In the Courts of Memory, 1858-1875; from Contemporary Letters
Chapter 24
"Why, my dear," she replied, "they mean it as the greatest compliment, you may believe me." And she appealed to her husband, who confirmed what she said. All the gentlemen carry fans and use them with vigor; the ladies are so covered with powder (_cascarilla_) that you can't tell a pretty one from an ugly one. If one of them happens to sneeze, there is an avalanche of powder.
Lola showed us her establishment and explained the architecture of a Cuban house. If chance has put a chimney somewhere, they place the kitchen near it. Light and size are of no account, neither is cooking of any importance.
CUBA, _February, 1873._
We make such crowds of acquaintances it would be useless to tell you the names. The Marquise San Carlos sent her carriage for us the evening of her _soirée_. All the company was assembled when we arrived: the Marquis, the Dean of Havana, and two abbés were playing _tresillo_, a Spanish game of cards.
A group of men stood in the corner and seemed to be talking politics, as far as I could judge from then gesticulations. A few ladies in sweeping trains, and very _décolletées_, sat looking on listlessly. The daughter of the house was nearing the piano. The Dean said to me, with a sly smile, "Now is the _coup de grâce!_"--his little joke. She sang, "Robert, toi que j'aime. Grâce! Grâce!" etc. Also she sang the waltz of "Pardon de Ploërmel," a familiar _cheval de bataille_ of my own, which I was glad to see cantering on the war-path again. In the mean time conversation was at low ebb for poor Laura. She told me some fragments which certainly were peculiar. For instance, she understood the gentle man who had last been talking to her to say that he had been married five times, had twenty- eight children, and had married his eldest son's daughter as his fifth wife. I afterward ascertained that what he had intended to convey was that he was twenty-eight when he married and had fifteen children. That was bad enough, I thought.
I sang two or three times. The gaiety was brought to rather an abrupt close, as the Marquis received a telegram of his brother's death. The Abbé went on playing his game, not at all disturbed (such is the force of habit); but we folded our tents and departed.
The hours are sung out in the streets at night, with a little flourish at the end of each verse. I fancy the watchman trusts a good deal to inspiration about this, as my clock--an excellent one--did not at all chime in with his hours. Perhaps he composes his little verse, in which case a margin ought to be allowed him....
The bells in the churches are old and cracked and decrepit.
All the fleet, and any other boat that wants to join in fire off salute, to wake you up in the morning.
I bought to-day the eighth part of a lottery-ticket.
The Captain of the Port thinks his English is better than his French, but sometimes it is very funny. He says: "Don't take care," instead of "Never mind"--"The _volante_ is to the door"--"Look to me, I am all proudness"-- "You are all my anxiousness."
The houses are generally not more than one story high, built around an open court, on which all rooms open. In the middle of this is a fountain; no home is complete without a fountain, and no fountain is complete without its surroundings of palms, plants, and flowers. In one of the rooms you can see where the _volante_ reposes for the night. You only see these glories at night. When the heavy bolts are drawn back you and everybody can look in from the street on the family gathering, basking in rocking-chairs around the fountain, and in oriental, somnolent conversation.
CUBA, _February._
The annual _soirée_ of the Governor and his wife took place last night. The Captain of the Port came to fetch us. The palace is, like all other official buildings, magnificent on the outside, but simple and severe within. There was a fine staircase, and all the rooms were brilliantly lighted, but very scantily furnished, according to our ideas. We must have gone through at least six rooms before we reached the host and hostess. Every room was exactly alike: in each was a red strip of carpet, half a dozen rocking-chairs placed opposite one another, a cane- bottomed sofa, a table with nothing on it, and walls ditto. There are never any curtains, and nothing is upholstered. This is the typical Cuban salon.
There was an upright piano and a pianist at it when we entered, but the resonance was so overpowering that I could not hear what he was playing. Laura and I (after having been presented to a great many people) were invited to sit in the rocking-chairs. The gentlemen either stood out in the corridor or else behind the chair of a lady and fanned her. _Dulces_ and ices were passed round, and every one partook of them, delighted to have the opportunity to do something else than talk.
