Chapter 6

When thousands of years later the Greeks pushed northward from Massilia, Arles was the first great corner in their road and the first halting-place after the useless deserts that separated their port from the highway of the Rhone valley.

At the close of Antiquity Rome came to Arles in the beginning of her expansion, and the strong memories of Rome which Arles still holds are famous. Every traveller has heard of the vast unbroken amphitheatre and the ruined temple in a market square that is still called the Forum; they are famous--but when you see them it seems to you that they should be more famous still. They have something about them so familiar and yet so unexpected that the centuries in which they were built come actively before you.

* * * * *

The city of Arles is small and packed. A man may spend an hour in it instead of a day or a year, but in that hour he can receive full communion with antiquity. For as you walk along the tortuous lane between high houses, passing on either hand as you go the ornaments of every age, you turn some dirty little corner or other and come suddenly upon the titanic arches of Rome. There are the huge stones which appal you with the Roman weight and perpetuate in their arrangement an order that has modelled the world. They lie exact and mighty; they are unmoved, clamped with metal, a little worn, enduring. They are none the less a domestic and native part of the living town in which they stand. You pass from the garden of a house that was built in your grandfather's time, and you see familiarly before you in the street a pedestal and a column. They are two thousand years old. You read a placard idly upon the wall; the placard interests you; it deals with the politics of the place or with the army, but the wall might be meaningless. You look more closely, and you see that that wall was raised in a fashion that has been forgotten since the Antonines, and these realities still press upon you, revealed and lost again with every few steps you walk within the limited circuit of the town.

Rome slowly fell asleep. The sculpture lost its power; something barbaric returned. You may see that decline in capitals and masks still embedded in buildings of the fifth century. The sleep grew deeper. There came five hundred years of which so little is left in Europe that Paris has but one doubtful tower and London nothing. Arles still preserves its relics. When Charlemagne was dead and Christendom almost extinguished the barbarian and the Saracen alternately built, and broke against, a keep that still stands and that is still so strong that one might still defend it. It is unlit. It is a dungeon; a ponderous menace above the main street of the city, blind and enormous. It is the very time it comes from.

When all that fear and anarchy of the mind had passed, and when it was discovered that the West still lived, a dawn broke. The medieval civilisation began to sprout vigorously through the eleventh and twelfth centuries, as an old tree sprouts before March is out. The memorials of that transition are common enough. We have them here in England in great quantity; we call them the "Norman" architecture. A peculiarly vivid relic of that springtime remains at Arles. It is the door of what was then the cathedral--the door of St. Trophimus. It perpetuates the beginning of the civilisation of the Middle Ages. And of that civilisation an accident which has all the force of a particular design has preserved here, attached to this same church, another complete type. The cloisters of this same Church of St. Trophimus are not only the Middle Ages caught and made eternal, they are also a progression of that great experiment from its youth to its sharp close.

You come into these cloisters from a little side street and a neglected yard, which give you no hint of what you are going to see. You find yourself cut off at once and put separately by. Silence inhabits the place; you see nothing but the sky beyond the border of the low roofs. One old man there, who cannot read or write and is all but blind, will talk to you of the Rhone. Then as you go round the arches, "withershins" against the sun (in which way lucky progression has always been made in sacred places), there pass you one after the other the epochs of the Middle Ages. For each group of arches come later than the last in the order of sculpture, and the sculptors during those 300 years went withershins as should you.

You have first the solemn purpose of the early work. This takes on neatness of detail, then fineness; a great maturity dignifies all the northern side. Upon the western you already see that spell beneath which the Middle Ages died. The mystery of the fifteenth century; none of its wickedness but all its final vitality is there. You see in fifty details the last attempt of our race to grasp and permanently to retain the beautiful.

When the circuit is completed the series ends abruptly--as the medieval story itself ended.

There is no way of writing or of telling history which could be so true as these visions are. Arles, at a corner of the great main road of the Empire, never so strong as to destroy nor so insignificant as to cease from building, catching the earliest Roman march into the north, the Christian advance, the full experience of the invasions; retaining in a vague legend the memory of St. Paul; drawing in, after the long trouble, the new life that followed the Crusades, can show such visions better, I think, than Rome herself can show them.

THE GRIFFIN

A specialist told me once in Ealing that no inn could compare with the Griffin, a Fenland inn. "It is painted green" he said, "and stands in the town of March. If you would enjoy the Griffin, you must ask your way to that town, and as you go ask also for the Griffin, for many who may not have heard of March will certainly have heard of the Griffin."

