His Excellency [Son Exc. Eugène Rougon]

Part 2

Chapter 24,073 wordsPublic domain

In Chapter X., which deals with Rougon's experiences at Niort, we have the story of the arrest of the old notary Martineau. This, again, is true, line for line, almost word for word; but the incident really occurred at Charost, not Coulonges, and the notary's real name was Lebrun. He was a cousin of the illustrious parliamentarian, Michel of Bourges. And once again, fact is piled upon fact in Chapter XI., which describes the Ministerial Council at St. Cloud. The project for the creation of a new nobility emanated from Persigny and Magne; numerous documents concerning it were discovered in the Emperor's study after Sedan; and I may here remark _en passant_ that M. Zola has frequently and rightly availed himself of those _Papiers trouvés aux Tuileries_ as published by the Government of National Defence. And he carries accuracy to such a point that in Chapter XIII., when he is describing Rougon's resignation, he dates the Emperor's acceptance of it from Fontainebleau, as actually happened in the case of Espinasse; and gives us a charity fair at the orangery of the Tuileries as the scene of the minister's receipt of that acceptance--again an historical incident. And finally, in the last chapter, which, like the opening one, deals with the Corps Législatif, we read the very words of Jules Favre and Billault. Moreover, when we here find a clerical deputy exclaiming, 'It displeases me that proud Venice, the Queen of the Adriatic, should become the obscure vassal of Turin,' we must not attribute the remark to M. Zola's imagination; for those words were spoken in that very debate by Kolb. Bernard, who, with Vicomte Lemercier, led the parliamentary group which opposed the Emperor's liberal policy in Italy.

Some readers and some reviewers may think that I have acted somewhat unkindly to M. Zola in thus partially dissecting _Son Excellence Eugène Rougon_, in showing how little it is a work of imagination and how much a work based upon fact. I could have given many more instances than those I have quoted, but this preface has already stretched to such length that I must stay my hand. I would mention, however, that I could in a similar way dissect most volumes of the Rougon-Macquart series, for these books are novels in their arrangement only. Even when they do not deal with historical personages and publicly recorded facts, they are based on incidents which really happened, and more frequently than otherwise portray people who really lived. The whole series constitutes a truthful, life-like synthesis of a period; and if certain readers recoil from some of the portraits contained in it, this is simply because they will not face the monstrosities of human life. And far from doing my good and clear friend, the author of this imperishable literary edifice, an unkindness by pointing out where and how he has borrowed and adapted, I conceive that I am rendering him a service, for how often has not his accuracy been impugned! Moreover, it is not upon power of imagination that he particularly prides himself--though imagination, and of a high order, is undoubtedly a feature of his genius--he claims rank chiefly by reason of his power of delineation, his power of analysing, blending and grouping facts and characteristics. In one word, he is a Realist. And if he is to describe people as they have lived, incidents as they have really occurred, how can he do otherwise than turn to the records of actual experience, to the unchallenged descriptions of historical episodes? Plagiarism forsooth! When every situation, every dilemma, every experience, every characteristic and every emotion that can enter into the history of the human race have been dealt with time without number by thousands of writers of fiction, either in the form of the novel or the drama! How, then, is it possible for anybody, however great his genius, to be absolutely and perfectly original? Such originality is dead. Let us bow to its grave; we shall never see it more. The only genius in literature which can remain to the writers of to-day and to-morrow is that genius which may lie in the handling of one's materials. The human range of ideas is limited; even madmen--so closely allied to men of genius--cannot carry their fancy beyond certain bounds; and thus the old saws must crop up again and again, distinguished one from another simply by mode of treatment. And as for such charges of plagiarism that may have been brought against M. Zola, I apply to him the words which Molière applied to himself: _Il prend son bien où il le trouve_. And I will add that he does well in following this course, for over all he casts the magnificent mantle of powers which none of his contemporaries can equal.

E. A. V.

MERTON, SURREY, _April_ 1897.

HIS EXCELLENCY

I

THE CORPS LÉGISLATIF

For a moment the President remained standing amidst the slight commotion which his entrance had caused. Then he took his seat, saying carelessly and in an undertone: 'The sitting has commenced.'

