Part 2

“Now I am ready,” said he. And he opened the door that led from his study into the old warehouse-room, and I saw him touch one of the steel levers opposite the rows of glass rods. “You see,” he said, “my mechanism is a simple one. With all these rods of different lengths, and the almost infinite speed of revolution that I am able to gif them with the power that comes from the river applied through a chain of belted wheels, is a rosined leather tongue, like that of a music-box or the bow of a violin, touching each one; and so I get any number of beats per second that I will.” (He always said _will_, this man, and never _wish_.)

“Now, listen,” he whispered; and I saw him bend down another lever in the laboratory, and there came a grand bass note--a tone I have heard since only in 32-foot organ pipes. “Now, you see, it is Sound.” And he placed his hand, as he spoke, upon a small crank or governor; and, as he turned it slowly, note by note the sound grew higher. In the other room I could see one immense wheel, revolving in an endless leather band, with the power that was furnished by the Kennebec, and as each sound rose clear, I saw the wheel turn faster.

Note by note the tones increased in pitch, clear and elemental. I listened, recumbent. There was a marvellous fascination in the strong production of those simple tones.

“You see I hafe no overtones,” I heard the doctor say. “All is simple, because it is mechanism. It is the exact reproduction of the requisite mathematical number. I hafe many hundreds of rods of glass, and then the leather band can go so fast as I will, and the tongue acts upon them like the bow upon the violin.”

I listened, I was still at peace; all this I could understand, though the notes came strangely clear. Undoubtedly, to get a definite finite number of beats per second was a mere question of mathematics. Empirically, we have always done it, with tuning-forks, organ-pipes, bells.

He was in the middle of the scale already; faster whirled that distant wheel, and the intense tone struck C in alt. I felt a yearning for some harmony; that terrible, simple, single tone was so elemental, so savage; it racked my nerves and strained them to unison, like the rosined bow drawn close against the violin-string itself. It grew intensely shrill; fearfully, piercingly shrill; shrill to the rending-point of the tympanum; and then came silence.

I looked. In the dusk of the adjoining warehouse the huge wheel was whirling more rapidly than ever.

The German professor gazed into my eyes, his own were bright with triumph, on his lips a curl of cynicism. “Now,” he said, “you will have what you call emotions. But, first, I must bind you close.”

I shrugged my shoulders amiably, smiling with what at the time I thought contempt, while he deftly took a soft white rope and bound me many times to his chair. But the rope was very strong, and I now saw that the frame-work of the chair was of iron. And even while he bound me, I started as if from a sleep, and became conscious of the dull whirring caused by the powerful machinery that abode within the house, and suddenly a great rage came over me.

I, fool, and this man! I swelled and strained at the soft white ropes that bound me, but in vain.... By God, I could have killed him then and there!... And he looked at me and grinned, twisting his face to fit his crooked soul. I strained at the ropes, and I think one of them slipped a bit, for his face blanched; and then I saw him go into the other room and press the last lever back a little, and it seemed to me the wheel revolved more slowly.

Then, in a moment, all was peace again, and it was as if I heard a low, sweet sound, only that there was no sound, but something like what you might dream the music of the spheres to be. He came to my chair again and unbound me.

My momentary passion had vanished. “Light your cigar,” he said, “it has gone out.” I did so. I had a strange, restful feeling, as of being at one with the world, a sense of peace, between the peace of death and that of sleep.

“This,” he said, “is the pulse of the world; and it is Sleep. You remember, in the Nibelung-saga, when Erda, the Earth spirit, is invoked, unwillingly she appears, and then she says, _Lass mich schlafen_--let me sleep on--to Wotan, king of the gods? Some of the old myths are true enough, though not the Christian ones, most always.... This pulse of the earth seems to you dead silence, yet the beats are pulsing thousands a second faster than the highest sound.... For emotions are subtler things than sound, as you sentimental ones would say; you poets that talk of ‘heart’ and ‘soul.’ We men of science say it this way: That those bodily organs that answer to your myth of a soul are but more widely framed, more nicely textured, so as to respond to the impact of a greater number of movements in the second.”

