Part 2

Besides private customers, everybody knows that our Old Lady does all the banking business for the British Government. She pays the interest to each Stock-holder in the National Debt, receives certain portions of the revenue, &c. A separate set of offices is necessary, to keep all such accounts, and these Stock Offices contain the most varied and extensive collection of autographs extant. Those whom Fortune entitles to dividends, must, by themselves or by their agents, sign the Stock books. The last signature of Handel, the composer, and that upon which Henry Fauntleroy was condemned and executed, are among the foremost of these lions. Here, standing in a great long building of divers stories, looking dimly upward through iron gratings, and dimly downward through iron gratings, and into musty chambers diverging into the walls on either hand, you may muse upon the National Debt. All the sheep that ever came out of Northamptonshire, seem to have yielded up their skins to furnish the registers in which its accounts are kept. Sweating and wasting in this vast silent library, like manuscripts in a mouldy old convent, are the records of the Dividends that are, and have been, and of the Dividends unclaimed. Some men would sell their fathers into slavery, to have the rummaging of these old volumes. Some, who would let the Tree of Knowledge wither while they lay contemptuously at its feet, would bestir themselves to pluck at these leaves, like shipwrecked mariners. These are the books to profit by. This is the place for X. Y. Z. to hear of something to his advantage in. This is the land of Mr. Joseph Ady’s dreams. This is the dusty fountain whence those wondrous paragraphs occasionally flow into the papers, disclosing how a labouring thatcher has come into a hundred thousand pounds—a long, long way to come—and gone out of his wits—not half so far to go. Oh, wonderful Old Lady! threading the needle with the golden eye all through the labyrinth of the National Debt, and hiding it in such dry hay-stacks as are rotting here!

With all her wealth, and all her power, and all her business, and all her responsibilities, she is not a purse-proud Old Lady; but a dear, kind, liberal, benevolent Old Lady; so particularly considerate to her servants, that the meanest of them never speaks of her otherwise than with affection. Though her domestic rules are uncommonly strict; though she is very severe upon “mistakes,” be they ever so unintentional; though till lately she made her in-door servants keep good hours, and would not allow a lock to be turned or a bolt to be drawn after eleven at night, even to admit her dearly beloved Matthew Marshall himself—yet she exercises a truly tender and maternal care over her family of eight hundred strong. To benefit the junior branches, she has recently set aside a spacious room, and the sum of five hundred pounds, to form a library. With this handsome capital at starting, and eight shillings a year subscribed by the youngsters, an excellent collection of books will soon be formed. Here, from three till eight o’clock every lawful day, the subscribers can assemble for recreation or study; or, if they prefer it, they can take books to their homes. A member of the Committee of Management attends in turn during the specified hours—a self-imposed duty, in the highest degree creditable to, but no more than is to be expected from, the stewards of a Good Mistress; who, when any of her servants become superannuated, soothes declining age with a pension. The last published return states the number of pensioners at one hundred and ninety three; each of whom received on an average 161_l._, or an aggregate of upwards of 31,000_l._ per annum.

Her kindness is not unrequited. Whenever anything ails her, the assiduous attention of her people is only equalled by her own bounty to them. When dangerously ill of the Panic in 1825, and the outflow of her circulating medium was so violent that she was in danger of bleeding to death, some of her upper servants never left her for a fortnight. At the crisis of her disorder, on a memorable Saturday night (December the seventeenth) her Deputy-Governor—who even then had not seen his own children for a week—reached Downing Street “reeling with fatigue,” and was just able to call out to the King’s Ministers—then anxiously deliberating on the dear Old Lady’s case—that she was out of danger! Another of her managing men lost his life in his anxiety for her safety, during the burning of the Royal Exchange, in January, 1838. When the fire broke out, the cold was intense; and although he had but just recovered from an attack of the gout, he rushed to the rescue of his beloved Old Mistress, saw everything done that could be done for her safety, and died from his exertions. Although the Old Lady is now more hale and hearty than ever, two of the Senior Clerks sit up in turn every night, to watch over her; in which duty they are assisted by a company of Foot Guards.

