Hot corn: Life Scenes in New York Illustrated

Chapter VI., "The Home of Little Katy," and read over the story of the

Chapter 302,946 wordsPublic domain

death of that poor innocent, and you will better appreciate the description and illustration of that home and that dying scene.

'Twas then and there that that fallen mother was touched by a power greater than human strength--'twas then as she knelt over her dead child, she had said, "never, never, never, will I touch that accursed poison cup. Oh, God," she prayed, "take my child, my wronged and murdered child, and I will not repine; I will thank thee; I will praise thy name as my mother taught me to praise thee; as she loved and blessed, and prayed for me all her life, even after my fall, although hastened to her grave by my sin. Oh, my mother, forgive me; oh, my child, forgive me; oh, my God, forgive me, but let me live to repent, and be a mother and a blessing to my living child. Oh, my sister, where are you, cold and unforgiving sister, but for you I had not been here--why could you not forgive. Oh, God, canst thou?"

What was that still small voice that seemed to say in our ears, as she ceased speaking, and lay sobbing upon the breast of little Katy?

"Yes, sister, he can, he will, he has; rise, thy sins are forgiven thee."

Did she hear it too? Else, why did she instantly rise up, with dry eyes and calm, almost happy features?

It was then that I gained from her the secret of her sister's name, upon a promise that I did not keep--I could not keep--it was not my duty to keep it. But where has she gone? Has her sister got my letter?--has her heart at last been touched?--has she taken her away? If so, why has she not told me where? Long days and nights of anxiety have come and gone, and she comes not back to her home. Has despair worked its wonted result, and does the ocean wave roll over the mother and her child, in a suicide's watery grave?

"What would I give to know?"

"You must wait," said our sympathizing friend.

Yes, we must wait. Yet "Hope deferred maketh the heart sick."

"Have you been to see the woman who sent for you to-day?"

"No! It is nobody that I know. Some mistake."

Yes, it was some mistake.

"But she sent her name by the black woman, when she came the second time."

"I know it, but it is no one that I know. The name is utterly unknown to me. It is a French name. Some mistake." There was a mistake.

What prompted me to look again at the name? I knew it as well as I should if I looked at that paper a hundred times. Yet I was prompted to look at it once more. The desire was irresistible. Who has ever felt a longing after something unseen, unknown, unheard, undefined, something that he feels as though he must have or die, yet knows not how to obtain, may realize the intensity of my desire to see that paper once more. Where is it? This pocket, and that is searched, turned wrong side out, and turned back again; the table, floor, books, papers, hunted over, but nowhere can it be found. What has spirited it away? It could not blow out of the window, for there is no air stirring.

"It must," said the lady, "have gone down on the tea-tray--I will call Bridget."

A woman is worth a dozen men for thought, and this time she thought truly. It had gone down that way, and gone into the slop-bucket, and into the street.

"Bridget, will you take a lamp and go out and see if you can find it."

"Yes, sir, certainly, and I think I can."

Blessed hope. My friend was curious to know, what in the world I wanted of that piece of paper? "You say, you remember the name and number perfectly, and yet you act as though it was of the utmost value. I recollect seeing you once when you had lost a twenty dollar bill, as cool and careless as though it had been as worthless as this little scrap of paper. Now you act strangely, what can it mean?"

"I don't know--I know I want to see that paper. I cannot tell why."

"Well, you will soon be gratified. She has found it. Do wait, don't be so impatient to meet her at the foot of the stairs."

I did not wait though. I gave one glance at the soiled scrap--it was enough--the pen and ink name had faded out, but there were three words--talismanic words--in pencil marks, evidently added as an after-thought by her who had first written her name in ink--words which sent me out of the door, and half way to the next street, before that voice, sent after me from the stair-head, of "Do stop him, Bridget, he is crazy, to go out in this rain," had reached my ears. It did not stop me--I was gone beyond the reach of her voice. The girl stood amazed. She looked at the scrap of paper with about the same degree of astonishment as did the savage tribe at the white man's paper talk.

"Bring it to me, Bridget."

"He is gone, ma'am."

"Yes, yes, I know he is gone, bring it to me."

"I can't ma'am, he is gone."

"Not him, Bridget, the paper, the paper. I want to see what is on it, that has driven that man out at this hour, in such a rainy night."

