Hygienic Physiology : with Special Reference to the Use of Alcoholic Drinks and Narcotics
Part 6
4. _Ingrowing Nails_ are caused by pressure, which forces the edge of the toe nail into the flesh. They may be cured by carefully cutting away the part which has mal-grown, and then scraping the back of the nail till it is thin, making a small incision in the center, at the top. The two portions, uniting, will draw away the nail from the flesh at the edge. Ingrowing nails may be prevented by wearing broad-toed shoes.
5. _Warts_ are overgrown papillæ (Fig. 24). They may generally be removed by the application of glacial acetic acid, or a drop of nitric acid, repeated until the entire structure is softened. Care must be taken to keep the acid from touching the neighboring skin. The capricious character of warts has given rise to the popular delusion concerning the influence of charms upon them.
6. _Chilblain_ is a local inflammation affecting generally the feet, the hands, or the lobes of the ear. Liability to it usually passes away with manhood. It is not caused by "freezing the feet," as many suppose, though attacks are brought on, or aggravated, by exposure to cold, followed by sudden warming. Chilblain is subject to daily congestion (see Congestion), manifested by itching, soreness, etc., commonly occurring at night. The best preventive is a uniform temperature, and careful protection against the cold by warm clothing, especially for the feet.
PRACTICAL QUESTIONS.
1. If a hair be plucked out, will another grow in its place?
2. What causes the hair to "stand on end" when we are frightened?
3. Why is the skin roughened by riding in the cold?
4. Why is the back of a washerwoman's hand less water-soaked than the palm?
5. What would be the length of the perspiratory tubes in a single square inch of the palm, if placed end to end?
6. What colored clothing is best adapted to all seasons?
7. What is the effect of paint and powder on the skin?
8. Is waterproof clothing healthful for constant wear?
9. Why are rubbers cold to the feet?
10. Why does the heat seem oppressive when the air is moist?
11. Why is friction of the skin invigorating after a cold bath?
12. Why does the hair of domestic animals become roughened in winter?
13. Why do fowls spread their feathers before they perch for the night?
14. How can an extensive burn produce congestion of the lungs?
15. Why do we perspire so profusely after drinking cold water?
16. How can we best prevent skin diseases, colds, and rheumatism?
17. What causes the difference between the hard hand of a blacksmith and the soft hand of a woman?
18. Why should a painter avoid getting paint on the palm of his hand?
19. Why should we not use the soap or the soiled towel at a hotel?
20. Which teeth cut like a pair of scissors?
21. Which teeth cut like a chisel?
22. Which should be clothed the warmer, a merchant or a farmer? 23. Why should we not crack nuts with our teeth?
24. Do the edges of the upper and the lower teeth meet?
25. When fatigued, would you take a cold bath?
26. Why is the outer surface of a kid glove finer than the inner?
27. Why will a brunette endure the sun's rays better than a blonde?
28. Does patent leather form a healthful covering for the feet?
29. Why are men more frequently bald than women?
30. On what part of the head does baldness commonly occur? Why?
31. What does the combination in our teeth of canines and grinders suggest as to the character of our food?
32. Is a staid, formal promenade suitable exercise?
33. Is there any danger in changing the warm clothing of our daily wear for the thin one of a party?
34. Should we retain our overcoat, shawl, or furs when we come into a warm room?
35. Which should bathe the oftener, students or outdoor laborers?
36. Is abundant perspiration injurious?
37. How often should the ablution of the entire body be performed?
38. Why is cold water better than warm, for our daily ablution?
39. Why should our clothing always fit loosely?
40. Why should we take special pains to avoid clothing that is colored by poisonous dyestuffs? (See p. 296.)
41. What general principles should guide us as to the length and frequency of baths In salt or fresh water?
42. What is the beneficial effect of exercise upon the functions of the skin?
43. How can we best show our admiration and respect for the human body?
44. Why is the scar of a severe wound upon a negro sometimes white?
IV.
RESPIRATION AND THE VOICE.