When the pianist had finished his Chopin a lady sang, accompanied by her son, who had brought a whole pile of music. She courageously attacked the _Cavatina_ of "Ernani." The son filled up the places in her vocalization which were weak by playing a dashing chord. She was a stout lady and very warm from her exertions, and the more she exerted herself the more frequently the vacancies occurred; and the son, perspiring at every pore, had difficulty to fill them up with the chords, which became louder and more dashing.
Countess Ceballos, with much hemming and hawing, begged me to sing. I felt all eyes fixed on me; but my eyes were riveted to the little, low piano- stool on which I should have to sit. It seemed miles below the piano-keys. "How could I play on it?" Evidently none but long-bodied performers had been before me, for when I asked for a cushion, in order to raise myself a little, nothing could be found but a very bulgy bed-pillow, which was brought, I think, from the mother country. There was a sort of Andalusian swagger about it.
The dream "that I dwelt in marble halls" was no longer a dream. Here I was singing in one. I sang "_Ma Mère était Bohémienne_," and another song which had an easy accompaniment. It took me a little moment to temper my voice to these shorn rooms.
The charge of musketry which followed was deafening, though only gentlemen clapped their hands; ladies don't rise to such exertion in Cuba. I sang "Beware!" as a parting salute. The Captain of the Port came up, flushed with pride, and said, in his best English, "I am all proudness!"
_Panelas_ (large pieces of frosted sugar, to be melted in water) and other sweets were passed about at intervals.
Shaking hands is a great institution here. No one wears gloves except at the opera, so that one's hands are in a perpetual state of fermentation, especially after one of these functions, when making acquaintances, expressing thanks, and everything else are done through the medium of the hands. One can literally say that one wrings one's hands.
We, as the distinguished guests, were led into the supper-room very ceremoniously, and put among the higher strata of society. The buffet was overflowing with Cuban delicacies and _dulces_. I reveled in the fruit and left the viands severely alone.
After supper we went into the ball-room, and saw for the first time the Cuban waltz, otherwise called _Habanera_, a curious dance something between a shuffle and a languid glide. The dancers hardly move from the same spot, or at most keep in a very small circle, probably on account of the heat and exertion; and then the dispersing of so much powder, with which every lady covers herself and gets rid of when she moves, has to be considered.
The music has a peculiar measure; I have never heard anything like it before. The instruments seemed mostly to be violins, flutes, clarinets, and a small drum. The bass is very rhythmical and deep, whereas the thin tones of the other instruments are on the very highest notes, which leaves a gap between the upper and lower tones, making such a peculiar effect that the music pursues and haunts you even in your dreams.
We bade our host and hostess good night and, followed by the Captain of the Port, who now was not only "all proudness," but full of "responsibilitiveness," left the palace. In passing the music-room I took a farewell look at the bulgy bed-pillow, which was still reposing on the music-stool.
CUBA, _February._
DEAR MAMA,--You have no idea of the heat here. I never felt anything so scorching as it was to-day. Let me tell you what happened.
General Lliano came in the morning to ask what Havana could show me. I answered that above all things I wanted to see Morro Castle. He replied that Morro Castle was mine, and that I had only to fix the time and he would take us there.
I did fix it, and fixed it at two o'clock, as a fit hour to visit the _Cabaña_. I noticed the look of blank despair on our friend's face, but, not knowing that all Cuba slept between the hours of two and five, I did not realize the piteousness of it. General Lliano begged the Captain of the Port, Señor Català, to accompany us, and both of these gentlemen came in full uniform, as well as their aides-de-camp.
The Captain's trim little boat was at the wharf near our hotel, and we were rowed over by the governmental crew to the opposite shore, and were met by the Governor of Morro Castle at the landing in the most sweltering heat. I had not forgotten to take the precaution, which anywhere else would have been appropriate, to carry extra wraps, as I told Laura that they were necessary for every water excursion. You may imagine the _de- trop_-ness of these articles when the thermometer was up at one hundred and twenty in the shade.