The girl looked at the door just closed, shutting the man out in the rain, then she examined the corner where the cane and umbrella usually stood, to be sure they had gone out too, that she had not been dreaming all the while; then she gave a glance at the table to satisfy herself that the hat had gone with the cane and umbrella; then she looked again at the paper, to see what magic power that might possess, to do such midnight deeds. Papers have great power. Poor Bridget, she could not read, but she could feel, and she knew that there was a cause--the effect she had seen.

"Bridget, what is the matter? are you frightened to death?"

"Yes, ma'am. No, ma'am--only speechless. Did you ever see the like? that that little dirty scrap of paper, I picked out of the gutter, should send the gentleman out of the house faster than I ever saw him go before in the year and a half I have been with you. What does it mean? Will you please to tell me, what these little marks mean? What does it read? There now, you can see them good. Please, read them to me, ma'am."

"Little Katy's Mother."

"Is that all?"

"Yes, and quite enough. I wonder not he went so quickly. I almost fancy I can--

'By the lamp dimly burning, or the pale moonlight-- See where he goes--'

almost past whole house fronts at a single stride. If a cart is in the way at the crossing he will not go around--two steps and he is over. If there is a bell at the door, take care, or the wires will crack. If a knocker, it will thunder loud this night. Woe to the watchman, who, thinking he may be a runaway burglar, puts out a hand to stop him in his walk. The bull, that butted the locomotive, made equal speed in his intent. He went down--the steam went on."

"Is he mad, ma'am?"

"No, Bridget, only enthusiastic. If he is mad,

'There is method in his madness,'

he is only very much interested about a woman."

"Oh, yes, ma'am, I understand it now. I have seen gentlemen often mad after women. I suppose little Katy, then, is his child."

"Oh, no, Bridget, you are all wrong. She is not his child."

"Oh, well, ma'am, then, I suppose, she is somebody's else child. And if her mother is an interesting woman, I don't see as there is anything so very wrong about the matter. What am I all wrong about, ma'am?"

"Little Katy is dead."

"Oh, is she? I am sure then I am very sorry. Can I do anything about helping to get her ready to be buried?"

"No, she was buried long ago. You may see her grave some day in Greenwood Cemetery."

"I don't see, then, what was the gentleman's great hurry, if nobody is sick and nobody to be buried."

"Perhaps the mother is sick--perhaps in want--perhaps some unknown power has drawn him to her assistance. I have seen stranger things than that. This is a strange world."

"Indeed it is, ma'am. And there is a strange noise in the street." And she looked from the window.

"What can it be, Bridget, there is a crowd around our area fence, and see, there is a woman under the steps by the basement door. Go down and see what is the matter. Are you afraid? Well then, I will go with you; it is somebody that a parcel of brutal men and boys are persecuting. No matter who, or what she is, she is a woman, and should be protected."

So down they went and she said to them, "Oh men, men, where is your manhood, thus to hunt a woman through the streets? Have you forgotten that mothers bore you in pain into this world? Have you no daughters, no sisters, are you savages--wolves--is this a lamb or stricken deer, that ye trail by her bloody track?"

"No, ma'am," said a bull pup looking boy, "she is drunk, and we is just having a little fun with her, that is all."

God of mercy! Didst thou make man in thine own image, and yet leave him void of that heavenly attribute--mercy! Why, "a merciful man is merciful to his beast," and yet these images of their Maker hunt this poor woman through the streets of a Christian city, as savages hunt tigers through the jungles of Africa--for fun. What for? "She is drunk." A potent reason, surely. Who made her so? How came she drunk? Who is she, what is she? No matter, she is a woman, in distress at a woman's door, and she must, she shall be protected. There is a commotion in the crowd. The human blood-hounds are about to lose their prey--They want more _fun_.

"Bring her out Bill, never mind the women--it is none of their business--bring her out and let us see her run again. She is a real '2.40' nag."

And they shouted and screamed like so many wild Indians.

What but savages are they? True they had white skins and Christian clothes, and spoke the language of a civilized nation, and dwelt in "one of the first cities in the world." Yet they pursued a poor, young, helpless female, like a hunted hare through the streets, and now press hard upon her two protectors; one a delicate, sickly lady, the other a timid servant girl, with a cry to Bill, the leader, to "bring her out"--to drag her by force from where she has sunk down upon the very threshold of a house which she hopes may offer her protection, yet she dares not ask it. Shame has overcome her, she buries her face in her hands as she sits crouched up in a corner, but neither looks up nor speaks. The crowd press forward, the servant shrinks back, the lady stands firm, with a determination to protect or perish.

