Category: Classics of Literature

Homer and His Age

The aim of this book is to prove that the Homeric Epics, as wholes, and apart from passages gravely suspected in antiquity, present a perfectly harmonious picture of the entire life and civilisation of one single age. The faint variations in the design are not greater than suc...

Chapters

11. Chapter 11

Tested by their ideas, their picture of political society, and their descriptions of burial rites, the presumed authors of the alleged expansions of the _Iliad_ all lived in one...

14. Chapter 14

Taking the Iliad and Odyssey just as they have reached us they give, with the exception of one line, an entirely harmonious account of the contemporary uses of bronze and iron....

4. Chapter 4

Whosoever holds that the Homeric poems were evolved out of the lays of many men, in many places, during many periods of culture, must present a consistent and logical hypothesis...

10. Chapter 10

In archaeological discoveries we find the most convincing proofs that the _Iliad_, on the whole, is the production of a single age, not the patchwork of several changeful centur...

15. Chapter 15

If the Homeric poems be, as we maintain, the work of a peculiar age, the Homeric house will also, in all likelihood, be peculiar. It will not be the Hellenic house of classical...

13. Chapter 13

century B.C. But if the Odyssey and Iliad, Book X., are really very late, their authors and interpolators were perfectly familiar with Ionian corslets. Why did they leave corsle...

28. Chapter 28

The conclusion at which we arrive is that the _Iliad_, as a whole, is the work of one age. That it has reached us without interpolations and _lacunae_ and _remaniements_ perhaps...

16. Chapter 16

If the Homeric descriptions of details of life contain anachronisms, points of detail inserted in later progressive ages, these must be peculiarly conspicuous in the Odyssey. Lo...

2. Chapter 2

The aim of this book is to prove that the Homeric Epics, as wholes, and apart from passages gravely suspected in antiquity, present a perfectly harmonious picture of the entire...

12. Chapter 12

No "practicable" breastplates, hauberks, corslets, or any things of the kind have so far been discovered in graves of the Mycenaean prime. A corpse in Grave V. at Mycenae had, h...

19. Chapter 19

Of all Books in the [blank space] Book X., called the _Doloneia_, is most generally scouted and rejected. The Book, in fact, could be omitted, and only a minutely analytic reade...

27. Chapter 27

Sir Richard Jebb remarks, with truth, that "before any definite solution of the Homeric problem could derive scientific support from such analogies" (with epics of other peoples...

17. Chapter 17

Not to speak of differences of vocabulary, Mr. Monro and Mr. Leaf, with many scholars, detect two strata of earlier and later _grammar_ in Iliad and Odyssey. In the _Iliad_ four...

6. Chapter 6

narrative masterly in conception and smooth in execution," [Footnote: _Iliad_, vol. i. p. 47.] says Mr. Leaf. This kernel is kernel B, probably the later kernel of the pair, tha...

3. Chapter 3

A theorist who believes that the Homeric poems are the growth of four changeful centuries, must present a definite working hypothesis as to how they escaped from certain influen...

5. Chapter 5

We now try to show that the Epics present an historical unity, a complete and harmonious picture of an age, in its political, social, legal, and religious aspects; in its custom...

25. Chapter 25

That several of the passages in which Nestor speaks are very late interpolations, meant to glorify Pisistratus, himself of Nestor's line, is a critical opinion to which we have...

26. Chapter 26

Though comparison is the method of Science, the comparative study of the national poetry of warlike aristocracies, its conditions of growth and decadence, has been much neglecte...

8. Chapter 8

In the Third Book, Agamemnon receives the compliments due to his supremacy, aspect, and valour from the lips of Helen and Priam. There are other warriors taller by a head, and O...

22. Chapter 22

to follow on it." Mr. Leaf sees that, in his preface to Book IX., [Footnote: _Iliad_, vol. i. p. 371.] "The placing of sentinels" (in Book IX. 80, 84) "is needed as an introduct...

7. Chapter 7

when about to recede from his project," has "a marked parallel in the _Iliad_." Thus Xerxes, after the defection of Artabanus, was despondent, like Agamemnon after the mutiny of...

9. Chapter 9

reconciliation, "that Achilles may have nothing lacking of his right." [Footnote: Book XIX. 179, 180.] The case is one which has been provided for by customary law in every deta...

20. Chapter 20

The reader may decide as to whether it is "_Very_ late; barely Homeric," or a late and deliberate piece of burlesque, [Footnote: Henry, _Classical Review_. March 1906.] or wheth...

18. Chapter 18

possible) might be a _remanie_ representative of an earlier lay to the same general effect. Some Greek Shakespeare, then, treated an older poem on the theme of Book IX. as Shake...

23. Chapter 23

the Achaeans demoralised by the wounding of Agamemnon, and they make a stand. "What ails us," asks Odysseus, "that we forget our impetuous valour?" The passage appears to take u...

24. Chapter 24

If the _Doloneia_ be "barely Homeric," as Father Browne holds, this opinion was not shared by the listeners or readers of the sixth century. The vase painters often illustrate t...

21. Chapter 21

lead up to Book IX.) and Book IX. But Book VII. closes with the Achaean refusal of the compromise offered by Paris--the restoration of the property but not of the wife of Menela...

1. Chapter 1