We were taken about conscientiously and shown all that there was to be seen: all the dungeon-cells and subterranean passages, and up the hill to see the view, which was very extended and very beautiful. From there we went to the Governor's house, where we were greeted by his wife and daughter, the wife stiff in black moiré (I mean the moiré was stiff, not she). He placed himself, his wife and daughter, and his mansion at my disposal. I would not have minded taking the old gentleman; but I absolutely refused the lady and the moiré dress.
_Dulces_ were served and some unappetizing-looking ices, which tasted better than they looked. Cakes also were offered us, of which I picked out those which had the least mauve and yellow coatings. When we were presented with some stiff little bouquets we thought it was a signal for departure, and bade adieu to the black moiré and the fast-melting ices.
From the _Cabaña_ we walked along the macadamized road to the Morro Castle, a long distance it seemed to me in the heat; but we left the hard and glaring road and walked over the grass, following the line of the subterranean passage, which made a sort of mound, and finally reached Morro Castle. Here there were more officials, more presentations and more ceremonies, and more _dulces_ and more bouquets.
The view from the ramparts, on which stood the lighthouse, was sublime: the blue sea underneath us, Havana on the left, and the purple mountains in the far distance.
One of the officials asked us whether we wanted to go to the top of the lighthouse. I declined, much to the relief of the assembled company. They say that fish have been thrown up by the spray over the lighthouse; but this seems almost as incredible as the majority of fishy stories. The castle is very high, the ramparts are higher, and the lighthouse crowns everything. The water dashes up through narrow crevices in the rocks, which gives it great force, and possibly might account for the fish story, but I doubt it.
By this time (six o'clock) we were utterly exhausted. Even at this hour the heat was intolerable. We had hoped for a little breeze on the water; but, alas! there was none. Poor Señor Herreras held his foot incased in tight patent-leather boots in his lap, moaning, "Comme je souffre!"
How they all must have blessed me for this idea of mine! I felt ashamed to look them in the face.
CUBA, _1873._
I could not tell you all the things we were taken to see. We visited the German and Spanish men-of-war As we were in the company of the Governor- General, the Commander, and the Captain-General, we were not spared the proper salutes. The tour of the war-ships had to be made, and in place of the eternal _dulces_ international refreshments were offered us. We departed in the Captain of the Port's steam-launch, and drove to the Carreo, where the pretty villas are.
The Governor-General drove us out to his _quinta_ in great style: English horses and carriage and an American coachman. The roads were pretty bad, and we were considerably jostled going through the _Paseo._ The coachman careered from side to side to avoid ruts and tracks, and the dust was overpowering. No conversation was possible, as our throats were filled with dust and our lives hanging on a thread. I waved my hand in the direction of anything I thought pretty, and silence followed.
At the _quinta_ all was ready and waiting for us. Fountains were playing, servants in red and yellow gorgeous liveries, with white stockings, were flitting about; various Cuban delicacies were offered to us, and we admired everything that was to be admired. The return drive was delightful, through the long avenues of stately palms and graceful date- trees.
The carnival is a great event and very amusing. I am not spoiled in the way of carnivals, only having seen that of Paris (the _Boeuf gras_) and the Battle of Flowers at Nice. The populace turn out in great force, every one is gay and happy, and the Cubans high and low join in the sport.
We were invited to drive in a four-in-hand. In this way we had a kind of bird's-eye view of the whole. No lady thinks herself too fine to join in the carnival. The procession, which defiles up and down the _Paseo_ during the fray, begins at four in the hot, broiling afternoon, and ladies, decked out as Diana, Minerva, or other celebrities, powdered _à l'outrance_, smiling and proud of their success, recline in their _volantes_. Their own servants, with false noses or otherwise disguised, have their fun, too. I never saw such an orderly crowd; no pushing, no quarreling, no drunkenness, and yet every one was enjoying himself. There were two rows of carriages, one going up, one going down, with a place in the middle for the four-in-hands and the _chars_, some of which were very ingenious. There was a steamship with sailors, who kept firing off the whistle every time they saw a skittish horse. On another car were men dressed as skeletons with death's-heads instead of masks, and Shylock- looking Jews riding with their backs to the horses' heads, holding on to their tails.
