Part 12

'With us in Italy,' resumed Clorinde in a low tone, 'love is the great business of life. Young girls of twelve already have their lovers. For myself, I have travelled about so much, that I've almost become a man. But if you could only have seen mamma when she was young! She was so lovely that people came from long distances to see her, but she seldom if ever left her house. There was a count who stayed at Milan expressly for six months without catching sight of her hair even. The fact is, that Italian women are very different from French women, who are always chattering and gadding about. An Italian woman remains with the man she has chosen. But I have travelled so much, that I really don't know whether I haven't lost that instinct or not; still I think that I could love very strongly; ah, yes, with all my heart and soul.'

She had let her eyelids fall, and her face glowed as with a voluptuous ecstasy. While she was speaking, Rougon had left his table as though attracted by some force which he could not withstand, and his hands were trembling. But when he got near to Clorinde, the girl opened her eyes again and gave him a quiet glance. Then, as she looked at the clock, she said with a smile: 'This makes ten tickets.'

'Ten tickets! what do you mean?' asked Rougon, quite confused.

When he had recovered his self-possession, she burst into a laugh. It delighted her to bewitch him and intoxicate him in this way, and when he opened his arms to clasp her, to elude him with a laugh. She seemed in high glee. At this Rougon turned very pale, and cast a furious glance at her, which only served to increase her merriment. 'Well, I think I'd better be off now,' she said. 'You're not polite enough for ladies' society. No, really, my mother will be expecting me.'

Rougon, however, had resumed his paternal manner, and told her that she must spare him another five minutes. He had got tired of the work he was doing when she came in, he said; it was a report to be presented to the Senate on certain petitions. Then he began to talk to her about the Empress, for whom she professed enthusiastic devotion. The Empress, said he, had been at Biarritz for the last week. At this the girl again leant back in her arm-chair and began to chatter. She knew Biarritz very well; she had once spent a season there, before it had become such a fashionable watering-place; and she very much regretted that she was unable to revisit it while the Court was there. Then she went on to describe a meeting of the Academy to which M. de Plouguern had taken her on the previous day. An author had been admitted as a member, and she made many jokes at the expense of his baldness. She had a horror of books, she declared. Whenever she tried to read, she had to go off to bed, suffering from terrible nervous attacks. She could not understand what she read. Then, on Rougon telling her that the author received at the Academy on the previous day was an enemy of the Emperor's, and that his discourse had swarmed with abominable allusions, she seemed quite astounded.

'Why, he looked such a nice man!' she exclaimed.

But Rougon also had begun to inveigh against books. A novel had just been published, he said, which had aroused his utmost indignation. It was a work of the most depraved kind, which, while claiming to portray the exact truth, dragged the reader through all the wild fancies of an hysterical woman.[8] The word hysterical seemed to please him, for he repeated it three times; but when Clorinde asked him to explain what he meant by it, he refused to answer, suddenly becoming very prudish.

'Everything may be said,' he continued, 'only there is a fitting way of saying it. In administrative matters, for instance, we are frequently obliged to tackle very delicate subjects. I have read, for example, reports upon certain matters which have been very precise, very detailed; but they have been written in a clear, simple, straightforward style, so that there was nothing unchaste or impure about the document. But our present-day novelists have adopted a style which is full of suggestiveness, a manner of describing things which makes it appear as if they were actually going on before you. They call that art. To me it seems to be simply indecency and bad taste.'

Then he went on to speak of authors, whom he had never read, but whom, like many other people, he accused of the grossest immorality. And yet while he was thus prating of virtue and denouncing vice, he was cleverly manœuvring to get behind Clorinde's chair without her being aware of it. The girl was gazing at the ceiling with an expression of absent-mindedness. 'Oh, as for novels,' she murmured, 'I have never even opened one. They are all a pack of falsehoods. You don't know _Leonora, the Gipsy_, do you? It is a pretty book. I read it in Italian when I was quite little. It is about a young girl who ends by marrying a lord. She is captured by brigands to begin with----'

However, a slight grating sound behind her made her start and turn her head: 'What are you doing?' she asked.

