Chapter 1

preserve some virtues even when committing that horrible sin.--The story is now that my wife went abroad in a ship that was wrecked; she is supposed to be dead. I have lived alone for seven years!--Enough for this evening, Maurice. We will talk of my situation when I have grown used to the idea of speaking of it to you. When we suffer from a chronic disease, it needs time to become accustomed to improvement. That improvement often seems to be merely another aspect of the complaint.’

“I went to bed greatly agitated; for the mystery, far from being explained, seemed to me more obscure than ever. I foresaw some strange drama indeed, for I understood that there could be no vulgar difference between the woman that Count could choose and such a character as his. The events which had driven the Countess to leave a man so noble, so amiable, so perfect, so loving, so worthy to be loved, must have been singular, to say the least. M. de Grandville’s remark had been like a torch flung into the caverns over which I had so long been walking; and though the flame lighted them but dimly, my eyes could perceive their wide extent! I could imagine the Count’s sufferings without knowing their depths or their bitterness. That sallow face, those parched temples, those overwhelming studies, those moments of absentmindedness, the smallest details of the life of this married bachelor, all stood out in luminous relief during the hour of mental questioning, which is, as it were, the twilight before sleep, and to which any man would have given himself up, as I did.

“Oh! how I loved my poor master! He seemed to me sublime. I read a poem of melancholy, I saw perpetual activity in the heart I had accused of being torpid. Must not supreme grief always come at last to stagnation? Had this judge, who had so much in his power, ever revenged himself? Was he feeding himself on her long agony? Is it not a remarkable thing in Paris to keep anger always seething for ten years? What had Octave done since this great misfortune--for the separation of husband and wife is a great misfortune in our day, when domestic life has become a social question, which it never was of old?

“We allowed a few days to pass on the watch, for great sorrows have a diffidence of their own; but at last, one evening, the Count said in a grave voice:

“‘Stay.’

“This, as nearly as may be, is his story.

“‘My father had a ward, rich and lovely, who was sixteen at the time when I came back from college to live in this old house. Honorine, who had been brought up by my mother, was just awakening to life. Full of grace and of childish ways, she dreamed of happiness as she would have dreamed of jewels; perhaps happiness seemed to her the jewel of the soul. Her piety was not free from puerile pleasures; for everything, even religion, was poetry to her ingenuous heart. She looked to the future as a perpetual fete. Innocent and pure, no delirium had disturbed her dream. Shame and grief had never tinged her cheek nor moistened her eye. She did not even inquire into the secret of her involuntary emotions on a fine spring day. And then, she felt that she was weak and destined to obedience, and she awaited marriage without wishing for it. Her smiling imagination knew nothing of the corruption--necessary perhaps--which literature imparts by depicting the passions; she knew nothing of the world, and was ignorant of all the dangers of society. The dear child had suffered so little that she had not even developed her courage. In short, her guilelessness would have led her to walk fearless among serpents, like the ideal figure of Innocence a painter once created. We lived together like two brothers.

“‘At the end of a year I said to her one day, in the garden of this house, by the basin, as we stood throwing crumbs to the fish:

“‘“Would you like that we should be married? With me you could do whatever you please, while another man would make you unhappy.”

“‘“Mamma,” said she to my mother, who came out to join us, “Octave and I have agreed to be married----”

“‘“What! at seventeen?” said my mother. “No, you must wait eighteen months; and if eighteen months hence you like each other, well, your birth and fortunes are equal, you can make a marriage which is suitable, as well as being a love match.”

“‘When I was six-and-twenty, and Honorine nineteen, we were married. Our respect for my father and mother, old folks of the Bourbon Court, hindered us from making this house fashionable, or renewing the furniture; we lived on, as we had done in the past, as children. However, I went into society; I initiated my wife into the world of fashion; and I regarded it as one of my duties to instruct her.

“‘I recognized afterwards that marriages contracted under such circumstances as ours bear in themselves a rock against which many affections are wrecked, many prudent calculations, many lives. The husband becomes a pedagogue, or, if you like, a professor, and love perishes under the rod which, sooner or later, gives pain; for a young and handsome wife, at once discreet and laughter-loving, will not accept any superiority above that with which she is endowed by nature. Perhaps I was in the wrong? During the difficult beginnings of a household I, perhaps, assumed a magisterial tone? On the other hand, I may have made the mistake of trusting too entirely to that artless nature; I kept no watch over the Countess, in whom revolt seemed to me impossible? Alas! neither in politics nor in domestic life has it yet been ascertained whether empires and happiness are wrecked by too much confidence or too much severity! Perhaps again, the husband failed to realize Honorine’s girlish dreams? Who can tell, while happy days last, what precepts he has neglected?’

“I remember only the broad outlines of the reproaches the Count addressed to himself, with all the good faith of an anatomist seeking the cause of a disease which might be overlooked by his brethren; but his merciful indulgence struck me then as really worthy of that of Jesus Christ when He rescued the woman taken in adultery.

“‘It was eighteen months after my father’s death--my mother followed him to the tomb in a few months--when the fearful night came which surprised me by Honorine’s farewell letter. What poetic delusion had seduced my wife? Was it through her senses? Was it the magnetism of misfortune or of genius? Which of these powers had taken her by storm or misled her?--I would not know. The blow was so terrible, that for a month I remained stunned. Afterwards, reflection counseled me to continue in ignorance, and Honorine’s misfortunes have since taught me too much about all these things.--So far, Maurice, the story is commonplace enough; but one word will change it all: I love Honorine, I have never ceased to worship her. From the day when she left me I have lived on memory; one by one I recall the pleasures for which Honorine no doubt had no taste.

“‘Oh!’ said he, seeing the amazement in my eyes, ‘do not make a hero of me, do not think me such a fool, as the Colonel of the Empire would say, as to have sought no diversion. Alas, my boy! I was either too young or too much in love; I have not in the whole world met with another woman. After frightful struggles with myself, I tried to forget; money in hand, I stood on the very threshold of infidelity, but there the memory of Honorine rose before me like a white statue. As I recalled the infinite delicacy of that exquisite skin, through which the blood might be seen coursing and the nerves quivering; as I saw in fancy that ingenuous face, as guileless on the eve of my sorrows as on the day when I said to her, “Shall we marry?” as I remembered a heavenly fragrance, the very odor of virtue, and the light in her eyes, the prettiness of her movements, I fled like a man preparing to violate a tomb, who sees emerging from it the transfigured soul of the dead. At consultations, in Court, by night, I dream so incessantly of Honorine that only by excessive strength of mind do I succeed in attending to what I am doing and saying. This is the secret of my labors.

“‘Well, I felt no more anger with her than a father can feel on seeing his beloved child in some danger it has imprudently rushed into. I understood that I had made a poem of my wife--a poem I delighted in with such intoxication, that I fancied she shared the intoxication. Ah! Maurice, an indiscriminating passion in a husband is a mistake that may lead to any crime in a wife. I had no doubt left all the faculties of this child, loved as a child, entirely unemployed; I had perhaps wearied her with my love before the hour of loving had struck for her! Too young to understand that in the constancy of the wife lies the germ of the mother’s devotion, she mistook this first test of marriage for life itself, and the refractory child cursed life, unknown to me, nor daring to complain to me, out of sheer modesty perhaps! In so cruel a position she would be defenceless against any man who stirred her deeply.--And I, so wise a judge as they say--I, who have a kind heart, but whose mind was absorbed--I understood too late these unwritten laws of the woman’s code, I read them by the light of the fire that wrecked my roof. Then I constituted my heart a tribunal by virtue of the law, for the law makes the husband a judge: I acquitted my wife, and I condemned myself. But love took possession of me as a passion, the mean, despotic passion which comes over some old men. At this day I love the absent Honorine as a man of sixty loves a woman whom he must possess at any cost, and yet I feel the strength of a young man. I have the insolence of the old man and the reserve of a boy.--My dear fellow, society only laughs at such a desperate conjugal predicament. Where it pities a lover, it regards a husband as ridiculously inept; it makes sport of those who cannot keep the woman they have secured under the canopy of the Church, and before the Maire’s scarf of office. And I had to keep silence.

“‘Serizy is happy. His indulgence allows him to see his wife; he can protect and defend her; and, as he adores her, he knows all the perfect joys of a benefactor whom nothing can disturb, not even ridicule, for he pours it himself on his fatherly pleasures. “I remain married only for my wife’s sake,” he said to me one day on coming out of court.