A Punch and Judy were acting on a little stage during the procession, surrounded by children of all sizes and ages decked out in costumes, their tinselly flowers showing off their thin and sallow faces. There was a tremendous tooting of horns, and, with the music in the square and the music on the _chars_, made a perfect Bedlam. People nudged one another as we hove in sight in our four-in-hand.
The G----s did not relish the carnival as much as we did, and thought it a dismal affair. They captured a victoria by force, the coachman refusing to take them until they said "Paseo" upon which he started off on a trot. He had a dilapidated old horse, who had to be beaten all the way there, and when there, what do you think the coachman did? Simply pulled out a false nose and put it on and lighted a cigarette, stuck his hat on the lamp, and jeered at all the other vehicles, being on jeering terms with all the other cabmen; and as the _Paseo_ is a mile long, it meant a mile of mortification. They came home disgusted and voted the carnival a "disgraceful affair."
MATANZAS, CUBA.
DEAR M.,--In my last letter I told you of our invitation to the _bal poudré_ and _masqué_ here. Count Ceballos, thinking it would amuse us to see it, arranged that we should stay at the palace, where the ball was to take place.
The Captain of the Port, with his aide-de-camp, accompanied us on our trip, and as he was going there in some official capacity, we shared his honors.
We had no adventures except that of traveling in company with a rather rough-looking set of men, who were on their way to a cock-fight. The cocks were tied up in bags; but as I wanted to see one the man opened the bag and took it out, and also showed me the spurs they strap on them when they fight.
We arrived in Matanzas about six o'clock, to find the Mayor's carriage waiting for us. We drove to the palace, and after dinner dressed for the ball. We did not attempt anything in the way of mask or costume, as being unknown and _unpowdered_ was a sufficient disguise.
The Captain of the Port knew every one there, and presented many of his friends. We went out and stood on the balcony, looking at the sea of upturned heads. It seemed as if every Matanzois who was not inside was outside gazing at the windows, and listening to the band which was playing in the square. The night was glorious with a full moon.
I think that I have described in a former letter the Cuban dance, the languid tropical shuffle they call the _Habanera_. The music is so monotonous, always the same over and over again, and only ceases when it is convenient to the musicians.
The ladies had _cascarilla_ (a powder made of eggshells) an inch thick on their faces. I doubt if the officers ever saw so much powder as they did at this _bal poudré_.
There was a sit-down supper, consisting of sandwiches smelling strong of bad butter, ham and chicken salads, _dulces_ of all sorts, but, alas! no fruit. The dancing continued long after we had retired for the night.
The Marquis Aldamar invited us to a _déjeuner_ for the following day; the _volantes_ were again "to the door," and we started off in grand style and great spirits and drove to the top of the mountain, from which we enjoyed a perfectly glorious view of the Yumiri Valley. The winding river looked like a silver thread as it wound in and out through the grassy meadows.
Our _déjeuner_ was of a more European character than any that we had yet had in Cuba; the menu was in French--evidently the cook was also French--and the servants looked imported. In fact, everything was in very good style. The hostess was charming and musical, she sang some very pretty Cuban songs, and after a while asked me if I were musical, and if I would play something.
The Captain, in an undertone and in all "proudness," said, "Ask Madame to sing." And she did so in a rather condescending manner.
I accepted and went timidly to the piano, and as I hesitated as to what I should sing, she said, "Oh! just sing any little thing." With an amused glance at Laura I sang Chopin's waltz, which is the most difficult thing I sing, and the astonishment depicted on the countenance of my patronizing hostess was highly diverting.
"I wonder if you are any relation of a Mrs. Moulton whom my cousin knew in Paris," she said. "He was very intimate with a family of your name, and often talked to me about a Mrs. Moulton who sang so beautifully."
