Category: How To ...

How to Write a Novel: A Practical Guide to the Art of Fiction

I am setting myself a task which some people would call very ambitious; others would call it by a name not quite so polite; and a considerable number would say it was positively absurd, accompanying their criticism with derisive laughter. Having discussed the possibility of te...

Chapters

1. CHAPTER I

2. CHAPTER II

3. CHAPTER III

4. CHAPTER IV

5. CHAPTER V

6. CHAPTER VI

7. CHAPTER VII

8. CHAPTER VIII

9. CHAPTER IX

10. CHAPTER X

11. CHAPTER XI

12. CHAPTER XII

13. CHAPTER I

I am setting myself a task which some people would call very ambitious; others would call it by a name not quite so polite; and a considerable number would say it was positively...

14. CHAPTER II

I said a moment ago that no teaching could impart a story. If you cannot invent one for yourself, by observation of life and sympathetic insight into human nature, you may depen...

15. CHAPTER III

You have now obtained your story--in its bare outlines, at least. The next question is, How are you to make a start? Well, that is an important question, and it cannot be evaded.

16. CHAPTER IV

In the plot previously outlined, which figure is supreme? It depends. In some senses the supremacy is not a matter of choice, but is decided by the nature of the story. If the m...

17. CHAPTER V

David Pryde has summed up the whole matter in a few well-chosen sentences: "Keeping the beginning and the end in view, we set out from the right starting-place, and go straight...

18. CHAPTER VI

One morning you opened your paper and found that Mr Simon St Clair had gone into Wales in search of local colour. What does local colour mean? The appearance of the country, the...

19. CHAPTER VII

I propose to show in this chapter that a literary artist can never afford to despise details. He may have genius enough to write a first-rate novel, and sell it rapidly in spite...

20. CHAPTER VIII

One can readily sympathise with the melancholy of a man who, after reading De Quincey, Macaulay, Addison, Lamb, Pater, and Stevenson, found that literary style was still a myste...

21. CHAPTER IX

The public has shown a deep interest in all details respecting the way in which writers produce their books; the food they eat, the clothes they wear, their weaknesses and their...

22. CHAPTER X

This is the way in which the question is most often stated, but the real question is more intelligently expressed by asking: Has the novel, as a form of literature, become obsol...

23. CHAPTER XI

The beginner in fiction often asks: Is it not best to prepare for novel-writing by writing short stories? The question is much to the point, and merits a careful answer.

24. CHAPTER XII

There are two kinds of success in fiction--commercial and literary; and sometimes a writer is able to combine the two. Thomas Hardy is an example of the writer who produces lite...