How to Write Clearly: Rules and Exercises on English Composition

Chapter 3

Chapter 33,765 wordsPublic domain

When, however, one of two preceding nouns is decidedly superior to the other in emphasis, the more emphatic may be presumed to be the noun referred to by the pronoun, even though the noun of inferior emphasis intervenes. Thus: "At this moment the colonel came up, and took the place of the wounded general. _He_ gave orders to halt." Here _he_ would naturally refer to _colonel_, though _general_ intervenes. A _conjunction_ will often show that a pronoun refers to the subject of the preceding sentence, and not to another intervening noun. "The sentinel at once took aim at the approaching soldier, and fired. He _then_ retreated to give the alarm."

It is better to adhere, in most cases, to Rule 25, which may be called (Bain) the Rule of Proximity. The Rule of Emphasis, of which an instance was given in the last paragraph, is sometimes misleading. A distinction might be drawn by punctuating thus:

"David the father of Solomon, who slew Goliath." "David, the father of Solomon who built the Temple." But the propriety of omitting a comma in each case is questionable, and it is better to write so as not to be at the mercy of commas.

*26. Clauses that are grammatically connected should be kept as close together as possible.* (But see 55.) The introduction of parentheses violating this rule often produced serious ambiguity. Thus, in the following: "The result of these observations appears to be in opposition to the view now generally received in this country, that in muscular effort the substance of the muscle itself undergoes disintegration." Here it is difficult to tell whether the theory of "disintegration" is (1) "the result," or, as the absence of a comma after "be" would indicate, (2) "in opposition to the result of these observations." If (1) is intended, add "and to prove" after "country;" if (2), insert "which is" after "country."

There is an excessive complication in the following:--"It cannot, at all events, if the consideration demanded by a subject of such importance from any one professing to be a philosopher, be given, be denied that &c."

Where a speaker feels that his hearers have forgotten the connection of the beginning of the sentence, he should repeat what he has said; _e.g._ after the long parenthesis in the last sentence he should recommence, "it cannot, I say, be denied." In writing, however, this licence must be sparingly used.

A short parenthesis, or modifying clause, will not interfere with clearness, especially if antithesis he used, so as to show the connection between the different parts of the sentence, _e.g._ "A modern newspaper statement, _though probably true_, would be laughed at if quoted in a book as testimony; but the letter of a court gossip is thought good historical evidence if written some centuries ago." Here, to place "though probably true" at the beginning of the sentence would not add clearness, and would impair the emphasis of the contrast between "a modern newspaper statement" and "the letter of a court gossip."

*27. In conditional sentences, the antecedent clauses must be kept distinct from the consequent clauses.*--There is ambiguity in "The lesson intended to be taught by these manoeuvres will be lost, if the plan of operations is laid down too definitely beforehand, and the affair degenerates into a mere review." Begin, in any case, with the antecedent, "If the plan," &c. Next write, according to the meaning: (1) "If the plan is laid down, and the affair degenerates &c., then the lesson will be lost;" or (2) " ... then the lesson ... will be lost, and the affair degenerates into a mere review."

*28. Dependent clauses preceded by "that" should be kept distinct from those that are independent.*

Take as an example:

(1) "He replied that he wished to help them, and intended to make preparations accordingly."

This ought not to be used (though it sometimes is, for shortness) to mean:

(2) "He replied ..., and he intended."

In (1), "intended," having no subject, must be supposed to be connected with the nearest preceding verb, in the same mood and tense, that has a subject, _i.e._ "wished." It follows that (1) is a condensation of:

(3) "He replied that he wished ..., and that he intended."

(2), though theoretically free from ambiguity, is practically ambiguous, owing to a loose habit of repeating the subject unnecessarily. It would be better to insert a conjunctional word or a full stop between the two statements. Thus:

(4) "He replied that he wished to help them, and _indeed_ he intended," &c., or "He replied, &c. He intended, &c."

Where there is any danger of ambiguity, use (3) or (4) in preference to (1) or (2).