"Can it be that I am the same person? I have lived in Paris. What was your cousin's name?" I inquired.
"Jules Alphonso."
"What!" I cried. "Jules Alphonso your cousin? I have not seen him for years. I used to know him so well. Where is he?"
"He lives here in Cuba," she answered.
"Where in Cuba?" I interrupted. "How extraordinary! How much I should like to see him again!"
"And he, I am sure, would like to see you, he has so often talked about you to me. I felt directly last night that I knew you; it must have been intuition."
I think, Mama, you must remember Jules. He was like a second son in our house, and was an intimate friend of my brother-in-law, and would have liked to have been a brother-in-law himself if he had been accepted. We all loved him. How strange to find him here! The last place in the world I should have dreamed of! I am not sure that I ever knew that he was a Cuban.
My new friend was wild with joy. "You are the one person that I have wanted to know all my life, and, fancy, here you are!"
Was it not a curious coincidence to meet _here_, in this out-of-the-way place, some one who knew all about me?
I repeated, "I must see Jules, and if he is anywhere near I shall certainly try to find him." "Let us go together," she said. "I will drive you there, and we will take him by surprise." Two _volantes_ were immediately before the door, and the Marquise Aldamar, the Captain of the Port, Laura, and I started for La Rosa, Jules's plantation. It was an enchanting drive, though a long one, leading, as it did, through avenues of royal palms, and it was quite six o'clock before we reached Jules's house. I said to the Marquise Aldamar, "As Jules has no idea that I am in this part of the world, let me go in alone and surprise him."
We drove up to the entrance of his pretty villa, and the others accompanied me to the door of the salon with a finger on their lips, so that the servant should not announce us. We saw Jules sitting at a table reading. I entered softly and went behind him, and laying my hand on his shoulder said, "Jules!"
He turned quickly about, and when he saw me he thought I was an apparition or a dream. "What! What!" he cried, trembling with astonishment.
"It is I--Lillie Moulton," I said, quietly.
"You! you! No, it can't be possible!" And he took hold of my hands as if to see if they were flesh and blood. "Where did you come from? How did you get here? What brought you here?" followed in quick succession. The others pushed aside the curtain and came in. Then followed explanations. I was obliged to answer thousands of questions, and go into thousands of details, concerning the family, Paris, the war, and so forth. He ordered champagne, improvised a little supper for us, and did not seem to be able to do enough to show his delight at seeing me. But the Captain of the Port soon reminded us that it was time to be on our way back to Matanzas, as it was a long drive, and I bade a tearful farewell to lonely Jules. Our comet-like visit must have seemed to him like a vision, and he watched us, with eyes full of tears, drive away out of his life. Poor Jules!
MATANZAS, CUBA.
We spent the following morning in driving about the city. At half-past two crossed the ferry to Yuanana-bocca, where we found the amiable director and the rest of the party. The cars, with their cane-bottomed seats, were cool. The scenery was exquisite. On both sides of the road were real jungles of tropical growth, with the purple mountains as a background. We passed many _ingenios_ (plantations), with their tall, smoking chimneys, all in full blast.
On reaching our destination we were met by _volantes_ and saddle-horses. The former were for the ladies, the latter for the gentlemen of the party, and we made our way through the narrow, dirty streets, passed the walls of the city, and came out on to the beautiful road, where a gang of chained prisoners were breaking stones.
We passed many villas and well-kept gardens, and arrived at the bottom of the hill, where we were obliged to get out and walk, for the roads became impassable. It was a stiff climb; but when we reached the summit we were rewarded by a most magnificent view. We descended and reached the _volantes,_ the drivers whipped up their horses, and away we went over rocks and ruts, but feeling nothing of them. That is the charm of a _volante;_ only the wheels, which are behind you, get the jerks and jolts.
After a half-hour's drive we reached the famous cave, Laura and I were supplied with garments looking like mackintoshes, and, provided with torches, we began to descend. We first came to a large, vaulted hall, where miles of stalactites in every form and shape twinkled in the light of the torches.