'I am pulling the blind down,' replied Rougon; 'I was afraid the sun was inconveniencing you.'

The girl was, indeed, sitting in a flood of sunlight, whose dancing dust gilded her corsage as with luminous down. 'Please leave the blind alone,' she cried, 'I love the sun. I feel as though I were in a warm bath.'

Then she raised herself in her chair and glanced into the garden. But when she saw the gardener still kneeling there, with the back of his blue blouse turned towards them, she reverted to her reclining attitude again, smiling, and easy once more. Rougon, who had followed her glance, left the blind as it was, and the girl began to banter him. He was just like an owl, she said, to be so fond of darkness. However, he showed no resentment, but began to pace the room, swaying about like a bear contemplating some wily act of treachery.

'Oh, come and look here,' he said at last, pointing to a large photograph; 'you haven't seen my last portrait, have you?'

But she merely smiled, and replied: 'Oh! I can see it very well from here; and, besides, you've shown it to me before.'

Rougon was not yet discouraged. He drew down the blind of the other window, and invented several reasons to induce the girl to go into the shady corner which he had made by doing so. She would be much more comfortable there, he told her. But Clorinde, despising this obvious snare, merely shook her head. Then Rougon came and stood in front of her; and, dropping all attempts at stratagem, said straightforwardly: 'Oh, by the way, I want to show you my new horse, Monarque. You know that I have been making an exchange. You are fond of horses, and you shall tell me what you think of him.'

But the girl still refused to move. Then Rougon began to press her. The stable was only a few yards away. It wouldn't take her more than five minutes at the most. She continued to refuse, however, and thereupon Rougon murmured with a touch of scorn in his voice: 'What! are you afraid?'

At this she started up, as though lashed with a whip. She looked very grave and somewhat pale.

'Let us go and look at Monarque,' she said quietly.

As she gathered up the train of her riding-habit she fixed her eyes upon Rougon's, and for a moment they remained gazing at each other as if to read each other's thoughts. It was a challenge given and accepted, without any pretence of concealment. Then she led the way down the steps while Rougon, by force of habit, buttoned the house-coat which he was wearing. But the girl had only taken a step or two along the garden-walk when she stopped short. 'Wait a moment,' she said.

She went back into the room, and when she returned, she was toying with her riding-whip, which she had left behind the cushion of the couch. Rougon glanced at the whip, and then slowly raised his eyes to Clorinde. She was smiling again, and once more she walked on in front of him.

The stable was at the end of the garden, on the right. When they passed the gardener, the man was gathering up his tools and preparing to go away. Rougon, bareheaded in the blazing sun, followed Clorinde, who went quietly onward, tapping the shrubs with her riding-whip as she passed them. Neither spoke a word. Clorinde did not even turn her head. On reaching the stable, she waited while Rougon opened the door, and then went inside, in front of him. The door, which Rougon swung back, closed noisily, and Clorinde still smiled, her face wearing an open expression, in which pride and confidence were clearly to be read.

The stable was a small and commonplace one, with four oak stalls. Although the slabs had been washed that morning, and the racks and mangers and other wood-work were kept scrupulously clean, there was a strong scent about the place, and the atmosphere was warm and damp, like that of a Turkish bath. From each of the two round dormer-windows there fell but a pale glimmer of light, and the corners remained wrapt in gloom. Clorinde, having just left the bright sunshine of the garden, could at first distinguish nothing; but she kept still, and did not open the door again for fear lest Rougon should think she was alarmed. Only two of the stalls were occupied. The horses snorted and turned their heads.

'This is the one, isn't it?' asked Clorinde, when her eyes had grown accustomed to the gloom. 'He looks a very nice animal.'