He next began to arrange the legislative bills lying upon the desk in front of him. On his left, a short-sighted clerk, with his nose close to the paper he held, read the minutes of the previous sitting in a rapid and confused manner, none of the deputies paying attention to him. In the buzzing noise that filled the Chamber, these minutes were only heard by the ushers, who maintained a very dignified and decorous bearing which contrasted with the lounging attitudes of the deputies.

There were not a hundred members present. Some were reclining in their red velvet-covered seats, with listless eyes, already half-asleep. Others, leaning over their desks, as though wearied by the compulsory labour of a public sitting, were beating a gentle tattoo on the mahogany with their finger-tips. Through the ceiling-window, which revealed a crescent of grey sky, the light of a rainy May afternoon streamed down perpendicularly upon the pompous severity of the Chamber. It spread over the desks in a sheet of gloomy ruddiness, brightening into a rosy glow here and there where some seat remained unoccupied; while, behind the President, the statues and sculpture-work showed in clear white patches.

One of the deputies on the third row to the right still remained standing in the narrow passage between the seats. He was rubbing his rough fringe of grizzly beard with a thoughtful air, but as an usher came by, he stopped him and asked a question in an undertone.

'No, Monsieur Kahn,' replied the usher, 'the President of the Council of State has not yet arrived.'

M. Kahn thereupon sat down, and, abruptly turning to his neighbour on the left, inquired, 'Tell me, Béjuin, have you seen Rougon this morning?'

M. Béjuin, a small, thin man of dark complexion and silent demeanour, raised his head nervously as though his thoughts were altogether elsewhere. He had drawn out the slide of his desk, and was writing a letter on some blue paper with a business heading formed of these words: 'Béjuin and Co. The Saint-Florent Cut-Glass Works.'

'Rougon?' he repeated. 'No, I haven't seen him. I did not have time to go over to the State Council.'

Then he quietly reverted to his work, consulting a memorandum-book, and beginning a second letter, amidst the confused buzzing murmur of the clerk, who was finishing his reading of the minutes.

M. Kahn leant back in his seat and crossed his arms. He had a face with strongly marked features, and his big but well-shaped nose testified to a Jewish descent. He seemed out of sorts. He gazed upwards at the gilt rose-work on the ceiling and listened to the plashing of a shower which at that moment burst down upon the skylight; and then with vaguely wondering eyes he seemed to be examining the intricate ornamentation of the great wall in front of him. His glance lingered for a few seconds upon two panels hung with green velvet and decked with gilt borders and emblems. Then, after he had scanned the columns between which allegorical statues of Liberty and Public Order showed their marble faces and pupil-less eyes, his attention was turned to a curtain of green silk which concealed a fresco representing King Louis Philippe taking the oath to the Constitution.

By this time the clerk had sat down; nevertheless, the scene remained one of noisy confusion. The President was still leisurely arranging his papers. He again and again pressed his hand on his bell, but its loud ringing failed to check any of the private conversations that were going on. However, he at last stood up amidst all the hubbub and for a moment remained waiting and silent.

'Gentlemen,' he began, 'I have received a letter----' Then he stopped short to ring his bell again, and once more kept silent, his grave, bored face looking down from the monumental desk which spread out beneath him with panels of red marble bordered with white. His frock-coat, which was buttoned up, showed conspicuously against the bas-relief behind him, rising like a black bar between the peplum-robed figures of Agriculture and Industry with antique profiles.

'Gentlemen,' he resumed, when he had succeeded in obtaining something like silence, 'I have received a letter from Monsieur de Lamberthon, in which he apologises for not being able to attend to-day's sitting.'

At this a laugh resounded on the sixth row of seats in front of the desk. It came from a deputy who could not have been more than twenty-eight years old. He was fair and effeminately pretty, and was trying with his white hands to stifle an outburst of girlish rippling laughter. One of his colleagues, a man of huge build, came up to him and whispered in his ear: 'Is it really true that Lamberthon has found his wife? Tell me all about it, La Rouquette.'