"The smooth soft air with pulse-like waves Flows murmuring through its hidden caves, Whose streams of brightening purple rush, Fired with a new and livelier blush; While all their burden of decay The ebbing current steals away."
ANALYSIS OF RESPIRATION AND THE VOICE.
_ | 1. The Larnyx. _ | 2. The Vocal Cords. | 1. ORGANS OF VOICE.....| 3. Different Tones of Voice. | | 4. Speech. | |_5. Formation of Vocal Sounds. | _ | | 1. The Trachea. | | 2. The Bronchial Tubes. | 2. ORGANS OF RESPIRA- | 3. The Cells. | TION.........| 4. The Lung Wrapping. | |_5. The Cilia. | _ | | 1. Inspiration. | 3. HOW WE BREATHE......|_2. Expiration. | _ | | 1. Sighing. | | 2. Coughing. | | 3. Sneezing. | 4. MODIFICATIONS OF | 4. Snoring. | THE BREATH.......| 5. Laughing, and Crying. | | 6. Hiccough. | |_7. Yawning. | | 5. CAPACITY OF THE LUNGS. | _ | | 1. The Need of Air. | | 2. Action of Air in the Lungs. | | 3. Tests of the Breath. | | 4. Analysis of Expired Air. | | 5. Effect of Rebreathed Air. | | _ | 6. HYGIENE.............| | a. _The Sources of | | | Impurity._ | | | b. _The Sick Room._ | | 6. Concerning | c. _The Sitting Room._ | | the Need of | d. _The Bedroom._ | |_ Ventilation.| e. _The Church._ | | f. _The Schoolroom._ | | g. _How we should | |_ Ventilate._ | | 7. THE WONDERS OF RESPIRATION. | _ | | 1. Constriction of the Lungs. | | 2. Bronchitis. | | 3. Pleurisy. | | 4. Pneumonia. |_8. DISEASES............| 5. Consumption | 6. Asphyxia. | 7. Diptheria. | 8. Croup. |_9. Stammering.
RESPIRATION AND THE VOICE.
The Organs of Respiration and the Voice are the _larynx_, the _trachea_, and the _lungs_.
DESCRIPTION OF THE ORGANS OF THE VOICE.--l. _The Larynx_.--In the neck, is a prominence sometimes called Adam's apple. It is the front of the _larynx_. This is a small triangular, cartilaginous box, placed just below the root of the tongue, and at the top of the windpipe. The opening into it from the throat is called the _glottis_; and the cover, the _epiglottis_ (_epi_, upon; _glotta_, the tongue). The latter is a spoon-shaped lid, which opens when we breathe, but, by a nice arrangement, shuts when we try to swallow, and so lets our food slip over it into the _sophagus_ (e-sof'-a-gus), the tube leading from the pharynx to the stomach (Fig. 27).
If we laugh or talk when we swallow, our food is apt to "go the wrong way," _i. e._, little particles pass into the larynx, and the tickling sensation which they produce forces us to cough in order to expel the intruders.
2. _The Vocal Cords_.--On each side of the _glottis_ are the so- called _vocal cords_. They are not really cords, but merely elastic membranes projecting from the sides of the box across the opening. [Footnote: The cartilages and vocal cords may be readily seen in the larynx of an ox or sheep. If the flesh be cut off, the cartilages will dry, and will keep for years.] When not in use, they spread apart and leave a V-shaped orifice (Fig. 28), through which the air passes to and from the lungs. If the cords are tightened, the edges approach sometimes within 1/100 of an inch of each other, and, being thrown into vibration, cause corresponding vibrations in the current of air. Thus sound is produced in the same manner as by the vibrations of the tongues of an accordion, or the strings of a violin, only in this case the strings are scarcely an inch long.
FIG. 27.
