old grandfather walked into the church abreast of the Captain.

"They've met in the porch," whispered Mr. Bull, under the shelter of his hat.

"They can't quarrel publicly in a place of worship," said Mrs. Bull, turning pale.

"She's gone into his seat," cried Lucy Jane, in a shrill whisper.

"And the children after her," added the other sister, incautiously aloud.

There was no doubt about the matter. The old man, in his blue cloak, stood for a few moments politely disputing the question of precedence with his handsome son-in-law. Then the Captain bowed and passed in, and the old man followed him.

By the time that the service was ended everybody knew of the happy peace-making, and was glad. One old friend after another came up with blessings and good wishes. This was a proper Christmas, indeed, they said. There was a general rejoicing.

But only the grandfather and his children knew that it was hatched from "The Peace Egg."

_By a Bavarian Comrade._

"Over his tumbler of Gukguk he sat reading journals, sometimes contemplatively looking into the clouds of his tobacco-pipe: an agreeable phenomenon,--more especially when he opened his lips for speech."

_Carlyle._

A STORY OF NUREMBERG.

It was a Christmas eve in the beginning of the sixteenth century, and through the streets of Nuremberg came drifting a feathery snow that heaped itself in fantastic patterns on the projecting windows and fretted stone balconies of the quaint and crowded houses. It was not an honest and single-minded snow-storm, such as would seek to shroud the whole city in its delicate white mantle, but rather a tricksy and capricious sprite, that neglected one spot to hurl itself with wanton violence on another. Borne on the breath of a keen and shifting wind, it came tossing gleefully full in the face of a solitary artisan who, wrapped in a heavy cloak, was making the best of his way homeward. Truly it was not a pleasant night to be abroad, with the snow-drifts dancing in your eyes like a million of tiny arrow-points, and the sharp wind cutting like a knife; and the wayfarer was consoling himself for his present discomfort by picturing the warm fireside and the hot supper that awaited him at home, when his cheerful dreams were broken by a sharp cry that seemed to come from under his very feet.

Startled, and not a little alarmed, he checked his rapid walk and listened. There was no mistaking the sound: it was neither imp nor fairy, but a real child, from whose little lungs came forth that wail at once pitiful and querulous. As he heard it, Peter Burkgmäier's kindly heart flew with one rapid bound to the cradle at home where slumbered his own infant daughter, and, hastily lowering his lantern, he searched under the dark archway whence the cry had come. There, sheltered by the wall and wrapped in a ragged cloak, was a baby boy, perhaps between two and three years old, but so tiny and emaciated as to seem hardly half that age. When the lantern flickered in his face he gave a frightened sob, and then lay quiet and exhausted in the strong arms that held him.

"Poor little wretch!" said the man. "Abandoned on Christmas eve to die in the snow!" And wrapping the child more closely in his own mantle, he hurried on until he reached his home, from whose latticed panes shone forth a cheerful stream of light. His wife, with her baby on her breast, met him at the door, and stared with a not unnatural amazement as her husband unrolled his cloak and showed her the boy, who, blinking painfully at the sudden light, tried to struggle down from his arms.

"See, Lisbeth!" he said, "I have found you a Christmas present where I least expected one--an unhappy baby left in the streets to die of cold and hunger."

His wife laid her own infant in the cradle and gazed alternately at her husband and at the child he carried. She was at all times slow to receive impressions, and slower yet to put her thoughts into words. When she spoke, it was without apparent emotion of any kind. "What are you going to do with him, Peter?" she said.

"What am I going to do with him?" was the reply. "I am going to feed and clothe and shelter him, and make an honest man out of him, please God. It cannot be that you would refuse the poor child a home?"

Lisbeth made no answer. She was a large, fair, sleepy-eyed woman, who had been accounted a beauty in her day. A model wife, too, people said; neat in dress, quiet of tongue, her conduct staid, her whole thoughts centred in her household. She now took the boy, noting with a woman's eye his coarse and ragged clothing, and stood him on his unsteady little feet. A faint expression of disgust rippled over her smooth, unthinking face.

"He is a humpback," she said, slowly.

