Part 6

19th November.

Dear God:

I know you won’t answer this letter. I’m not sure you will get it. But I have the feeling to write you a letter, though it should only blow down the whistling winds.

I haven’t a thing to ask of you: no prayer to make. I am not suppliant nor humble nor contrite. Nor would I justify myself as a person in your eyes. I scorn to try to justify myself. What I am I am. If I am a bad actor I take the results of it without plaint. I comment on it--why not?--since cats may look at kings and each person inherits four-and-twenty hours a day. But I am bewildered and distraught and sad.

The best you do for me, God, when I think of you--you personally--is to make me bewildered and distraught and sad.

But I’ve imagined I could put myself to you as a proposition to take or to leave as you like: on my terms since I do not know yours.

There are some verses--the Rubaiyat--in which you are upbraided as if you might be the dealer in some gambling game who had the long end of all the wagers and still so protected his money that _he_ could not lose however the cards turned.--‘from his helpless creature be repaid pure Gold for what he lent him dross-allayed.’--‘thou who didst with pitfall and with gin beset the Road I was to wander in--.’

But to me that seems a cheap attitude toward you, God. I admit you are fair. If I thought you weren’t my mind would not vex itself with you at all. I can not make you out a crooked dealer nor one who lends out bad money and demands good money in repayment.

But you are reticent and cold-tempered and uninterested. So it seems. The necklace which you gave me so long ago, made of little curses, I wear always round my spirit-neck. It serves some purpose, perhaps, and it answers as a keepsake: so at least I may not forget you whether or not you forget me. I don’t ask any more of your attention nor anything more of you than I would be willing to give you in return. But I wish you would be willing to exchange attention with me. I am lonely. I am terrified. I am frightfully overshadowed by myself and my odd aloofness and my thronging solitary emotions and my menacing trivialities. I am always fearing not that I may be wicked or immoral or allied with evils--I don’t really care a tinker’s curse about that--but that I may be growing petty and trivial and weak. It is horrible, horrible to feel that I may be a weakling--you, God, may not know how horrible to me. It is like black annihilation for all eternity when my Soul longs frantically, desperately to live. I feel weakness to be the only immoralness--hateful and vile in whatever aspect. I want to be strong to endure and to live in noonday lights and to overcome my poorness. I want, though I’m far from it, to be brave and big. What I admire you for, though you’re so far off and strange and inexplicable, is that you are strong. You are Strength, you are Light, you are the Solution and the Absolute. You’d hardly know what weakness is if it did not so crop out in this human race you made. This human race is a faërily beautiful thing: star-flaming poets have sung in it: lovely youth has breathed upon it: happy wild hearts have informed it. But the odd keynote of it all is weakness. And I have felt me tuned overmuch by that keynote.

--but I won’t be weak, I won’t be, I won’t be, God! Whether you pay attention or not, whether I breathe only futileness, I will be strong, strong, strong in myself--strong if only in my falseness--strong and strong again--

This would be your chance with me if you cared to take it: because I own now just my plain two dresses. When I grow out of this quiet mood--(if ever I do: I begin to doubt it)--I shall have more dresses, and then I shall think about them, God, and the phases of life they’ll build up around me, and not about you. It’s not that pretty frocks would take my attention away from you if you once claimed it. Once you claimed my attention it would be yours forever. But pretty frocks would mean I am again walking in paved peopled roads. Being there without your attention I shall go where my garments may lead me forgetful of you. One’s life is of the flavor of one’s clothes: ‘the wine must taste of its own grapes.’