DIFFERENT TONES OF THE VOICE.--The higher tones of the voice are produced when the cords are short, tight, and closely in contact; the lower, by the opposite conditions. Loudness is regulated by the quantity of air and force of expulsion. A falsetto voice is thought to be the result of a peculiarity in the pharynx (Fig. 27) at the back part of the nose; it is more probably produced by some muscular maneuver not yet fully understood. When boys are about fourteen years of age, the larynx enlarges, and the cords grow proportionately longer and coarser; hence, the voice becomes deeper, or, as we say, "changes." The peculiar harshness of the voice at this time seems to be due to a congestion of the mucous membrane of the cords. The change may occur very suddenly, the voice breaking in a single night.
FIG. 28.
Speech is voice modulated by the lips, tongue, [Footnote: The tongue is styled the "unruly member," and held responsible for all the tattling of the world; but when the tongue is removed, the adjacent organs in some way largely supply the deficiency, so that speech is still possible. Huxley describes the conversation of a man who had two and one half inches of his tongue preserved in spirits, and yet could converse intelligibly. Only the two letters _t_ and _d_ were beyond his power; the articulation of these involves the employment of the tip of the tongue; hence, "tin" he converted into "fin," and "dog" into "thog."] palate, and teeth. [Footnote: An artificial larynx may be made by using elastic bands to represent the vocal cords, and by placing above them chambers which by their resonance will produce the same effect as the cavities lying above the larynx. An artificial speaking machine was constructed by Kempelen, which could pronounce such sentences as, "I love you with all my heart," in different languages, by simply touching the proper keys.] Speech and voice are commonly associated, but speech may exist without the voice, for when we whisper we articulate the words, although there is no vocalization, _i. e._, no action of the larynx. [Footnote: We can observe this by placing the hand on the throat, and noticing the absence of vibrations when we whisper, and their presence when we talk. The difference between vocalization and non-vocalization is seen in a sigh and a groan, the latter being the former vocalized. Whistling is a pure mouth sound, and does not depend on the voice. Laughter is vocal, being the aspirated vowels, a, e, or o, convulsively repeated.] (See p. 297.)
FIG. 29.
FORMATION OF VOCAL SOUNDS.--The method of modulating voice into speech may be seen by producing the pure vowel sounds _a, e_, etc., from one expiration, the mouth being kept open while the form of the aperture is changed for each vowel by the tongue and the lips. _H_ is only an explosion, or forcible throwing of a vowel sound from the mouth. [Footnote: When, in sounding a vowel, the sound coincides with a sudden change in the position of the vocal cords from one of divergence to one of approximation, the vowel is pronounced with the _spiritus asper_. When the vocal cords are brought together before the blast of air begins, the vowel is pronounced with the _spiritus lenis._--FOSTER.]
The consonants, or short sounds, may also be made without interrupting the current of air, by various modifications of the vocal organs. In sounding singly any one of the letters, we can detect its peculiar requirements. Thus _m_ and _n_ can be made only by blocking the air in the mouth and sending it through the nose; _l_ lets the air escape at the sides of the tongue; _r_ needs a vibratory movement of the tongue; _b_ and _p_ stop the breath at the lips; _k_ and _g_ (hard), at the back of the palate. Consonants like _b_ and _d_ are abrupt, or, like _l_ and _s_, continuous. Those made by the lips are termed _labials_; those by pressing the tongue against the teeth, _dentals_; those by the tongue, _linguals_.
The child gains speech slowly, first learning to pronounce the vowel _a_, the consonants _b, m_, and _p_, and then their unions --_ba, ma, pa_.
DESCRIPTION OF THE ORGANS OF RESPIRATION.--Beneath the larynx is the windpipe, or _trachea_ (see Fig. 29), so called because of its roughness. It is strengthened by C-shaped cartilages with the openings behind, where they are attached to the sophagus. At the lower end, the trachea divides into two branches, called the right and left _bronchi_. These subdivide in the small bronchial tubes, which ramify through the lungs like the branches of a tree, the tiny twigs of which at last end in clusters of cells so small that there are six hundred million in all. This cellular structure renders the lungs exceedingly soft, elastic, and sponge-like. [Footnote: The lungs of slaughtered animals are vulgarly called "lights," probably on account of their lightness. They are similar in structure to those of man. They will float on water, and if a small piece be forcibly squeezed between the fingers (notice the creaking sound it gives), it will retain sufficient air to make it buoyant.]