Her husband started to his feet. In all ages physical deformity has been a thing repulsive to our eyes; but at this early day it was regarded with unmixed horror and aversion, and was too often considered as the index of a crooked mind within. Peter Burkgmäier, tall and erect, with a frame of iron and sinews of steel, as became a master stone-mason, stood gazing at the poor little atom of misshapen humanity who tottered over the polished wooden floor. The spinal column was sadly bent, and from between the humped shoulders the pale face peered with an old, uncanny look. Yet the boy was not otherwise ugly. His forehead was broad and smooth, and his dark blue eyes were well and deeply set. The artisan watched him for a minute in painful silence, then turned to his wife and took her passive hand in his.

"Lisbeth," he said, with grave kindness, "I know that I am asking a great deal of you when I beg you to take this child under our roof. He will be to you much care and trouble, and may never find his way into your heart. At any other time, believe me, I would not put this burden on your shoulders. But it is Christmas eve, and were I to refuse a shelter to this helpless baby I would feel like one of those who had no room within their inns for the Holy Child. Dear wife, will you not receive him for love of me and of God, and let him share with little Kala in your care?"

Lisbeth's only reply was one characteristic of the woman. She was moved by her husband's appeal, against what she considered her better judgment; and without a single word she picked up the boy from the floor and laid him in the cradle by the side of her own little daughter. Then, with a smile--and her smiles came but rarely--she proceeded to carry off Peter's wet cloak and to bring in his supper. So with this mute assent the matter was settled, and the deformed child was received into the stone-mason's family.

And in a different way he became the source of much gratification to both husband and wife. The first regarded him with real kindness and an almost fatherly affection, for the boy soon began to manifest a quick intelligence and a winning gentleness that might readily have found their way into a harder heart. Lisbeth, too, had her reward; for it was sweet to her soul to hear her neighbors say, as they stopped to watch the two children playing in the doorway: "Ah! Lisbeth, it is not many a woman who would take the care you do of a wretched little humpback like that;" or, "It was a lucky chance for the poor child that threw him into such hands as yours, Mistress Burkgmäier;" or, "Did ever little Kala look so fair and straight as when she had that crooked boy by her side?"

And did not the good pastor from the Frauenkirche say to her, with tears starting in his gentle eyes: "God will surely reward you for your kindness to this helpless little one?" Nay, better yet, did not the Stadtholder's lady lean out from her beautiful carriage, and say before three of the neighbors, who were standing by and heard every word: "You are a good woman, Mistress Burkgmäier, to take the same care of this miserable child as of your own pretty little daughter"?--which was something to be really proud of; for, whereas it was the obvious duty of a priest to admire a virtuous act, it was not often that a noble lady deigned thus to express her approbation.

Yes, Lisbeth felt, as she listened serenely to all this praise--surely so well merited--that there was some compensation in the world for such charitable deeds as hers, even when they involved a fair amount of sacrifice. And little Gabriel, before whom many of these remarks were uttered, pondered over them in secret, and gradually evolved three facts from the curious puzzle of his life--first, that he did not really belong to what seemed to be his home; second, that he was not loved in it as was Kala; third, that Kala was pretty and he was ugly. So with these three melancholy scraps of knowledge the poor child began his earthly education.

And Kala was very pretty. Tall and strong-limbed, with her mother's beautiful hair and skin, and with her mother's clear, meaningless blue eyes, the little girl attracted attention wherever she was seen. No better foil to her vigorous young beauty could have been found than the pale, misshapen boy whom all the world called ugly. The children played together under Lisbeth's watchful eye, and Gabriel in all things yielded to his companion's imperious will, so that peace reigned ever over their sports. But when Sigmund Wahnschaffe, the son of the bronze-worker in the neighboring street, joined them, then Kala would have no more of Gabriel's company. For Sigmund was strong as a young Hercules and surpassed all the other lads in their boyish games. When he would play with her, Kala turned her back ungratefully upon the patient companion of her idler moments, who was fain to watch in silence the pleasures he might not share.