While he was speaking he had gone into the other room, and was bending the lever down once more; I flew at his throat. But even before I reached him my motive changed; seizing a Spanish knife that was on the table, I sought to plunge it in my breast. But, with a quick stroke of the elbow, as if he had been prepared for the attempt, he dashed the knife from my hand to the floor, and I sank in despair back into his arm-chair.

“Yes-s,” said he, with a sort of hiss of content like a long-drawn sigh of relief. “Yes-s-s--I haf put my mechanik quickly through the Murder-motif without binding you again, after I had put it back to sleep.”

“What do you mean?” I said, languidly. How could I ever hope to win Althea away from this man’s wiles?

“When man’s consciousness awakes from the sleep of the world, its first motive is Murder,” said he; “you remember the Hebrew myth of Cain?” and he laughed silently. “Its next is Suicide; its third, Despair. This time I have put my mechanik quickly through the Murder movement, so your wish to kill me was just now but momentary.”

There was an evil gleam in his eye as he said this.

“I leafe a dagger on the table, because if I left a pistol the subject would fire it, and that makes noise. Then at the motion of Suicide you tried to kill yourself: the suicide is one grade higher than the murderer. And now, you are in Despair.”

He bent the lever further down and touched a small glass rod.

“And now, I will gife to you--I alone--all the emotions of which humanity is capable.”

How much time followed, I know not; nor whether it was not all a dream, only that a dream can hardly be more vivid--as this was--than my life itself. First, a nightmare came of evil passions; after murder and suicide and despair came revenge, envy, hatred, greed of money, greed of power, lust. I say “came,” for each one came on me with all the force the worst of men can feel. Had I been free, in some other place, I should inexorably have committed the crimes these evil passions breed, and there was always some pretext of a cause. Now it was revenge on Materialismus himself for his winning of Althea Hardy; now it was envy of his powers, or greed of his possessions; and then my roving eye fell on that strange picture of his I mentioned before; the face of the woman now seemed to be Althea’s. In a glance all the poetry, all the sympathy of my mind or soul that I thought bound me to her had vanished, and in their place I only knew desire. The doctor’s leer seemed to read my thoughts; he let the lever stay long at this speed, and then he put it back again to that strange rhythm of Sleep.

“So--I must rest you a little between times,” he said. “Is my fine poet convinced?”

But I was silent, and he turned another wheel.

“All these are only evil passions,” said I, “there may well be something physical in them.”

“Poh--I can gife you just so well the others,” he sneered. “I tell you why I do not gife you all at once----”

“You can produce lust,” I answered, “but not love.”

“Poh--it takes but a little greater speed. What you call love is but the multiple of lust and cosmic love, that is, gravitation.”

I stared at the man.

“It is quite as I say. About two hundred thousand vibrations make in man’s cerebrum what you call lust; about four billion per second, that is gravitation, make what the philosophers call will, the poets, cosmic love; this comes just after light, white light, which is the sum of all the lights. And their multiple again, of love and light, makes many sextillions, and that is love of God, what the priests name religion.”... I think I grew faint, for he said, “You must hafe some refreshments, or you cannot bear it.”

He broke some raw eggs in a glass, in some sherry, and placed it by my side, and I saw him bend the lever much farther.

“Perhaps,” I spoke out, then, “you can create the emotion, or the mental existence--whatever you call it--of God himself.” I spoke with scorn, for my mind was clearer than ever.

“I can--almost,” he muttered. “Just now I have turned the rhythm to the thought millions, which lie above what you call evil passions, between them and what you call the good ones. It is all a mere question of degree. In the eye of science all are the same; morally, one is alike so good as the other. Only motion--that is life; and slower, slower, that is nearer death; and life is good, and death is evil.”

“But I can have these thoughts without your machinery,” said I.

