Part 4

Farther on in the woods, another cunning little junco proved himself no lay figure. It seemed, in fact, to be a junco day. When I first espied him, he was standing in the snow beneath a slender weed-stem eating seeds from his white table-cloth. But the curious feature about his behavior was that, whenever his supply of seeds on the snow had been picked up, he would dart up to the weed-stem (which was too slender to afford him a comfortable perch), give it a vigorous shake, which would bring down a quantity of seeds, and then he would flit below and resume his meal. This he did several times. I should not have believed a junco gifted with so much sense had not my own eyes witnessed this cunning performance. Had some other observer told the story, I should have laughed at it a little slyly and more than half unbelievingly; but, of course, one cannot gainsay the evidence of one’s own eyesight.

Nothing in all my winter rambles has surprised me more than the evident delight some species of birds take in the snow. It is a sort of luxury to them, wading-ground and feasting-ground all in one. How they keep their little bare feet from becoming chilblained is a mystery. The evening of the twentieth of January was bitterly cold, the wind blowing in fierce, howling gusts from the northwest. Yet when, at about five o’clock, I stalked out to the pond in the rear of my house, the tree-sparrows and song-sparrows were fairly revelling, not to say wallowing, in the snow among the weeds. The wind was so biting that I soon hurried back to the house, and left them to their midwinter carousal.

Quite a respectable colony of flickers found a home during the winter in my favorite woodland. Unlike the other birds mentioned, they do not wade about in the snow. No; to their minds, a bare tree-wall is the desideratum for a tramping-ground; and if they need more exercise than promenading affords them, they can take to wing and go bounding from one part of the woods to another. A flicker is a staid bird when he doesn’t happen to be in a playful mood. You would have laughed at one in December which was clinging to a branch high up in a tree with his head right in front of a woodpecker hole, over which he seemed to be standing guard. There he clung, as if that hollow contained the most precious treasure, and would not desert his post, although I leaped about on the ground, shouted loudly, and even flung my cap in the air like a wild man, to frighten him away. How comical he looked in his rôle of sentinel! He never smiled or even winked, but left such trifling to the human scatter-brain below, who was so ill-mannered as to laugh at a well-behaved woodpecker. Perhaps he had a winter store of food stowed away in that cavity, and thought he had to guard it well, now that a real brigand had come prowling about the premises.

IV. FEBRUARY OUTINGS.

If I were not afraid of the ridicule of the cynic, I should begin this February chronicle with an exclamation of delight; but in these days, when so many of the so-called cultured class have taken for their motto, _Nil admirari_, one must try to repress one’s enthusiasm, or be scoffed at, or at least patronized, as young and inexperienced. Yet it would be out of the question for the genuine rambler to keep the valve constantly upon his buoyant feelings. If he did so, he would be wholly out of tune with the jubilant mood of bird and bloom and wave around him.

Almost every day of February, 1891, was a gala-day for me, on account of the large number of birds in song at that time. The weather was not always pleasant, but the month came in blandly, bringing on its gentle winds many birds from their southern winter-quarters; and as they had come, they made up their minds to stay. My notes begin with the eleventh of the month, and my narrative will begin with that date. In the evening I strolled out to my favorite swamp. On my arrival all was quiet; but soon the song-sparrows, seeing that a human auditor had come, broke into a jingling chorus. Early in the season as it was, they seemed to be almost in perfect voice, only a little of the hesitancy and twitter of their fall songs being distinguishable; nor did they seem to care for the raw evening wind blowing across the meadows, or the gray clouds scurrying athwart the sky, but kept up their canticles until the dusk fell.

Two days later, while sauntering through a woodland, I had the greatest surprise of the winter. For several years I had been studying the tree-sparrows, hoping to hear them sing, but only two or three times had my anxious quest been rewarded with even a wisp of melody from their lyrical throats. On this day, however, I came upon a whole colony of them in full tune, giving a concert that would have thrilled the most prosaic soul with poetry and romance. It was the first time I had ever really seen these birds while singing; but now, so kind was fortune, I could watch the movement of their mandibles, the swelling of their throats, and the heaving of their bosoms while they trilled their roundelays. My notes, taken on the spot, run as follows: “The song is somewhat crude and labored in technique; but the tones are very sweet indeed, not soft and low, as one author says, but quite loud and clear, so that they might be heard at some distance. The minstrelsy is more like that of the fox-sparrow than of any other sparrow, though the tones are finer and not so full and resonant. Quite often the song opens with one or two long syllables, and ends with a merry little trill having a delightfully human intonation. There is, indeed, something innocent and even childlike about the voices of these sparrows. Had they the song-sparrow’s skill in execution, they would rival that triller’s vocal performances. How many of them are taking part in the concert! They seem to be holding a song carnival to-day, and there is real witchery in their music. Frequently their songs are superimposed, as it were, upon the semi-musical chattering in which these birds so often indulge.”

