Part 15
Doves type, the, designed by Emery Walker, 18, 19; specimen page of, 23; in the _Doves Bible_, 264-268
Duneka, Frederick, 184
Dürer, Albrecht, 95
Dyck, Christoffel van, 243
Eadfrith, Bishop, 122
_Earthwork Out of Tuscany_, Hewlett’s, 159, 162
Eddy, Mrs. Mary Baker, 52-54
Edward VII, King, of England, 85, 140, 141
Egyptians, the, 118
Elchi, Count Angiolo Maria d’, 285
Eliot, George, in the Magliabecchian Library, 291-298; her diary quoted, 296; volumes consulted in writing _Romola_, 296-298
Elzevir, Abraham, editions of, 240; his _Terence_, 241-243
Elzevir, Bonaventura, editions of, 240; his _Terence_, 241-243
Elzevir, Isaac, becomes printer to the University of Leyden, 240
Elzevir, Louis, founder of the House of Elzevir, 239, 240
Elzevir, the House of, craftsmen rather than artists, 238; in Leyden, 240; adopt new _format_ for the book, 240; their editions, 240-243; their types, 243; their business organization, 243; estimate of importance of their work, 243; referred to, 95, 237, 251
England, typographical supremacy of, 194, 244-250; second supremacy of, 258-268
English illumination, see _Illumination, English_
Engravings, steel, 105
_Epistolæ ad Familiares_, Cicero’s, 285
Ethics, in business, 65
Étienne, Henri, ruined by his _Thesaurus_, 56, 238; in Geneva, 223
Étienne, Robert, becomes “printer in Greek” to François I of France, 216; the _Royal Greeks_ of, 219-222; leaves France, 223; death of, 223; his Roman type, 222; referred to, 252
Eugenius, Pope, 281
Evreux, Queen Jeanne d’, 129
_Explicit_, the, 92; examples of, 94, 202, 204, 206, 285
Ezra, the Prophet, portrait of, 288
_Famiglie del Litta, Le_, 297
Felton, Cornelius Conway, President of Harvard University, 50
Ferrara, early printing at, 286
Ferrari, Dr. Luigi, librarian of the San Marco Library, Venice, 145
Ferrario, 296
Field, Eugene, described, 38; manuscript of, 39, 41; referred to, 38, 55
Fielding, Henry, 163
Fiesole, the heights of, 298
_Firenze Antica e Moderna_, Rastrelli’s, 297
_Firenze Illustrata_, Migliore’s, 296
Fiske, Willard, 26, 27
Flemish illumination, see _Illumination, Flemish_
Fletcher, Horace, friend of Eugene Field, 41; philosophy of, 75, 82, 84; his ideas of typography, 75; page of his manuscript, 77; his dinner at Graduates’ Club, New Haven, 84; importance of his work, 85; his friendship with William James and Henry James, 86; letter from Henry James to, 87; visit to Lamb House, 89
Fletcherism, 75, 83
Florence, Italy, the most fascinating city in Europe, 273; early printing at, 286
Florence, the Grand Duke of, 295
_Forest Lovers_, the, Hewlett’s, 157, 158
Foucquet, Jean, 113, 138, 140, 149
France, typographical supremacy of, 194, 215-223; loses supremacy, 223; second supremacy of, 251-258
François I, of France, becomes patron of learning and culture, 216; makes Robert Étienne “printer in Greek to the King,” 216; his interest in printing, 216-221; his relations with the censors, 221; referred to, 214, 216
Frankfort, 227
Franklin, Benjamin, quoted on the Baskerville editions, 245; his letter to Baskerville, 245; at the Didot Press, 252
French illumination, see _Illumination, French_
French Republic, the, 141
French School of Painting, the, 139
Fust, John, 198, 199
Gabrilowitch, Mrs. Ossip, 172
Garamond, Claude, 220