She patted the horse gently, and then slipped inside the stall, stroking the animal as she went without showing the least sign of fear. She wanted to see his head, she said; and when she had made her way to the far end of the stall, Rougon could hear her kissing the horse's nose. The sound of those kisses exasperated him.

'Come back, I beg you!' he cried. 'If he were to step on one side, you might be crushed to death!'

But the girl only laughed, kissed the horse more affectionately than before, and spoke to him caressingly, while he, at this unexpected fondling, fairly quivered with pleasure. At last she came out of the stall again. She was very fond of horses, she said, they always knew her, and never tried to hurt her, even when she teased them. She knew how to manage them. Some were very skittish, but this one seemed very steady. Then she stooped down behind the horse, and lifted one of its hoofs with both hands as if to examine it. The animal remained quite still.

Rougon gazed at her while she thus stooped before him; but all at once she felt a slight touch under her arm-pits. She did not even start, however; she went on examining the horse's hoof, till the touch became more pronounced, and then letting the hoof drop, she stood up and inquired: 'What is the matter with you? What has come over you?'

Then, as Rougon suddenly tried to clasp her round the waist, she rapped his knuckles smartly, and, stationing herself against the wall in front of the stalls, raised the train of her riding-habit, which was thrown over her left arm, as a shield, while in her right hand she held her whip uplifted. Rougon's lips were trembling, but he did not say a word; Clorinde, however, seeming quite at ease, went on talking freely: 'You can't touch me, you'll see,' she said. 'When I was younger, I used to take fencing-lessons. I'm sorry I did not go on with them. Come, look out for your fingers! There! what did I tell you?'

She seemed to be only in fun. She did not strike Rougon severely, but just playfully lashed at him whenever his hands came too near. She was so quick in her defence that he could not even touch her dress. A perfect hail came clattering down upon him on every side. Before long he was tingling all over, and stepped back panting, with his face very red, and drops of perspiration trickling down his brow. Then, however, his manner changed, and still without a word he advanced menacingly; but Clorinde, though smiling and talking as before, at once struck him several smart blows of increasing severity. She looked very beautiful as she stood there with her skirts drawn tightly, and her corsage yielding to every movement of her lissom figure. She was like a sinuous, bluish-black serpent, and whenever she raised her arm to strike, at the same time slightly throwing her head back, her throat and bosom formed a charming curve.

'Well, now,' she exclaimed, with a laugh, 'have you had enough? You'll be the first to tire, I think, my friend.'

But in her turn she suddenly stopped talking. Rougon's eyes were glaring fiercely now, and his face was quite crimson. Then a bright light also appeared in Clorinde's eyes, and she seemed to revel in the whipping she was administering to him. Again and again did she wheel and slash about her. And at last, as he, goaded to fury, made a yet more desperate onslaught, she put forth all her strength and cut him clean across the face from ear to ear.

'Hussy!' he cried, and broke into a torrent of coarse language, abominable charges, swearing and sputtering, half-choked by his excitement.

She did not deign to reply. For a moment she stood there motionless and haughtily calm like a statue, with her face very pale.

But he burst into a strain of passionate pleading; and thereupon she looked at him and answered: 'Well, then, marry me!'

At this, however, Rougon, as if recovering his self-possession, forced a laugh, a sneering, insulting laugh, and shook his head.

Her retort, the only one that womanly pride could dictate, came swift and forcible. Then neither spoke again.

The horses in the stalls had turned their heads and were snorting, disturbed by the contest which they had heard. The sun had just risen high enough to shine through the dormer-windows, and two golden beams sent sparkles dancing through the gloom of the stable. Clorinde, now perfectly calm again, slipped up to Monarque's head, with her whip under her arm. She gave the horse two kisses on the muzzle and exclaimed: 'Good-bye, old fellow. You, at any rate, know how to behave yourself.'