Now feels like a fitting time for you to be personal with me, to give me a sign that you know I’m here. I know I am blind and ignorant about that. You may know a time that shall be more fitting, a time when my still mood and two dresses are long gone and my life is made of fluff and lightness so your sign will crash into it like a black two-ton meteor. I only tell you how it seems. If you should come now and speak to me I should feel suddenly glad. To-day feels such a day-of-God. The sky is all wet silver and the air a thin cloud of gold. I sit writing you by my window, often looking out with my forehead resting against the cool pane. There is an ache in my forehead, in my insteps, in my backbone and in my spirit. By stopping in here a moment you would gladden me. If you could give me, or show me--where it perhaps had always been--one true thing to have always in my life I should cling to it and ask nothing of it but that it remain true. If you’d make me one far-off promise of a dawn to come after this tired darkness I would take your word for it and would walk toward your dawn in a straight road from which I should not ever turn aside. In me is a small torch glowing though set in chaos. By its light I should keep in the road leading to your dawn. I should keep in it at any sacrifice to my merely human self: any sacrifice, believe me.

It isn’t a bargain I would make with you. I don’t like the thought of a bargain with you. I would rather take the chance and lose honestly: not in everything but in this matter with you. You show me the road and I take it for the sole reason that it’s a true one. I should expect myself to pay the tolls--heavy ones since I’m innately a liar, a someway bad lot. I know, the same as I know one and one make two, that I’ve only to be square in the human business of living to get back a square deal, though I’ll get badly battered, with it. But it isn’t what I mean. Something inside me hungers for answeringness--a Gleam--to make me know the worldly squareness and the battering are worth while beyond themselves: but a detail in the game.

You mightn’t guess it but I am diffident about broaching this much that may sound like a plea, so I’ll say no more of it.

But before I close the letter I want to tell you that I’m not wanting in gratitude for the terrible beauty of this world. I feel with ecstasy the burning loveliness of the life you give the human race.

I want to tell you thank-you for some things in it. But all that they mean I can not tell in words.

Only yesterday a light at sundown lingered on the hill-tops and on the desert back of the School of Mines in tints of Olive and Copper and Ochre and Rose so delicate, so radiant, so dumbly forlorn that I closed my eyes against it all as I walked along the sand: its aliveness, its realness, its flawless golden dreadful peace tortured and twisted and too-keenly interpreted me.

And one summer day in Central Park in New York I saw a little Yellow-Yellow Butterfly fluttering above a small plot of brilliant Green-Green Grass in the afternoon sunshine. To you, God, used to the purpling splendor of untold worlds that mightn’t seem noteworthy. But to me--because I am half-sister to so many trivialities the Yellow-Yellow of those little wings and the sweet bright Green of the clipped velvet Grass beneath the sun suddenly fiercely entered in and beat-beat hard on my imagination. O the glare and the flare of that fairy prettiness! I shall never forget that picture though I should one day see those worlds. It made me think wildly of you, God, at the time--and ever since. It is there yet in Central Park, that particular plot of Grass, and if not that Yellow-Yellow Butterfly--happily, happily Yellow it was--then another!

And to-day and often other days I read this--

‘_Heard melodies are sweet, but those unheard are sweeter_’--

--magic words: potent hushed wizardry of beauty. It opens the doors of all the Inner Rooms and more blest, more precious, of the celestial brain of him who wrote it. In making the glimmering Purple of all your worlds, God, you have not surpassed the thing you made in the regal wistful glory of John Keats.

And two nights ago I went close to my glass and looked deep into my own dark gray eyes, and they were beautiful. Their color is the gray not of peace but of stormy sky and clouded sea. Their expression is alien and melancholy and they are never without circlings of fatigue or stress. And when I meet their glance they mostly accuse and condemn and confound me. But two nights ago they grew wide and deep and breathless-looking at realizing me human and alive. And presently I saw, back of their gray iris--my Soul: like a naked girl: like a willow in the wind: like a drowning star at daybreak: an inherent inexpressible grace--my Soul of many ages.