But, strange to say, although the conditions were apparently in every respect favorable, I did not hear the song of a single tree-sparrow after that epochal day for more than a year. Evidently these birds are erratic songsters, at least in this latitude. On the same day the meadow-larks flung their flute-like songs athwart the fields, and the bold bugle of the Carolina wren echoed through the woods.

_February 14._ “In the swamp the song-sparrows are holding an opera festival,” my notes run. “One of them trills softly in a clump of wild-rose bushes, as if asking permission to sing; and then, his request being gladly granted, he leaps up boldly to a twig of a sapling, and breaks into a torrent of melody. Another, in precisely the same tune, answers him farther down the stream, the two executing a sort of fugue. A third leaps about on the dry grass that fringes a ditch, twitters merrily for a while, then flies to a small oak-tree near by, and—well, such a loud, rollicking, tempestuous song I have never before heard from a song-sparrow’s throat. Some of his tones are full and exultant, while others in the same run are low and tender, like the strains of a love-lorn harp. The tones produced by exhalation can be distinguished from those produced by inhalation. Sometimes his voice sounds a little hoarse, as if he had strained one of the strings of his lyre, but I find, on focusing my ear upon them, that these are some of his most melodious notes. Presently, in a fit of ecstasy, he hurls forth such a torrent of song, in _allegro furioso_, that one almost fancies the naiads and water-witches of the marsh are crying out for admiration.

“Here is something worthy of note—when the song-sparrow begins a trill, he usually sings it over a number of times, and then, as if wearied with one tune, turns to another; and yet with all his variations—and I know not how many he is capable of singing—there is always something distinctive about his minstrelsy that differentiates it from that of all other birds.”

_February 17._ “Again in the swamp. It seems to me I have never before heard the song-sparrows sing so gleefully. Every concert goes ahead of its predecessor. Here is a sparrow hopping about on the green grass among the bushes like a brown mouse; now he chirps sharply as if to attract my attention, and then bursts into a melody that almost makes me turn a somersault for very joy; and now, having sung his intermittent trills for a few minutes, he begins to warble a sweet, continuous lay, with an _andante_ movement, as if he could not stop.

“A little farther on, another songster, with a voice of excellent _timbre_, is descanting on a small oak sapling. Note, he runs over several trills, rising higher at every effort, until at last he strikes a note far up in the scale, holds it firmly a moment, and then drops to a lower note. Then he repeats the process, the summit of his ambition being attained whenever he reaches that high note, which is bewitchingly sweet. How clear and true his voice rings!

“Sometimes a silence falls upon the marsh; not a note is to be heard for a minute or two; and then, as if by a preconcerted signal, a dozen sparrows throw the air into musical tumult, their combined rush of notes seeming almost like a salvo. Often, too, when I approach the marsh, no music is heard, but no sooner have I climbed the fence into the enclosure than the choral begins; so that I believe I am justified in saying that the song-sparrow appreciates a human auditor. This is not said by way of disparagement,—by no means; for almost all musicians, whether human or avian, sing to be heard.”

On the same day I saw a song-sparrow whose central tail-feather was pure white from quill to tip, and the bird remained in the marsh until the twenty-fourth of the month, his odd adornment visible from afar. I was also surprised to find two male chewinks in the bushes. A cardinal grossbeak was also seen, and a robin’s song and the loud call of a flicker were heard.

My next outing occurred on the nineteenth, when the weather had turned colder, and snow was falling, mingled with sleet; yet several song-sparrows trilled softly in the marsh. On the twenty-third crow blackbirds were seen, and on the twenty-fourth a turtle-dove was cooing meditatively, and the song-sparrows were holding another opera festival. The last days of February became cold again, and March brought several severe storms; but I think none of the hardy, adventurous birds named, retreated to a warmer clime, even if they did regret having left their winter quarters a little prematurely.

V. ARRIVAL OF THE BIRDS.

Have any of my readers kept a record of the arrival of the birds during the spring? The northward procession of the battalions in feathers is an interesting study. Why do some birds begin their pilgrimage from the south so much earlier than others? What is there in their physical and mental make-up that gives them the northward impulse even before fair weather has come? Do they become homesick for their summer haunts sooner than their fellows? These are questions that are much more easily asked than answered. The size of the bird furnishes no clew to the solution, for some small birds are better able to resist the cold than many larger ones. There is the little black-capped titmouse—a mere mite of a bird—which generally remains in my neighborhood all winter, cheerfully braving the stormiest weather; while the brown thrasher, fully five times as large, is carefully warming his shins in the sunny south, and will not venture north until the spring has come to stay. Here, too, is Bewick’s wren on the first day of April,—with no thought of making an April fool of any one,—while the Baltimore orioles, rose-breasted grossbeaks, and scarlet tanagers, all larger than he, are tarrying in Georgia and Alabama. There is nothing in the size or color or form of the birds that makes this difference; it is doubtless in the blood.