“‘But I--I have nothing; I have not even to face ridicule, I who live solely on a love which is starving! I who can never find a word to say to a woman of the world! I who loathe prostitution! I who am faithful under a spell!--But for my religious faith, I should have killed myself. I have defied the gulf of hard work; I have thrown myself into it, and come out again alive, fevered, burning, bereft of sleep!----’

“I cannot remember all the words of this eloquent man, to whom passion gave an eloquence indeed so far above that of the pleader that, as I listened to him, I, like him, felt my cheeks wet with tears. You may conceive of my feelings when, after a pause, during which we dried them away, he finished his story with this revelation:--

“‘This is the drama of my soul, but it is not the actual living drama which is at this moment being acted in Paris! The interior drama interests nobody. I know it; and you will one day admit that it is so, you, who at this moment shed tears with me; no one can burden his heart or his skin with another’s pain. The measure of our sufferings is in ourselves.--You even understand my sorrows only by very vague analogy. Could you see me calming the most violent frenzy of despair by the contemplation of a miniature in which I can see and kiss her brow, the smile on her lips, the shape of her face, can breathe the whiteness of her skin; which enables me almost to feel, to play with the black masses of her curling hair?--Could you see me when I leap with hope--when I writhe under the myriad darts of despair--when I tramp through the mire of Paris to quell my irritation by fatigue? I have fits of collapse comparable to those of a consumptive patient, moods of wild hilarity, terrors as of a murderer who meets a sergeant of police. In short, my life is a continual paroxysm of fears, joy, and dejection.

“‘As to the drama--it is this. You imagine that I am occupied with the Council of State, the Chamber, the Courts, Politics.--Why, dear me, seven hours at night are enough for all that, so much are my faculties overwrought by the life I lead! Honorine is my real concern. To recover my wife is my only study; to guard her in her cage, without her suspecting that she is in my power; to satisfy her needs, to supply the little pleasure she allows herself, to be always about her like a sylph without allowing her to see or to suspect me, for if she did, the future would be lost,--that is my life, my true life.--For seven years I have never gone to bed without going first to see the light of her night-lamp, or her shadow on the window curtains.

“‘She left my house, choosing to take nothing but the dress she wore that day. The child carried her magnanimity to the point of folly! Consequently, eighteen months after her flight she was deserted by her lover, who was appalled by the cold, cruel, sinister, and revolting aspect of poverty--the coward! The man had, no doubt, counted on the easy and luxurious life in Switzerland or Italy which fine ladies indulge in when they leave their husbands. Honorine has sixty thousand francs a year of her own. The wretch left the dear creature expecting an infant, and without a penny. In the month of November 1820 I found means to persuade the best _accoucheur_ in Paris to play the part of a humble suburban apothecary. I induced the priest of the parish in which the Countess was living to supply her needs as though he were performing an act of charity. Then to hide my wife, to secure her against discovery, to find her a housekeeper who would be devoted to me and be my intelligent confidante--it was a task worthy of Figaro! You may suppose that to discover where my wife had taken refuge I had only to make up my mind to it.

“‘After three months of desperation rather than despair, the idea of devoting myself to Honorine with God only in my secret, was one of those poems which occur only to the heart of a lover through life and death! Love must have its daily food. And ought I not to protect this child, whose guilt was the outcome of my imprudence, against fresh disaster--to fulfil my part, in short, as a guardian angel?--At the age of seven months her infant died, happily for her and for me. For nine months more my wife lay between life and death, deserted at the time when she most needed a manly arm; but this arm,’ said he, holding out his own with a gesture of angelic dignity, ‘was extended over her head. Honorine was nursed as she would have been in her own home. When, on her recovery, she asked how and by whom she had been assisted, she was told--“By the Sisters of Charity in the neighborhood--by the Maternity Society--by the parish priest, who took an interest in her.”

“‘This woman, whose pride amounts to a vice, has shown a power of resistance in misfortune, which on some evenings I call the obstinacy of a mule. Honorine was bent on earning her living. My wife works! For five years past I have lodged her in the Rue Saint-Maur, in a charming little house, where she makes artificial flowers and articles of fashion. She believes that she sells the product of her elegant fancywork to a shop, where she is so well paid that she makes twenty francs a day, and in these six years she had never had a moment’s suspicion. She pays for everything she needs at about the third of its value, so that on six thousand francs a year she lives as if she had fifteen thousand. She is devoted to flowers, and pays a hundred crowns to a gardener, who costs me twelve hundred in wages, and sends me in a bill for two thousand francs every three months. I have promised the man a market-garden with a house on it close to the porter’s lodge in the Rue Saint-Maur. I hold this ground in the name of a clerk of the law courts. The smallest indiscretion would ruin the gardener’s prospects. Honorine has her little house, a garden, and a splendid hothouse, for a rent of five hundred francs a year. There she lives under the name of her housekeeper, Madame Gobain, the old woman of impeccable discretion whom I was so lucky as to find, and whose affection Honorine has won. But her zeal, like that of the gardener, is kept hot by the promise of reward at the moment of success. The porter and his wife cost me dreadfully dear for the same reasons. However, for three years Honorine has been happy, believing that she owes to her own toil all the luxury of flowers, dress, and comfort.

“‘Oh! I know what you are about to say,’ cried the Count, seeing a question in my eyes and on my lips. ‘Yes, yes; I have made the attempt. My wife was formerly living in the Faubourg Saint-Antoine. One day when, from what Gobain told me, I believed in some chance of a reconciliation, I wrote by post a letter, in which I tried to propitiate my wife--a letter written and re-written twenty times! I will not describe my agonies. I went from the Rue Payenne to the Rue de Reuilly like a condemned wretch going from the Palais de Justice to his execution, but he goes on a cart, and I was on foot. It was dark--there was a fog; I went to meet Madame Gobain, who was to come and tell me what my wife had done. Honorine, on recognizing my writing, had thrown the letter into the fire without reading it.--“Madame Gobain,” she had exclaimed, “I leave this to-morrow.”

“‘What a dagger-stroke was this to a man who found inexhaustible pleasure in the trickery by which he gets the finest Lyons velvet at twelve francs a yard, a pheasant, a fish, a dish of fruit, for a tenth of their value, for a woman so ignorant as to believe that she is paying ample wages with two hundred and fifty francs to Madame Gobain, a cook fit for a bishop.

“‘You have sometimes found me rubbing my hands in the enjoyment of a sort of happiness. Well, I had just succeeded in some ruse worthy of the stage. I had just deceived my wife--I had sent her by a purchaser of wardrobes an Indian shawl, to be offered to her as the property of an actress who had hardly worn it, but in which I--the solemn lawyer whom you know--had wrapped myself for a night! In short, my life at this day may be summed up in the two words which express the extremes of torment--I love, and I wait! I have in Madame Gobain a faithful spy on the heart I worship. I go every evening to chat with the old woman, to hear from her all that Honorine has done during the day, the lightest word she has spoken, for a single exclamation might betray to me the secrets of that soul which is wilfully deaf and dumb. Honorine is pious; she attends the Church services and prays, but she has never been to confession or taken the Communion; she foresees what a priest would tell her. She will not listen to the advice, to the injunction, that she should return to me. This horror of me overwhelms me, dismays me, for I have never done her the smallest harm. I have always been kind to her. Granting even that I may have been a little hasty when teaching her, that my man’s irony may have hurt her legitimate girlish pride, is that a reason for persisting in a determination which only the most implacable hatred could have inspired? Honorine has never told Madame Gobain who she is; she keeps absolute silence as to her marriage, so that the worthy and respectable woman can never speak a word in my favor, for she is the only person in the house who knows my secret. The others know nothing; they live under the awe caused by the name of the Prefect of Police, and their respect for the power of a Minister. Hence it is impossible for me to penetrate that heart; the citadel is mine, but I cannot get into it. I have not a single means of action. An act of violence would ruin me for ever.

“‘How can I argue against reasons of which I know nothing? Should I write a letter, and have it copied by a public writer, and laid before Honorine? But that would be to run the risk of a third removal. The last cost me fifty thousand francs. The purchase was made in the first instance in the name of the secretary whom you succeeded. The unhappy man, who did not know how lightly I sleep, was detected by me in the act of opening a box in which I had put the private agreement; I coughed, and he was seized with a panic; next day I compelled him to sell the house to the man in whose name it now stands, and I turned him out.

“‘If it were not that I feel all my noblest faculties as a man satisfied, happy, expansive; if the part I am playing were not that of divine fatherhood; if I did not drink in delight by every pore, there are moments when I should believe that I was a monomaniac. Sometimes at night I hear the jingling bells of madness. I dread the violent transitions from a feeble hope, which sometimes shines and flashes up, to complete despair, falling as low as man can fall. A few days since I was seriously considering the horrible end of the story of Lovelace and Clarissa Harlowe, and saying to myself, if Honorine were the mother of a child of mine, must she not necessarily return under her husband’s roof?

“‘And I have such complete faith in a happy future, that ten months ago I bought and paid for one of the handsomest houses in the Faubourg Saint-Honore. If I win back Honorine, I will not allow her to see this house again, nor the room from which she fled. I mean to place my idol in a new temple, where she may feel that life is altogether new. That house is being made a marvel of elegance and taste. I have been told of a poet who, being almost mad with love for an actress, bought the handsomest bed in Paris without knowing how the actress would reward his passion. Well, one of the coldest of lawyers, a man who is supposed to be the gravest adviser of the Crown, was stirred to the depths of his heart by that anecdote. The orator of the Legislative Chamber can understand the poet who fed his ideal on material possibilities. Three days before the arrival of Maria Louisa, Napoleon flung himself on his wedding bed at Compiegne. All stupendous passions have the same impulses. I love as a poet--as an emperor!’