Garnett, Dr. Richard, 164, 165; lines written by Dobson on, 166, 167; estimate of, 166
General Theological School Library, the, New York, 196
_Genesis_, the _Cottonian_, 117
Geneva, the Étiennes at, 223
George, Saint, 137
Germany, not sufficiently developed as nation to take advantage of Gutenberg’s discovery, 8, 9; brief typographical supremacy of, 194-201; loses supremacy, 201
Gherado, 149, 290
Gilder, Richard Watson, 177
Giotto, 147, 273
_Golden Gospels of Saint Médard_, the, described, 127-128
Golden type, the, designed by William Morris, 18
Gold leaf, 116
Gold, Oriental, 112
Goldsmith, Oliver, 163
Gothic illumination, see _Illumination, Gothic_
Gozzoli, Benozzo, 149, 290
Graduates’ Club, the, in New Haven, 84
Grandjon, Robert, 228
Greece, the rich humanities of, 15
Greek classics, the, first printed by Aldus, 209
Greeks, the, 7
Greek types, 56, 219-221, 238
_Grimani Breviary_, the, described, 141-145, 146, 149
Grimani, Cardinal Domenico, 142, 143
Grimani, Doge Antonio, 143
Grimani, Giovanni, Patriarch of Aquileia, 142
Grimani, Marino, Patriarch of Aquileia, 142
Grolier Club of New York, the, 213
Grolier, Jean, saves the Aldine Press by his intervention, 56, 238; his friendship with family of Aldus, 214-215; his letter to Francesco Torresani, 215
Guidobaldo, Duke of Urbino, 210
_Gutenberg Bible_, the, described, 194-201; rubricator’s notes, 196, 197
Gutenberg, John; the _Bible_ printed by, 194-201; referred to, 7, 194, 198, 234, 237
Hadley, Pres. Arthur T., 84
Halftones, 105-107
Hammond, John Hays, 84
Hand lettering, the art of, 10. See also, _Humanistic hand lettering_, _Semi-uncial characters_, _Minuscule characters_
Harkness, Mrs. Edward S., 196
Harper and Brothers, 90, 183, 184
_Harper’s Magazine_, 183
Harte, Bret, 184
Harvard College Library, the, 245
Harvard University, Cobden-Sanderson’s lectures at, 99
Harvey, Col. George, gives birthday dinner to Mark Twain, 176; gives birthday dinner to William Dean Howells, 187
Hautin, 228
Hay, John, 184
Hay, Mrs. John, 184
Heidelberg, 227
_Heimskringla_, the, William Morris’ translation of, 260
Heinsius, letter from Deput to, 240
Henri II, of France, 136, 221
Henry IV, of England, 135
Henry VI, of England, 136
Henry VIII, of England, 216
Hewlett, Maurice, 155-162; describes the cloister of San Lorenzo, Florence, 275
Hoar, Senator George F., makes attack on Charles Eliot Norton, 179
Hogarth, William, 163
Holbein, Hans, 95
Holland, the natural successor to Belgium in supremacy of printing, 239. See also _Netherlands, the_
Holmes, Oliver Wendell, 178
_Homer_, the _Ambrosiana_, see _Iliad, the Ambrosiana_
Hoover, Herbert, 85
Houghton, Henry O., 6
_Hours of Anne of Brittany_, the, 146; described, 149-151
Howells, William Dean, 177; recollections and reflections on, 183-188; the Harvey birthday dinner, 188
Humanism, Petrarch the father of, 15
Humanist, the, defined, 15, 160-162
Humanistic hand lettering, 16, 21, 24, 126
Humanistic manuscripts, the, in the Laurenziana Library, 16, 21; in the Ambrosiana Library, 24
Humanistic movement, the, far-reaching influence of, 15; the forerunner and essence of the Renaissance, 15; significance of, 16, 160
Humanistic scribes, the, see _Scribes, the humanistic_
Humanistic type, the, first idea of design of, 17; proposed edition of Dante in, 19, 32; work upon, 19-24, 126, 159, 180, 181