The President, however, had taken up a handful of papers. He was speaking in monotonous tones, and stray fragments of sentences reached the far end of the Chamber. 'There are applications for leave of absence from Monsieur Blachet, Monsieur Buquin-Lecomte, Monsieur de la Villardière--'

While the Chamber was granting these different requests, M. Kahn, who had probably grown weary of examining the green silk curtain stretched before the seditious portrait of Louis Philippe, turned to glance at the galleries. Above the wall of yellow marble veined with lake red, there was a gallery with hand-rests of amaranthine velvet spanning the spaces from one column to another; and higher up a mantle of embossed leather failed to conceal the gaps left by the suppression of a second tier of seats which had been assigned to journalists and the general public previous to the Empire. The narrow, gloomy boxes between the massive yellowish marble pillars, which stood in somewhat heavy splendour round the semicircle, were for the most part empty, although here and there they were brightened by the light-tinted toilettes of some ladies.

'Ah! so Colonel Jobelin has come!' murmured M. Kahn.

And forthwith he smiled at the colonel, who had perceived him. Colonel Jobelin was wearing the dark-blue frock-coat which he had adopted as a kind of civilian uniform ever since his retirement from the service. He sat quite alone in the questors' gallery, and his rosette as an officer of the Legion of Honour was so large as to look almost like the bow of a cravat.

But M. Kahn's eyes had already strayed to a young man and woman who were nestling in a corner of the gallery of the Council of State. The young man was continually bending his head and whispering to the young woman, who smiled with a gentle air, but did not turn to look at him, her eyes being fixed upon the allegorical figure of Public Order.

'I say, Béjuin,' M. Kahn remarked, nudging his colleague with his knee.

M. Béjuin, who was now busy with his fifth letter, again raised his head with an expression of absent-mindedness.

'Look up there,' continued M. Kahn; 'don't you see little Escorailles and pretty Madame Bouchard? I'll be bound he's making love to her. What eyes she's got! All Rougon's friends seem to have made a point of coming to-day. There's Madame Correur and the Charbonnels up there in the public gallery.'

However, the bell sounded again for some moments, and an usher called out in a fine bass voice: 'Silence, gentlemen!'

Then the deputies began to listen, and the President spoke the following words, not a syllable of which was lost: 'Monsieur Kahn asks permission to publish the speech which he delivered on the bill for the establishment of a municipal tax upon vehicles and horses in Paris.'

A murmur ran along the benches, and then the different conversations were resumed. Quitting his own place, M. La Rouquette came and sat down near M. Kahn. 'So you work for the people, eh?' he said playfully, and, without waiting for a reply, he added: 'You haven't seen or heard anything of Rougon, have you? Everyone is talking about the matter, but it seems that nothing is definitely settled yet.' Then he turned round and glanced at the clock. 'Twenty minutes past two already!' he exclaimed. 'Well, I should certainly be off now, if it were not for the reading of that confounded report. Is it really to come off to-day?'

'We have all been notified to that effect,' M. Kahn replied, 'and I have heard nothing of any change of plans. You had better remain. The 400,000 francs[1] for the baptism will be voted straight off.'

'No doubt,' said La Rouquette. 'Old General Legrain, who has lost the use of both legs, has had himself carried here by his servant, and is now in the Conference Hall waiting till the vote comes on. The Emperor is quite right in reckoning upon the devotion of the whole Corps Législatif. All our votes ought to be given him upon this solemn occasion.'

While speaking the young deputy did his utmost to assume the expression of a serious politician. His doll-like face, which was ornamented by a few pale hairs, wagged gravely over his collar, and he seemed to be relishing the flavour of the two last sentences he had uttered--sentences which he had remembered from somebody else's speech. Then he suddenly broke into a laugh. 'Good gracious!' he exclaimed, 'what frights those Charbonnels are!'