“As I heard the last words, I believed that Count Octave’s fears were realized; he had risen, and was walking up and down, and gesticulating, but he stopped as if shocked by the vehemence of his own words.

“‘I am very ridiculous,’ he added, after a long pause, looking at me, as if craving a glance of pity.

“‘No, monsieur, you are very unhappy.’

“‘Ah yes!’ said he, taking up the thread of his confidences. ‘From the violence of my speech you may, you must believe in the intensity of a physical passion which for nine years has absorbed all my faculties; but that is nothing in comparison with the worship I feel for the soul, the mind, the heart, all in that woman; the enchanting divinities in the train of Love, with whom we pass our life, and who form the daily poem of a fugitive delight. By a phenomenon of retrospection I see now the graces of Honorine’s mind and heart, to which I paid little heed in the time of my happiness--like all who are happy. From day to day I have appreciated the extent of my loss, discovering the exquisite gifts of that capricious and refractory young creature who has grown so strong and so proud under the heavy hand of poverty and the shock of the most cowardly desertion. And that heavenly blossom is fading in solitude and hiding!--Ah! The law of which we were speaking,’ he went on with bitter irony, ‘the law is a squad of gendarmes--my wife seized and dragged away by force! Would not that be to triumph over a corpse? Religion has no hold on her; she craves its poetry, she prays, but she does not listen to the commandments of the Church. I, for my part, have exhausted everything in the way of mercy, of kindness, of love; I am at my wits’ end. Only one chance of victory is left to me; the cunning and patience with which bird-catchers at last entrap the wariest birds, the swiftest, the most capricious, and the rarest. Hence, Maurice, when M. de Grandville’s indiscretion betrayed to you the secret of my life, I ended by regarding this incident as one of the decrees of fate, one of the utterances for which gamblers listen and pray in the midst of their most impassioned play.... Have you enough affection for me to show me romantic devotion?’

“‘I see what you are coming to, Monsieur le Comte,’ said I, interrupting him; ‘I guess your purpose. Your first secretary tried to open your deed box. I know the heart of your second--he might fall in love with your wife. And can you devote him to destruction by sending him into the fire? Can any one put his hand into a brazier without burning it?’

“‘You are a foolish boy,’ replied the Count. ‘I will send you well gloved. It is no secretary of mine that will be lodged in the Rue Saint-Maur in the little garden-house which I have at his disposal. It is my distant cousin, Baron de l’Hostal, a lawyer high in office...”

“After a moment of silent surprise, I heard the gate bell ring, and a carriage came into the courtyard. Presently the footman announced Madame de Courteville and her daughter. The Count had a large family connection on his mother’s side. Madame de Courteville, his cousin, was the widow of a judge on the bench of the Seine division, who had left her a daughter and no fortune whatever. What could a woman of nine-and-twenty be in comparison with a young girl of twenty, as lovely as imagination could wish for an ideal mistress?

“‘Baron, and Master of Appeals, till you get something better, and this old house settled on her,--would not you have enough good reasons for not falling in love with the Countess?’ he said to me in a whisper, as he took me by the hand and introduced me to Madame de Courteville and her daughter.

“I was dazzled, not so much by these advantages of which I had never dreamed, but by Amelie de Courteville, whose beauty was thrown into relief by one of those well-chosen toilets which a mother can achieve for a daughter when she wants to see her married.

“But I will not talk of myself,” said the Consul after a pause.

“Three weeks later I went to live in the gardener’s cottage, which had been cleaned, repaired, and furnished with the celerity which is explained by three words: Paris; French workmen; money! I was as much in love as the Count could possibly desire as a security. Would the prudence of a young man of five-and-twenty be equal to the part I was undertaking, involving a friend’s happiness? To settle that matter, I may confess that I counted very much on my uncle’s advice; for I had been authorized by the Count to take him into confidence in any case where I deemed his interference necessary. I engaged a garden; I devoted myself to horticulture; I worked frantically, like a man whom nothing can divert, turning up the soil of the market-garden, and appropriating the ground to the culture of flowers. Like the maniacs of England, or of Holland, I gave it out that I was devoted to one kind of flower, and especially grew dahlias, collecting every variety. You will understand that my conduct, even in the smallest details, was laid down for me by the Count, whose whole intellectual powers were directed to the most trifling incidents of the tragi-comedy enacted in the Rue Saint-Maur. As soon as the Countess had gone to bed, at about eleven at night, Octave, Madame Gobain, and I sat in council. I heard the old woman’s report to the Count of his wife’s least proceedings during the day. He inquired into everything: her meals, her occupations, her frame of mind, her plans for the morrow, the flowers she proposed to imitate. I understood what love in despair may be when it is the threefold passion of the heart, the mind, and the senses. Octave lived only for that hour.

“During two months, while my work in the garden lasted, I never set eyes on the little house where my fair neighbor dwelt. I had not even inquired whether I had a neighbor, though the Countess’ garden was divided from mine by a paling, along which she had planted cypress trees already four feet high. One fine morning Madame Gobain announced to her mistress, as a disastrous piece of news, the intention, expressed by an eccentric creature who had become her neighbor, of building a wall between the two gardens, at the end of the year. I will say nothing of the curiosity which consumed me to see the Countess! The wish almost extinguished my budding love for Amelie de Courteville. My scheme for building a wall was indeed a dangerous threat. There would be no more fresh air for Honorine, whose garden would then be a sort of narrow alley shut in between my wall and her own little house. This dwelling, formerly a summer villa, was like a house of cards; it was not more than thirty feet deep, and about a hundred feet long. The garden front, painted in the German fashion, imitated a trellis with flowers up to the second floor, and was really a charming example of the Pompadour style, so well called rococo. A long avenue of limes led up to it. The gardens of the pavilion and my plot of ground were in the shape of a hatchet, of which this avenue was the handle. My wall would cut away three-quarters of the hatchet.

“The Countess was in despair.

“‘My good Gobain,’ said she, ‘what sort of man is this florist?’

“‘On my word,’ said the housekeeper, ‘I do not know whether it will be possible to tame him. He seems to have a horror of women. He is the nephew of a Paris cure. I have seen the uncle but once; a fine old man of sixty, very ugly, but very amiable. It is quite possible that this priest encourages his nephew, as they say in the neighborhood, in his love of flowers, that nothing worse may happen----’

“‘Why--what?’

“‘Well, your neighbor is a little cracked!’ said Gobain, tapping her head!

“Now a harmless lunatic is the only man whom no woman ever distrusts in the matter of sentiment. You will see how wise the Count had been in choosing this disguise for me.

“‘What ails him then?’ asked the Countess.

“‘He has studied too hard,’ replied Gobain; ‘he has turned misanthropic. And he has his reasons for disliking women--well, if you want to know all that is said about him----’

“‘Well,’ said Honorine, ‘madmen frighten me less than sane folks; I will speak to him myself! Tell him that I beg him to come here. If I do not succeed, I will send for the cure.’

“The day after this conversation, as I was walking along my graveled path, I caught sight of the half-opened curtains on the first floor of the little house, and of a woman’s face curiously peeping out. Madame Gobain called me. I hastily glanced at the Countess’ house, and by a rude shrug expressed, ‘What do I care for your mistress!’

“‘Madame,’ said Gobain, called upon to give an account of her errand, ‘the madman bid me leave him in peace, saying that even a charcoal seller is master in his own premises, especially when he has no wife.’

“‘He is perfectly right,’ said the Countess.

“‘Yes, but he ended by saying, “I will go,” when I told him that he would greatly distress a lady living in retirement, who found her greatest solace in growing flowers.’

“Next day a signal from Gobain informed me that I was expected. After the Countess’ breakfast, when she was walking to and fro in front of her house, I broke out some palings and went towards her. I had dressed myself like a countryman, in an old pair of gray flannel trousers, heavy wooden shoes, and shabby shooting coat, a peaked cap on my head, a ragged bandana round my neck, hands soiled with mould, and a dibble in my hand.

“‘Madame,’ said the housekeeper, ‘this good man is your neighbor.’

“The Countess was not alarmed. I saw at last the woman whom her own conduct and her husband’s confidences had made me so curious to meet. It was in the early days of May. The air was pure, the weather serene; the verdure of the first foliage, the fragrance of spring formed a setting for this creature of sorrow. As I then saw Honorine I understood Octave’s passion and the truthfulness of his description, ‘A heavenly flower!’

“Her pallor was what first struck me by its peculiar tone of white--for there are as many tones of white as of red or blue. On looking at the Countess, the eye seemed to feel that tender skin, where the blood flowed in the blue veins. At the slightest emotion the blood mounted under the surface in rosy flushes like a cloud. When we met, the sunshine, filtering through the light foliage of the acacias, shed on Honorine the pale gold, ambient glory in which Raphael and Titian, alone of all painters, have been able to enwrap the Virgin. Her brown eyes expressed both tenderness and vivacity; their brightness seemed reflected in her face through the long downcast lashes. Merely by lifting her delicate eyelids, Honorine could cast a spell; there was so much feeling, dignity, terror, or contempt in her way of raising or dropping those veils of the soul. She could freeze or give life by a look. Her light-brown hair, carelessly knotted on her head, outlined a poet’s brow, high, powerful, and dreamy. The mouth was wholly voluptuous. And to crown all by a grace, rare in France, though common in Italy, all the lines and forms of the head had a stamp of nobleness which would defy the outrages of time.