Huntington, Henry E., library of, 196
_Hypnerotomachia Poliphili_, the, printed by Aldus, 210; described, 210-213
_Ideal Book, The_, Cobden-Sanderson’s, 3, 99; quoted, 264
_Iliad_, the _Ambrosiana_, 24, 25, 117
Illuminated book, the, attitude of Italian patrons toward, 11-12
Illumination, the art of, encouraged by Italian patrons in XV century, 11-13; the underlying thought in, 112; rich rewards in study of, 114; various schools of, 114; means of identifying various schools and periods, 115; manuscripts which mark the evolution of, 116-119; the Celtic School, 119-125; the Carolingian School, 125-128; the Gothic School, 128-131; the English School, 131-134; the French School, 135-141, 149-151; the Flemish School, 141-145; the Italian School, 146-149; cause for the decline of, 151; opportunities for studying, 152
Illumination, Byzantine, described, 118; referred to, 124, 125, 127
Illumination, Carolingian, 125-128
Illumination, Celtic, 119-125, 126, 129
Illumination, English, 114, 131-134
Illumination, Flemish, 114, 137, 139, 141-145, 149, 150
Illumination, French, 114, 135-141
Illumination, Gothic, 114, 128-131
Illumination, Italian Renaissance, 114, 146-149, 150
Illumination, Romanesque, 114
Illustration, 105
Imperial Library, the, in Vienna, 117
_Incipit_, the, 93
India, 112, 118
Ink, Byzantine gold, 112, 118; inferior quality introduced, 238; Didot’s, 258
_Innocents Abroad_, Mark Twain’s, 170
Ireland, 121
Irish monks, the, see _Monks, the Irish_
Irish School of Writing and Painting, the, 120
Italian illumination, see _Illumination, Italian_
Italic type, first used by Aldus, 17, 286; said to be based on handwriting of Petrarch, 17, 210; Baskerville’s, 245; Didot’s, 257
Italy, life and customs of people of, in XV century, 8; illumination slow in getting a hold in, 146; typographical supremacy of, 194, 201-215; loses supremacy, 215; culture in the XVI century in, 223
James, Henry, Horace Fletcher’s friendship with, 86; quoted, 86; estimate of, 86; letter to Horace Fletcher from, 87; quoted, 88
James, William, Horace Fletcher’s friendship with, 86; quoted, 86; letter from Henry James to, 88; his interest in printing, 90, 92
Jenson, Nicolas, type designs of, 18, 19, 22, 202, 205, 206; the _explicit_ in books printed by, 94, 202; printer’s mark of, 203, 207; sent to Germany by Charles VII of France, 204; establishes his office in Venice, 204; death of, 206; his office combined with the Aldine Press, 214; Caxton’s work compared with, 244; referred to, 216, 286
Jenson’s Gothic type, 202, 205, 206
Jenson Roman type, the, 18, 19, 206, 268; sample page of, 22
_Joan of Arc_, Mark Twain’s, 170
John of Spires, 285
Jones, George W., 32
Joseph, Saint, 138
Josephus, Flavius, 139
Justinian, the Emperor, 117
_Justinian_, the _Pandects of_, 287
Keats, John, 158
Keere, Van der, 228
_Kelmscott Chaucer_, the, see _Chaucer, the Kelmscott_
Kelmscott Press, the, 6, 55, 70, 96, 259-268
Kelmscott volumes, the, 259-268; estimate of, 263
Koreans, the, 7
Labels, paper, 92
Lamb House, Rye, Henry James’ home, 89
_Lapis lazuli_, used in printing ink, 30; in illumination, 118
Laura, see _Sale, Madonna Laura de Noves de_