So I set out at once for the Fens and came at the very beginning of them to a great ditch, which barred all further progress. I wandered up and down the banks for an hour thinking of the inn, when I met a man who was sadder and more silent even than the vast level and lonely land in which he lived. I asked him how I should cross the great dyke. He shook his head, and said he did not know. I asked him if he had heard of the Griffin, but he said no. I broke away from him and went for miles along the bank eastward, seeing the rare trees of the marshes dwindling in the distance, and up against the horizon a distant spire, which I thought might be the Spire of March. For March and the Griffin were not twenty miles away. And still the great ditch stood between me and my pilgrimage.

* * * * *

These dykes of the Fens are accursed things: they are the separation of friends and lovers. Here is a man whose crony would come and sit by his fireside at evening and drink with him, a custom perhaps of twenty years' standing, when there comes another man from another part armed with public power, and digs between them a trench too wide to leap and too soft to ford. The Fens are full of such tragedies.

One may march up and down the banks all day without finding a boat, and as for bridges there are none, except, indeed, the bridges which the railway makes; for the railways have grown to be as powerful as the landlords or the brewers, and can go across this country where they choose. And here the Fens are typical, for it may be said that these three monopolies--the landlords, the railways, and the brewers--govern England.

* * * * *

But at last, at a place called Oxlode, I found a boat, and the news that just beyond lay another dyke. I asked where that could be crossed, but the ferryman of Oxlode did not know. He pointed two houses out, however, standing close together out of the plain, and said they were called "Purles' Bridge," and that I would do well to try there. But when I reached them I found that the water was between me and them and, what is more, that there was no bridge there and never had been one since the beginning of time. Of these jests the Fens are full.

In half an hour a man came out of one of the houses and ferried me across in silence. I asked him also if he had heard of the Griffin. He laughed and shook his head as the first one had done, but he showed me a little way off the village of Monea, saying that the people of that place knew every house for a day's walk around. So I trudged to Monea, which is a village on one of the old dry islands of the marsh; but no one at Monea knew. There was, none the less, one old man who told me he had heard the name, and his advice to me was to go to the cross roads and past them towards March, and then to ask again. So I went outwards to the cross roads, and from the cross roads outward again it seemed without end, a similar land repeating itself for ever. There was the same silence, the same completely even soil, the same deep little trenches, the same rare distant and regular rows of trees.

* * * * *

Since it was useless to continue thus for you--one yard was as good as twenty miles--and since you could know nothing more of these silences, even if I were to give you every inch of the road, I will pass at once to the moment in which I saw a baker's cart catching me up at great speed. The man inside had an expression of irritable poverty. I did not promise him money, but gave it him. Then he took me aboard and rattled on, with me by his side.

I had by this time a suspicion that the Griffin was a claustral thing and a mystery not to be blurted out. I knew that all the secrets of Hermes may be reached by careful and long-drawn words, and that the simplest of things will not be told one if one asks too precipitately; so I began to lay siege to his mind by the method of dialogue. The words were these:--

MYSELF: This land wanted draining, didn't it?

THE OTHER MAN: Ah!

MYSELF: It seems to be pretty well drained now.

THE OTHER MAN: Ugh!

MYSELF: I mean it seems dry enough.

THE OTHER MAN: It was drownded only last winter.

MYSELF: It looks to be good land.

THE OTHER MAN: It's lousy land; it's worth nowt.

MYSELF: Still, there are dark bits--black, you may say--and thereabouts it will be good.

THE OTHER MAN: That's where you're wrong; the lighter it is the better it is ... ah! that's where many of 'em go wrong. (_Short silence_.)

MYSELF: (_cheerfully_): A sort of loam?

THE OTHER MAN (_calvinistically_): Ugh!--sand!... (_shaking his head_). It blaws away with a blast of wind. (_A longer silence_.)

MYSELF (_as though full of interest_): Then you set your drills to sow deep about here?

THE OTHER MAN (_with a gesture of fatigue_): Shoal. (_Here he sighed deeply_.)

After this we ceased to speak to each other for several miles. Then:

MYSELF: Who owns the land about here?

THE OTHER MAN: Some owns parts and some others.

MYSELF (_angrily pointing to an enormous field with a little new house in the middle_): Who owns that?

THE OTHER MAN (_startled by my tone_): A Frenchman. He grows onions.

Now if you know little of England and of the temper of the English (I mean of 0.999 of the English people and not of the 0.001 with which you associate), if, I say, you know little or nothing of your fellow-countrymen, you may imagine that all this conversation was wasted. "It was not to the point," you say. "You got no nearer the Griffin." You are wrong. Such conversation is like the kneading of dough or the mixing of mortar; it mollifies and makes ready; it is three-quarters of the work; for if you will let your fellow-citizen curse you and grunt at you, and if you will but talk to him on matters which he knows far better than you, then you have him ready at the end.