“Though slight, Honorine was not thin, and her figure struck me as being one that might revive love when it believed itself exhausted. She perfectly represented the idea conveyed by the word _mignonne_, for she was one of those pliant little women who allow themselves to be taken up, petted, set down, and taken up again like a kitten. Her small feet, as I heard them on the gravel, made a light sound essentially their own, that harmonized with the rustle of her dress, producing a feminine music which stamped itself on the heart, and remained distinct from the footfall of a thousand other women. Her gait bore all the quarterings of her race with so much pride, that, in the street, the least respectful working man would have made way for her. Gay and tender, haughty and imposing, it was impossible to understand her, excepting as gifted with these apparently incompatible qualities, which, nevertheless, had left her still a child. But it was a child who might be as strong as an angel; and, like the angel, once hurt in her nature, she would be implacable.

“Coldness on that face must no doubt be death to those on whom her eyes had smiled, for whom her set lips had parted, for those whose soul had drunk in the melody of that voice, lending to her words the poetry of song by its peculiar intonation. Inhaling the perfume of violets that accompanied her, I understood how the memory of this wife had arrested the Count on the threshold of debauchery, and how impossible it would be ever to forget a creature who really was a flower to the touch, a flower to the eye, a flower of fragrance, a heavenly flower to the soul.... Honorine inspired devotion, chivalrous devotion, regardless of reward. A man on seeing her must say to himself:

“‘Think, and I will divine your thought; speak, and I will obey. If my life, sacrificed in torments, can procure you one day’s happiness, take my life, I will smile like a martyr at the stake, for I shall offer that day to God, as a token to which a father responds on recognizing a gift to his child.’ Many women study their expression, and succeed in producing effects similar to those which would have struck you at first sight of the Countess; only, in her, it was all the outcome of a delightful nature, that inimitable nature went at once to the heart. If I tell you all this, it is because her soul, her thoughts, the exquisiteness of her heart, are all we are concerned with, and you would have blamed me if I had not sketched them for you.

“I was very near forgetting my part as a half-crazy lout, clumsy, and by no means chivalrous.

“‘I am told, madame, that you are fond of flowers?’

“‘I am an artificial flower-maker,’ said she. ‘After growing flowers, I imitate them, like a mother who is artist enough to have the pleasure of painting her children.... That is enough to tell you that I am poor and unable to pay for the concession I am anxious to obtain from you?’

“‘But how,’ said I, as grave as a judge, ‘can a lady of such rank as yours would seem to be, ply so humble a calling? Have you, like me, good reasons for employing your fingers so as to keep your brains from working?’

“‘Let us stick to the question of the wall,’ said she, with a smile.

“‘Why, we have begun at the foundations,’ said I. ‘Must not I know which of us ought to yield to the other in behalf of our suffering, or, if you choose, of our mania?--Oh! what a charming clump of narcissus! They are as fresh as this spring morning!’

“I assure you, she had made for herself a perfect museum of flowers and shrubs, which none might see but the sun, and of which the arrangement had been prompted by the genius of an artist; the most heartless of landlords must have treated it with respect. The masses of plants, arranged according to their height, or in single clumps, were really a joy to the soul. This retired and solitary garden breathed comforting scents, and suggested none but sweet thoughts and graceful, nay, voluptuous pictures. On it was set that inscrutable sign-manual, which our true character stamps on everything, as soon as nothing compels us to obey the various hypocrisies, necessary as they are, which Society insists on. I looked alternately at the mass of narcissus and at the Countess, affecting to be far more in love with the flowers than with her, to carry out my part.

“‘So you are very fond of flowers?’ said she.

“‘They are,’ I replied, ‘the only beings that never disappoint our cares and affection.’ And I went on to deliver such a diatribe while comparing botany and the world, that we ended miles away from the dividing wall, and the Countess must have supposed me to be a wretched and wounded sufferer worthy of her pity. However, at the end of half an hour my neighbor naturally brought me back to the point; for women, when they are not in love, have all the cold blood of an experienced attorney.

“‘If you insist on my leaving the paling,’ said I, ‘you will learn all the secrets of gardening that I want to hide; I am seeking to grow a blue dahlia, a blue rose; I am crazy for blue flowers. Is not blue the favorite color of superior souls? We are neither of us really at home; we might as well make a little door of open railings to unite our gardens.... You, too, are fond of flowers; you will see mine, I shall see yours. If you receive no visitors at all, I, for my part, have none but my uncle, the Cure of the White Friars.’

“‘No,’ said she, ‘I will give you the right to come into my garden, my premises at any hour. Come and welcome; you will always be admitted as a neighbor with whom I hope to keep on good terms. But I like my solitude too well to burden it with any loss of independence.’

“‘As you please,’ said I, and with one leap I was over the paling.

“‘Now, of what use would a door be?’ said I, from my own domain, turning round to the Countess, and mocking her with a madman’s gesture and grimace.

“For a fortnight I seemed to take no heed of my neighbor. Towards the end of May, one lovely evening, we happened both to be out on opposite sides of the paling, both walking slowly. Having reached the end, we could not help exchanging a few civil words; she found me in such deep dejection, lost in such painful meditations, that she spoke to me of hopefulness, in brief sentences that sounded like the songs with which nurses lull their babies. I then leaped the fence, and found myself for the second time at her side. The Countess led me into the house, wishing to subdue my sadness. So at last I had penetrated the sanctuary where everything was in harmony with the woman I have tried to describe to you.

“Exquisite simplicity reigned there. The interior of the little house was just such a dainty box as the art of the eighteenth century devised for the pretty profligacy of a fine gentleman. The dining-room, on the ground floor, was painted in fresco, with garlands of flowers, admirably and marvelously executed. The staircase was charmingly decorated in monochrome. The little drawing-room, opposite the dining-room, was very much faded; but the Countess had hung it with panels of tapestry of fanciful designs, taken off old screens. A bath-room came next. Upstairs there was but one bedroom, with a dressing-room, and a library which she used as her workroom. The kitchen was beneath in the basement on which the house was raised, for there was a flight of several steps outside. The balustrade of a balcony in garlands a la Pompadour concealed the roof; only the lead cornices were visible. In this retreat one was a hundred leagues from Paris.

“But for the bitter smile which occasionally played on the beautiful red lips of this pale woman, it would have been possible to believe that this violet buried in her thicket of flowers was happy. In a few days we had reached a certain degree of intimacy, the result of our close neighborhood and of the Countess’ conviction that I was indifferent to women. A look would have spoilt all, and I never allowed a thought of her to be seen in my eyes. Honorine chose to regard me as an old friend. Her manner to me was the outcome of a kind of pity. Her looks, her voice, her words, all showed that she was a hundred miles away from the coquettish airs which the strictest virtue might have allowed under such circumstances. She soon gave me the right to go into the pretty workshop where she made her flowers, a retreat full of books and curiosities, as smart as a boudoir where elegance emphasized the vulgarity of the tools of her trade. The Countess had in the course of time poetized, as I may say, a thing which is at the antipodes to poetry--a manufacture.

“Perhaps of all the work a woman can do, the making of artificial flowers is that of which the details allow her to display most grace. For coloring prints she must sit bent over a table and devote herself, with some attention, to this half painting. Embroidering tapestry, as diligently as a woman must who is to earn her living by it, entails consumption or curvature of the spine. Engraving music is one of the most laborious, by the care, the minute exactitude, and the intelligence it demands. Sewing and white embroidery do not earn thirty sous a day. But the making of flowers and light articles of wear necessitates a variety of movements, gestures, ideas even, which do not take a pretty woman out of her sphere; she is still herself; she may chat, laugh, sing, or think.

“There was certainly a feeling for art in the way in which the Countess arranged on a long deal table the myriad-colored petals which were used in composing the flowers she was to produce. The saucers of color were of white china, and always clean, arranged in such order that the eye could at once see the required shade in the scale of tints. Thus the aristocratic artist saved time. A pretty little cabinet with a hundred tiny drawers, of ebony inlaid with ivory, contained the little steel moulds in which she shaped the leaves and some forms of petals. A fine Japanese bowl held the paste, which was never allowed to turn sour, and it had a fitted cover with a hinge so easy that she could lift it with a finger-tip. The wire, of iron and brass, lurked in a little drawer of the table before her.

“Under her eyes, in a Venetian glass, shaped like a flower-cup on its stem, was the living model she strove to imitate. She had a passion for achievement; she attempted the most difficult things, close racemes, the tiniest corollas, heaths, nectaries of the most variegated hues. Her hands, as swift as her thoughts, went from the table to the flower she was making, as those of an accomplished pianist fly over the keys. Her fingers seemed to be fairies, to use Perrault’s expression, so infinite were the different actions of twisting, fitting, and pressure needed for the work, all hidden under grace of movement, while she adapted each motion to the result with the lucidity of instinct.