M. Kahn and himself thereupon began to make merry at the Charbonnels' expense. The wife was wearing an outrageous yellow shawl, and her husband sported a country-cut frock-coat which looked as though it had been hewn into shape with an axe. They were both very short, stout and red, and were eagerly pressing forward, with their chins almost resting upon the balustrade of the gallery in order to get a better view of the proceedings, which, judging by their blank, staring eyes, were utterly unintelligible to them.

'If Rougon gets the sack,' said La Rouquette, 'I wouldn't give a couple of sous for the Charbonnels' case. It will be just the same with Madame Correur.' Then he inclined his head towards M. Kahn's ear, and continued in a very low tone: 'You, now, who know Rougon, just tell me who and what that Madame Correur is. She formerly kept a lodging-house, didn't she? Rougon used to lodge with her, and it is even said that she lent him money. What does she do now?'

M. Kahn assumed a very grave expression and slowly rubbed his beard. 'Madame Correur is a highly respectable lady,' he replied curtly.

This answer checked La Rouquette's curiosity. He bit his lips with the expression of a school-boy who has just been lectured. For a moment they both looked in silence at Madame Correur, who was sitting near the Charbonnels. She was wearing a very showy dress of mauve silk, with a profusion of lace and ornaments. Her face showed too much colour, her forehead was covered with little fair dollish curls, and her plump neck, still very comely in spite of her eight-and-forty years, was fully exposed to view.

Just at this moment, however, the sudden sound of a door opening and a rustle of skirts at the far end of the Chamber caused all heads to turn. A tall girl exquisitely beautiful, but strangely dressed in an ill-made sea-green satin gown, had entered the box assigned to the diplomatic body, followed by an elderly lady in black.

'Ah! there's the fair Clorinde!' said M. La Rouquette, who had risen to bow at random.

M. Kahn had also risen; but he stooped towards M. Béjuin, who was now enclosing his letters in envelopes: 'Countess Balbi and her daughter are there,' he said. 'I am going up to ask them if they have seen Rougon.'

The President meanwhile had taken a fresh handful of papers from his desk. Without ceasing his perusal of them he cast a glance at the beautiful Clorinde Balbi, whose arrival had given rise to a buzz of comments in the Chamber. Then, while he passed the papers one by one to a clerk, he said in monotonous tones, never even pausing to punctuate his words: 'Presentation of a bill to continue certain extra duties in the town of Lille ... of a bill to unite into one single commune the communes of Doulevant-le-Petit and Ville-en-Blaisais (Haute-Marne)----'

When M. Kahn came back again he seemed quite disconsolate. 'Really, no one appears to have seen anything of him,' he said to his colleagues, Béjuin and La Rouquette, whom he met at the foot of the semicircle. 'I hear that the Emperor sent for him yesterday evening, but I haven't been able to learn the result of their interview. There is nothing so provoking as being unable to get a satisfactory account of what happens.'

La Rouquette turned round and whispered into M. Béjuin's ear: 'Poor Kahn is terribly afraid lest Rougon should get into disfavour at the Tuileries. He might fish for his railway if that should occur.'

In reply M. Béjuin, who was of a taciturn disposition, said very gravely: 'The day when Rougon retires from the Council of State, we shall all be losers.' Then he beckoned to one of the ushers and gave him the letters which he had just written, to post.

The three deputies remained standing on the left of the President's desk, discreetly discussing the disfavour with which Rougon was threatened. It was an intricate story. A distant relation of the Empress, one Señor Rodriguez, had been claiming a sum of two million francs from the French Government since the year 1808. During the war with Spain, a vessel freighted with sugar and coffee, and belonging to this Rodriguez, who was a shipowner, had been taken in the Bay of Biscay by a French frigate, the _Vigilante_, and brought to Brest. Acting upon information received from a local commission, the administrative officials had declared the capture to be a valid one, without referring the matter to the Prize Committee. Rodriguez, however, had promptly appealed to the Council of State, and, after his death, his son, under every successive Government, had vainly tried to bring the matter to an issue until the day came when a word from his distant cousin, Eugénie de Montijo, now all-powerful, had secured the insertion of his action in the official cause list.