The kind Old Lady of Threadneedle Street has, in short, managed to attach her dependants to her by the strongest of ties—that of love. So pleased are some with her service, that when even temporarily resting from it, they feel miserable. A late Chief Cashier never solicited but one holiday, and that for only a fortnight. In three days he returned expressing his extreme disgust with every sort of recreation but that afforded him by the Old Lady’s business. The last words of another old servant when on his death-bed, were, “Oh, that I could only die on the Bank steps!”

THE SERF OF POBEREZE.

The materials for the following tale were furnished to the writer while travelling last year near the spot on which the events it narrates took place. It is intended to convey a notion of some of the phases of Polish, or rather Russian serfdom (for, as truly explained by one of the characters in a succeeding page, it _is_ Russian), and of the catastrophes it has occasioned, not only in Catherine’s time, but occasionally at the present. The Polish nobles—themselves in slavery—earnestly desire the emancipation of their serfs, which Russian domination forbids.

The small town of Pobereze stands at the foot of a stony mountain, watered by numerous springs in the district of Podolia, in Poland. It consists of a mass of miserable cabins, with a Catholic chapel and two Greek churches in the midst, the latter distinguished by their gilded towers. On one side of the marketplace stands the only inn, and on the opposite side are several shops, from whose doors and windows look out several dirtily dressed Jews. At a little distance, on a hill covered with vines and fruit-trees, stands the Palace, which does not, perhaps, exactly merit such an appellation, but who would dare to call otherwise the dwelling of the lord of the domain?

On the morning when our tale opens, there had issued from this palace the common enough command to the superintendent of the estate, to furnish the master with a couple of strong boys, for service in the stables, and a young girl, to be employed in the wardrobe. Accordingly, a number of the best-looking young peasants of Olgogrod assembled in the broad avenue leading to the palace. Some were accompanied by their sorrowful and weeping parents, in all of whose hearts, however, rose the faint and whispered hope, “Perhaps it will not be _my_ child they will choose!”

Being brought into the court-yard of the palace, the Count Roszynski, with the several members of his family, had come out to pass in review his growing subjects. He was a small and insignificant-looking man, about fifty years of age, with deep-set eyes and overhanging brows. His wife, who was nearly of the same age, was immensely stout, with a vulgar face and a loud disagreeable voice. She made herself ridiculous in endeavouring to imitate the manners and bearing of the aristocracy, into whose sphere she and her husband were determined to force themselves, in spite of the humbleness of their origin. The father of the “Right Honourable” Count Roszynski was a valet, who, having been a great favourite with his master, amassed sufficient money to enable his son, who inherited it, to purchase the extensive estate of Olgogrod, and with it the sole proprietorship of 1600 human beings. Over them he had complete control; and, when maddened by oppression, if they dared resent, woe unto them! They could be thrust into a noisome dungeon, and chained by one hand from the light of day for years, until their very existence was forgotten by all except the jailer who brought daily their pitcher of water and morsel of dry bread.

Some of the old peasants say that Sava, father of the young peasant girl, who stands by the side of an old woman, at the head of her companions in the court-yard, is immured in one of these subterranean jails. Sava was always about the Count, who, it was said, had brought him from some distant land, with his little motherless child. Sava placed her under the care of an old man and woman, who had the charge of the bees in a forest near the palace, where he came occasionally to visit her. But once, six long months passed, and he did not come! In vain Anielka wept, in vain she cried, “Where is my father?”—No father appeared. At last it was said that Sava had been sent to a long distance with a large sum of money, and had been killed by robbers. In the ninth year of one’s life the most poignant grief is quickly effaced, and after six months Anielka ceased to grieve. The old people were very kind to her, and loved her as if she were their own child. That Anielka might be chosen to serve in the palace never entered their head, for who would be so barbarous as to take the child away from an old woman of seventy and her aged husband?