And this moment another little memory, God, of a tropic marsh a little way back from the sea on the island in the bay at St. Augustine, as it looked in the wane of one sun-flooded February day. In the marsh were tall waving feathery salt-marsh grasses, and little pools of murky water. And there were snail-shells and ancient barnacles and smooth beach pebbles. And bordering the pools were reeds and flags and tiny wax-petaled death-white lilies. By a mound of wet moss was a slim wild blue heron standing on one leg and staring about and preening its blue feathers. And over all the scene was a Pink-Pink Flush. The curving quivering tops of the long grass were Pink with it. The pools were dull Pink mirrors. The barnacles, the pebbles, the death-white lilies were as if a thin bloody veil had been flung down on them. Pink touched the heron’s wings, its beak, its head, its glittering beady eyes and spindly leg. The sinking sun shot a Pink broadside of dream-dust all over the marsh: it lingered and hung and floated. Almost I could have reached out my two hands and gathered a bouquet of Pink Flush. The stillness, which was intense, was Pink stillness. O but it was pleasant, pleasant, pleasant, God--it wrapped me in a scarf of Pink sweetness: it filled my throat with Pink honey: it laid on me a gentle eager quiet covetous Pink spell.

Nobody knows how you do it, God. But it is all--Sunset Tint, Yellow-Yellow Moth, Conscious Soul, Poet-Flame--maddening and precious and terrifying and transfiguring to me who live among it. I cherish it as a lonely one may who loves it with passion and is never happy in it. And for it all I thank you, God.

Yours very sincerely, Mary MacLane.

I wrote the Letter on my long-unused monogram note-paper to please my whim, and put it in the envelope and addressed it to God, care of the Whistling Winds. He may receive it--what do I know?--only _he_ knows, and is reticent.

I only know he’ll not answer it.

_A working diaphragm_

To-morrow

I am not Respectable nor Refined nor in Good Taste.

I take a delicate M.-Mac-Lane pleasure in those facts.

I doubt if they are anyway peculiar to me, but they feel like a someway delicious clandestine circumstance: something to enjoy all to myself.

It is difficult to imagine any woman really Respectable on her inner side, the side that is turned toward herself alone. And it’s certain no woman is Refined: it feels not possible. (There are yet inland places where the word is used in its smug sense and believed in.) And no woman but a dead woman in her coffin is in complete Good Taste. Every live woman has for instance a working diaphragm: and in a diaphragm there is, in the final analysis, simply no taste at all.

(As for men--except poets--I mean _poets_: and perhaps scientists--they are so ungenuine: a race of discreet cautious puppets: wooden dolls who move as their strings are pulled: with nothing so real about them inside as even outside--what use to dwell upon them?)

Nearly all women are perplexingly interesting as human beings. And I am quite the most interesting human being I know: and with it the most appealing, the most sincere--in my own false fashion, and the most bespeaking.

It is much due to knowing and feeling me to be not Respectable nor Refined nor in Good Taste: particularly to being not in Good Taste.

One autumn evening in Boston I went to dine with a man in his apartment in Beacon Street. He is a mining engineer whom I have known since we were both children. He had bidden me to dinner in his off-hand engineering way, but when I arrived at his diggings he was not there. He did not come. Instead there was a dinner waiting, a Japanese boy to serve it, and a strange man who had happened in. The strange man had iron-gray hair, a brow like Apollo, a jowl like Bill Sikes and much conversation. He said that he was newly from China, South Africa and Egypt and that in his life he had been married seven times with book and bell. Together we ate the dinner, talking pleasantly in the light of colored Chinese lamp-shades. There were little birds to eat and Chinese wine to drink--_sam shu_ distilled virilely from rice: always a little of it is too much. After the dinner we were standing by a teakwood sideboard and the strange man was holding me tightly in his arms against a large smooth evening panel of shirt-front, and he was kissing my mouth with a great deal of ardor. I did not like it. I thought of all the women he had married and wondered if they had liked it. And I mused in my placid brain, ‘As I was going to St. Ives I met a man with seven wives.’ It was the only thought in my mind as I waited boredly for him to have done. (It’s no good struggling.) And that incident I know was not Respectable.

And one summer day I was riding horseback up a steep gorge in these Montana hills. It was hot dusty riding. I came to a mountain stream with a beautiful little white-and-blue cascade tumbling over a high rock upon smooth pebbles below. I got down from my horse, took off my dusty khaki suit and all my clothes and stood under the fall of the little tumbling cascade, whitely naked, without so much as a figleaf’s covering. It was delectable and pagan, what with my quaint thoughts as I stood crouched beneath the sparkling splash. And I know there was nothing Refined in it.