“I could not tire of admiring her as she shaped a flower from the materials sorted before her, padding the wire stem and adjusting the leaves. She displayed the genius of a painter in her bold attempts; she copied faded flowers and yellowing leaves; she struggled even with wildflowers, the most artless of all, and the most elaborate in their simplicity.

“‘This art,’ she would say, ‘is in its infancy. If the women of Paris had a little of the genius which the slavery of the harem brings out in Oriental women, they would lend a complete language of flowers to the wreaths they wear on their head. To please my own taste as an artist I have made drooping flowers with leaves of the hue of Florentine bronze, such as are found before or after the winter. Would not such a crown on the head of a young woman whose life is a failure have a certain poetical fitness? How many things a woman might express by her head-dress! Are there not flowers for drunken Bacchantes, flowers for gloomy and stern bigots, pensive flowers for women who are bored? Botany, I believe, may be made to express every sensation and thought of the soul, even the most subtle.’

“She would employ me to stamp out the leaves, cut up material, and prepare wires for the stems. My affected desire for occupation made me soon skilful. We talked as we worked. When I had nothing to do, I read new books to her, for I had my part to keep up as a man weary of life, worn out with griefs, gloomy, sceptical, and soured. My person led to adorable banter as to my purely physical resemblance--with the exception of his club foot--to Lord Byron. It was tacitly acknowledged that her own troubles, as to which she kept the most profound silence, far outweighed mine, though the causes I assigned for my misanthropy might have satisfied Young or Job.

“I will say nothing of the feelings of shame which tormented me as I inflicted on my heart, like the beggars in the street, false wounds to excite the compassion of that enchanting woman. I soon appreciated the extent of my devotedness by learning to estimate the baseness of a spy. The expressions of sympathy bestowed on me would have comforted the greatest grief. This charming creature, weaned from the world, and for so many years alone, having, besides love, treasures of kindliness to bestow, offered these to me with childlike effusiveness and such compassion as would inevitably have filled with bitterness any profligate who should have fallen in love with her; for, alas, it was all charity, all sheer pity. Her renunciation of love, her dread of what is called happiness for women, she proclaimed with equal vehemence and candor. These happy days proved to me that a woman’s friendship is far superior to her love.

“I suffered the revelations of my sorrows to be dragged from me with as many grimaces as a young lady allows herself before sitting down to the piano, so conscious are they of the annoyance that will follow. As you may imagine, the necessity for overcoming my dislike to speak had induced the Countess to strengthen the bonds of our intimacy; but she found in me so exact a counterpart of her own antipathy to love, that I fancied she was well content with the chance which had brought to her desert island a sort of Man Friday. Solitude was perhaps beginning to weigh on her. At the same time, there was nothing of the coquette in her; nothing survived of the woman; she did not feel that she had a heart, she told me, excepting in the ideal world where she found refuge. I involuntarily compared these two lives--hers and the Count’s:--his, all activity, agitation, and emotion; hers, all inaction, quiescence, and stagnation. The woman and the man were admirably obedient to their nature. My misanthropy allowed me to utter cynical sallies against men and women both, and I indulged in them, hoping to bring Honorine to the confidential point; but she was not to be caught in any trap, and I began to understand that mulish obstinacy which is commoner among women than is generally supposed.

“‘The Orientals are right,’ I said to her one evening, ‘when they shut you up and regard you merely as the playthings of their pleasure. Europe has been well punished for having admitted you to form an element of society and for accepting you on an equal footing. In my opinion, woman is the most dishonorable and cowardly being to be found. Nay, and that is where her charm lies. Where would be the pleasure of hunting a tame thing? When once a woman has inspired a man’s passion, she is to him for ever sacred; in his eyes she is hedged round by an imprescriptible prerogative. In men gratitude for past delights is eternal. Though he should find his mistress grown old or unworthy, the woman still has rights over his heart; but to you women the man you have loved is as nothing to you; nay, more, he is unpardonable in one thing--he lives on! You dare not own it, but you all have in your hearts the feeling which that popular calumny called tradition ascribes to the Lady of the Tour de Nesle: “What a pity it is that we cannot live on love as we live on fruit, and that when we have had our fill, nothing should survive but the remembrance of pleasure!”’

“‘God has, no doubt, reserved such perfect bliss for Paradise,’ said she. ‘But,’ she added, ‘if your argument seems to you very witty, to me it has the disadvantage of being false. What can those women be who give themselves up to a succession of loves?’ she asked, looking at me as the Virgin in Ingres’ picture looks at Louis XIII. offering her his kingdom.

“‘You are an actress in good faith,’ said I, ‘for you gave me a look just now which would make the fame of an actress. Still, lovely as you are, you have loved; _ergo_, you forget.’

“‘I!’ she exclaimed, evading my question, ‘I am not a woman. I am a nun, and seventy-two years old!’

“‘Then, how can you so positively assert that you feel more keenly than I? Sorrow has but one form for women. The only misfortunes they regard are disappointments of the heart.’

“She looked at me sweetly, and, like all women when stuck between the issues of a dilemma, or held in the clutches of truth, she persisted, nevertheless, in her wilfulness.

“‘I am a nun,’ she said, ‘and you talk to me of the world where I shall never again set foot.’

“‘Not even in thought?’ said I.

“‘Is the world so much to be desired?’ she replied. ‘Oh! when my mind wanders, it goes higher. The angel of perfection, the beautiful angel Gabriel, often sings in my heart. If I were rich, I should work, all the same, to keep me from soaring too often on the many-tinted wings of the angel, and wandering in the world of fancy. There are meditations which are the ruin of us women! I owe much peace of mind to my flowers, though sometimes they fail to occupy me. On some days I find my soul invaded by a purposeless expectancy; I cannot banish some idea which takes possession of me, which seems to make my fingers clumsy. I feel that some great event is impending, that my life is about to change; I listen vaguely, I stare into the darkness, I have no liking for my work, and after a thousand fatigues I find life once more--everyday life. Is this a warning from heaven? I ask myself----’

“After three months of this struggle between two diplomates, concealed under the semblance of youthful melancholy, and a woman whose disgust of life made her invulnerable, I told the Count that it was impossible to drag this tortoise out of her shell; it must be broken. The evening before, in our last quite friendly discussion, the Countess had exclaimed:

“‘Lucretia’s dagger wrote in letters of blood the watchword of woman’s charter: _Liberty!_’

“From that moment the Count left me free to act.

“‘I have been paid a hundred francs for the flowers and caps I made this week!’ Honorine exclaimed gleefully one Saturday evening when I went to visit her in the little sitting-room on the ground floor, which the unavowed proprietor had had regilt.

“It was ten o’clock. The twilight of July and a glorious moon lent us their misty light. Gusts of mingled perfumes soothed the soul; the Countess was clinking in her hand the five gold pieces given to her by a supposititious dealer in fashionable frippery, another of Octave’s accomplices found for him by a judge, M. Popinot.

“‘I earn my living by amusing myself,’ said she; ‘I am free, when men, armed with their laws, have tried to make us slaves. Oh, I have transports of pride every Saturday! In short, I like M. Gaudissart’s gold pieces as much as Lord Byron, your double, liked Mr. Murray’s.’

“‘This is not becoming in a woman,’ said I.

“‘Pooh! Am I a woman? I am a boy gifted with a soft soul, that is all; a boy whom no woman can torture----’

“‘Your life is the negation of your whole being,’ I replied. ‘What? You, on whom God has lavished His choicest treasures of love and beauty, do you never wish----’

“‘For what?’ said she, somewhat disturbed by a speech which, for the first time, gave the lie to the part I had assumed.

“‘For a pretty little child, with curling hair, running, playing among the flowers, like a flower itself of life and love, and calling you mother!’

“I waited for an answer. A too prolonged silence led me to perceive the terrible effect of my words, though the darkness at first concealed it. Leaning on her sofa, the Countess had not indeed fainted, but frozen under a nervous attack of which the first chill, as gentle as everything that was part of her, felt, as she afterwards said, like the influence of a most insidious poison. I called Madame Gobain, who came and led away her mistress, laid her on her bed, unlaced her, undressed her, and restored her, not to life, it is true, but to the consciousness of some dreadful suffering. I meanwhile walked up and down the path behind the house, weeping, and doubting my success. I only wished to give up this part of the bird-catcher which I had so rashly assumed. Madame Gobain, who came down and found me with my face wet with tears, hastily went up again to say to the Countess:

“‘What has happened, madame? Monsieur Maurice is crying like a child.’

“Roused to action by the evil interpretation that might be put on our mutual behavior, she summoned superhuman strength to put on a wrapper and come down to me.

“‘You are not the cause of this attack,’ said she. ‘I am subject to these spasms, a sort of cramp of the heart----’

“‘And will you not tell me of your troubles?’ said I, in a voice which cannot be affected, as I wiped away my tears. ‘Have you not just now told me that you have been a mother, and have been so unhappy as to lose your child?’