Laurenziana Library, the, humanistic volumes at, 16; illuminated volumes at, 119, 148, 287; uninviting approach to, 273; the _Sala di Michelangiolo_, 276; Dr. Guido Biagi at, 277-300; the great staircase, 278; Vasari’s work in, 278; the story of, 280-284; the treasures of, 284-289; the Hall of Tapestries, 285; the Tribuna, 285; the printed books in, 285; the spell of, 300; referred to, 14, 21, 94, 111, 182
Le Bé, Guillaume, 228
Lee, Sir Sidney, 86, 174, 175
Leigh, Maj. Frederick T., 184
Leipzig, library of, 196
Lelio, Lucrezia, 213
Leo X, Pope, 282. See also _Medici, Giovanni de’_
Lettering, see _Hand lettering_
Letters, raised gold, 116
Lewes, George Henry, in the Magliabecchian Library, 292-298
Leyden, heroic resistance to Spanish siege, 239; becomes the intellectual and literary center of Europe, 239; Plantin in, 239; the Elzevirs in, 239-240
Leyden, the University of, 239; Plantin made printer to, 239; Isaac Elzevir made printer to, 240
_Lindisfarne Gospels_, the, described, 119-125
Lippi, 296
Lippi, Fra Filippo, 28
Lipsius, the historian, 239
Lithography, 105
_Little Novels of Italy_, Hewlett’s, 159
Lockhart, John Gibson, 66
Longfellow, Henry Wadsworth, 178
Longmans, London publishers, 66
Lorenzo the Magnificent, see _Medici, Lorenzo de’_
Lorraine, the House of, and the Laurenziana Library, 283
Louis XI, of France, 140
Louis XII, of France, 150
Louis XIV, of France, 198
Louis XV, of France, 140
Louis, Saint, _Psalter_ of, described, 128-131; death of, 129
Lounsbury, Professor, of Yale, 84
Lowell, James Russell, 178
Luther, Martin, 215, 224
Mabie, Hamilton W., 177, 187
Macaulay, Thomas B., quoted on Baskerville editions, 245
Machiavelli, Niccolo, 181, 284
Macmillan Company, the, 26
Magliabecchi, Antonio, 292-295
Magliabecchian Library, the, 284; George Eliot in, 291-298
_Malmantile_, Lippi’s, 296
_Man and Superman_, Shaw’s, the making of, 67
Mantegna, Andrea, 95
Manuscripts, methods of reproducing, 9
Manuscripts, illuminated, romance of, 114; not the playthings of the common people, 115
Manutius, Aldus, see _Aldus Manutius_
Marie, Madame, of France, 130
Marinelli, 280
_Marmion_, Scott’s, 66
Martelli Chapel, the, in the Church of San Lorenzo, Florence, 275
Mary, Queen, of England, _Psalter_ of, described, 131-134; referred to, 132
Mary, Queen of Scots, 156-157
Matthews, Brander, 177
Mayence, printing at, 198, 204, 216
Mazarin, Cardinal, 198
Médard, Saint, the _Golden Gospels of_, 127-128
Medicean Library, the, see _Laurenziana Library, the_
Medici, the, 147; Savonarola’s diatribes against, 274; and the Laurenziana Library, 280
Medici, Alessandro de’, 274
Medici archives, the, 14
Medici, Catherine de’, 136
Medici, the Chapel of the, in Florence, 284
Medici, Cosimo I de’, see _Cosimo il Vecchio_
Medici, Cosimo II de’, see _Cosimo II_
Medici, Giovanni de’ (later Pope Leo X), 275; and the Laurenziana Library, 282, 283
Medici, Giulio de’ (later Pope Clement VII), 276; commissions Michelangelo to erect building for the Laurenziana Library, 283
Medici, Lorenzo de’, _Book of Hours_ made by d’Antonio for, 111, 146-149, 290; tomb of, 275; and the Laurenziana Library, 281-283; his personality, 281-282; referred to, 111, 112, 148
Medici, Piero de’, 275
Memling, Hans, 142
Menelik, King, of Abyssinia, 104
Mentelin, types of, 19
_Menticulture_, Horace Fletcher’s, 75
Messina, Antonello di, 142
Metternich, Prince, 289