*29. When there are several infinitives, those that are dependent on the same word must be kept distinct from those that are not.*

"He said that he wished _to_ take his friend with him _to_ visit the capital and _to_ study medicine." Here it is doubtful whether the meaning is--

"He said that he wished to take his friend with him,

(1) _and also_ to visit the capital and study medicine," or

(2) "that his friend might visit the capital _and might also_ study medicine," or

(3) "on a visit to the capital, _and that he also_ wished to study medicine."

From the three different versions it will be perceived that this ambiguity must be met (_a_) by using "that" for "to," which allows us to repeat an auxiliary verb [_e.g._ "might" in (2)], and (_b_) by inserting conjunctions. As to insertions of conjunctions, see (37).

"In order to," and "for the purpose of," can be used to distinguish (wherever there is any ambiguity) between an infinitive that _expresses a purpose_, and an infinitive that does not, _e.g._ "He told his servant to call upon his friend, _to_ (in order to) give him information about the trains, and not to leave him till he started."

*30. The principle of suspense.* Write your sentence in such a way that, until he has come to the full stop, the reader may feel the sentence to be incomplete. In other words, keep your reader in _suspense_. _Suspense_ is caused (1) by placing the "if-clause" first, and not last, in a conditional sentence; (2) by placing participles before the words they qualify; (3) by using suspensive conjunctions, _e.g._ _not only_, _either_, _partly_, _on the one hand_, _in the first place_, &c.

The following is an example of an _unsuspended_ sentence. The sense _draggles_, and it is difficult to keep up one's attention.

"Mr. Pym was looked upon as the man of greatest experience in parliaments, | where he had served very long, | and was always a man of business, | being an officer in the Exchequer, | and of a good reputation generally, | though known to be inclined to the Puritan party; yet not of those furious resolutions (_Mod. Eng._ so furiously resolved) against the Church as the other leading men were, | and wholly devoted to the Earl of Bedford,--who had nothing of that spirit."

The foregoing sentence might have ended at any one of the eight points marked above. When suspended it becomes:--

"Mr. Pym, owing to his long service in Parliament in the Exchequer, was esteemed above all others for his Parliamentary experience and for his knowledge of business. He had also a good reputation generally; for, though openly favouring the Puritan party, he was closely devoted to the Earl of Bedford, and, like the Earl, had none of the fanatical spirit manifested against the Church by the other leading men."

*30 a. It is a violation of the principle of Suspense to introduce unexpectedly, at the end of a long sentence, some short and unemphatic clause beginning with (a) " ... not" or (b) " ... which."*

(_a_) "This reform has already been highly beneficial to all classes of our countrymen, and will, I am persuaded, encourage among us industry, self-dependence, and frugality, _and not, as some say, wastefulness_."

Write "not, as some say, wastefulness, but industry, self-dependence, and frugality."

(_b_) "After a long and tedious journey, the last part of which was a little dangerous owing to the state of the roads, we arrived safely at York, _which is a fine old town_."

*Exception.*--When the short final clause is intended to be unexpectedly unemphatic, it comes in appropriately, with something of the sting of an epigram. See (42). Thus:

"The old miser said that he should have been delighted to give the poor fellow a shilling, but most unfortunately he had left his purse at home--_a habit of his_."

Suspense naturally throws increased emphasis on the words for which we are waiting, _i.e._ on the end of the sentence. It has been pointed out above that *a monotony of final emphasis is objectionable, especially in letter writing and conversation*.

*31. Suspense must not be excessive.* _Excess of suspense_ is a common fault in boys translating from Latin. "Themistocles, having secured the safety of Greece, the Persian fleet being now destroyed, when he had unsuccessfully attempted to persuade the Greeks to break down the bridge across the Hellespont, hearing that Xerxes was in full flight, and thinking that it might be profitable to secure the friendship of the king, wrote as follows to him." The more English idiom is: "When Themistocles had secured the safety of Greece by the destruction of the Persian fleet, he made an unsuccessful attempt to persuade the Greeks to break down the bridge across the Hellespont. Soon afterwards, hearing &c."