“‘Marie!’ she called as she rang the bell. Gobain came in.

“‘Bring lights and some tea,’ said she, with the calm decision of a Mylady clothed in the armor of pride by the dreadful English training which you know too well.

“When the housekeeper had lighted the tapers and closed the shutters, the Countess showed me a mute countenance; her indomitable pride and gravity, worthy of a savage, had already reasserted their mastery. She said:

“‘Do you know why I like Lord Byron so much? It is because he suffered as animals do. Of what use are complaints when they are not an elegy like Manfred’s, nor bitter mockery like Don Juan’s, nor a reverie like Childe Harold’s? Nothing shall be known of me. My heart is a poem that I lay before God.’

“‘If I chose----’ said I.

“‘If?’ she repeated.

“‘I have no interest in anything,’ I replied, ‘so I cannot be inquisitive; but, if I chose, I could know all your secrets by to-morrow.’

“‘I defy you!’ she exclaimed, with ill-disguised uneasiness.

“‘Seriously?’

“‘Certainly,’ said she, tossing her head. ‘If such a crime is possible, I ought to know it.’

“‘In the first place, madame,’ I went on, pointing to her hands, ‘those pretty fingers, which are enough to show that you are not a mere girl--were they made for toil? Then you call yourself Madame Gobain, you, who, in my presence the other day on receiving a letter, said to Marie: “Here, this is for you?” Marie is the real Madame Gobain; so you conceal your name behind that of your housekeeper.--Fear nothing, madame, from me. You have in me the most devoted friend you will ever have: Friend, do you understand me? I give this word its sacred and pathetic meaning, so profaned in France, where we apply it to our enemies. And your friend, who will defend you against everything, only wishes that you should be as happy as such a woman ought to be. Who can tell whether the pain I have involuntarily caused you was not a voluntary act?’

“‘Yes,’ replied she with threatening audacity, ‘I insist on it. Be curious, and tell me all that you can find out about me; but,’ and she held up her finger, ‘you must also tell me by what means you obtain your information. The preservation of the small happiness I enjoy here depends on the steps you take.’

“‘That means that you will fly----’

“‘On wings!’ she cried, ‘to the New World----’

“‘Where you will be at the mercy of the brutal passions you will inspire,’ said I, interrupting her. ‘Is it not the very essence of genius and beauty to shine, to attract men’s gaze, to excite desires and evil thoughts? Paris is a desert with Bedouins; Paris is the only place in the world where those who must work for their livelihood can hide their life. What have you to complain of? Who am I? An additional servant--M. Gobain, that is all. If you have to fight a duel, you may need a second.’

“‘Never mind; find out who I am. I have already said that I insist. Now, I beg that you will,’ she went on, with the grace which you ladies have at command,” said the Consul, looking at the ladies.

“‘Well, then, to-morrow, at the same hour, I will tell you what I may have discovered,’ replied I. ‘But do not therefore hate me! Will you behave like other women?’

“‘What do other women do?’

“‘They lay upon us immense sacrifices, and when we have made them, they reproach us for it some time later as if it were an injury.’

“‘They are right if the thing required appears to be a sacrifice!’ replied she pointedly.

“‘Instead of sacrifices, say efforts and----’

“‘It would be an impertinence,’ said she.

“‘Forgive me,’ said I. ‘I forget that woman and the Pope are infallible.’

“‘Good heavens!’ said she after a long pause, ‘only two words would be enough to destroy the peace so dearly bought, and which I enjoy like a fraud----’

“She rose and paid no further heed to me.

“‘Where can I go?’ she said. ‘What is to become of me?--Must I leave this quiet retreat, that I had arranged with such care to end my days in?’

“‘To end your days!’ exclaimed I with visible alarm. ‘Has it never struck you that a time would come when you could no longer work, when competition will lower the price of flowers and articles of fashion----?’

“‘I have already saved a thousand crowns,’ she said.

“‘Heavens! what privations such a sum must represent!’ I exclaimed.

“‘Leave me,’ said she, ‘till to-morrow. This evening I am not myself; I must be alone. Must I not save my strength in case of disaster? For, if you should learn anything, others besides you would be informed, and then--Good-night,’ she added shortly, dismissing me with an imperious gesture.

“‘The battle is to-morrow, then,’ I replied with a smile, to keep up the appearance of indifference I had given to the scene. But as I went down the avenue I repeated the words:

“‘The battle is to-morrow.’

“Octave’s anxiety was equal to Honorine’s. The Count and I remained together till two in the morning, walking to and fro by the trenches of the Bastille, like two generals who, on the eve of a battle, calculate all the chances, examine the ground, and perceive that the victory must depend on an opportunity to be seized half-way through the fight. These two divided beings would each lie awake, one in the hope, the other in agonizing dread of reunion. The real dramas of life are not in circumstances, but in feelings; they are played in the heart, or, if you please, in that vast realm which we ought to call the Spiritual World. Octave and Honorine moved and lived altogether in the world of lofty spirits.

“I was punctual. At ten next evening I was, for the first time, shown into a charming bedroom furnished with white and blue--the nest of this wounded dove. The Countess looked at me, and was about to speak, but was stricken dumb by my respectful demeanor.

“‘Madame la Comtesse,’ said I with a grave smile.

“The poor woman, who had risen, dropped back into her chair and remained there, sunk in an attitude of grief, which I should have liked to see perpetuated by a great painter.

“‘You are,’ I went on, ‘the wife of the noblest and most highly respected of men; of a man who is acknowledged to be great, but who is far greater in his conduct to you than he is in the eyes of the world. You and he are two lofty natures.--Where do you suppose yourself to be living?’ I asked her.

“‘In my own house,’ she replied, opening her eyes with a wide stare of astonishment.

“‘In Count Octave’s,’ I replied. ‘You have been tricked. M. Lenormand, the usher of the Court, is not the real owner; he is only a screen for your husband. The delightful seclusion you enjoy is the Count’s work, the money you earn is paid by him, and his protection extends to the most trivial details of your existence. Your husband has saved you in the eyes of the world; he has assigned plausible reasons for your disappearance; he professes to hope that you were not lost in the wreck of the _Cecile_, the ship in which you sailed for Havana to secure the fortune to be left to you by an old aunt, who might have forgotten you; you embarked, escorted by two ladies of her family and an old man-servant. The Count says that he has sent agents to various spots, and received letters which give him great hopes. He takes as many precautions to hide you from all eyes as you take yourself. In short, he obeys you...’

“‘That is enough,’ she said. ‘I want to know but one thing more. From whom have you obtained all these details?’

“‘Well, madame, my uncle got a place for a penniless youth as secretary to the Commissary of police in this part of Paris. That young man told me everything. If you leave this house this evening, however stealthily, your husband will know where you are gone, and his care will follow you everywhere.--How could a woman so clever as you are believe that shopkeepers buy flowers and caps as dear as they sell them? Ask a thousand crowns for a bouquet, and you will get it. No mother’s tenderness was ever more ingenious than your husband’s! I have learned from the porter of this house that the Count often comes behind the fence when all are asleep, to see the glimmer of your nightlight! Your large cashmere shawl cost six thousand francs--your old-clothes-seller brings you, as second hand, things fresh from the best makers. In short, you are living here like Venus in the toils of Vulcan; but you are alone in your prison by the devices of a sublime magnanimity, sublime for seven years past, and at every hour.’

“The Countess was trembling as a trapped swallow trembles while, as you hold it in your hand, it strains its neck to look about it with wild eyes. She shook with a nervous spasm, studying me with a defiant look. Her dry eyes glittered with a light that was almost hot: still, she was a woman! The moment came when her tears forced their way, and she wept--not because she was touched, but because she was helpless; they were tears of desperation. She had believed herself independent and free; marriage weighed on her as the prison cell does on the captive.

“‘I will go!’ she cried through her tears. ‘He forces me to it; I will go where no one certainly will come after me.’

“‘What,’ I said, ‘you would kill yourself?--Madame, you must have some very powerful reasons for not wishing to return to Comte Octave.’

“‘Certainly I have!’

“‘Well, then, tell them to me; tell them to my uncle. In us you will find two devoted advisers. Though in the confessional my uncle is a priest, he never is one in a drawing-room. We will hear you; we will try to find a solution of the problems you may lay before us; and if you are the dupe or the victim of some misapprehension, perhaps we can clear the matter up. Your soul, I believe, is pure; but if you have done wrong, your fault is fully expiated.... At any rate, remember that in me you have a most sincere friend. If you should wish to evade the Count’s tyranny, I will find you the means; he shall never find you.’

“‘Oh! there is always a convent!’ said she.

“‘Yes. But the Count, as Minister of State, can procure your rejection by every convent in the world. Even though he is powerful, I will save you from him--; but--only when you have demonstrated to me that you cannot and ought not to return to him. Oh! do not fear that you would escape his power only to fall into mine,’ I added, noticing a glance of horrible suspicion, full of exaggerated dignity. ‘You shall have peace, solitude, and independence; in short, you shall be as free and as little annoyed as if you were an ugly, cross old maid. I myself would never be able to see you without your consent.’