Michelangelo, letters of, 182, 290; his plan for the façade of S. Lorenzo, 273; Varchi’s tribute to, 275; his tomb for Lorenzo de’ Medici, 175; his work in the Laurenziana Library, 276; his letter to Vasari, 278; manuscript poems of, 287; referred to, 14
Michelangelo archives, the, 14, 182
Migliore, 296
Milan, early printing at, 286
Millar, Eric George, quoted, 122, 123
Miller, Mr., London publisher, 66
_Minium_, 112, 118
Minuscule characters, described, 123; introduced, 126
“Mirror” title, the, 94
Mochenicho, Doge Pietro, 202
“Modern” type, the introduction of, 251
Molds, early type, 201
Monaco, Lorenzo, 149, 290
Monks, the Irish, 120, 125
Monnier, Philippe, 160
Montanus, Arias, 227
Morelli, librarian of the San Marco Library, Venice, 143
Moretus, inherits the Plantin office, 234
Morgan Library, the, see _Pierpont Morgan Library, the_
Morris chair, the, 258
Morris end papers, the, 258
Morris wall papers, the, 258, 260
Morris, William, demonstrates possibilities of printing as an art, 14; Golden type of, 18; his other type designs, 18-20; placed printing back among the fine arts, 55, 258; Bernard Shaw’s enthusiasm for, 69-70; his dislike of the Bodoni type, 80; his title pages, 96; early experiments of, 258; the _Kelmscott Chaucer_, 259-268; declines the poet-laureateship of England, 260; death of, 262; estimate of his work, 263; his definition of the type ideal, 268; referred to, 6, 96, 258
Munich, library of, 196
Murray, the House of, 65
Murray II, John, and Walter Scott, 66; letter to Scott from, 66
Murray III, John, burns manuscript of Byron’s memoirs, 65
Murray IV, John, 26, 27, 65
Musée Condé, the, at Chantilly, 116
Naples, early printing at, 286
Nazionale Centrale, the Biblioteca, in Florence, see _Magliabecchian Library, the_
Nemours, the Duc de, 139
Néobar, Royal printer to François I of France, 216
Netherlandish illumination, see _Illumination, Flemish_
Netherlands, the, typographical supremacy of, 194, 223-244; commercial supremacy of, 223; devastated by war, 239
New Forest, the, in England, 158
New York Public Library, the, 196
Norton, Charles Eliot, 26; autograph letter of, 31; his association with the design of the Humanistic type, 32, 180-181; recollections and reflections on, 178-183; his meeting with Guido Biagi, 182-183
_Ode to Cervantes_, Dobson’s, 164
“Old-style” type, the passing of, 251; revived by Pickering, 251
Orcutt, Reginald Wilson, 165
Orcutt, William Dana, first visit to Italy, 14; meeting with Guido Biagi, 14, 277; his work designing the Humanistic type, 17-33; in the Ambrosiana Library, 24-25; experiences with Willard Fiske, 26, 27; apprenticeship at old University Press, 38; experience with Eugene Field, 38-41; experiences with Mrs. Mary Baker Eddy, 52; becomes head of University Press, 55; his ambition to emulate methods of early printers, 55; experiences with Bernard Shaw, 67-71; returns to Italy in 1903, 75; his interest in the Bodoni and Didot types, 78; his acquaintance with Horace Fletcher, 75, 82, 84, 86; his acquaintance with Henry James, 86; visit to Lamb House, 89; experiences with William James, 90-92; experiences with Cobden-Sanderson, 96-101; experiences with Theodore Roosevelt, 101-106; becomes interested in illumination, 111; meeting with Maurice Hewlett, 155-162; experiences with Austin Dobson, 162-169; experiences with Mark Twain, 170-177; experiences with Charles Eliot Norton, 178-183; experiences with William Dean Howells, 183-188; experiences in the Laurenziana Library, 273-300; last visit with Guido Biagi, 299-300