A long suspense that would be intolerable in prose is tolerable in the introduction to a poem. See the long interval at the beginning of _Paradise Lost_ between "Of man's first disobedience" and "Sing, heavenly Muse." Compare also the beginning of _Paradise Lost_, Book II.:

"_High on a throne of royal state, which far Outshone the wealth of Ormuz and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold-- Satan exalted sat._"

with the opening of Keats' _Hyperion_:

"_Deep in the shady sadness of a vale, Far sunken from the healthy breath of morn, Far from the fiery noon and eve's one star-- Sat grey-haired Saturn, quiet as a stone._"

*32. In a long conditional sentence put the "if-clause," antecedent, or protasis, first.*

Everyone will see the flatness of "Revenge thy father's most unnatural murder, if thou didst ever love him," as compared with the suspense that forces an expression of agony from Hamlet in--

"_Ghost._ If thou didst ever thy dear father love-- _Hamlet._ O, God! _Ghost._ Revenge his foul and most unnatural murder."

The effect is sometimes almost ludicrous when the consequent is long and complicated, and when it precedes the antecedent or "if-clause." "I should be delighted to introduce you to my friends, and to show you the objects of interest in our city, and the beautiful scenery in the neighbourhood, if you were here." Where the "if-clause" comes last, it ought to be very emphatic: "if you were _only_ here."

The introduction of a clause with "if" or "though" in the middle of a sentence may often cause ambiguity, especially when a great part of the sentence depends on "that:" "His enemies answered that, for the sake of preserving the public peace, they would keep quiet for the present, though he declared that cowardice was the motive of the delay, and that for this reason they would put off the trial to a more convenient season." See (27).

*33. Suspense[13] is gained by placing a Participle or Adjective that qualifies the Subject, before the Subject.*

"_Deserted_ by his friends, he was forced to have recourse to those that had been his enemies." Here, if we write, "He, deserted by his friends, was forced &c.," _he_ is unduly emphasized; and if we write, "He was forced to have recourse to his enemies, having been deserted by his friends," the effect is very flat.

Of course we might sometimes write "He was deserted and forced &c." But this cannot be done where the "desertion" is to be not stated but implied.

Often, when a participle qualifying the subject is introduced late in the sentence, it causes positive ambiguity: "With this small force the general determined to attack the foe, _flushed_ with recent victory and _rendered_ negligent by success."

An excessive use of the _suspensive participle_ is French and objectionable: _e.g._ "_Careless_ by nature, and too much _engaged_ with business to think of the morrow, _spoiled_ by a long-established liberty and a fabulous prosperity, _having_ for many generations forgotten the scourge of war, we allow ourselves to drift on without taking heed of the signs of the times." The remedy is to convert the participle into a verb depending on a conjunction: "Because we are by nature careless, &c.;" or to convert the participle into a verb co-ordinate with the principal verb, _e.g._ "_We are_ by nature careless, &c., and therefore we _allow_ ourselves, &c."

*34. Suspensive Conjunctions, e.g. "either," "not only," "on the one hand," add clearness.*--Take the following sentence:--"You must take this extremely perilous course, in which success is uncertain, and failure disgraceful, as well as ruinous, or else the liberty of your country is endangered." Here, the meaning is liable to be misunderstood, till the reader has gone half through the sentence. Write "_Either_ you must," &c., and the reader is, from the first, prepared for an alternative. Other suspensive conjunctions or phrases are _partly_, _for our part_; _in the first place_; _it is true_; _doubtless_; _of course_; _though_; _on the one hand_.

*35. Repeat the Subject when the omission would cause ambiguity or obscurity.*--The omission is particularly likely to cause obscurity after a Relative standing as Subject:--

"He professes to be helping the nation, which in reality is suffering from his flattery, and (he? or it?) will not permit anyone else to give it advice."

The Relative should be repeated when it is the Subject of several Verbs. "All the pleasing illusions _which_ made power gentle and obedience liberal, _which_ harmonized the different shades of life, and _which_, by a bland assimilation, incorporated into politics the sentiments that beautify and soften private society, are to be dissolved by this new conquering empire of light and reason."

