Category: Essays, Letters & Speeches

Ideals in Art: Papers Theoretical, Practical, Critical

Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Chapters

1. Part 1

Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Th...

2. Part 2

The name of another remarkable artist must be mentioned, that of Frederick Sandys, contemporary with the pre-Raphaelites, imbued with their spirit, and following their methods o...

3. Part 3

Such schools as the Central School of Arts and Crafts, under the London County Council, may be regarded as a direct outcome of the movement, and it is a remarkable fact that its...

4. Part 4

Are we not led to these triumphs through the winsome defiles of freehand and shaded drawing from the cast, perhaps accompanied by cheerful model drawing, perspective puzzles, an...

5. Part 5

Well, I think, on the whole, the pictures which modern life in London, or any great capital displays, may be striking in their contrasts, weird in their suggestions, dramatic in...

6. Part 6

The conditions of the practice of art itself have undergone changes analogous to the evolutions of society, the sentiment of which it always reflects. From its earlier collectiv...

7. Part 7

In Birmingham, also, I believe a scheme of painted panels has been devised to illustrate local history, and students of the Municipal School of Art have competed for the design...

8. Part 8

I think there is a good deal to be said for the adoption of the Eastern idea of a divan for western salons--seats all round the room and in the windows, with small moveable coff...

9. Part 9

Pure utility would be satisfied if the warmth is fairly distributed, and the action of the body and limbs is free. The child with a loose tunic, leaving arms and legs bare and f...

10. Part 10

Even in the extremely abstract treatment necessitated by the exigencies of incised hieroglyphics we can hardly find finer examples of treatment, so direct and unerring is the ch...

11. Part 11

With an origin perhaps as ancient as the other arts, its true home is in Italy. We find it at Pompeii, with its relatives, stucco and plaster-work, in association with architect...

12. Part 12

Have we then changed so much, or is it only the figure-heads or brain-heads and their ideals which have changed? That “there is a tide in the affairs of men” we all know--a floo...