In the Courts of Memory, 1858-1875; from Contemporary Letters
Chapter 16
I thought, when I came in, the public was chilly, and I felt cold shivers running down my back. My courage was oozing out of me, and when the lord of the manor said to me, "Rosette, que fais-tu ici?" and I had to answer, "Ce que je fais, Monsieur; mais vous voyez bien, je ne fais rien," I thought I should die of fright and collapse on the spot. However, I pulled myself together and began my silly little song.
The moment I began to sing I felt at ease, and I flatter myself I gave a certain glaze to the emptiness of the music. Madame Conneau sang her dramatic aria beautifully, and created quite a _furore_. I only wish the music had been more worthy of her. The love duet between the friend and myself was, much to my surprise, a great success. It was encored, and we sang it again.
When we came to the minor passage (the stumbling-block) the Marquis, who was perspiring at every pore in his dread that I should not hit the right note, pounded it on the piano loud enough to be heard all over the theater. I gave him a withering look, which he pretended not to see. Perhaps he did not, for his attention, like mine, was startled by seeing the false mustache of Monsieur d'Espeuilles ungluing and threatening to drop into his mouth. The Marquis began wagging his head and making frantic signs. Monsieur d'Espeuilles was horribly confused, and I feared for the success of our _da capo;_ but he patted the now limp offender back on his lip, and we continued the duet. During the applause the Marquis took the occasion to wipe the perspiration from his bald head.
In spite of our qualms the final quartette was not so bad after all. When it was time for me to come down from my upward flight in order to help the tenor, the Marquis again waved his right hand in the air to attract my attention, while he thundered a tremolo with his left, to keep the accompaniment going until he was sure that everything was right. The chorus came on in due order, and flourished their rakes and spades as though they were waving flags, in participation of the joy and gladness of the reconciliation. There was one moment of genuine hilarity, when the little fox-terrier belonging to the Empress's niece rushed on to the stage to join his mistress, who, with great _sang-froid,_ picked him up and went on singing, to the immense amusement of the audience.
It was suffocatingly hot in the little theater, and we were glad to think that we had arrived at the end of our perilous journey. The red on our cheeks was getting paler; the powder was becoming paste; the black on the eyebrowless actors began to run down their cheeks; Monsieur d'Espeuilles's wig and mustache were all on one side.
All these details mattered little, now that the end had come, and the performance had concluded with great _éclat_.
The happy Marquis (though I think he aged ten years that hour at the piano) was radiant with his success. Every emotion had swept over him: ambition, vanity, hope, pride, forbearance, patience, long-suffering.
The curtain fell amid great applause, as spontaneous as it was persistent and, I hope, genuine.
We stayed in our costumes for the tea in the Emperor's salon.
Both their Majesties complimented the Marquis, and thanked us all separately for the pleasure they had had and the trouble we had given ourselves. The Emperor said to me, "Vous vous êtes surpassée ce soir." I courtesied and asked him what he thought of the music.
He hesitated before answering. "I don't know much about music; but it seems to me, as Rossini said of the music of Wagner: 'Il y a de jolis moments, mais de mauvais quarts d'heures!' All the same, it was very pretty."
Every one praised the Marquis to the skies, and he was really in the seventh heaven of delight.
I am only afraid his head will be turned, and that he will write another _chef-d'oeuvre_.
I was glad when their Majesties bade us good night, for I was completely exhausted.
PARIS, _December 5th_.
It seems nice, all the same, to be at home again. We arrived in Paris at six o'clock, and at half-past seven I was in my bed, completely worn out. However, I must tell you how our visit ended the day before yesterday. Was it only the day before yesterday? It seems months ago. At _déjeuner_ the Princess Metternich sat on the right of the Emperor, and the Empress's brother-in-law, Duke d'Albe, gave me his _avant-le-déluge_ arm, and put me on the left of his Majesty.
I thought the Emperor looked tired and ill, and I noticed he frequently put his hand on his back, as if he was in pain. The Princess Metternich engrossed the Emperor's attention. She is so witty and lively that every one must listen when she talks. All the same, the Emperor talked with me a good deal, and thanked me for having done so much to amuse them. Never would they forget the pleasure they had had.