To-day was the first time in her life that she had been so far from home. She looked curiously on all she saw,—particularly on a young lady about her own age, beautifully dressed, and a youth of eighteen, who had apparently just returned from a ride on horseback, as he held a whip in his hand, whilst walking up and down examining the boys who were placed in a row before him. He chose two amongst them, and the boys were led away to the stables.

“And I choose this young girl,” said Constantia Roszynski, indicating Anielka; “she is the prettiest of them all. I do not like ugly faces about me.”

When Constantia returned to the drawing-room, she gave orders for Anielka to be taken to her apartments, and placed under the tutelage of Mademoiselle Dufour, a French maid, recently arrived from the first milliner’s shop in Odessa. Poor girl! when they separated her from her adopted mother, and began leading her towards the palace, she rushed, with a shriek of agony, from them, and grasped her old protectress tightly in her arms! They were torn violently asunder, and the Count Roszynski quietly asked, “Is it her daughter, or her grand-daughter?”

“Neither, my lord,—only an adopted child.”

“But who will lead the old woman home, as she is blind?”

“I will, my lord,” replied one of his servants, bowing to the ground; “I will let her walk by the side of my horse, and when she is in her cabin she will have her old husband,—they must take care of each other.”

So saying, he moved away with the rest of the peasants and domestics. But the poor old woman had to be dragged along by two men; for in the midst of her shrieks and tears she had fallen to the ground, almost without life.

And Anielka? They did not allow her to weep long. She had now to sit all day in the corner of a room to sew. She was expected to do everything well from the first; and if she did not, she was kept without food or cruelly punished. Morning and evening she had to help Mdlle. Dufour to dress and undress her mistress. But Constantia, although she looked with hauteur on everybody beneath her, and expected to be slavishly obeyed, was tolerably kind to the poor orphan. Her true torment began, when, on leaving her young lady’s room, she had to assist Mdlle. Dufour. Notwithstanding that she tried sincerely to do her best, she was never able to satisfy her, or to draw from her aught but harsh reproaches.

Thus two months passed.

One day Mdlle. Dufour went very early to confession, and Anielka was seized with an eager longing to gaze once more in peace and freedom on the beautiful blue sky and green trees, as she used to do when the first rays of the rising sun streamed in at the window of the little forest cabin. She ran into the garden. Enchanted by the sight of so many beautiful flowers, she went farther and farther along the smooth and winding walks, till she entered the forest. She who had been so long away from her beloved trees, roamed where they were thickest. Here she gazes boldly around. She sees no one! She is alone! A little farther on she meets with a rivulet which flows through the forest. Here she remembers that she has not yet prayed. She kneels down, and with hands clasped and eyes upturned she begins to sing in a sweet voice the Hymn to the Virgin.

As she went on she sang louder and with increased fervour. Her breast heaved with emotion, her eyes shone with unusual brilliancy; but when the hymn was finished she lowered her head, tears began to fall over her cheeks, until at last she sobbed aloud. She might have remained long in this condition, had not some one come behind her, saying, “Do not cry, my poor girl; it is better to sing than to weep.” The intruder raised her head, wiped her eyes with his handkerchief, and kissed her on the forehead.

It was the Count’s son, Leon!

“You must not cry,” he continued; “be calm, and when the filipony (pedlars) come, buy yourself a pretty handkerchief.” He then gave her a rouble and walked away. Anielka, after concealing the coin in her corset, ran quickly back to the palace.

Fortunately, Mdlle. Dufour had not yet returned, and Anielka seated herself in her accustomed corner. She often took out the rouble to gaze fondly upon it, and set to work to make a little purse, which, having fastened to a ribbon, she hung round her neck. She did not dream of spending it, for it would have deeply grieved her to part with the gift of the only person in the whole house who had looked kindly on her.