“‘And how? By what means?’

“‘That is my secret. I am not deceiving you, of that you may be sure. Prove to me that this is the only life you can lead, that it is preferable to that of the Comtesse Octave, rich, admired, in one of the finest houses in Paris, beloved by her husband, a happy mother... and I will decide in your favor.’

“‘But,’ said she, ‘will there never be a man who understands me?’

“‘No. And that is why I appeal to religion to decide between us. The Cure of the White Friars is a saint, seventy-five years of age. My uncle is not a Grand Inquisitor, he is Saint John; but for you he will be Fenelon--the Fenelon who said to the Duc de Bourgogne: ‘Eat a calf on a Friday by all means, monseigneur. But be a Christian.’

“‘Nay, nay, monsieur, the convent is my last hope and my only refuge. There is none but God who can understand me. No man, not Saint Augustine himself, the tenderest of the Fathers of the Church, could enter into the scruples of my conscience, which are to me as the circles of Dante’s hell, whence there is no escape. Another than my husband, a different man, however unworthy of the offering, has had all my love. No, he has not had it, for he did not take it; I gave it him as a mother gives her child a wonderful toy, which it breaks. For me there never could be two loves. In some natures love can never be on trial; it is, or it is not. When it comes, when it rises up, it is complete.--Well, that life of eighteen months was to me a life of eighteen years; I threw into it all the faculties of my being, which were not impoverished by their effusiveness; they were exhausted by that delusive intimacy in which I alone was genuine. For me the cup of happiness is not drained, nor empty; and nothing can refill it, for it is broken. I am out of the fray; I have no weapons left. Having thus utterly abandoned myself, what am I?--the leavings of a feast. I had but one name bestowed on me, Honorine, as I had but one heart. My husband had the young girl, a worthless lover had the woman--there is nothing left!--Then let myself be loved! that is the great idea you mean to utter to me. Oh! but I still am something, and I rebel at the idea of being a prostitute! Yes, by the light of the conflagration I saw clearly; and I tell you--well, I could imagine surrendering to another man’s love, but to Octave’s?--No, never.’

“‘Ah! you love him,’ I said.

“‘I esteem him, respect him, venerate him; he never has done me the smallest hurt; he is kind, he is tender; but I can never more love him. However,’ she went on, ‘let us talk no more of this. Discussion makes everything small. I will express my notions on this subject in writing to you, for at this moment they are suffocating me; I am feverish, my feet are standing in the ashes of my Paraclete. All that I see, these things which I believed I had earned by my labor, now remind me of everything I wish to forget. Ah! I must fly from hence as I fled from my home.’

“‘Where will you go?’ I asked. ‘Can a woman exist unprotected? At thirty, in all the glory of your beauty, rich in powers of which you have no suspicion, full of tenderness to be bestowed, are you prepared to live in the wilderness where I could hide you?--Be quite easy. The Count, who for nine years has never allowed himself to be seen here, will never go there without your permission. You have his sublime devotion of nine years as a guarantee for your tranquillity. You may therefore discuss the future in perfect confidence with my uncle and me. My uncle has as much influence as a Minister of State. So compose yourself; do not exaggerate your misfortune. A priest whose hair has grown white in the exercise of his functions is not a boy; you will be understood by him to whom every passion has been confided for nearly fifty years now, and who weighs in his hands the ponderous heart of kings and princes. If he is stern under his stole, in the presence of your flowers he will be as tender as they are, and as indulgent as his Divine Master.’

“I left the Countess at midnight; she was apparently calm, but depressed, and had some secret purpose which no perspicacity could guess. I found the Count a few paces off, in the Rue Saint-Maur. Drawn by an irresistible attraction, he had quitted the spot on the Boulevards where we had agreed to meet.

“‘What a night my poor child will go through!’ he exclaimed, when I had finished my account of the scene that had just taken place. ‘Supposing I were to go to her!’ he added; ‘supposing she were to see me suddenly?’

“‘At this moment she is capable of throwing herself out of the window,’ I replied. ‘The Countess is one of those Lucretias who could not survive any violence, even if it were done by a man into whose arms she could throw herself.’

“‘You are young,’ he answered; ‘you do not know that in a soul tossed by such dreadful alternatives the will is like waters of a lake lashed by a tempest; the wind changes every instant, and the waves are driven now to one shore, now to the other. During this night the chances are quite as great that on seeing me Honorine might rush into my arms as that she would throw herself out of the window.’

“‘And you would accept the equal chances,’ said I.

“‘Well, come,’ said he, ‘I have at home, to enable me to wait till to-morrow, a dose of opium which Desplein prepared for me to send me to sleep without any risk!’

“Next day at noon Gobain brought me a letter, telling me that the Countess had gone to bed at six, worn out with fatigue, and that, having taken a soothing draught prepared by the chemist, she had now fallen asleep.

“This is her letter, of which I kept a copy--for you, mademoiselle,” said the Consul, addressing Camille, “know all the resources of art, the tricks of style, and the efforts made in their compositions by writers who do not lack skill; but you will acknowledge that literature could never find such language in its assumed pathos; there is nothing so terrible as truth. Here is the letter written by this woman, or rather by this anguish:--

“‘MONSIEUR MAURICE,--

“‘I know all your uncle would say to me; he is not better informed than my own conscience. Conscience is the interpreter of God to man. I know that if I am not reconciled to Octave, I shall be damned; that is the sentence of religious law. Civil law condemns me to obey, cost what it may. If my husband does not reject me, the world will regard me as pure, as virtuous, whatever I may have done. Yes, that much is sublime in marriage; society ratifies the husband’s forgiveness; but it forgets that the forgiveness must be accepted. Legally, religiously, and from the world’s point of view I ought to go back to Octave. Keeping only to the human aspect of the question, is it not cruel to refuse him happiness, to deprive him of children, to wipe his name out of the Golden Book and the list of peers? My sufferings, my repugnance, my feelings, all my egoism--for I know that I am an egoist--ought to be sacrificed to the family. I shall be a mother; the caresses of my child will wipe away many tears! I shall be very happy; I certainly shall be much looked up to. I shall ride, haughty and wealthy, in a handsome carriage! I shall have servants and a fine house, and be the queen of as many parties as there are weeks in the year. The world will receive me handsomely. I shall not have to climb up again to the heaven of aristocracy, I shall never have come down from it. So God, the law, society are all in accord.

“‘“What are you rebelling against?” I am asked from the height of heaven, from the pulpit, from the judge’s bench, and from the throne, whose august intervention may at need be invoked by the Count. Your uncle, indeed, at need, would speak to me of a certain celestial grace which will flood my heart when I know the pleasure of doing my duty.

“‘God, the law, the world, and Octave all wish me to live, no doubt. Well, if there is no other difficulty, my reply cuts the knot: I will not live. I will become white and innocent again; for I will lie in my shroud, white with the blameless pallor of death. This is not in the least “mulish obstinacy.” That mulish obstinacy of which you jestingly accused me is in a woman the result of confidence, of a vision of the future. Though my husband, sublimely generous, may forget all, I shall not forget. Does forgetfulness depend on our will? When a widow re-marries, love makes a girl of her; she marries a man she loves. But I cannot love the Count. It all lies in that, do not you see?

“‘Every time my eyes met his I should see my sin in them, even when his were full of love. The greatness of his generosity would be the measure of the greatness of my crime. My eyes, always uneasy, would be for ever reading an invisible condemnation. My heart would be full of confused and struggling memories; marriage can never move me to the cruel rapture, the mortal delirium of passion. I should kill my husband by my coldness, by comparisons which he would guess, though hidden in the depths of my conscience. Oh! on the day when I should read a trace of involuntary, even of suppressed reproach in a furrow on his brow, in a saddened look, in some imperceptible gesture, nothing could hold me: I should be lying with a fractured skull on the pavement, and find that less hard than my husband. It might be my own over-susceptibility that would lead me to this horrible but welcome death; I might die the victim of an impatient mood in Octave caused by some matter of business, or be deceived by some unjust suspicion. Alas! I might even mistake some proof of love for a sign of contempt!

“‘What torture on both sides! Octave would be always doubting me, I doubting him. I, quite involuntarily, should give him a rival wholly unworthy of him, a man whom I despise, but with whom I have known raptures branded on me with fire, which are my shame, but which I cannot forget.

“‘Have I shown you enough of my heart? No one, monsieur, can convince me that love may be renewed, for I neither can nor will accept love from any one. A young bride is like a plucked flower; but a guilty wife is like a flower that had been walked over. You, who are a florist, you know whether it is ever possible to restore the broken stem, to revive the faded colors, to make the sap flow again in the tender vessels of which the whole vegetative function lies in their perfect rigidity. If some botanist should attempt the operation, could his genius smooth out the folds of the bruised corolla? If he could remake a flower, he would be God! God alone can remake me! I am drinking the bitter cup of expiation; but as I drink it I painfully spell out this sentence: Expiation is not annihilation.