Rougon, quite crushed and ashamed, was also now perfectly calm. With his hands still quivering he straightened his cravat, and felt his coat to ascertain if it was properly buttoned. Then they walked quietly back through the garden. Rougon's left cheek was stinging him, and he dabbed it with his handkerchief. When they reached his study, Clorinde's first glance was for the timepiece. 'That makes thirty-two tickets,' she said with a smile.

As Rougon looked at her in surprise, she once more broke into a laugh, and continued: 'You had better send me off at once. The hand is moving forward. The thirty-third minute has begun. See, I'm putting the tickets on your desk.'

Rougon gave her three hundred and twenty francs without a moment's hesitation. Scarcely did his fingers tremble as he counted out the gold. It was a fine which he had inflicted upon himself. Then Clorinde, carried away by the manner in which he put down such a sum of money, stepped up to him with an adorable expression, offering him her cheek. And when he had kissed it in a fatherly fashion, she went off, looking quite delighted, and saying: 'Thank you for the poor girls. I have only seven tickets left now. My godfather will take those.'

As soon as Rougon was alone again, he sat down at his desk by sheer force of habit. He resumed his work, and for some minutes wrote and consulted the papers that were lying in front of him. Then he held up his pen, and a grave expression came over his face as he gazed blankly through the open window into the garden. He again saw Clorinde's lithe form swaying before him like some bluish serpent. She glided on and entered the room, and sprang up on the living tail which her habit seemed to form. He saw her quivering as her arms uncoiled towards him; and gradually the room seemed full of her presence. Silently, passionately, it pervaded everything: the carpet, the chairs, the curtains, diffusing over all a penetrating perfume.

Then Rougon violently threw his pen down and rose in anger. Was that girl now going to prevent him from working? Was he going mad that he should see things which had no existence? he whose brain was so strong! He recalled to his mind a woman, nigh whom he had many a time written the whole night long, when he was a student, without even noticing her gentle breathing. Then he drew up the blind, and to establish a draught opened the other window and a door on the opposite side of the room, as though he were stifling. And with angry gestures similar to those with which he would have driven away some dangerous wasp, he tried to drive away the scent of Clorinde by flapping his handkerchief in the air. When he no longer noticed it, he drew a deep breath and again dabbed his face with his handkerchief to assuage the burning heat which Clorinde had brought there.

He could not, however, go on with the work he had commenced, but still slowly paced the room, from one end to the other. As he caught sight of himself in a mirror, he noticed a red mark on his left cheek. Clorinde's whip had only left a slight scratch behind it, and he could easily ascribe that to some trifling accident. However, although his skin revealed but a slight red line, his flesh still smarted with the slashing, galling cut. So he hastened to a little lavatory, curtained off from the rest of the room, and plunged his head into a basin of water. That afforded him considerable relief. He dreaded lest the whipping he had received from Clorinde should only sharpen his passion. He felt afraid to think about her till the scratch on his cheek should be quite healed; the smarting which he felt seemed to descend and thrill his whole body.

'No! never! I won't!' he said aloud, as he came back into his room. 'It would be madness!'

He threw himself on the couch and clenched his fists. Then a servant came in and told him that his _déjeuner_ was getting cold, but he still sat there, struggling with himself. His stern, set face distended with the contest that was raging within him; his bull-like neck grew swollen and his muscles strained, as though silently, within his vitals, he were striving to suffocate some animal bent on devouring him. The battle went on for ten long minutes. He could not remember having ever exerted himself like this before; and, when he got up, he was quite pallid and his neck was moist with perspiration.

On the next two days Rougon admitted no one to see him. He shut himself up with a pile of work. He sat up one whole night. Three times again, when his servant came into the room, he found him lying on the couch, exhausted and with an alarming look on his face. On the evening of the second day, however, he dressed to go to Delestang's, where he was engaged to dine. But, instead of at once crossing the Champs Élysées, he turned up the avenue and entered the Balbis' house. It was only six o'clock.