When we went up to our rooms to put on our cloaks there was no pretentious majordomo demanding his fee, and our particular valet looked sad, and did not meet my eye when I tried to catch his to give a smile of adieu, and persistently fixed his gaze on something at the other end of the corridor. I rather liked the old way better, as one felt that in a measure one had made some little compensation for all the delightful days spent there.
I asked my maid how the servants felt about this change. She said that in their _salle à manger_ almost all the maids and valets belonging to the guests gave _pourboires_.
After we had made our adieux, and taken our seats in the different carriages, their Majesties came out on the balcony to see us depart. They waved their hands in farewell as we drove off.
The journey back to Paris was a silent one. Every one was occupied with his own thoughts. Prince Metternich sat in a corner talking with the impervious diplomat; I wondered if he were relating the salad's complicated relationships. We all bade one another good-by, adding, with assumed enthusiasm, that we hoped to meet soon again, when perhaps we were rejoicing in the thought that we would not do so for a long time to come.
What insincere creatures we are!
_May, 1870._
We were invited to a picnic at Grand Trianon, given by the Emperor and Empress for the Archduke of Austria.
The rendezvous was to be at St. Cloud, and we were asked to be there at four o'clock. On arriving we found the Metternichs, Édouard Delesert, Duperré, and Count Dehm, the Austrian Secretary. Their Majesties and the Prince Imperial joined us when we were all assembled. We then mounted the two _char-à-bancs_ which were waiting for us in front of the chateau, with their postilions and four horses; the _piqueurs,_ in their saddles, were all ready to precede us. The Emperor, Empress, the Prince Imperial, Princess Metternich, and the Archduke were in the first carriage; the rest of us were in the second--about fourteen people in all. We drove through the lovely forest of Marly, the long, tiresome avenues of Versailles, and through many roads known probably only to the postilions, and perhaps used only on rare occasions such as this royal excursion, for they were in such a bad condition, ruts and stones everywhere, that our heads and shoulders were bumping continually against our neighbors'. Finally we reached Petit Trianon, where we left the carriages and servants, who were ordered to meet us at Grand Trianon later, bringing our extra wraps with them. The air was deliciously balmy and warm, and was filled with the perfume of lilacs and acacias.
We wandered through the park, admiring the skill of the artist who had laid it out so cleverly, just like Petit Val. This is not surprising, as it was the same person who planned them both. All the surroundings recall the charming life which Marie Antoinette must have lived in the midst of this pastoral simplicity.
I wondered if the same thought passed through the Empress's mind which passed through mine. Could history ever repeat this unfortunate queen's horrible fate? We continued our walk to Grand Trianon, and found the table spread for our dinner under the wide _charmille,_ near the lake. The Princess Metternich sat on the right of the Emperor, and I on his left.
The Emperor was in excellent spirits, and bandied repartees with Monsieur Delesert, who surpassed himself in wit, and told many and sometimes rather risky stories, which made every one laugh. The Prince Imperial could hardly wait till the end of the dinner, he was so impatient to get to the rowboat which was ready waiting for him on the lake. The Empress was quite nervous, and stood on the edge of the lake all the time he was on the water, calling to him, "Prends garde, Louis!" "Ne te penches pas, Louis!" and many other such counsels like any other anxious mother, and she never took her eyes from the little boat which was zigzagging about under the hands of the youthful prince.
It was after nine o'clock when we started to return to St. Cloud by another route. The _piqueur_, finding the gate locked through which we had to pass, knocked on the door of the lodge-keeper, who, awakened from his slumbers, appeared in a _déshabillé_ more than hasty, intending to administer a _savon_ (scolding) to such tardy comers. But on hearing from the _piqueur_ that the monarch of all he surveyed was waiting in the carriage, he flew to open the gate, disclosing his scanty night-attire. The funniest part of it was that, as soon as he realized the situation, he thought it his duty to show his patriotism, so he stood on the steps of his lodge and, as we passed through the gate, he chanted a hoarse and sleepy! "Vive l'Empereur!" and waved his smoking candle.