*36. Repeat a Preposition after an intervening Conjunction, especially if a Verb and an Object also intervene.*

"He forgets the gratitude that he owes to those that helped all his companions when he was poor and uninfluential, and (_to_) John Smith in particular." Here, omit _to_, and the meaning may be "that helped all his companions, and John Smith in particular." The intervention of the verb and object, "helped" and "companions," causes this ambiguity.

*37. When there are several Verbs at some distance from a Conjunction on which they depend, repeat the Conjunction.*[14]

"When we look back upon the havoc that two hundred years have made in the ranks of our national authors--and, above all, (_when_) we refer their rapid disappearance to the quick succession of new competitors--we cannot help being dismayed at the prospect that lies before the writers of the present day."

Here omit "when," and we at once substitute a parenthetical statement for what is really a subordinate clause.

In reporting a speech or opinion, "that" must be continually repeated, to avoid the danger of confusing what the writer says with what others say.

"We might say that the Cæsars did not persecute the Christians; (_that_) they only punished men who were charged, rightly or wrongly, with burning Rome, and committing the foulest abominations in secret assemblies; and (_that_) the refusal to throw frankincense on the altar of Jupiter was not the crime, but only evidence of the crime." But see (6 _b_).

*37 a. Repeat Verbs after the conjunctions "than," "as," &c.*

"I think he likes me better _than_ you;" _i.e._ either "than you like me," or "he likes you."

"Cardinal Richelieu hated Buckingham as sincerely as _did_ the Spaniard Olivares." Omit "did," and you cause ambiguity.

*38. If the sentence is so long that it is difficult to keep the thread of meaning unbroken, repeat the subject, or some other emphatic word, or a summary of what has been said.*

"Gold and cotton, banks and railways, crowded ports, and populous cities--_these_ are not the elements that constitute a great nation."

This repetition (though useful and, when used in moderation, not unpleasant) is more common with speakers than with writers, and with slovenly speakers than with good speakers.

"The country is in such a condition, that if we delay longer some fair measure of reform, sufficient at least to satisfy the more moderate, and much more, if we refuse all reform whatsoever--I say, if _we adopt so unwise a policy, the country is in such a condition_ that we may precipitate a revolution."

Where the relative is either implied (in a participle) or repeated, the antecedent must often be repeated also. In the following sentence we have the Subject repeated not only in the final summary, but also as the antecedent:--

"But if there were, in any part of the world, a national church regarded as heretical by four-fifths of the nation committed to its care; a _church_ established and maintained by the sword; a _church_ producing twice as many riots as conversions; a _church_ which, though possessing great wealth and power, and though long backed by persecuting laws, had, in the course of many generations, been found unable to propagate its doctrines, and barely able to maintain its ground; a _church_ so odious that fraud and violence, when used against its clear rights of property, were generally regarded as fair play; a _church_ whose ministers were preaching to desolate walls, and with difficulty obtaining their lawful subsistence by the help of bayonets,--_such a church_, on our principles, could not, we must own, be defended."

*39. It is a help to clearness, when the first part of the sentence prepares the way for the middle and the middle for the end, in a kind of ascent. This ascent is called "climax."*

In the following there are two climaxes, each of which has three terms:--

"To gossip(a) is a fault(b); to _libel_(a'), a _crime_(b'); to slander(a''), a _sin_(b'')."

In the following, there are several climaxes, and note how they contribute to the clearness of a long sentence:--

"Man, working, has _contrived_(a) the Atlantic Cable, but I declare that it _astonishes_(b) me far more to think _that for his mere amusement_(c), that to _entertain a mere idle hour_(c'), he has _created_(a') 'Othello' and 'Lear,' and I am more than astonished, I am _awe-struck_(b'), at that inexplicable elasticity of his nature which enables him, instead of _turning away_(d) from _calamity and grief_(e), or instead of merely _defying_(d') them, actually to _make them the material of his amusement_(d''), and to draw from the _wildest agonies of the human spirit_(e') a pleasure which is not only _not cruel_(f), but is in the highest degree _pure and ennobling_(f')."

