Art

Illuminated Manuscripts

What is meant by art?--The art faculty--How artists may be compared--The aim of illumination--Distinction between illumination and miniature--Definition of illumination--The first miniature painter--Origin of the term "miniature"--Ovid's allusion to his little book.

Chapters

56. Chapter 56

The invention of printing--Its very slight effect on illuminating--Preference by rich patrons for written books--Work produced in various cities in the sixteenth century--Exampl...

54. Chapter 54

Communication with Italy--Renaissance not sudden--Origin of the schools of France and Burgundy--Touraine and its art--Fouquet--Brentano MSS.--"Versailles" Livy--Munich "Boccacci...

51. Chapter 51

Barbaric character of Italian illumination in the twelfth century--Ravenna and Pavia the earliest centres of revival--The "Exultet"--La Cava and Monte Cassino--The writers of ea...

55. Chapter 55

Late period of Spanish illumination--Isidore of Seville--Archives at Madrid--Barcelona--Toledo--Madrid--Choir-books of the Escorial--Philip II.--Illuminators of the choir-books-...

45. Chapter 45

Germany the chief power in Europe in the twelfth century--Rise of Italian influence--The Emmeram MSS.--Coronation of Henry II.--The Apocalypse--The "Hortus Deliciarum"--Romanesq...

53. Chapter 53

What is meant by the Netherlands--Early realism and study of nature--Combination of symbolism with imitation--Anachronism in design--The value of the pictorial methods of the ol...

49. Chapter 49

Organisation of the Monastic _scriptoria_--Professional outsiders: lay artists--The whole sometimes the work of the same practitioner--The Winchester Abbeys of St. Swithun's and...

33. Chapter 33

The rebuilding of the city of Byzantium the beginning of Byzantine art--Justinian's fondness for building and splendour--Description of Paul the Silentiary--Sumptuous garments--...

46. Chapter 46

The Gothic spirit--A "Zeitgeist" not the invention of a single artist nor of a single country--The thirteenth century the beginning of the new style--Contrast between North and...

48. Chapter 48

Ivy-leaf and chequered backgrounds--Occasional introduction of plain burnished gold--Reign of Charles VI. of France--The Dukes of Orleans, Berry, and Burgundy; their prodigality...

50. Chapter 50

Attributed to the Netherlands--Not altogether French--The home of Anne of Bohemia, Richard II.'s queen--Court of Charles IV. at Prag--Bohemian Art--John of Luxembourg, King of B...

42. Chapter 42

Departure from Carolingian--Bird and serpent--Common use of dracontine forms in letter-ornament--Influence of metal-work on the forms of scroll-ornament--The vine-stem and its d...

39. Chapter 39

Why so-called--Works to be consulted--The Library of St. Gall--Rise and progress of Carolingian art--Account of various MSS.--Features of the style--Gospels of St. Sernin--The A...

44. Chapter 44

About the twelfth century comes forward the mention of a certain manual minutely detailing every process of painting, and laying down rules for the due composition and arrangeme...

43. Chapter 43

The later Saxon schools--Bernward of Hildesheim--Tuotilo and Hartmut of St. Gallen--Portrait of Henry II. in MS. 40 at Munich--Netherlandish and other work compared--Alleged det...

52. Chapter 52

Frederick II., _Stupor Mundi_, and his MS. on hunting--The Sicilian school mainly Saracenic, but a mixture of Greek, Arabic, and Latin tastes--The Franconian Emperors at Bamberg...

31. Chapter 31

Its different styles--Origin of Western alphabets--Various forms of letters--Capitals, uncials, etc.--Texts used in Western Europe--Forms of ancient writings--The roll, or volum...

34. Chapter 34

Early liturgical books reflect the ecclesiastical art of their time--This feature a continuous characteristic of illumination down to the latest times--Elements of Celtic orname...

36. Chapter 36

Visigothic--Merovingian--Lombardic--Extinction of classic art--Splendid reign of Dagobert--St. Eloy of Noyon--The Library of Laon--Natural History of Isidore of Seville--Element...

40. Chapter 40

Introductory--Monasteries and their work from the sixth to the ninth century--The claustral schools--Alcuin--Warnefrid and Theodulf--Clerics and monastics--The Golden Age of mon...

41. Chapter 41

The copyists--Gratuitous labour--Last words of copyists--Disputes between Cluny and Citeaux--The Abbey of Cluny: its grandeur and influences--Use of gold and purple vellum--The...

47. Chapter 47

The fourteenth century the true Golden Age of Gothic illumination--France the cradle of other national styles--Netherlandish, Italian, German, etc.--Distinction of schools--Diff...

35. Chapter 35

We have seen that in both Roman and Byzantine MSS. the titles and beginnings of books were merely distinguished by a lettering in red or gold, rather smaller, in fact, than the...

30. Chapter 30

We often find writers, when referring to ancient documents, making use of the words parchment and vellum as if the terms were synonymous; but this is not strictly correct. It is...

32. Chapter 32

It has been already stated that the earliest recorded miniature painter was a lady named Lala of Cyzicus in the days of Augustus Cæsar, days when Cyzicus was to Rome what Brusse...