I have kept a careful memorandum of the arrival of these feathered voyagers (this was during the spring of 1892), and know almost to a certainty the day, and sometimes the hour, when they cast anchor in this port. The winter had been unusually severe, and yet the migration began as early as the twenty-second of February, when the first meadow-larks put in appearance, and sent their wavering shafts of song across the frost-bound fields. They had left only on the last day of December, but had apparently remained away as long as they could. On the same day the killdeer plovers also arrived, making their presence known by their wailing cry. On the twenty-third I heard the _Q-q-o-o-ka-l-e-e-e_ of the red-winged blackbirds, and on the morning of the twenty-fourth the first robins dropped from the sky after a “flying trip” in the night from some more southern stopping-place; but the weather was too cold for them to sing. Yet the song-sparrows and meadow-larks defied the cold with their cheerful melody. While the robin is a very gay and lavish songster, he wants favorable weather for his vocal rehearsals, and a “cold snap” will easily discourage him. He is evidently somewhat of a fair-weather minstrel. It was on February twenty-eighth, a pleasant day, that I caught the first strain of robin melody.

The towhee buntings dropped anchor on the seventh of March, filling the woods with their fine, explosive trills. It was a pleasant day, a sort of oasis in the midst of the stormy weather, and it did not seem inapt to speculate a little as to the thoughts of these birds on their arrival at their old summer haunts, after an absence of four or five months. Was the old brush-heap, where they had built their nest the previous spring, still there? Had the winter storms spared the twig on the sapling where Cock Bunting had sung erstwhile his sweetest trills to his dusky mate? “What if the woodman has cleared away our pleasant corner of the woods?” whispers Mrs. Towhee to her lord as they approach the sequestered spot. How their hearts must bound with joy when they find sapling and brush-heap and winding woodway all as they had left them in the autumn! No wonder they are so tuneful! Even the snow-storms that moan and howl through the woods a few days later cannot wholly repress their exuberant feelings.

On the same date a whole colony of young song-sparrows stopped at this station on their journey northward, although you must remember that quite a number of their elders remained here through the winter. What a twittering these year-old sparrows made in the bushes fringing the woods! I actually laughed aloud at their crude, tuneless, quasi-musical efforts. They were not in good voice, and, besides, had not yet fully learned the tunes that are sung in sparrowdom, and could not control their vocal chords. They made many sorry and amusing attempts to chant and trill, but their voices would break and catch in the most remarkable ways, now sliding up too high in the scale, now sliding down too low, and now veering too much to one side, so to speak. One tyro, I observed, sang the first part of a run very well, almost as well, in fact, as an adult musician could have sung it; but when he tried to finish, his voice seemed to fly all to flinders. He made the attempt again and again, but to no purpose. It was a day for which I have cut a notch in the tally-stick of memory. Leaving the company of young vocalists at their rehearsals at the border of the woods, I made my way to a swamp not far off, where a pleasant surprise lay in ambush. Here were no longer found young song-sparrows, but adults, and you should have heard them sing. What a contrast between the crude songs of the young birds and the loud, clear, splendidly intoned and executed trills of these trained musicians!

But I must return to the subject of migration. The fifteenth of March was a raw, blustering day, as its predecessors had been; but in the woods several fox-sparrows were singing, not their best, of course, but fairly well for such weather. They must have come during the night. But why had they come when the weather was so cold? Most birds wait until there is a bland air-current from the south on which they can ride triumphantly. Had this small band of fox-sparrows followed the example of a well-known American humorist, and gone to “roughing it”? Strange to say, I saw no more fox-sparrows until the twenty-eighth, when the weather had grown warm. That was also the day on which I saw the first winter wren scudding about in the brush-heaps and wood-piles and perking up his tail in the most approved bantam fashion. It may be a poor joke, but the thought came of its own accord, that if brevity is the soul of wit, this little wren must have a very witty tail; and it really is an amusing appendage, held up at an acute angle with the bird’s sloping back.

As I strolled along the edge of the woods on the same day, the fine rhythmic trill of the bush-sparrow reached my ear. He was celebrating his return to this sylvan resort, and his voice was in excellent trim; the fact is, I never heard him acquit himself quite so well, not even in May. Miss Lucy Larcom, of tender and sacred memory, has happily characterized this triller’s song in melodious verse:—

“One syllable, clear and soft As a raindrop’s silvery patter, Or a tinkling fairy-bell, heard aloft, In the midst of the merry chatter Of robin and linnet and wren and jay,— One syllable oft repeated; He has but a word to say, And of that he will not be cheated.”