The neglect of climax produces an abruptness that interferes with the even flow of thought. Thus, if Pope, in his ironical address to mankind, had written--

"Go, wondrous creature, mount where science guides; Go, measure earth, weigh air, and state the tides; Go, teach Eternal Wisdom how to rule"--

the ascent would have been too rapid. The transition from earth to heaven, and from investigating to governing, is prepared by the intervening climax--

"Instruct the planets in what orbs to run; Correct old Time, and regulate the Sun; Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair."

*40. When the thought is expected to ascend and yet descends, feebleness and sometimes confusion is the result. The descent is called "bathos."*

"What pen can describe the tears, the lamentations, the agonies, the _animated remonstrances_ of the unfortunate prisoners?"

"She was a woman of many accomplishments and virtues, graceful in her movements, winning in her address, a kind friend, a faithful and loving wife, a most affectionate mother, and she _played beautifully on the pianoforte_."

INTENTIONAL BATHOS has a humorous incongruity and abruptness that is sometimes forcible. For example, after the climax ending with the line--

"Go, teach Eternal Wisdom how to rule,"

Pope adds--

"Then drop into thyself, and be a _fool_."

*40 a. A new construction should not be introduced without cause.*--A sudden and apparently unnecessary change of construction causes awkwardness and roughness at least, and sometimes breaks the flow of the sentence so seriously as to cause perplexity. Thus, write "virtuous and accomplished," or "of many virtues and accomplishments," not "of many virtues and accomplished;" "riding or walking" or "on foot or horseback," not "on foot or riding." In the same way, do not put adjectives and participles, active and passive forms of verbs, in too close juxtaposition. Avoid such sentences as the following:--

"He had good reason _to believe_ that the delay was not _an accident_ (accidental) but _premeditated_, and _for supposing_ (to suppose, or else, for believing, above) that the fort, though strong both _by art_ and _naturally_ (nature), would be forced by the _treachery of the_ governor and the _indolent_ (indolence of the) general to capitulate within a week."

"They accused him of being _bribed_ (receiving bribes from) by the king and _unwilling_ (neglecting) to take the city."

*41. Antithesis adds force, and often clearness.*--The meaning of _liberal_ in the following sentence is ascertained by the antithesis:--

"All the pleasing illusions which made _power_(a) _gentle_(b) and _obedience_(a') _liberal_(b') ... are now to be destroyed."

There is a kind of proportion. As _gentleness_ is to _power_, so _liberality_ (in the sense here used) is to _obedience_. Now _gentleness_ is the check on the excess of power; therefore _liberal_ here applies to that which checks the excess of obedience, _i.e._ checks servility. Hence _liberal_ here means "free."

The contrast also adds force. "They aimed at the _rule_(a), not at the _destruction_(a'), of their country. They were men of great _civil_(b) and great _military_(b') talents, and, if the _terror_(c), the _ornament_(c') of their age."

Excessive antithesis is unnatural and wearisome:--

"Who can persuade where _treason_(a) is above _reason_(a'), and _might_(b) ruleth _right_(b'), and it is had for _lawful_(c) whatsoever is _lustful_(c'), and _commotioners_(d) are better than _commissioners_(d'), and _common woe_(e) is named common _wealth_(e')?"

*42. Epigram.*--It has been seen that the neglect of climax results in lameness. Sometimes the suddenness of the descent produces amusement: and when the descent is intentional and very sudden, the effect is striking as well as amusing. Thus:--

(1) "You are not only not vicious, you are virtuous," is a _climax_.

(2) "You are not vicious, you are vice," is not _climax_, nor is it _bathos_: it is _epigram_.[15]

Epigram may be defined as a "short sentence expressing truth under an amusing appearance of incongruity." It is often antithetical.

"The Russian grandees came to { and diamonds," _climax_. court dropping pearls { and vermin," _epigram_.

"These two nations were divided { and the bitter remembrance by mutual fear { of recent losses," _climax_. { and mountains," _epigram_.

There is a sort of implied antithesis in:--

"He is full of information--(but flat also) like yesterday's _Times_."

"Verbosity is cured (not by a small, but) by a large vocabulary."

The name of epigram may sometimes be given to a mere antithesis; _e.g._ "An educated man should know something of everything, and everything of something."

*43. Let each sentence have one, and only one, principal subject of thought.*