From this time Anielka remained always in her young mistress’s room; she was better dressed, and Mdlle. Dufour ceased to persecute her. To what did she owe this sudden change? Perhaps to a remonstrance from Leon. Constantia ordered Anielka to sit beside her whilst taking her lessons from her music-masters, and on her going to the drawing-room, she was left in her apartments alone. Being thus more kindly treated, Anielka lost by degrees her timidity; and when her young mistress, whilst occupied over some embroidery, would tell her to sing, she did so boldly and with a steady voice. A greater favour awaited her. Constantia, when unoccupied, began teaching Anielka to read in Polish; and Mdlle. Dufour thought it politic to follow the example of her mistress, and began to teach her French.

Meanwhile, a new kind of torment commenced. Having easily learnt the two languages, Anielka acquired an irresistible passion for reading. Books had for her the charm of the forbidden fruit, for she could only read by stealth at night, or when her mistress went visiting in the neighbourhood. The kindness hitherto shown her, for a time, began to relax. Leon had set off on a tour, accompanied by his old tutor, and a bosom friend as young, as gay, and as thoughtless as himself.

So passed the two years of Leon’s absence. When he returned, Anielka was seventeen, and had become tall and handsome. No one who had not seen her during this time, would have recognised her. Of this number was Leon. In the midst of perpetual gaiety and change, it was not possible he could have remembered a poor peasant girl; but in Anielka’s memory he had remained as a superior being, as her benefactor, as the only one who had spoken kindly to her, when poor, neglected, forlorn! When in some French romance she met with a young man of twenty, of a noble character and handsome appearance, she bestowed on him the name of Leon. The recollection of the kiss he had given her ever brought a burning blush to her cheek, and made her sigh deeply.

One day Leon came to his sister’s room. Anielka was there, seated in a corner at work. Leon himself had considerably changed; from a boy he had grown into a man. “I suppose Constantia,” he said, “you have been told what a good boy I am, and with what docility I shall submit myself to the matrimonial yoke, which the Count and Countess have provided for me?” and he began whistling, and danced some steps of the Mazurka.

“Perhaps you will be refused,” said Constantia coldly.

“Refused! Oh, no. The old Prince has already given his consent, and as for his daughter, she is desperately in love with me. Look at these moustachios, could anything be more irresistible?” and he glanced in the glass and twirled them round his fingers; then continuing in a graver tone, he said, “To tell the sober truth, I cannot say that I reciprocate. My intended is not at all to my taste. She is nearly thirty, and so thin that whenever I look at her, I am reminded of my old tutor’s anatomical sketches. But, thanks to her Parisian dress-maker, she makes up a tolerably good figure, and looks well in a Cachemere. Of all things, you know, I wished for a wife with an imposing appearance, and I don’t care about love. I find it’s not fashionable, and only exists in the exalted imagination of poets.”

“Surely people are in love with one another sometimes,” said the sister.

“Sometimes,” repeated Anielka, inaudibly. The dialogue had painfully affected her, and she knew not why. Her heart beat quickly, and her face was flushed, and made her look more lovely than ever.

“Perhaps. Of course we profess to adore every pretty woman,” Leon added abruptly. “But, my dear sister, what a charming ladies’ maid you have!” He approached the corner where Anielka sat, and bent on her a coarse familiar smile. Anielka, although a serf, was displeased, and returned it with a glance full of dignity. But when her eyes rested on the youth’s handsome face, a feeling, which had been gradually and silently growing in her young and inexperienced heart, predominated over her pride and displeasure. She wished ardently to recal herself to Leon’s memory, and half unconsciously raised her hand to the little purse which always hung round her neck. She took from it the rouble he had given her.

“See!” shouted Leon, “what a droll girl; how proud she is of her riches! Why, girl, you are a woman of fortune, mistress of a whole rouble!”

“I hope she came by it honestly,” said the old Countess, who at this moment entered.

At this insinuation, shame and indignation kept Anielka, for a time, silent. She replaced the money quickly in its purse, with the bitter thought that the few happy moments which had been so indelibly stamped upon her memory, had been utterly forgotten by Leon. To clear herself, she at last stammered out, seeing they all looked at her enquiringly, “Do you not remember, M. Leon, that you gave me this coin two years ago in the garden?”