Orcutt, Mrs. William Dana, 165, 171
Oriental gold, 112
_Orthographia dictionum e Græcia tractarum_, Tortelli’s, 286
Oxford, Edward Harley, 2d Earl of, 136
Palatina, the Biblioteca, at Florence, 293
_Pan and the Young Shepherd_, Hewlett’s, 159
Paper, poorer quality introduced, 238; Italian handmade, 238; French handmade, 238, 257; Baskerville the first to introduce glossy, 250
Parchment, English, 29; Florentine, 28; Roman, 28; virgin, 113
Paris, 227
Paris Exposition of 1801, the, 258
Passerini, Luigi, 297
Patmore, Coventry, 89
Patrons, Italian, attitude toward printed book of, 11; their conception of a book, 11; their real reasons for opposing the art of printing, 12, 151
Peignot foundry, the, in Paris, 80
Persia, 118
Perugia, 291
Petrarca, Francesco, the father of humanism, 15; Italic type said to be based upon handwriting of, 17, 210; portrait of, 287, 289; quoted, 290
Petrarch, see _Petrarca, Francesco_
_Petrarch_, the _Humanistic_, the type design, 17-26; the copy, 26, 27; the illustrations, 28; the parchment, 28; the ink, 29, 30; the composition, 30; Norton’s estimate of, 32
Philip, of Burgundy, 135
Philip II, of Spain, 227; his interest in Plantin’s _Biblia Polyglotta_, 227-228, 233; makes Plantin _prototypographe_, 233
Pickering, the London publisher, revives the old-style type, 251
Piedmont, early printing at, 286
Pierpont Morgan Library, the, New York, 99, 196
Pisa, 291
Pius XI, Pope, see _Ratti, Achille_
Plantin, Christophe, financially embarrassed by his _Biblia Polyglotta_, 56, 238; his Greek types, 221; leaves France, 223; conception and making of his _Biblia Polyglotta_, 227-233; his types, 228; his printer’s mark, 228, 236; made _prototypographe_ by Philip II, 233; the value of his work estimated, 233; misfortunes endured by, 233; in Leyden, 239; made printer to University of Leyden, 239; referred to, 79, 237
Plantin-Moretus Museum, the, at Antwerp, 235
_Pliny_, Elzevir’s, 240
_Plutei_, in the Laurenziana Library, designed by Michelangelo, 14, 276, 286, 300
Politian, 181. See also _Poliziano, Angelo_
Poliziano, Angelo, 215. See also _Politian_
Pollard, Alfred W., 27
_Polyglot Bible_, Plantin’s, see _Biblia Polyglotta_
Portland, the Duchess of, 136
_Pragmatism_, William James’, 90
Printed book, the, attitude of Italian patrons toward, 11-12; competed against the written book, 199; Aldus changes _format_ of, 207; Elzevirs change _format_ of, 240; important part played in XVI century by, 215
Printer, the, responsibilities of, in early days, 208
Printing, as an art, opposed by the Italian patrons, 11-13; its possibilities demonstrated by William Morris, 14; brief supremacy of Germany in, 194-201; supremacy of Italy in, 201-215; supremacy of France in, 215-223; supremacy of the Netherlands in, 223-244; lapses into a trade, 238; supremacy of England in, 244-250; second supremacy of France in, 251-258; second supremacy of England in, 258-263
Printing, invention of, made books common, 151
_Priorista_, Chiari’s, 297
Proofreading, in 1891, 47
_Psalter of Saint Louis_, the, described, 128-131
Publishers, relations between authors and, 51, 63