FIG. 30.
The stiff, cartilaginous rings, so noticeable in the rough surface of the trachea and the bronchi, disappear as we reach the smaller bronchial tubes, so that while the former are kept constantly open for the free admission of air, the latter are provided with elastic fibers by which they may be almost closed.
WRAPPING OF THE LUNGS.--The lungs are invested with a double covering--the _pleura_--one layer being attached to the lungs and the other to the walls of the chest. It secretes a fluid which lubricates it, so that the layers glide upon each other with perfect ease. [Footnote: These pleural sacs are distinct and closed; hence, when the ribs are raised, a partial vacuum being formed in the sacs, air rushes in, and distends the pulmonary lobules.] The lungs are lined with mucous membrane, exceedingly delicate and sensitive to the presence of anything except pure air. We have all noticed this when we have breathed any thing offensive.
FIG. 31.
THE CILIA.--Along the air passages are minute filaments (_cilia_, Fig. 32), which are in constant motion, like a field of grain stirred by a gentle breeze. They serve to fan the air in the lungs, and produce an outward current, which is useful in catching dust and fine particles swept inward with the breath.
HOW WE BREATHE.--Respiration consists of two acts--taking in the air, or _inspiration_, and expelling the air, or _expiration_.
FIG. 32.
1. _Inspiration_.--When we draw in a full breath, we straighten the spine and throw the head and shoulders back, so as to give the greatest advantage to the muscles. [Footnote: If we examine the bony cage of the thorax or chest in Fig. 8, we shall see that the position of the ribs may alter its capacity in two ways.
1. As they run obliquely downward from the spine, if the sternum or breastbone be lifted in front, the diameter of the chest will be increased.
2. The ribs are fastened by elastic cartilages, which stretch as the muscles that lift the ribs contract, and so increase the breadth of the chest.]
At the same time, the diaphragm [Footnote: The diaphragm is the muscular partition between the chest and the abdomen. It is always convex toward the former, and concave toward the latter (Fig. 31). Long muscular fibers extend from its center toward the ribs in front and the spine at the back. When these contract, they depress and flatten the diaphragm; when they relax, it becomes convex again. In the former case, the bowels are pressed downward and the abdomen pushed outward; in the latter, the bowels spring upward, and the abdomen is drawn inward.] descends and presses the walls of the abdomen outward. Both these processes increase the size of the chest. Thereupon, the elastic lungs expand to occupy the extra space, while the air, rushing in through the windpipe, pours along the bronchial tubes and crowds into every cell. [Footnote: It is said that in drawing a full breath, the muscles exert a force equal to raising a weight of seven hundred and fifty pounds. When we are about to make a great effort, as in striking a heavy blow, we naturally take a deep inspiration, and shut the glottis. The confined air makes the chest tense and firm, and enables us to exert a greater force. As we let slip the blow, the glottis opens and the air escapes, often with a curious aspirated sound as is noticeable in workmen. To make a good shot with a rifle, we should take aim with a full chest and tight breath, since then the arms will have a steadier support.]
2. _Expiration_.--When we forcibly expel the air from our lungs, the operation is reversed. We bend forward, draw in the walls of the abdomen, and press the diaphragm upward, while the ribs are pulled downward,--all together diminishing the size of the chest, and forcing the air outward.
Ordinary, quiet breathing is performed mainly by the diaphragm,--one breath to every four beats of the heart, or eighteen per minute. (See p. 299.)