“Yes,” said he, “and I can cause them with it; that proves they are mechanical. Now, the rhythm is on the intellectual-process movement; hence you argue.”

Millions of thoughts, fancies, inspirations, flashed through my brain as he left me to busy himself with other levers. How long this time lasted I again knew not; but it seemed that I passed through all the experience of human life. Then suddenly my thinking ceased, and I became conscious only of a bad odor by my side. This was followed in a moment by an intense scarlet light.

“Just so,” he said, as if he had noted my expression; “it is the eggs in your glass, they altered when we passed through the chemical rays; they will now be rotten.” And he took the glass and threw it out the window. “It was altered as we passed through the spectrum by no other process than the brain thinks.”

He had darkened the room, but the light changed from red through orange, yellow, green, blue, violet; then, after a moment’s darkness, it began again, more glorious than before. White, white it was now, most glorious; it flooded the old warehouse, and the shadows rolled from the dark places in my soul. And close on the light followed Hope again; hope of life, of myself, of the world, of Althea.

“Hope--it is the first of the motions you call virtuous,” came his sibilant voice, but I heeded him not. For even as he spoke my soul was lifted unto Faith, and I knew that this man lied.

“I can do but one thing more,” said he, “and that is--Love.”

“I thought,” said I, “you could make communion with the Deity.”

“And so I could,” he cried, angrily, “so I could; but I must first give my glass rod an infinite rotation; the number of vibrations in a second must be a number which is a multiple of _all_ other numbers, however great; for that even my great fly-wheel must have an infinite speed. Ah, your ‘loft with power’ does not give me that.... But it would be only an idea if I could do that too, nothing but a rhythmic motion in your brain.”...

Then my faith rose well above this idle chatter. But I kept silence; for again my soul had passed out of the ken of this German doctor. Althea I saw; Althea in the dark room before me; Althea, and I had communion with her soul. Then I knew indeed that I did love her.

The ecstasy of that moment knew no time; it may have been a minute or an hour, as we mortals measure it; it was but an eternity of bliss to me.... Then followed again faith and hope, and then I awoke and saw the room all radiant with the calm of that white light--the light that Dante saw so near to God.

But it changed again to violet, like the glacier’s cave, blue like the heavens, yellow like the day; then faded through the scarlet into night.

Again I was in a sea of thoughts and phantasies; the inspiration of a Shakespeare, the fancy of a Mozart or a Titian, the study of a Newton, all in turn were mine. And then my evil dreams began. Through lust to greed of power, then to avarice, hatred, envy, and revenge, my soul was driven like a leaf before the autumn wind.

Then I rose and flew at his throat once more. “Thou liest!” I cried. “Heed not the rabble’s cry--God lies NOT in a rotting egg!”

I remember no more.

* * * * *

When I regained consciousness it was a winter twilight, and the room was cold. I was alone in the doctor’s study and the machinery in the house was stilled.... I went to the eastern window and saw that the twilight was not the twilight of the dawn. I I must have slept all day.... As I turned back I saw a folded paper on the table, and read, in the doctor’s hand:

“In six hours you have passed through all the thoughts, all the wills, and all the passions known to devils, men, or angels. You must now sleep deeply or you die. I have put the lever on the rhythm of the world, which is Sleep.

“In twelve hours I shall stop it, and you will wake.

“Then you had better go home and seek your finite sleep, or I have known men lose their mind.”

* * * * *

I staggered out into the street, and sought my room. My head was still dizzy, my brain felt tired, and my soul was sere. I felt like an old man; and yet my heart was still half-drunk with sleep, and enamoured with it, entranced with that profound slumber of the world to which all consciousness comes as a sorrow.

The night was intensely cold; the stars were like blue fires; a heavy ox-sledge went by me, creaking in the snow. It was a fine night for the river. I suddenly remembered that it must be the night for the skating party, and my engagement with Althea. And with her there came a memory of that love that I had felt for her, sublimated, as it had been, beyond all earthly love.