“‘In my little house, alone, I eat my bread soaked in tears; but no one sees me eat nor sees me weep. If I go back to Octave, I must give up my tears--they would offend him. Oh! monsieur, how many virtues must a woman tread under foot, not to give herself, but to restore herself to a betrayed husband? Who could count them? God alone; for He alone can know and encourage the horrible refinements at which the angels must turn pale. Nay, I will go further. A woman has courage in the presence of her husband if he knows nothing; she shows a sort of fierce strength in her hypocrisy; she deceives him to secure him double happiness. But common knowledge is surely degrading. Supposing I could exchange humiliation for ecstasy? Would not Octave at last feel that my consent was sheer depravity? Marriage is based on esteem, on sacrifices on both sides; but neither Octave nor I could esteem each other the day after our reunion. He would have disgraced me by a love like that of an old man for a courtesan, and I should for ever feel the shame of being a chattel instead of a lady. I should represent pleasure, and not virtue, in his house. These are the bitter fruits of such a sin. I have made myself a bed where I can only toss on burning coals, a sleepless pillow.

“‘Here, when I suffer, I bless my sufferings; I say to God, “I thank Thee!” But in my husband’s house I should be full of terror, tasting joys to which I have no right.

“‘All this, monsieur, is not argument; it is the feeling of a soul made vast and hollow by seven years of suffering. Finally, must I make a horrible confession? I shall always feel at my bosom the lips of a child conceived in rapture and joy, and in the belief in happiness, of a child I nursed for seven months, that I shall bear in my womb all the days of my life. If other children should draw their nourishment from me, they would drink in tears mingling with the milk, and turning it sour. I seem a light thing, you regard me as a child--Ah yes! I have a child’s memory, the memory which returns to us on the verge of the tomb. So, you see, there is not a situation in that beautiful life to which the world and my husband’s love want to recall me, which is not a false position, which does not cover a snare or reveal a precipice down which I must fall, torn by pitiless rocks. For five years now I have been wandering in the sandy desert of the future without finding a place convenient to repent in, because my soul is possessed by true repentance.

“‘Religion has its answers ready to all this, and I know them by heart. This suffering, these difficulties, are my punishment, she says, and God will give me strength to endure them. This, monsieur, is an argument to certain pious souls gifted with an energy which I have not. I have made my choice between this hell, where God does not forbid my blessing Him, and the hell that awaits me under Count Octave’s roof.

“‘One word more. If I were still a girl, with the experience I now have, my husband is the man I should choose; but that is the very reason of my refusal. I could not bear to blush before that man. What! I should be always on my knees, he always standing upright; and if we were to exchange positions, I should scorn him! I will not be better treated by him in consequence of my sin. The angel who might venture under such circumstances on certain liberties which are permissible when both are equally blameless, is not on earth; he dwells in heaven! Octave is full of delicate feeling, I know; but even in his soul (which, however generous, is a man’s soul after all) there is no guarantee for the new life I should lead with him.

“‘Come then, and tell me where I may find the solitude, the peace, the silence, so kindly to irreparable woes, which you promised me.’

“After making this copy of the letter to preserve it complete, I went to the Rue Payenne. Anxiety had conquered the power of opium. Octave was walking up and down his garden like a madman.

“‘Answer that!’ said I, giving him his wife’s letter. ‘Try to reassure the modesty of experience. It is rather more difficult than conquering the modesty of ignorance, which curiosity helps to betray.’

“‘She is mine!’ cried the Count, whose face expressed joy as he went on reading the letter.

“He signed to me with his hand to leave him to himself. I understood that extreme happiness and extreme pain obey the same laws; I went in to receive Madame de Courteville and Amelie, who were to dine with the Count that day. However handsome Mademoiselle de Courteville might be, I felt, on seeing her once more, that love has three aspects, and that the women who can inspire us with perfect love are very rare. As I involuntarily compared Amelie with Honorine, I found the erring wife more attractive than the pure girl. To Honorine’s heart fidelity had not been a duty, but the inevitable; while Amelie would serenely pronounce the most solemn promises without knowing their purport or to what they bound her. The crushed, the dead woman, so to speak, the sinner to be reinstated, seemed to me sublime; she incited the special generosities of a man’s nature; she demanded all the treasures of the heart, all the resources of strength; she filled his life and gave the zest of a conflict to happiness; whereas Amelie, chaste and confiding, would settle down into the sphere of peaceful motherhood, where the commonplace must be its poetry, and where my mind would find no struggle and no victory.

“Of the plains of Champagne and the snowy, storm-beaten but sublime Alps, what young man would choose the chalky, monotonous level? No; such comparisons are fatal and wrong on the threshold of the Mairie. Alas! only the experience of life can teach us that marriage excludes passion, that a family cannot have its foundation on the tempests of love. After having dreamed of impossible love, with its infinite caprices, after having tasted the tormenting delights of the ideal, I saw before me modest reality. Pity me, for what could be expected! At five-and-twenty I did not trust myself; but I took a manful resolution.

“I went back to the Count to announce the arrival of his relations, and I saw him grown young again in the reflected light of hope.

“‘What ails you, Maurice?’ said he, struck by my changed expression.

“‘Monsieur le Comte----’

“‘No longer Octave? You, to whom I shall owe my life, my happiness----’

“‘My dear Octave, if you should succeed in bringing the Countess back to her duty, I have studied her well’--(he looked at me as Othello must have looked at Iago when Iago first contrived to insinuate a suspicion into the Moor’s mind)--‘she must never see me again; she must never know that Maurice was your secretary. Never mention my name to her, or all will be undone.... You have got me an appointment as Maitre des Requetes--well, get me instead some diplomatic post abroad, a consulship, and do not think of my marrying Amelie.--Oh! do not be uneasy,’ I added, seeing him draw himself up, ‘I will play my part to the end.’

“‘Poor boy!’ said he, taking my hand, which he pressed, while he kept back the tears that were starting to his eyes.

“‘You gave me the gloves,’ I said, laughing, ‘but I have not put them on; that is all.’

“We then agreed as to what I was to do that evening at Honorine’s house, whither I presently returned. It was now August; the day had been hot and stormy, but the storm hung overhead, the sky was like copper; the scent of the flowers was heavy, I felt as if I were in an oven, and caught myself wishing that the Countess might have set out for the Indies; but she was sitting on a wooden bench shaped like a sofa, under an arbor, in a loose dress of white muslin fastened with blue bows, her hair unadorned in waving bands over her cheeks, her feet on a small wooden stool, and showing a little way beyond her skirt. She did not rise; she showed me with her hand to the seat by her side, saying:

“‘Now, is not life at a deadlock for me?’

“‘Life as you have made it, I replied. ‘But not the life I propose to make for you; for, if you choose, you may be very happy....’

“‘How?’ said she; her whole person was a question.

“‘Your letter is in the Count’s hands.’

“Honorine started like a frightened doe, sprang to a few paces off, walked down the garden, turned about, remained standing for some minutes, and finally went in to sit alone in the drawing-room, where I joined her, after giving her time to get accustomed to the pain of this poniard thrust.

“‘You--a friend? Say rather a traitor! A spy, perhaps, sent by my husband.’

“Instinct in women is as strong as the perspicacity of great men.

“‘You wanted an answer to your letter, did you not? And there was but one man in the world who could write it. You must read the reply, my dear Countess; and if after reading it you still find that your life is a deadlock, the spy will prove himself a friend; I will place you in a convent whence the Count’s power cannot drag you. But, before going there, let us consider the other side of the question. There is a law, alike divine and human, which even hatred affects to obey, and which commands us not to condemn the accused without hearing his defence. Till now you have passed condemnation, as children do, with your ears stopped. The devotion of seven years has its claims. So you must read the answer your husband will send you. I have forwarded to him, through my uncle, a copy of your letter, and my uncle asked him what his reply would be if his wife wrote him a letter in such terms. Thus you are not compromised. He will himself bring the Count’s answer. In the presence of that saintly man, and in mine, out of respect for your own dignity, you must read it, or you will be no better than a wilful, passionate child. You must make this sacrifice to the world, to the law, and to God.’

“As she saw in this concession no attack on her womanly resolve, she consented. All the labor or four or five months had been building up to this moment. But do not the Pyramids end in a point on which a bird may perch? The Count had set all his hopes on this supreme instant, and he had reached it.

“In all my life I remember nothing more formidable than my uncle’s entrance into that little Pompadour drawing-room, at ten that evening. The fine head, with its silver hair thrown into relief by the entirely black dress, and the divinely calm face, had a magical effect on the Comtesse Honorine; she had the feeling of cool balm on her wounds, and beamed in the reflection of that virtue which gave light without knowing it.

“‘Monsieur the Cure of the White Friars,’ said old Gobain.

“‘Are you come, uncle, with a message of happiness and peace?’ said I.

“‘Happiness and peace are always to be found in obedience to the precepts of the Church,’ replied my uncle, and he handed the Countess the following letter:--

“‘MY DEAR HONORINE,--

“‘If you had but done me the favor of trusting me, if you had read the