_Quattrocento_, Le, Monnier’s, 160
_Queen Mary’s Psalter_, described, 131-134, 146
_Queen’s Quair_, The, Hewlett’s, 155-156
_Racine_, Pierre Didot’s, 251; described, 252-258
Raphael, 113
Raphelengius, 239
Rastrelli, 297
Ratti, Achille, 25, 117
Ravenna, 128
Reformation, the, 215
Renaissance, the, humanistic movement the forerunner and essence of, 15, 160; Tours becomes center of, in France, 139
Repplier, Agnes, 177
Riccardi Library, the, 14, 149, 182, 290
Richardson, Samuel, 163
Riverside Press, the, 42
_Road in Tuscany_, the, Hewlett’s, 159
Robertet, François, 140
_Roman Calendar_, the, 117
Romanesque illumination, see _Illumination, Romanesque_
Romans, the, 7
Rome, the rich humanities of, 15; referred to, 126
_Romola_, George Eliot’s, 292-299; volumes consulted in writing, 296-298
Roosevelt, Theodore, deeply interested in physical side of books, 102; his interest in illustration, 105
_Royal Greeks_, the, of Étienne, 219-222
Rubens, Peter Paul, 95, 113
Ruskin, John, 178, 182
Russia, the Emperor of, 103
Rutland, the Earl of, 131
Sacristy, the New, in the Church of San Lorenzo, Florence, 275
Sacristy, the Old, in the Church of San Lorenzo, Florence, 275
Saga Library, the, 260
Saint John, the Feast of, 297
St. Louis Exposition, the, 182, 299
Saint Peter, the Holy Sepulchre of, 288
_Sala di Michelangiolo_, the, in the Laurenziana Library, Florence, 14; described, 276
Sale, Madonna Laura de Noves de, portrait of, 287, 289; Petrarch’s verses to, 290
Salisbury, the Marquis of, 165
San Lorenzo, the Church of, in Florence, 274, 283
San Marco, the Convent of, in Florence, 281, 282, 288
San Marco, the Library of, Venice, 119, 141, 143, 145
San Vitale, the Church of, at Ravenna, 128
Saracens, the, 7
Savonarola, 274, 284
Savoy, the Duke of, 233
Schoeffer, types of, 19; referred to, 198
_Science and Health_, 52
Scott, Gen. Hugh Lennox, 82
Scott, Walter, and John Murray II, 66; letter from Murray to, 66
Scribes, the humanistic, base their lettering on the Caroline minuscule, 126; referred to, 16, 21, 24
Scribes, the monastic, in XV century, 9
Scribes, the secular, in XV century, 10
_Scriptorium_, the, 9
_Second Book of Verse_, Eugene Field’s, 38
Semi-uncial characters, described, 123
_Sforza Book of Hours_, the, 145
“Shady Hill,” in Cambridge, Mass., home of Charles Eliot Norton, 180, 181
Shakespeare first folio, a, value of, 196
Shaw, G. Bernard, his interest in printing, 67-71; the making of his _Man and Superman_, 67; his enthusiasm for William Morris, 69; letters from, 68-71
Shelley, Percy Bysshe, 158
Sherry’s, in New York City, 187
Siena, 291
_Silas Marner_, George Eliot’s, 296
Sinibaldi, Antonio, the _Virgil_ of, 16; the _Book of Hours_ of, 112
Sixtus IV, Pope, 142
Smith, Baldwin, 132
Smith, F. Hopkinson, 177
Somerset, John, 135
Sotheby’s, in London, 140
Spain, the Netherlands under the domination of, 227; referred to, 112, 118
Spanish siege, the, of Leyden, 239
Spanish War, the, 179
_Spell, The_, Orcutt’s, 90, 184
Spires, the town of, 286
Steele, Sir Richard, 163
Subiaco, early printing at, 285
Sweynheim and Pannartz, ruined by experiments in Greek, 56, 238; engraved blocks of, 285
Switzerland, 238
_Syriac Gospels_, the, 287
Taft, President William H., 188
Tapestries, the Hall of, in the Laurenziana Library, Florence, 285
Tennyson, Alfred, Lord, 260