The Emperor was convulsed with laughter. I, who sat behind him, could see his shoulders shaking.
The ball of the _plébiscite_ was the most splendid thing I ever saw. The architects and decorators had outdone themselves. The gardens of the Tuileries beyond the fountain had been hedged in by orange-trees, and other large trees moved there in their tubs. The whole _parterre_ of flowers was festooned with lanterns and little colored lamps, making this fairy scene as bright as day. The ballroom and adjoining salons, of which the windows had been removed as well as the iron railing outside of them, led on to a large platform which occupied the space of six such windows or doors; these gave out into two colossal staircases which descended into the garden. It was such a beautiful night, so warm that we ladies could walk about in our ball-dresses without any extra wraps; there were about six thousand people invited, they said. It seemed as if all Paris was there.
After the _quadrille d'honneur_ their Majesties circulated freely about. Every one was eager to offer congratulations to the Emperor. Was it not the greatest triumph of his reign to have the unanimous vote of all France--this overwhelming proof of his popularity? As he stood there smiling, with a gracious acknowledgment of the many compliments, he looked radiantly happy to thus receive the homage of his country. As the Emperor passed near me I added my congratulations, to which he replied, "Merci, je suis bien heureux."
Their Majesties stood on the dais with the members of the Imperial family, and after watching the dance they all went in to the _Pavillon de Flore_, where supper was served for the notabilities.
For the others there was arranged a supper in the theater; an orchestra on the stage played all the time; the balconies were festooned with flowers and filled with guests; there were supper-tables in the parquet and in the largest _loges_, and plants and shrubs placed in every available spot.
LONDON, _June, 1870._
DEAR M.,--What will you think of your dissipated daughter? Do you not think that she is insatiable? I am sure that you will say that I ought to be contented after the long season of gaiety and excitement in Paris, and settle down in lovely Petit Val, where the lilacs and the violets call one with scented voices.
However, we decided to go to London.
Did I write to you of our breakfast at Armenonville? After Lord Lyons's ball, which lasted until six o'clock in the morning, Prince Metternich and several others thought that it would be a good idea to go home, change our ball-dresses for morning-dress, and go out to the Bois for our morning coffee. We did it.
I confess that it was a crazy thing to do after dancing all night; but the beautiful May morning, the glorious sunshine, and our spirits inspired us to carry out this wild whim, much to the disgust of our sleepy coachmen. This excursion was not a success; we were all tired and longed for bed. One cannot be amusing or _en train_ at seven o'clock in the morning. And as for the family, when we returned home all the comment they made was, "What fools!" They did not see any fun in it; neither did we, to tell the truth.
The Rothschilds, Lord Lyons, and Prince and Princess Metternich gave us what must have been very powerful letters, for we had hardly been in London more than a few days before we knew every one worth knowing, and all doors worth opening were opened to us, and I found myself what one calls _lancée_.
We took rooms in Park Street; that is, we had the two stories of the house. The landlady lived downstairs, and gave us our meals when we were at home. As soon as we got settled we left our cards and letters of introduction.
Invitation followed invitation in the most bewildering manner, sometimes several for the same day.
I could not begin to tell you all that we have already done. Writing letters seems to be the one thing which I have no time for. It is a perpetual push and rush from morning till night.
Our first dinner was at Baron and Baroness Rothschilds', where the Prince and Princess of Wales and a great many distinguished people were invited. I sat next to a Mr. Osbourne--everybody called him Dick. He told me that he was the most dined-out and tired-out man in London, and that he had not eaten at home for six months.
I had not seen their Royal Highnesses since their visit to Paris during the Exposition. They said that they remembered me; but I cannot think it possible that they can have such wonderful memories.
I never saw such a splendid collection of orchids as there was on the table, and each lady had a bouquet of orchids and roses by her plate.
I was asked to sing, and was delighted to do it. The Rothschilds' ballroom was a glorious place in which to make a debut.
Michael Costa, the well-known musician, came after dinner and accompanied me in the "Cavatina" from "Rigoletto," and the waltz from the "Pardon de Ploërmel."