Of this the three deputies talked, while the President's monotonous voice still resounded above their heads: 'Presentation of a bill authorising the department of Calvados to borrow 300,000 francs ... of a bill authorising the town of Amiens to borrow 200,000 francs for the purpose of making new promenades ... of a bill authorising the department of Côtes-du-Nord to borrow 345,000 francs to cover the deficiencies in the revenues of the last five years.'

'The truth is,' said M. Kahn, again lowering his voice, 'that this Rodriguez had a very artful method of managing his business. He and a son-in-law of his, residing at New York, were the owners of vessels which sailed either under the American flag or the Spanish, according as one or the other might subject them to the least risk during their passage. Rougon told me that the captured vessel was exclusively the property of Rodriguez, and that there is no valid ground whatever for the claims that are made.'

'And then,' interposed M. Béjuin, 'the steps that were taken by the officials cannot be impugned. The administrative officer at Brest was perfectly right in declaring the capture a valid one in accordance with the customs of the port, without referring the matter to the Prize Committee.'

Then they lapsed into silence for a moment while La Rouquette, with his back resting against the marble wall, raised his head, and tried to attract the attention of the fair Clorinde. 'But,' he asked naïvely, 'why does Rougon object to the two millions being paid to Rodriguez? What difference would it make to him?'

'It is a matter of conscience,' said M. Kahn solemnly.

M. La Rouquette glanced at his colleagues one after the other, but, seeing them both so grave, he did not even venture to smile.

'Then, too,' continued M. Kahn, as though he were dwelling upon some thought which he had not expressed aloud, 'Rougon has had a good deal of bother since Marsy has been Minister of the Interior. They have never been able to get on together. Rougon himself told me that, if it had not been for his attachment to the Emperor, for whom he has already done so much, he would long ago have retired into private life. He no longer seems welcome at the Tuileries, and he feels that a change has become necessary for him.'

'He is acting like an honourable man,' remarked M. Béjuin.

'Yes, indeed,' said M. La Rouquette, with a wise look, 'if he wants to retire, the opportunity is a good one. All the same, his friends will be greatly grieved. Just look at the colonel up there, with his anxious face! He has been hoping to fasten the ribbon of Commander of the Legion of Honour round his neck on the 15th of next August. And pretty Madame Bouchard, too, swore that worthy Monsieur Bouchard should be head of department at the Ministry of the Interior before six months were over. Little Escorailles, Rougon's pet, was to put the nomination under Monsieur Bouchard's napkin on Madame's birthday. But where have they got to, pretty Madame Bouchard and little Escorailles?'

The three deputies looked about for them, and at last discovered them ensconced at the back of the gallery, in the front part of which they had been seated at the opening of the sitting. They had taken refuge in the gloom there behind a bald old gentleman, and were both very quiet, though very red.

However, the President was now coming to the end of his reading.

'A bill,' said he, 'to sanction an increase in the rate of interest upon a loan authorised by an Act of the 9th of June, 1853, and to impose an extraordinary rate in the department of La Manche.'

Just then M. Kahn ran forward to meet a deputy who was entering the Chamber, and as he brought him along he exclaimed, 'Here is Monsieur de Combelot. He will give us some news.'

M. de Combelot, an imperial chamberlain whom the department of the Landes had chosen as deputy upon the formally expressed desire of the Emperor, bowed with a discreet air while waiting to be questioned. He was a tall, handsome man, with a very white skin, and an inky black beard which had been the means of winning him great favour among the ladies.

'Well,' asked M. Kahn, 'what do they say at the Tuileries? What has the Emperor decided upon?'

'Well, indeed,' replied M. de Combelot in a guttural tone, 'they say a good many things. The Emperor has the warmest friendship for the President of the Council of State. Their interview was undoubtedly of the most cordial nature. Yes, indeed, most cordial.'

Then he stopped, after carefully weighing his words, as it were, so as to satisfy himself that he had not said too much.

'Then the resignation is withdrawn?' asked M. Kahn, with glistening eyes.

'I did not say that,' replied the chamberlain, uneasily. 'I know nothing about it. You understand that my position is a peculiar one----'