29. Chapter 29

What is meant by art?--The art faculty--How artists may be compared--The aim of illumination--Distinction between illumination and miniature--Definition of illumination--The fir...

38. Chapter 38

The succession of the school of Iona shows us in the first examples of English illumination the type exemplified in the Book of Kells, modified, but not very much, by its transf...

37. Chapter 37

The initial and initial paragraph the main object of decoration in Celtic illumination--Study of the letter L as an example--The I of "In principio" and the B of "Beatus Vir."

23. Chapter 23

Barbaric character of Italian illumination in the twelfth century--Ravenna and Pavia the earliest centres of revival--The "Exultet"--La Cava and Monte Cassino--The writers of ea...

22. Chapter 22

Attributed to the Netherlands--Not altogether French--The home of Anne of Bohemia, Richard II.'s Queen--Court of Charles IV. at Prag--Bohemian Art--John of Luxembourg, King of B...

25. Chapter 25

What is meant by the Netherlands--Early realism and study of nature--Combination of symbolism with imitation--Anachronism in design--The value of the pictorial methods of the ol...

18. Chapter 18

The Gothic spirit--A "zeitgeist" not the invention of a single artist nor of a single country--The thirteenth century the beginning of the new style--Contrast between North and...

20. Chapter 20

Ivy-leaf and chequered backgrounds--Occasional introduction of plain burnished gold--Reign of Charles VI. of France--The Dukes of Orleans, Berry, and Burgundy; their prodigality...

24. Chapter 24

Frederick II., _Stupor Mundi_, and his MS. on hunting--The Sicilian school mainly Saracenic, but a mixture of Greek, Arabic, and Latin tastes--The Franconian Emperors at Bamberg...

21. Chapter 21

Organisation of the monastic _scriptoria_--Professional outsiders: lay artists--The whole sometimes the work of the same practitioner--The Winchester Abbeys of St. Swithun's and...

27. Chapter 27

Late period of Spanish illumination--Isidore of Seville--Archives at Madrid--Barcelona--Toledo--Madrid--Choir-books of the Escorial--Philip II.--Illuminators of the choir-books-...

14. Chapter 14

Departure from Carolingian--Bird and serpent--Common use of dracontine forms in letter-ornament--Influence of metal-work on the forms of scroll-ornament--The vine-stem and its d...

26. Chapter 26

Communication with Italy--Renaissance not sudden--Origin of the schools of France and Burgundy--Touraine and its art--Fouquet--Brentano MSS.--"Versailles Livy"--Munich "Boccacci...

28. Chapter 28

The invention of printing--Its very slight affect on illuminating--Preference by rich patrons for written books--Work produced in various cities in the sixteenth century--Exampl...

17. Chapter 17

Germany the chief power in Europe in the twelfth century--Rise of Italian influence--The Emmeram MSS.--Coronation of Henry II.--The Apocalypse--The "Hortus Deliciarum"--Romanesq...

5. Chapter 5

The rebuilding of the city of Byzantium the beginning of Byzantine art--Justinian's fondness for building and splendour--Description of Paul the Silentiary--Sumptuous garments--...

15. Chapter 15

The later Saxon schools--Bernward of Hildesheim--Tuotilo and Hartmut of St. Gallen--Portrait of Henry II. in MS. 40 at Munich--Netherlandish and other work compared--Alleged det...

19. Chapter 19

The fourteenth century the true Golden Age of Gothic illumination--France the cradle of other national styles--Netherlandish, Italian, German, etc.--Distinction of schools--Diff...

6. Chapter 6

Early liturgical books reflect the ecclesiastical art of their time--This feature a continuous characteristic of illumination down to the latest times--Elements of Celtic orname...

11. Chapter 11

Why so-called--Works to be consulted--The Library of St. Gall--Rise and progress of Carolingian art--Account of various MSS.--Feature of the style--Gospels of St. Sernin--The Ad...

8. Chapter 8

Visigothic--Merovingian--Lombardic--Extinction of classic art--Splendid reign of Dagobert--St. Eloy of Noyon--The Library of Laon--Natural History of Isidore of Seville--Element...

12. Chapter 12

Introductory--Monasteries and their work from the sixth to the ninth century--The claustral schools--Alcuin--Warnefrid and Theodulf--Clerics and monastics--The Golden Age of mon...

13. Chapter 13

The copyist--Gratuitous labour--Last words of copyists--Disputes between Cluny and Citeaux--The Abbey of Cluny: its grandeur and influences--Use of gold and purple vellum--The m...

1. Chapter 1

What is meant by art?--The art faculty--How artists may be compared--The aim of illumination--Distinction between illumination and miniature--Definition of illumination--The fir...

3. Chapter 3

Its different styles--Origin of Western alphabets--Various forms of letters--Capitals, uncials, etc.--Texts used in Western Europe--Forms of ancient writings--The roll, or volum...

9. Chapter 9

The initial and initial paragraph the main object of decoration in Celtic illumination--Study of the letter L as an example--The I of "In principio" and the B of "Beatus Vir".

2. Chapter 2

16. Chapter 16

7. Chapter 7

10. Chapter 10

4. Chapter 4