Lady Sherbourne, a charming lady whom I fell in love with at first sight, sang also. She has a beautiful, rich contralto voice, and sang with a great deal of expression an English song called, "Out on the rocks when the tide is low."
In your last letter you wrote, "I am afraid that you are on the way to become conceited." I am afraid myself I am, still I cannot resist telling you, this once, that my audience was very enthusiastic and Mr. Costa said --well, I won't tell you what he said; it might sound conceited. The last thing I sang was "Beware!" which was immensely appreciated.
The Prince of Wales said: "That is a bewitching song. I never heard it before. Who composed it?"
I told him that it was written for me by my husband, and Longfellow had written the words.
The Princess, before leaving, said, "I cannot tell you how much pleasure you have given us this evening; we hope to see you often while you are in London." She is very beautiful, even handsomer than when I saw her last. Baroness Rothschild kissed me, and thanked me for having sung for her.
Call me vain and conceited if you will, my head is turned, and there is nothing more to be said about it!
A luncheon at "Caroline, Duchess of Montrose's," at two o'clock upset me for the whole day. I am not accustomed to those big _déjeuners- dinatoires_. I was sleepy and felt good for nothing the rest of the day; and when we dined at Lady Molesworth's that evening, "to meet their Royal Highnesses the Prince and Princess of Wales," and wanted to be extra up-to-the-mark, I felt just the contrary. However, after dinner the Prince of Wales asked me to sing, and I did not refuse, and even sang most of the evening. There was a charming Baron Hochschild, the Swedish Minister, who sang delightfully. He is a thorough musician, and accompanied himself perfectly with all the aplomb of an artist. He has a deep, rich barytone, and his _répertoire_ consisted of all the well-known old Italian songs. Lady Molesworth is a beautiful old lady, who must have been a great beauty in her youth. She wears curls just like yours, dear mama, which made me love her. I met here Arthur Sullivan; he was full of compliments.
The next day we were invited to a _matinée musicale_ at Lady Dudley's, preceded by a luncheon, which Mr. Osbourne called "a snare," because, he said, I could not refuse to sing. I did not want to refuse, either. The piano was in the beautiful picture-gallery, all full of Greuze's pictures bought from the Vatican; it has the most wonderful acoustics, and the voice sounded splendidly in it. Lady Dudley is a celebrated beauty. Lord Dudley--before he succeeded to the title--was Lord Ward. The Duke and Duchess of Sutherland asked us to dine. This was a very imposing affair; the Duke of Cambridge was at the dinner as the _grosse pièce_, and there were many diplomats. After dinner several artists came from Covent Garden, and among them Madame Patti, who sang the "Cavatina" of "Lucia," with flute accompaniment, and how beautifully!
When I was introduced to her I said, "The first time I heard you sing was years ago when I was a little girl and you were in short dresses."
"In Rochester," I replied. "I shall never forget how exquisitely you sang 'Ah! non giunge' and 'Ernani.'"
"Yes, I remember quite well. I was singing in concerts with Ole Bull; but that was a long time ago."
"It was indeed," I said; "but I have never forgotten your voice, nor a lovely song you sang which I have never heard since, called 'Happy Birdling of the Forest.' And your trill! Just like the bird itself!"
We became quite good friends, and she made me promise to come to see her. She is charming. Every one was most enthusiastic. Some one said she gets a thousand pounds for an evening. The Marquis de Caux (her husband) looked rather out of place. It seemed queer to see him again, not as the brilliant Marquis of the Tuileries (the "beau" _par excellence_), but simply as the husband of Patti. He did not find a chance to speak to me.
Some days later Lady Anglesey gave a luncheon for me. On the invitations were, "To meet Mrs. Moulton." I read between the lines: to hear Mrs. Moulton sing. They always put on their invitations, "To meet" so and so.
Mr. Quimby said to me, "I liked you from the first moment I saw you, but I had no idea you were going to be such a beast." "Beast!" I echoed. "That is not very complimentary." "A lion is a beast, isn't it?" he jokingly replied.
"Am I going to be a lion? I did not know it."
"Well, you are a lioness, which is better."