I hurried back to my room; and as I lit the lamp I saw a note addressed to me, in her handwriting, lying on my study table. I opened it; all it contained was in two phrases:

“Good-by; forgive me.

“ALTHEA.”

I knew not what to think; but my heart worked quicker than my brain. It led me to Althea’s house; the old lady with whom she lived told me that she had already started for the skating party. Already? I did not dare to ask with whom. It was a breach of custom that augured darkly, her not waiting for me, her escort.

On my way to the river I took the street by the house of Materialismus. They were not there. The old warehouse was dark in all its windows. I went in; the crazy wooden building was trembling with the Power; but all was dark and silent but the slow beating of the Power on the Murder pulse.

I snatched up the Spanish dagger where it still lay on the table, and rushed out of that devil’s workshop and along the silent street to the river. Far up the stream I could already make out a rosy glow, the fires and lanterns of the skating party. I had no skates, but ran out upon the river in a straight line, just skirting the brink of the falls where the full flood maned itself and arched downward, steady, to its dissolution in the mist. I came to the place of pleasure, marked out by gay lines of paper lanterns; the people spoke to me, and some laughed, as I threaded my way through them; but I heeded not; they swerving and darting about me, like so many butterflies, I keeping to my line. By the time I had traversed the illuminated enclosure I had seen all who were in it. Althea was not among them.

I reached the farthest lantern, and looked out. The white river stretched broad away under the black sky, faintly mirroring large, solemn stars. It took a moment for my eyes, dazzled by the tawdry light, to get used to the quiet starlight; but then I fancied that I saw two figures, skating side by side, far up the river. They were well over to the eastern shore, skating up stream; a mile or more above them the road to A---- crossed the river, in a long covered bridge.

I knew that they were making for that road, where the doctor doubtless had a sleigh in waiting. By crossing diagonally, I could, perhaps, cut them off.

“Lend me your skates,” I said to a friend who had come up and stood looking at me curiously. Before he well understood, I had torn them off his feet and fitted them to my own; and I remember that to save time I cut his ankle-strap off with the Spanish knife. A moment more and I was speeding up the silent river, with no light but the stars, and no guide but the two figures that were slowly creeping up in the shadow of the shore. I laughed aloud; I knew this German beau was no match for me in speed or strength. I did not throw the knife away, for I meant more silent and more certain punishment than a naked blow could give. The Murder motive still was in my brain.

I do not know when they first knew that I was coming. But I soon saw them hurrying, as if from fear; at least her strokes were feeble, and he seemed to be urging, or dragging her on. By the side of the river, hitched to the last post of the bridge, I could see a single horse and sleigh.

But I shouted with delight, for I was already almost even with them, and could easily dash across to the shore while they were landing. I kept to my straight line; I was now below the last pier of the bridge; and then I heard a laugh from him, answering my shout. Between me and the bank was a long open channel of rippling dark water, leading up and down, many miles, from beneath the last section of the bridge.

They had reached the shore, and he was dragging her, half reluctant, up the bank. In a minute, and he would have reached his horse.

I put the knife between my teeth and plunged in. In a few strokes of swimming I was across; but the ice was shelving on the other side, and brittle; and the strong stream had a tendency to drag me under. I got my elbows on the edge of ice, and it broke. Again I got my arms upon the shelving ice; it broke again. I heard a wild cry from Althea--I cursed him--and I knew no more.

* * * * *

When I next knew life, it was spring; and I saw the lilac buds leafing by my window in the garden. I had been saved by the others--some of them had followed me up the river--unconscious, they told me, the dagger still clinched in my hand.

Althea I have never seen again. First I heard that she had married him; but then, after some years, came a rumor that she had not married him. Her father lost his fortune in a vain search for her, and died. After many years, she returned, alone. She lives, her beauty faded, in the old place.

AN ALABAMA COURTSHIP

ITS SIMPLICITIES AND ITS COMPLEXITIES

1.