Yet from Sigmund she met no easy compliance with her wishes. His will was a law not to be disputed, and once, when she had ventured to assert herself in rebellious fashion, he promptly maintained his precedence by pushing her into the mud. Kala began to cry, and, like a flash, Gabriel, in a storm of rage, flung himself upon the older boy, only to be shaken off as a feather into the same muddy gutter. It was over in a minute, nor would Sigmund deign to further punish the little humpback who had been ridiculous enough to attack him. Serenely unmoved he strolled away, while Kala and Gabriel went sadly home together, to be both well scolded for the ruin of their clothes and sent supperless to bed; Lisbeth priding herself, above all things, on the strictly impartial character of her retributive justice.

But Gabriel had at least one pastime which could be shared with none, and which bade fair to recompense him for all the childish sports he was denied. With a small block of wood and a few simple tools his skilful fingers wrought such wonders that Kala and Sigmund, and the very children who hooted at him in the street, could not withhold their admiration,--sometimes a brooding dove with pretty, ruffled plumage; sometimes the head and curving horns of a mountain chamois, instinct with graceful life; sometimes a group of snails, each tiny spiral reproduced with loving accuracy in the hard grained wood. To Peter Burkgmäier these evidences of a talent then in such high repute gave most unbounded satisfaction. His own trade was far too severe for the boy's frail strength, but wood-carving was fully as profitable, and might lead to wealth and fame. Had not Veit Stoss, of whose genius Nuremberg felt justly proud, already finished his wonderful group of angels saluting the Virgin, which hung from the roof of St. Lorenz? With such an example before him, what might not the boy hope to achieve through talent and persevering labor? And Gabriel felt his own heart burn as he looked with wistful eyes upon that masterpiece of rare and delicate carving.

Nuremberg was then alive with the spirit of art, and everywhere he turned there was something beautiful to quicken his pulse and feed the flame within his soul, that was half rapture and half bitterness. No idle boast was the old rhyme,--

"Nuremberg's hand Goes through every land."

For the city's renown had spread far and wide, and in its many branches of industry, as well as in the higher walks of art, it had reached the zenith of its fame. Already, indeed, the canker-worm was gnawing at the root, and unerring retribution was creeping on a blinded people; but no sign of the future was manifested in the universal prosperity of the day. Every street furnished its food for the artist's soul: the Frauenkirche, enriched with the loving gifts of devout generations; St. Sebald's, with its carved portal, its stained windows, its treasures of bronze, and, above all, the shrine where Peter Vischer and his sons labored for thirteen years. Gabriel loved St. Sebald's dearly, but closer still to his heart was the majestic church of St. Lorenz, where, in sharp relief against the dull red pillars, rose that dream in stone, the Sacrament House of Adam Krafft, its slender, fretted spire springing to the very roof, clasped in the embrace of the curling vine tendrils carved around it.

Here the boy would linger for hours, never weary of studying every detail of this faultless shrine. With envious eyes he gazed upon the kneeling figures of Adam Krafft and his two fellow-laborers, who, carved in stone, now supported the treasure their hands had wrought. Surely this was the crowning summit of human ambition--to live thus forever in the house of God, and before the eyes of men, a part of the very work which had ennobled the artist's life. Ah! if he, the despised humpback, could but descend to posterity immortalized by the labor of his hands. What to the dreaming lad was the picture of Adam Krafft dying in a hospital, poor, unfriended, and alone, in the midst of a city his genius had enriched? What was it to him that Nuremberg, which now heaped honors on the dead, had denied bread to the living? Such bitter truths come not to the young. They are the heritage of age, and Gabriel was but a boy, with all a boy's fond hopes and aspirations. Often as he studied the graceful beauty of the Sacrament House, where, cut in the pure white stone, he saw the Last Supper and Christ blessing little children, he wondered whether among those Jewish boys and girls was one who, deformed and repulsive to the eye, yet felt the Saviour's loving touch and was comforted.

A few more years rolled by, and each succeeding spring saw Kala taller and prettier, and Gabriel working harder still at his laborious art. Not so engrossed, however, but that he knew that Kala was fair, and that when her soft fingers touched his a swift and sudden fire leaped through his heart. Kala's beauty lurked in his dreams by night and in his long, solitary days of toil, and became the motive power of all his best endeavors. If he should gain wealth, it would be but to lay it at her feet. If he, the desolate waif, should win fame and distinction, it would be but to gild her name with his. Surely these things must be some recompense in a woman's eyes for a pale face and a stunted form; and Gabriel, lost in foolish dreams, worked on.