He is considered the wit of London, and this is a specimen of his wit. What do you think?
At the luncheon there were Jacques Blumenthal, the famous pianist and composer, and Arthur Sullivan, who asked me to sing in his little operetta, which some amateurs are rehearsing for a _soirée_ at Lady Harrington's; and on my acceptance he brought the music for me to try over with him the next morning. The _soirée_ was to be three days later. The music is nothing remarkable; in fact, the whole thing (it is called "The Prodigal Son") is not worthy of him. I have not met any of my fellow- performers yet. Forgive this jerky letter; I have been interrupted a thousand times. Charles thinks it is time to go back to Paris; but we have just received an invitation from Baron Alfred Rothschild to spend Ascot week--a _séjour de sept jours_--with a party at a house he has hired for the race-week there, and I could not resist.
ASCOT, LONDON, _June, 1870._
DEAR M.,--Viscount Sydney thought that we ought to ask for an audience of the Princess of Wales, and we did it. The audience was accorded, and we presented ourselves at the appointed hour and were received by the lady of honor and shown into the beautifully arranged drawing-room. The Princess was most gracious; she certainly is the loveliest lady I have ever seen. I told her we were going to Ascot for the week, and she said that they were also going there and hoped they would see us. Our interview came to an end, as such interviews do, without anything very interesting happening, and, finally, we backed ourselves out of the royal presence.
That evening there was a ball at Lady Waldegrave's, who lives at Strawberry Hill, a mile or so out of London. Baron Alfred Rothschild offered to take us out there in his coach and-four. We dined first with the Baron Meyer Rothschild, and afterward drove out to Strawberry Hill. It is the most beautiful place you can imagine. I never saw anything so grand as the cedar-trees.
The cotillon lasted very late; the Duke of Saxe-Weimar talked a long time with me, mostly about music. He is very musical, and knows Liszt intimately, and told me a quantity of anecdotes about him. He was interested in what I told him about Liszt's going to the Conservatoire with Auber and me, and about the "Tannhäuser" overture incident. It was six o'clock when we drove back to London. We saw the milk-carts on their morning rounds and the street-sweepers at work. One felt ashamed of oneself at being in ball-dress and jewels at this early hour, galloping through the streets in a fine carriage, making such a dreadful contrast to the poor working-people.
I had great fun at Lady Harrington's musical _soirée_, where Arthur Sullivan's "Prodigal Son" was to be sung.
We had been dining at Lady Londonderry's, and arrived rather late at Lady Harrington's. The whole staircase was crowded with people, and even down in the hall it was so full of ladies and gentlemen that there was no question of moving about. However, I made my way as far as the stairs, every one wondering at my audacity, and I murmured gently:
"May I pass?" There was a chorus of "Quite impossible!" "Perfectly useless!" and other such discouraging remarks. I said to a gentleman who sat stolidly on his step:
"Do you think I could send word to Mr. Sullivan that the Prodigal Son's mother cannot get to him?"
"What do you mean?" said he. "Are you--"
"Yes, I am; and if you don't let me pass you won't have any music."
You should have seen them jump up and make a pathway for me. I marched through it like the children of Israel through the Red Sea. I was enchanted to have my little fun. I joined the other performers, and the mother of the Prodigal Son was received with open arms. The Prodigal Son's father was pathos itself, and we rejoiced together over our weak tenor- boy. The only fatted calves that were to be seen belonged to the fat flunkeys.
We had a beautiful time at Ascot. Alfred Rothschild was an excellent host. Among the other guests were the Archibald Campbells, the Hochschilds, Mr. Osbourne, the Duke and Duchess of Newcastle, Hon. and Mrs. Stoner, one of the ladies of the Queen, Mr. Mitford, and others. Lady Campbell had only one dress with her (they must be very poor!); it was a black velvet (fancy, in the middle of summer!). She wore it high-necked for the races in the daytime and low-necked in the evening. We drove to Ascot every day at one o'clock. We had seats in the Queen's stand, and after seeing one race we went to lunch with Mr. Delane, who had open table for one hundred people every day. Mr. Delane belongs to the _Times_ newspaper.