But why was not the grass-finch, his relative of the fields, in just as good voice when he arrived on the thirty-first? The last two springs this bird had to be on his singing-grounds several days before he recovered his full powers of voice. On the twenty-ninth the phœbe came with his burden of sweet song, and the first of April brought Bewick’s wren—sweet-voiced Arion of the suburbs—and the chipping sparrow, whose slender peal of song rang through my study window. Here my record stops for the present year; but by reference to my last year’s notes (1891) it appears that Bewick’s wren did not then arrive until April tenth, and chippy not until April twelfth. The difference in the seasons is doubtless the primary cause of this divergence in the time of arrival. April brings many other winged pilgrims,—the white-throated and white-crowned sparrows, the thrushes, the orioles, the tanagers, the cat-birds, the swallows and swifts, and some of the hardier warblers, while the great army of warblers delay their coming till the first and second weeks in May. And all the while we are having bird concerts, cantatas, oratorios, and opera festivals, mingled with some tragedy and a great deal of comedy, and there are love songs and cradle songs, matins and vespers, and twitterings expressive of every shade and variety of feeling.

I yield to the temptation to add a brief article entitled “Watching the Parade,” which was published in a New England journal in the summer of 1893, and contains a record of some observations made during the previous spring. By comparison with the preceding part of this chapter, it will indicate the versatile character of bird study in the same season of different years. I shall give it almost verbatim as first published, hoping the rather “free and easy” style will be generously overlooked by critical readers.

Every spring and autumn for many years I have been watching the parade; not a parade of soldiers, or of civic orders, or even of a menagerie; but one of far more interest to the naturalist,—the procession of the army in feathers. A wonderful cortége it is, this army in bright array; and every time you witness it, you add something new to your knowledge of bird life. The last spring has been no exception, although, when the pageant began, I wondered if I should see any new birds or hear any new songs, and even felt a little doubtful about it.

But quite early a new bird was added to my list. It was the blue-winged warbler, which carries about a scientific name big enough to break its dainty back. Just think of calling a tiny bird _Helminthophila pinus_! But happily it does not know its own name, and, like some of my readers, would not be able to pronounce it if it did, and therefore no serious harm is done. This bird may be known by the bright olive-green of its back, the pale blue of its wings, the pure yellow of its under parts, and the narrow black line running back through its eye. It seemed to be quite wary, yet I got near enough to see it catch insects on the wing like a wood-pewee, as well as pick them from the leaves of the trees.

The bird student must sometimes let problems go unsolved. For nearly, perhaps quite a week, three or four large, heavy-beaked birds flitted about in several tall tree-tops of the woods, but were so far up that, try as I would, I could not identify them even with my opera-glass. In my small collection of mounted birds there is a female evening grossbeak; and the tree-top flitters looked more like it than any other bird of my acquaintance. If they were evening grossbeaks, it was a rare find; for these birds are almost unknown in this part of the country, only a few having ever been discovered in this State. Their usual _locale_ is thought to be west of Lake Superior. I was sorely tempted to use a gun, but decided that it was just as well not to know some things as to massacre an innocent bird.

However, other finds were more satisfactory. Strolling through the woods one day, I caught the notes of a bird song that did not sound familiar. Surely it was a vireo’s quaint, continuous lay; but which of the vireos could it be? It was different from any vireo minstrelsy I had ever heard. Peering about in the bushes for the author of those elusive notes, I at length espied a little bird form, and the next moment my glass revealed the blue-headed or solitary vireo. It was the first time I had ever heard this little vocalist sing in the spring, although we have met—he and I—on familiar terms every season for many years. Here is a query: Why was blue-head silent other years, and so tuneful that spring? For he was often heard after that day.

The song was varied and lively, sometimes running high in the scale, and had not that absent-minded air which marks the roundelay of the warbling vireo. It is much more intense and expressive, and some notes are quite like certain runs of the brown thrasher’s song. The bird did two other things that were a surprise: he chattered and scolded much like the ruby-crowned kinglet. Then he caught a miller, and, as it was too large to be swallowed whole, placed it under his claws precisely like a chickadee or blue jay, and pulled it to pieces. This was a new trick to me, nor have I ever read, in any of the bird manuals, of his taking his dinner in this way.

The red-eyed vireo also chanted a little roundel that spring, as he pursued his journey northward, his song being slower in movement and less expressive and varied than that of his cousin just referred to.