So had I this man, for I asked him point-blank at the end of all this: "_What about the Griffin?_" He looked at me for a moment almost with intelligence, and told me that he would hand me over in the next village to a man who was going through March. So he did, and the horse of this second man was even faster than that of the baker. The horses of the Fens are like no horses in the world for speed.

* * * * *

This horse was twenty-three years old, yet it went as fast as though all that tomfoolery men talk about progress were true, and as though things got better by the process of time. It went so fast that one might imagine it at forty-six winning many races, and at eighty standing beyond all comparison or competition; and because it went so fast I went hammering right through the town of March before I had time to learn its name or to know whither I was driving; it whirled me past the houses and out into the country beyond; only when I had pulled up two miles beyond did I know what I had done and did I realise that I had missed for ever one of those pleasures which, fleeting as they are, are all that is to be discovered in human life. It went so fast, that before I knew what had happened the Griffin had flashed by me and was gone.

* * * * *

Yet I will affirm with the tongue of faith that it is the noblest house of call in the Fens.

* * * * *

It is better to believe than to handle or to see. I will affirm with the tongue of faith that the Griffin is, as it were, the captain and chief of these plains, and has just managed to touch perfection in all the qualities that an inn should achieve. I am speaking not of what I know by the doubtful light of physical experience, but of what I have seen with the inward eye and felt by something that transcends gross taste and touch.

Low rooms of my repose! Beams of comfort and great age; drowsy and inhabiting fires; ingle-nooks made for companionship. You also, beer much better, much more soft, than the beer of lesser towns; beans, bacon, and chicken cooked to the very limit of excellence; port drawn from barrels which the simple Portuguese had sent to Lynn over the cloud-shadowed sea, and honourable Lynn without admixture had sent upon a cart to you, port undefined, port homogeneous, entirely made of wine: you also beds! Wooden beds with curtains around them, feathers for sleeping on, and every decent thing which the accursed would attempt to destroy; candles (I trust)--and trust is more perfect than proof--bread made (if it be possible) out of English wheat; milk drawn most certainly from English cows, and butter worthy of the pastures of England all around. Oh, glory to the Fens, Griffin, it shall not be said that I have not enjoyed you!

* * * * *

There is a modern habit, I know, of gloom, and men without faith upon every side recount the things that they have not enjoyed. For my part I will yield to no such habit. I will consider that I have more perfectly tasted in the mind that which may have been denied to my mere body, and I will produce for myself and others a greater pleasure than any pleasure of the sense. I will do what the poets and the prophets have always done, and satisfy myself with vision, and (who knows?) perhaps by this the Griffin of the Idea has been made a better thing (if that were possible!) than the Griffin as it is--as it materially stands in this evil and uncertain world.

So let the old horse go by and snatch me from this chance of joy: he has not taken everything in his flight, and there remains something in spite of time, which eats us all up.

And yet ... what is that in me which makes me regret the Griffin, the real Griffin at which they would not let me stay? The Griffin painted green: the real rooms, the real fire ... the material beer? Alas for mortality! Something in me still clings to affections temporal and mundane. England, my desire, what have you not refused me!

THE FIRST DAY'S MARCH

I very well remember the spring breaking ten years ago in Lorraine. I remember it better far than I shall ever remember another spring, because one of those petty summits of emotion that seem in boyhood like the peaks of the world was before me. We were going off to camp.

Since every man that fires guns or drives them in France--that is, some hundred thousand and more at any one time, and taking in reserves, half a million--must go to camp in his time, and that more than once, it seems monstrous that a boy should make so much of it; but then to a boy six months is a little lifetime, and for six months I had passed through that great annealing fire of drill which stamps and moulds the French people to-day, putting too much knowledge and bitterness into their eyes, but a great determination into their gestures and a trained tenacity into the methods of their thought.

To me also this fire seemed fiercer and more transforming because, until the day when they had marched me up to barracks in the dark and the rain with a batch of recruits, I had known nothing but the easy illusions and the comfort of an English village, and had had but journeys or short visits to teach me that enduring mystery of Europe, the French temper: whose aims and reticence, whose hidden enthusiasms, great range of effort, divisions, defeats, and resurrections must now remain the principal problem before my mind; for the few who have seen this sight know that the French mind is the pivot on which Europe turns.