I MUST first tell you how I came to be ever a commercial traveller. My father was a Higginbotham--one of the Higginbothams of Salem--but my mother, Marie Lawrence, was a far-off cousin of the wife of old Thomas Lawrence, the great tobacconist of New York. Horatio Higginbotham was both an author and an artist, but he neither wrote nor painted down to the popular taste; and as he was also a gentleman, and had lived like one, he left very little money. Not that he took it with him when he died, but he had spent it on the way. It costs considerable to get through this world, if you travel first-class and pay as you go. And, at least, my father left no debts.

He left my dear mother, however, and his assets were represented by me, an expensive Junior at Newbridge. And as none of the family counting-rooms and cotton-mills seemed to open the door for me--so degenerate a scion of a money-making race as to have already an artist behind him--I was glad to enter the wide portal of Cousin Lawrence’s tobacco manufactory.

Here, as in most successful trades, you were, all but the very heir-presumptive, put through a regular mill. First, a year or two in the factory, just to get used to the sneezing; and then you took to the road; and after a few years of this had thoroughly taught you the retail trade, you were promoted to be a gentleman and hob-nob with the planters in Cuba, and ride over their landed estates.

I got through the factory well enough; but the road, as you may fancy, was a trial in prospect. When my time came (being then, as you will see, something of a snob) I was careful to choose the wildest circuit, most remote from Boston and from Boston ways. The extreme West--Denver, Kansas City, Omaha--was out of the question; even the South--New Orleans, Charleston, Florida particularly--was unsafe. Indiana was barbarous enough, but went with Ohio and Michigan; and I finally chose what was called the Tennessee Circuit, which included all the country west of the Alleghanies, from the Ohio River to the Gulf States. Louisville belonged to my Cincinnati colleague, but the rest of Kentucky and Tennessee, from the Cumberland and Great Smoky Mountains to the hills of Alabama and the plains of Memphis, were mine.

And by no means uninteresting I found it. I travelled, you must know, in snuff; and the Southern mountains, with the headwaters of the Western rivers, Cumberland, Alabama, Tennessee, are the country of the snuff-taker in America.

The civilization, the picturesqueness of our country lies always between the mountains and the seaboard. Trace the Appalachian summits from their first uprearing at Tracadiegash or Gaspé, to that last laurel-hill near Tupelo in Mississippi--on the left of you lies history, character, local identity; on the right that great common place, that vast central prairie, lying stolidly spread out between the Rockies and the Blue Ridge, producing food. Heaven keep us above that central plain, one would say, and from the men and moods and motives that it breeds--but that out of it, in the very unidentified middle of it, the Lord upreared a Lincoln.

However, my beat lay so well to the south of it, lurked so far up in the mountain alleyways and southern river-cañons, that I found much to study and more to see. The railway did little more than take me to the field of labor; the saddle or the wagon or the country stage must do the rest. My first trip was to the east of my dominions; my headquarters were at Knoxville, and from there I rode through some thousand miles of mountain and of cove; and different enough and remote enough it was from all that I had known before, and from all that might know me or look askance upon a travelling-merchant selling snuff by sample. But this was but a breather, as it were; and on my second journey I was ordered to replace my predecessor, Jerry Sullivan, at his headquarters in Chattanooga, and take entire charge of that country. Already I had contracted a prejudice for the slow and unconventional modes of travelling; and after I had seen Jerry Sullivan, a genial Irishman, and had formal delivery of his office, and he had gone back with evident delight to his beloved New York, and I had sat there alone a day or two, I thought that I would open out the business westward. And looking at the map, it occurred to me that the Tennessee River was the natural avenue to my domains in that direction. Luckily, I made the acquaintance of a young land-prospector, with romantic instincts like my own; and the second evening after this idea came to me he and I were seated in a wooden dug-out canoe, my parcels of samples and his instruments in the waist of the boat, drifting swiftly down the brown stream at sunset, under the lofty shadow of the Lookout Mountain.