Public Domain

How To Listen To Music 7th Ed Hints And Suggestions To Untaught

The author is beholden to the Messrs. Harper & Brothers for permission to use a small portion of the material in Chapter I., the greater part of Chapter IV., and the Plates which were printed originally in one of their publications; also to the publishers of "The Looker-On" fo...

Chapters

6. Chapter 6

The clarinet (Plate VII.) is the most eloquent member of the wood-wind choir, and, except some of its own modifications or the modifications of the oboe and bassoon, the latest...

15. Chapter 15

Berlioz, less religious, less reverential, but equally fired by the solemnity and majesty of the matter given into his hands, wrote a work in which he placed his highest concept...

12. Chapter 12

I have heard a similar effect produced by Herr Niemann and Madame Lehmann, but could not convince myself that it was not an extremely venturesome experiment. Madame Schroeder-De...

13. Chapter 13

No one would go far astray who should estimate the extent and sincerity of a community's musical culture by the number of its chorus singers. Some years ago it was said that ove...

10. Chapter 10

While ostensibly studying jurisprudence at Heidelberg, Schumann devoted seven hours a day to the pianoforte and several to Jean Paul. It was this writer who moulded not only Sch...

3. Chapter 3

The amount and kind of pleasure which music gives him are frequently as much beyond his understanding and control as they are beyond the understanding and control of the man who...

7. Chapter 7

The word symphony has itself a singularly variegated history. Like many another term in music it was borrowed by the modern world from the ancient Greek. To those who coined it,...

2. Chapter 2

Ungracious as it might appear, it may yet not be amiss, therefore, at the very outset of an inquiry into the proper way in which to listen to music, to utter a warning against m...

14. Chapter 14

There is very little cultivation of choral music of the early ecclesiastical type, and that little is limited to the Church and a few choirs specially organized for its performa...

9. Chapter 9

Such a scheme falls naturally into four divisions, plainly differentiated from each other in respect of the style of composition and the manner of performance, both determined b...

5. Chapter 5

The string quartet, it will be seen, makes up nearly three-fourths of a well-balanced orchestra. It is the only choir which has numerous representation of its constituent units....

11. Chapter 11

Now the present generation has witnessed a revolution in operatic ideas which has lifted the poetical elements upon a plane not dreamed of when opera was merely a concert in cos...

8. Chapter 8

Concertos for pianoforte or violin are usually written in three movements, of which the first and last follow the symphonic model in respect of elaboration and form, and the sec...

16. Chapter 16

So writes Dr. Stainer, and it is his emotionalist against whom I uttered a warning in the introductory chapter of this book, when I called him a rhapsodist and described his mot...

4. Chapter 4

Similarly, too, does Beethoven describe the ascent into heaven and the descent into hell in the Credo of his mass in D. Beethoven's music, indeed, is full of tone-painting, and...

1. Chapter 1

The author is beholden to the Messrs. Harper & Brothers for permission to use a small portion of the material in Chapter I., the greater part of Chapter IV., and the Plates whic...

17. Chapter 17

Schumann, 49, 64, 132, 133, 139, 140, 141, 167, 188, 189, 190, 196, 254, 308, 310; his Romanticism, 188; and Jean Paul, 189; his pedal effects, 196; on popular judgment, 308, 31...