'Mademoiselle isn't at home,' said the little servant Antonia, laughing like a black goat, as she stopped him on the staircase.

Rougon raised his voice on the chance of making himself heard, and was hesitating whether he should go down again, when Clorinde appeared up above, leaning over the balusters. 'Come up!' she called. 'What an idiot that girl is! She never understands anything that is told her.'

When Rougon reached the first floor, Clorinde took him into a small room adjoining her bedchamber. It was a dressing-room, with light blue wall-paper of a flowery pattern, but she had furnished it with a big dingy mahogany desk, an arm-chair upholstered in leather, and a nest of pasteboard boxes. Papers were lying about, thickly covered with dust. The place looked like the office of some disreputable process server. To accommodate Rougon the girl was obliged to fetch a chair from her bedroom. 'I was expecting you,' she called out as she went there.

When she came back with the chair, she explained to him that she was busy with her correspondence. She showed him on her desk some big sheets of yellowish paper, covered with large round handwriting. Then, as he sat down, she noticed that he was in evening dress.

'Have you come to ask for my hand?' she said in a playful way.

'Exactly,' he replied. Then he added with a smile: 'Not for myself, but for one of my friends.'

Clorinde gazed at him doubtfully, unable to tell whether he was joking or not. She was dirty and untidy, and was wearing an ill-fitting dressing-gown; but, nevertheless she looked very beautiful, like some antique statue which is soiled by the dust of a broker's shop, but whose beauty is beyond the power of dirt to conceal. And while she sucked one of her fingers which she had just smeared with ink, her eyes fell upon the slight scar which was still visible on Rougon's left cheek. Presently she said, in a low voice and with an air of absent-mindedness: 'I was sure you would come, but I expected you sooner.' Then, seeming to wake up, she continued in a louder tone: 'So it is for one of your friends; your dearest friend, no doubt.'

She laughed sonorously. She now felt sure that Rougon had meant himself. She had a strong desire to touch his scar in order to satisfy herself that she had really put her mark upon him and that henceforth he belonged to her. But he took hold of her wrists and made her sit down in the leather-covered arm-chair.

'Let us have a little talk,' he said. 'We are good friends, aren't we? I have been thinking a good deal since the day before yesterday. You have been in my mind the whole time. I fancied that we had got married, and that we had been living together for three months. You'll never guess in what occupation I saw us engaged.'

Clorinde said nothing; she felt a little embarrassed, in spite of all her self-assurance.

'Well, I saw us standing by the fire-place,' he continued. 'You had taken up the shovel and I had seized the tongs, and we were belabouring each other.'

This idea struck Clorinde as so comical that she threw herself back in her chair and burst into ringing laughter.

'No, don't laugh,' said Rougon; 'I'm quite serious. It isn't worth while uniting our lives just to beat each other. I swear to you that is what would happen. First there would be blows, and then a separation. Be quite sure of this, that it is useless trying to assimilate two strong wills like ours.'

'And so?' she asked, becoming very grave.

'And so I think that the most sensible thing we can do is to shake hands and make up our minds to be nothing but good friends in the future.'

Clorinde made no reply, but fixed her eyes searchingly and blackly upon Rougon's. A terrible frown like that of an offended goddess appeared on her Olympian brow. And her lips quivered slightly with a silent expression of scorn.

'Will you excuse me?' she said. Then, drawing her chair to her desk, she began to fold her letters. She used large yellow envelopes, such as are employed in French government offices, and fastened them with sealing-wax. She had lighted a taper and was watching the wax blaze. Rougon quietly waited till she had finished.

'And you came here to tell me that?' she resumed at last, without desisting from her work.

Rougon in his turn made no immediate reply. He wanted to get a glimpse of the girl's face. When she at last turned her chair round again, he smiled at her and tried to catch her eye. Then he kissed her hand, as though anxious to soften her; but she still remained cold and haughty.

'I told you,' he said, 'that I have come to ask you in marriage on behalf of one of my friends.'