“How odd!” exclaimed Leon, laughing, “do you expect me to remember all the pretty girls to whom I have given money? But I suppose you are right, or you would not have treasured up this unfortunate rouble as if it were a holy relic. You should not be a miser, child; money is made to be spent.”

“Pray, put an end to these jokes,” said Constantia impatiently; “I like this girl, and I will not have her teased. She understands my ways better than any one, and often puts me in good humour with her beautiful voice.”

“Sing something for me, pretty damsel,” said Leon, “and I will give you another rouble, a new and shining one.”

“Sing instantly,” said Constantia imperiously.

At this command Anielka could no longer stifle her grief; she covered her face with her hands, and wept violently.

“Why do you cry?” asked her mistress impatiently; “I cannot bear it; I desire you to do as you are bid.”

It might have been from the constant habit of slavish obedience, or a strong feeling of pride, but Anielka instantly ceased weeping. There was a moment’s pause, during which the old Countess went grumbling out of the room. Anielka chose the Hymn to the Virgin she had warbled in the garden, and as she sung, she prayed fervently;—she prayed for peace, for deliverance from the acute emotions which had been aroused within her. Her earnestness gave an intensity of expression to the melody, which affected her listeners. They were silent for some moments after its conclusion. Leon walked up and down with his arms folded on his breast. Was it agitated with pity for the accomplished young slave? or by any other tender emotion? What followed will show.

“My dear Constantia,” he said, suddenly stopping before his sister and kissing her hand, “will you do me a favour?”

Constantia looked enquiringly in her brother’s face without speaking.

“Give me this girl.”

“Impossible!”

“I am quite in earnest,” continued Leon, “I wish to offer her to my future wife. In the Prince her father’s private chapel they are much in want of a solo soprano.”

“I shall not give her to you,” said Constantia.

“Not as a free gift, but in exchange. I will give you instead a charming young negro—so black. The women in St. Petersburg and in Paris raved about him: but I was inexorable; I half-refused him to my princess.”

“No, no,” replied Constantia; “I shall be lonely without this girl, I am so used to her.”

“Nonsense! you can get peasant girls by the dozen; but a black page, with teeth whiter than ivory, and purer than pearls; a perfect original in his way; you surely cannot withstand. You will kill half the province with envy. A negro servant is the most fashionable thing going, and yours will be the first imported into the province.”

This argument was irresistible. “Well,” replied Constantia, “when do you think of taking her?”

“Immediately; to-day at five o’clock,” said Leon; and he went merrily out of the room. This then was the result of his cogitation—of Anielka’s Hymn to the Virgin. Constantia ordered Anielka to prepare herself for the journey, with as little emotion as if she had exchanged away a lap-dog, or parted with a parrot.

She obeyed in silence. Her heart was full. She went into the garden that she might relieve herself by weeping unseen. With one hand supporting her burning head, and the other pressed tightly against her heart, to stifle her sobs, she wandered on mechanically till she found herself by the side of the river. She felt quickly for her purse, intending to throw the rouble into the water, but as quickly thrust it back again, for she could not bear to part with the treasure. She felt as if without it she would be still more an orphan. Weeping bitterly, she leaned against the tree which had once before witnessed her tears.

By degrees the stormy passion within her gave place to calm reflection. This day she was to go away; she was to dwell beneath another roof, to serve another mistress. Humiliation! always humiliation! But at least it would be some change in her life. As she thought of this, she returned hastily to the palace that she might not, on the last day of her servitude, incur the anger of her young mistress.

Scarcely was Anielka attired in her prettiest dress, when Constantia came to her with a little box, from which she took several gay-coloured ribbons, and decked her in them herself, that the serf might do her credit in the new family. And when Anielka, bending down to her feet, thanked her, Constantia, with marvellous condescension, kissed her on her forehead. Even Leon cast an admiring glance upon her. His servant soon after came to conduct her to the carriage, and showing her where to seat herself, they rolled off quickly towards Radapol.