And one evening between nine and ten, a week ago. I was walking across the broad desert valley east of this Butte. It is late November and the night was stormy. A strong high gale swept the Flat. Presently it rained. I was on my way back with a mile or two to go. It rained harder. Heavy sheets of black water whipped and whirled down on me and wrapped me in their wet wings. I love all weather when it is mild and more when it is rough except when it bears down too hard: then I feel indifferent to it. As I moved along the dark road not hurrying and not loitering I was saying inside me, ‘Why am I going to any shelter out of this heavy wet rain? Why am I not a houseless beggar-woman with nothing gentler in all my life than this November storm? It is not because I deserve gentler things--’ And with a sudden heavy shudder I whispered, ‘I wish I were a beggar-woman! I wish I had no roof to cover me in this cold night-blackness. It would be honest: I should be stripped to my deserts. And I wish it were so--this drenching rain, this strangling wind--nothing but this--shelter, money, comfort, self-satisfaction, however seemingly earned, are dishonest--thieved. I ought to be--ragged beggar--bleared eyes--dirty petticoats--a foul ratty hole to creep into--hunger--bodily misery--all the portion of outcasts-- As God may hear me--I’d eagerly tremblingly change lives this moment with a beggar-woman. I would--I would--!’ It is a piece of clear inside truth about myself. And I know it proves me to be in poor Taste.

It is a matter of attitude. Each of those incidents might happen to any woman--except perhaps the last. I have known but one girl who agreed with me in such a feeling. And not quite that feeling. She had married a lot of money with a horrible old gentleman and had wearied of both. But the other two episodes could readily belong to any woman of _esprit_ who might be on the outside both Respectable and Refined: even a woman lawyer.

But my attitude in the incident of the strange iron-gray man, though in a bored way I could have viciously knifed him, was not a Respectable attitude. I was bored and fanciful when doubtless I ought to have been breathlessly angry. But my breathless anger is too rare and beautiful an emotion to waste on ridiculous strange iron-gray men.

In the incident of the sparkling cascade my attitude was shameless: something of the sort. It is never reprehensible for a woman to take a cold shower-bath in solitude and health. But my spirit rose and rejoiced at my bodily nakedness and then grew nymph-like and figleafless on its own account. My sex exploited itself in mental visions, like of Leda and the Swan or of myself as a slim villainous Scotch Aphrodite conceived by a bold surprising Titian. And doubtless I ought to have felt timorous in the vast sunlit mountainside, or like a sexless child (or merely ‘hygienic’ like William Muldoon and Bernarr McFadden). But the quick charm of the situation and the heavenly anguish of the icy water, and my lovely Body, and my odd moralless musings were too intriguing to expend themselves banalely.

The wet night road and the beggar-woman wish: it is drearily real to me. Though I wear two plain dainty dresses, in a house--in me, beating, beating, pounding down is a cold wild heavy rain: and under my feet a long lonely muddy road. If they belong to me--well. I love Me the more for feeling them.

And I feel them because I am not yet dead and in my coffin, but alive and with a working diaphragm: which diaphragms are in not Good Taste.

_Lot’s wife_

To-morrow

To-day in the afternoon I briskly manicured my fingernails, sitting by my gold-and-blue window, and I mused upon Lot’s Wife.

So many persons and incidents and events and adventures and episodes there are to muse upon, in this mixed world, dating from when it began till now. There’s something to charm any mood. Let me leave the doors of my mind open and anything at all may float in like an errant butterfly on a summer’s day.

It is an entertaining world, by and large: a limitless vaudeville.

Lot’s Wife is to me a fantasy from the antique, a bit of archaic frivol to beguile me.

When first I heard of her, from an acrid aunt of caustic humor who told me the tale tersely in explanation of a biblical print, I was seven years old. From that day to this my meditative thoughts have from time to time flitted backward to dwell interestedly upon Lot’s Wife. Later when I went to an Episcopal Sunday-school I was pleased to find this adjuration in according-to-St.-Luke: ‘Remember Lot’s Wife.’ There seemed no special meaning attached to it. It seemed like Remember Lot’s Wife in any way you like--as it might be with a card on her birthday, a useless gift at Christmas, in your prayers, or in retributive patriotism like Remember the Alamo, Remember the Maine.

