Illuminated manuscripts in classical and mediaeval times, their art and their technique

CHAPTER XIV. Page 224 to 238.

Chapter 14129 wordsPublic domain

THE MATERIALS AND TECHNICAL PROCESSES OF THE ILLUMINATOR.

The vellum used by scribes, its cost and various qualities; paper made of cotton, of wool and of linen; the dates and places of its manufacture; its fine quality. The metals and pigments used in illuminated manuscripts; fluid gold and silver; leaf gold, silver and tin; the highly burnished gold; leaf beaten out of gold coins; the goldsmith's art practised by many great artists; the _mordant_ on which the gold leaf was laid; how it was applied; a slow, difficult process; laborious use of the burnisher; old receipts for the mordant: the _media_ or vehicles used with it; tooled and stamped patterns on the gold leaf; the use of tin instead of silver; a cheap method of applying gold described by Cennino Cennini.