I had come into the regiment faulty in my grammar and doubtful in accent, ignorant especially of those things which in every civilisation are taken for granted but never explained in full; I was ignorant, therefore, of the key which alone can open that civilisation to a stranger. Things irksome or a heavy burden to the young men of my age, born and brought up in the French air, were to me, brought up with Englishmen an Englishman, odious and bewildering. Orders that I but half comprehended; simple phrases that seemed charged with menace; boasting (a habit of which I knew little), coupled with a fierce and, as it were, expected courage that seemed ill suited to boasting--and certainly unknown outside this army; enormous powers of endurance in men whose stature my English training had taught me to despise; a habit of fighting with the fists, coupled with a curious contempt for the accident of individual superiority--all these things amazed me and put me into a topsy-turvy world where I was weeks in finding my feet.

But strangest of all, and (as I now especially believe) most pregnant with meaning for the future, was to find the inherited experience in me of so much teaching and careful habit--instinct of command, if you will--all that goes to make what we call in Western Europe a "gentleman," put at the orders and the occasional insult of a hierarchy of office, many of whose functionaries were peasants and artisans. Stripes on the arm, symbols, suddenly became of overwhelming value; what I had been made with so much care in an English public school was here thought nothing but a hindrance and an absurdity. This had seemed to me first a miracle, then a grievous injustice, then most unpractical, and at last, like one that sees the answer to a riddle, I saw (when I had long lost my manners and ceased to care for refinements) that the French were attempting, a generation before any others in the world, to establish an army that should be a mere army, and in which a living man counted only as one numbered man.

Whether that experiment will hold or not I cannot tell; it shocks the refinement of the whole West of Europe; it seems monstrous to the aristocratic organisation of Germany; it jars in France also with the traditions of that decent elder class of whom so many still remain to guide the Republic, and in whose social philosophy the segregation of a "directing class" has been hitherto a dogma. But soon I cared little whether that experiment was to succeed or no in its final effort, or whether the French were to perfect a democracy where wealth has one vast experience of its own artificiality, or to fail. The intellectual interest of such an experiment, when once I seized it, drove out every other feeling.

I became like a man who has thoroughly awaked from a long sleep and finds that in sleep he has been taken overseas. I merged into the great system whose wheels and grindings had at first astonished or disgusted me, and I found that they had made of me what they meant to make. I cared more for guns than for books; I now obeyed by instinct not men, but symbols of authority. No comfortable fallacy remained; it no longer seemed strange that my captain was a man promoted from the ranks; that one of my lieutenants was an Alsatian charity boy and the other a rich fellow mixed up with sugar-broking; that the sergeant of my piece should be a poor young noble, the wheeler of No. 5 a wealthy and very vulgar chemist's son, the man in the next bed ("my ancient," as they say in that service) a cook of some skill, and my bombardier a mild young farmer. I thought only in terms of the artillery: I could judge men from their aptitude alone, and in me, I suppose, were accomplished many things--one of Danton's dreams, one of St. Just's prophecies, the fulfilment also of what a hundred brains had silently determined twenty years before when the staff gave up their swords outside Metz; the army and the kind of army of which Chanzy had said in the first breath of the armistice, "A man who forgets it should be hanged, but a man who speaks of it before its time should be shot with the honours of his rank."

All this had happened to me in especial in that melting-pot up in the eastern hills, and to thirty thousand others that year in their separate crucibles.

In the process things had passed which would seem to you incredible if I wrote them all down. I cared little in what vessel I ate, or whether I had to tear meat with my fingers. I could march in reserve more than twenty miles a day for day upon day. I knew all about my horses; I could sweep, wash, make a bed, clean kit, cook a little, tidy a stable, turn to entrenching for emplacement, take a place at lifting a gun or changing a wheel. I took change with a gunner, and could point well. And all this was not learnt save under a grinding pressure of authority and harshness, without which in one's whole life I suppose one would never properly have learnt a half of these things--at least, not to do them so readily, or in such unison, or on so definite a plan. But (what will seem astonishing to our critics and verbalists), with all this there increased the power, or perhaps it was but the desire, to express the greatest thoughts--newer and keener things. I began to understand De Vigny when he wrote, "If a man despairs of becoming a poet, let him carry his pack and march in the ranks."

Thus the great hills that border the Moselle, the distant frontier, the vast plain which is (they say) to be a battlefield, and which lay five hundred feet sheer below me, the far guns when they were practising at Metz, the awful strength of columns on the march moved me. The sky also grew more wonderful, and I noticed living things. The Middle Ages, of which till then I had had but troubling visions, rose up and took flesh in the old town, on the rare winter evenings when I had purchased the leisure to leave quarters by some excessive toil. A man could feel France going by.

It was at the end of these six months, when there was no more darkness at roll-call, and when the bitter cold (that had frozen us all winter) was half forgotten, that the spring brought me this excellent news, earlier than I had dared to expect it--the news that sounds to a recruit half as good as active service. We were going to march and go off right away westward over half a dozen horizons, till we could see the real thing at Chalons, and with this news the world seemed recreated.