But I remember her because I like her.

There’s no name given for Lot’s Wife in the brief biblical narrative, so I long ago named her Bella as expressive of the temperament and character that have grown around her image in my thoughts. Poor Bella, I ruminated as I tinted and polished my nails. Her life in Sodom was not entirely satisfying to her. Sodom was a town completely given over to pleasure of the physical and outward sorts. The dwellers lived in and for their physical senses alone. And Bella had it in her to care for the foods of the spirit. Not that she longed for them--she was not so conscious of herself--but she had it in her to care for them had they been given her. Still, Sodom and its ways were the best she knew and she had known them all her life. The roots of her temperament had shot down into the Sodomesque substrata. She fondly loved the place.

Sodom was a prototype for Babylon or Pompeii, worshiping the hotness of the sun in moralless plaisance, with fêtes and drinkings of wine from gold and silver cups, and bathings in warm scented marble-lined pools, and anointings with oils of olive and palm, and dwellings among flowers of thin bright petals and birds of vivid plumage and fountains of crystal and rainbow, and caterings to the sparkle and froth of human emotions, and browsings amid loves and lights o’ love. Can Bella be wondered at for growing fond of it all, having known nothing substantialer? And can she rightly be blamed for hating the thought of leaving it for dry sage-brush wilds in the mountains? She did hate and dread that thought with all her soul from the moment it was made known to her that Sodom for its sins was booked for destruction. She had perhaps a fortnight in which to dread it, and a fortnight if given over to dread is long enough to damage stronger spirits than hers.

Bella was slender and svelte, with long straight soft beautiful silken pale red hair and white-lidded eyes of grayish green. She was thirty-eight--a young thirty-eight. There’s an old thirty-eight which applies to greedy school-teachers, gangrenous woman government-clerks, fading hard-hearted stenographers, over-righteous woman doctors; to all whose virtue is ever indecently on guard. But there’s a glory-tinted sun-kissed young thirty-eight which applies to sensitive high-strung generously-emotional women like Bella Lot. She had smooth hands with supple tapering fingers, an irregular expressive-lipped mouth like a pimpernel-bloom, firm slim feet and the quivering suggestive white knees of a wood-nymph. From any angle-of-view can she be blamed for hating to take that equipment away from the city-de-luxe which was its so proper setting and hiding it in the sage-brush?

Furthermore Bella had a lover in Sodom. It is beyond a sane effort of the imagination that she could have loved that unpleasing old man Lot. The best and worst that can be said of him is that he was a fit addition to the company of the old Patriarchs who were for the most part an exceeding craven crew. The martyrs, the sages and especially the prophets had their splendors. But the lean old patriarchs--The sporting blood of all of them--in the sense of merest simplest courage--from Adam down, would hardly aggregate one drop. There are any number of reasons--as many as Bella had charms--to account for Lot’s having married her. But what she could have seen in him to make her wish or even willing to be married to him is a deep mystery to me. It may have been his family. I believe Bella lacked family: she was just a person. And was he not nephew to Abraham? But even being niece-in-law to Abraham himself seems insufficient compensation for being Lot’s Wife.

The Lots had two young daughters, one fifteen and one seventeen, it might be. I do not know their names--call them Ethel and Agnes. But they were of a recalcitrant temper and absorbed in their own racy pastimes among the younger youth of Sodom and they had no need of their mother. Besides, they ‘took after’ their father. So Bella was fain to turn outward in search of nurturing matter whereon to feed her humanness. Had it been expected of her to play fair with the patriarch she would have played fair. But it was not expected of her by anyone in Sodom--far from it, and least of all by the patriarch. She was eight-and-thirty, and Lot--_he_ was doubtless eight or nine hundred years old, after the surprising long-lived fashion of the period.