MODIFICATIONS OF THE BREATH.--_Sighing_ is merely a prolonged inspiration followed by an audible expiration. _Coughing_ is a violent expiration in which the air is driven through the mouth. _Sneezing_ differs from coughing, the air being forced through the nose. _Snoring_ is produced by the passage of the breath through the pharynx when the tongue and soft palate are in certain positions. [Footnote: The soft palate must have fallen back in such a manner as nearly or quite to close the entrance to the nasal cavity from the throat, and the tongue must also be thrown back so far as to leave only a narrow opening between it and the soft palate. The noise is produced by the air being forced either inward or outward through this opening. A snore results also when, with a closed mouth, the air is forced between the soft palate and the back wall of the pharynx into the nasal cavity. With deep breathing, perhaps accompanied by a variation in the position of the soft palate, a rattling noise may be heard in addition to the snoring, which is due to a vibration of the soft palate.--F. A. FERNALD, in "How we Sneeze, Laugh, Stammer, and Sigh."--_Popular Science Monthly_, Feb., 1884.] _Laughing_ and _crying_ are very much alike. The expression of the face is necessary to distinguish between them. The sounds are produced by short, rapid contractions of the diaphragm. _Hiccough_ is confined to inspiration. It is caused by a contraction of the diaphragm and a constriction of the glottis; the current of air just entering, as it strikes the closed glottis, gives rise to the well-known sound. _Yawning_, or _gaping_, is like sighing. [Footnote: The usefulness of a yawn lies in bringing up the arrears, as it were, of respiration, when it has fallen behindhand, either through fatigue or close attention to other occupation. The stretching of the jaws and limbs may also serve to equalize the nervous influence, certain muscles having become uneasy on account of being stretched or contracted for a long time.] It is distinguished by a wide opening of the mouth and a deep, profound inspiration. Both processes furnish additional air, and therefore probably meet a demand of the system for more oxygen. Frequently, however, they are like laughing, sobbing, etc., merely a sort of contagion, which runs through an audience, and seems almost irresistible.
THE CAPACITY OF THE LUNGS.--If we take a deep inspiration, and then forcibly exhale all the air we can expel from the lungs, this amount, which is termed the _breathing capacity_, will bear a very close correspondence to our stature. For a man of medium height (five feet eight inches) it will be about two hundred and thirty cubic inches, [Footnote: Of this amount, one hundred cubic inches can be forced in only by an extra effort, and is available for emergencies, or for purposes of training, as in singing, climbing, etc. It is of great importance, since, if the capacity of the lungs only equaled our daily wants, the least obstruction would prove fatal.] or a gallon, and for each inch of height between five and six feet there will be an increase of eight cubic inches. In addition, it is found that the lungs contain about one hundred cubic inches which can not be expelled, thus making their entire contents about three hundred and thirty cubic inches, or eleven pints. The extra amount always on hand in the lungs is of great value, since thereby the action of the air goes on continuously, even during a violent expiration. In ordinary breathing, only about twenty or thirty cubic inches (less than a pint) of air pass in and out.
THE NEED OF AIR.--The body needs food, clothing, sunshine, bathing, and. drink; but none of these wants is so pressing as that for air. The other demands may be met by occasional supplies, but air must be furnished every moment or we die. Now the vital element of the atmosphere is oxygen gas. [Footnote: See "Steele's Popular Chemistry," p. 30. The atmosphere consists of one fifth oxygen and four fifths nitrogen. The former is the active element; and the latter, the passive. Oxygen alone would be too stimulating, and must be restrained by the neutral nitrogen. Separately, either element of the air would kill us.] This is a stimulating, life- giving principle. No tonic will so invigorate as a few full, deep breaths of cold, pure air. Every organ will glow with the energy of the fiery oxygen.
ACTION OF THE AIR IN THE LUNGS.--In the delicate cells of the lungs, the air gives up its oxygen to the blood, and receives in turn carbonic-acid [Footnote: More properly _Carbon dioxide_.] gas and water, foul with waste matter which the blood has picked up in its circulation through the body. The blood, thus purified and laden with the inspiring oxygen, goes bounding through the system, while the air we exhale carries off the impurities. In this process, the blood changes from purple to red. If we examine our breath, we can readily see what it has removed from the blood.