Can she do it? What can a woman without strength, do against a pack of loosened blood-hounds, already licking their chops with delight at the sight of their prey?

"Drag her out, some of ye, down there, why don't ye," screamed a human tiger, in the rear of the crowd; "don't mind that woman, she is no better than the gal. Let me in and I'll bring her."

A strong hand is laid upon the poor girl's arm, and for the first time she looks up, but ventures not a word. The look was enough. It appealed to a woman's heart for protection--an appeal that never failed. How can she protect the helpless with her feeble strength, against the brutal force of rum crazed men and vicious boys, who shout, "drag her out, drag her out."

Will they do it? They heed not the appealing look of their victim--their object of sport--_fun_--fun for them, death to her. They heed not the appealing words of her who would protect. God help you, poor soul, you have drank wine--you are drunk in the streets at midnight--you have none but those who are as weak as yourself, to save you, poor, timid, stricken fawn.

"Drag her out, drag her out." How it rung in her ears! How those terrible words went down into her soul!

Succor is at hand.

There was a shout, a yell, a horrid scream of anguish, a few hurried oaths, a pushing, shoving, care-for-self-only struggle among the crowd, as a shower of smoking water fell among them, and they were gone.

The lady turned her eyes, and there stood Mrs. McTravers, in her night cap, pail in hand, her effective engine of war.

"Oh, Mrs. McTravers, how could you scald them?"

"Didn't they deserve it, the brutes?"

"Yes, yes; no, not so bad as that. I am afraid you have put out their eyes."

"Oh, never fear that. Didn't I timper it, like 'the wind to the shorn lamb,' just warm enough to wash the faces of the dirty spalpeens, and give them a good fright? How the cowards did run. What were they afraid of? I had spent all my ammunition in the first volley. This is nothing but cold water, and that never hurt anybody. It is a pity the scurvy dogs did not use more of it every day, and nothing else. They would never chase poor girls through the streets, if they drank nothing but water."

"Come, young woman, you can get up now and go home, if you have any to go to, and if you have not, what are you going to do with yourself?"

"Why, Mrs. McTravers, we will take her in and put her to bed, and let her sleep till morning."

"Take her in? What, take a common street-walker in to disgrace your house?"

"Indeed, my dear, good, kind lady," said the object of their conversation, now for the first time speaking. "I am no street-walker--I am not what you take me for. Do not--pray do not, force me to go into the street again to-night. Let me lay here on the door-sill till daylight."

"Never! It shall never be said I refused to give shelter to one of my own sex in distress, no matter what she is or has been. Mrs. McTravers, she must have a bed in the house to-night."

"I should like to know then where you will find it. Every bed in the house is full."

"I will give her mine then, and sleep myself on the floor."

"No, no, no, let me sleep on the floor--on the hearth--on the stones in the back-yard, rather than go in the street again, but I won't sleep in your bed."

"Well, well, come with me to my room. I will make you a bed on the floor, and you shall sleep there."

"Sure, sure, Heaven will bless you; and if you knew all you would forgive me, for I am not so bad as you think I am, or as that woman thinks I am."

"Oh, never mind what she says, she has a good heart after all. Come, come along with me."

"Did you ever see the like of it. She is going to take that thing to her room, a miserable tramper; I dare say the house will be robbed before morning. I will pick up the spoons, and lock all the closets, before I go to bed again. Dear me, did anybody ever see such a woman as that? She never sees a woman in rags, but she wants to pull off her shawl, and give her. I dare say, she won't let this girl out of the house to-morrow till she has all her draggled clothes washed and fixed up, and may be then will send for a carriage to take her away. It is a great plague to anybody to have such a tender heart. It is all the time getting them into trouble.

"There, now I believe the silver is all safe, but mercy knows what will become of this night's adventure. So much for getting drunk. What does anybody want to get drunk for? There was McTravers, the brute, always getting drunk. I am sure, I love a little bitters to clear my throat in the morning, and a glass or two of wine at dinner, and a little hot stuff as I am going to bed, but as for getting drunk--bah--I hate anybody that gets drunk. Oh, dear, this night air, I wish I had not wasted all the hot water on the drunken dogs, for I do feel as though I wanted a dram now, and no more water--what will I do? I must take a little cold, or I shall not sleep a wink to-night. Bah, how I hate drunkards."

What for, Mrs. McTravers, why should you hate your own manufacture?

Let the reader reflect; there is a night before him.

When the curtain rises, we shall see what the author saw last night.