Part 5

Mitchell had listened with surprise at first to this rash proposal. It sounded youthful and impetuous. But it also sounded sensible. Mitchell hated red tape, and he knew that John's idea was the right one; but tradition was god on the S.F. & E.P. They would fight the innovation and fight it hard; they might win, too, and Mr. Mitchell had no stomach for tilting at windmills. However, it might be a good thing for John, this fight; might make him forget that foolish stage ambition of his; and if he won, might crown him so lustrously that of itself it would save him to a future already assuredly brilliant in the railroad business.

"Do you think you could whip it out with 'em before their faces, John, when the scrap comes?" Mr. Mitchell asked tentatively, but also by way of further firing the soul of the fighter.

"I believe I could," replied John ardently.

"Then go to it," said Mr. Mitchell tersely.

And John went to it.

But there was another man who had been shocked by John's theatrical venture, and that was the pastor of the First Church, who had his virtues, much as other men. His face was round and like his figure, full of fatness. He was a merry soul and loved a joke. He had a heart as tender as his sense of humor was keen.

But beside his virtues, this man of God had also his convictions. His pulpit was no wash-wallowing craft. He steered her straight. To Heaven with Scylla! To Gehenna with Charybdis! Indeed, if there was one man in all Los Angeles who knew where he was going and all the rest of the world too, it was this same Charles Thompson Campbell, pastor of the aforesaid grand old First Church. Doctor Campbell's hair and eyes were black. His voice had the ultimate roar in it. When he stood up, locks flying, perspiration streaming, and thumped his pulpit with that fat doubled fist, the palm of which had been moulded in youth upon the handle of a plow, every nook and cranny of the auditorium echoed with the force of his utterance. But Doctor Campbell's convictions, like most people's, were only in part based upon knowledge.

Some things in particular he wot not of yet scorned. One was the modern novel. Another was the stage! Shakespeare, Doctor Campbell admitted largely, had shed some sheen upon the stage and more upon literature; but he never quoted Shakespeare. One could almost doubt if he had read him, and when Shakespeare came to town, he never went to see him.

On the morning, therefore, when the good Doctor Campbell read in the papers that the youngest of his deacons had the night before made his debut as Ursus in _Quo Vadis_, he was not only pained but moved to self-reproach. Grief enveloped him. It thrust the sharp cleft of a frown into his smooth brow. It thrust his chin down upon his bosom and caused him to heave a tumultuous sigh. He bowed his head beside his study table and then and there put up an earnest petition for the soul of John Hampstead. It was a sincere and natural prayer, because Doctor Campbell was a sincere man and believed in the efficacy of prayer.

Besides, he loved John Hampstead. The young man's impending fate stirred the minister deeply and caused him to reproach himself. In this mood, he dug out all his sermons on the stage, nine years of annual sermons on the influence of the drama, and read them sketchily and with disappointment. Paugh! Piffle! How weak and ineffective they seemed. He delved into his concordance for a text and found one. Then he drove his pen deep into his inkwell and began to write.

The following Sunday night Doctor Campbell's red, excited features were seen dimly through dun, sulphurous clouds of brimstone and fire; but to the preacher's dismay, John Hampstead was not present for fumigation. The reverend gentleman, in his unthinking goodness, had quite overlooked the fact that the play in which John was performing concluded on Sunday night instead of Saturday night; and so while his pastor was hurling his fiery diatribes at that conspicuously assailable institution, the stage, Deacon Hampstead was blissfully bearing Marien Dounay about in his arms.

But the next morning John read the sermon published in the newspaper. He had already noted that the more doubtful the sermon, the more likely it is to get into the headlines, because from the editor's standpoint it thus becomes news, and late Sunday night, which is the scarcest hour of the whole week for news, there is more joy in the "city room" over one sermon that breathes the fiery spirit of sensation than over ninety and nine which need no hell and damnation in which to express the tender gospel of Jesus. John read it with a sense of wrath, of outrage, and of humiliation. That night he launched himself at the study door of his pastor.

"I was very sorry you did not hear my sermon last night," began Doctor Campbell blandly, sensing the advantage of striking first.

"Brother Campbell, I have come to arraign you for that sermon," retorted John, with an immediate outburst of feeling. "I say that you spoke what you did not know. I say," and his voice almost broke with the weight of its own earnestness, "I say that you bore false witness!"

The amazed minister's mouth opened, but John repressed his utterance with a gesture.

"You will say you preached your convictions. I say you preached your prejudice, your ignorance. I say you bore false witness against struggling women, against aspiring men, against those of whose bitter battlings you know nothing."

The Reverend Charles Thompson Campbell leaned back aghast. No man had ever presumed to talk to him like this, no man of twice his years and spiritual attainments; yet here was this stripling not only talking to him like this, but with a fervor of unction in his utterance that made his upbraiding sound half inspired.

"You are condemning the stage as an institution," went on John scornfully. "You might as well condemn the printing press as an institution. You discriminate with regard to newspapers and books. Do the same with the stage. Taboo the corrupt play and teach your people to avoid it. Support the good and teach the managers that you will. Taboo the notorious actor or actress if you wish. Give the rest of them the benefit of the doubt, as you do in your personal contact with all humanity. Oh, Doctor Campbell, you are so charitable in your personal relations with men and so uncharitable in much of your preaching!"

This one exclamatory sentence had in it enough of affectionate regard to enable the minister to contain himself a little longer, under the impassioned tide which now flowed again.

"The stage? The stage as an institution?" John appeared to pause and wind himself up. "Why, listen! The stage function is a godlike function. When God created man out of the dust of the ground and breathed into him the breath of life he planted in man's breast also the instinct to create. That instinct is the foundation of all art. Man has always exhibited this passion to create something in his own image. It might be a rude drawing on a rock, or only a manikin sculptured in mud and set in the sun to dry; or it might be a marble of Phidias, with the form, the strength, the spirit of life upon it. The painter can go farther. He gets the color and the very visage of thought and even of emotion. Yet each falls short. There is no God to breathe into their creations the breath of life."

The minister leaned back a little as if to put his understanding more at poise.

"But," continued Hampstead, "the playwright and the actor can go farther. They breathe into their creations that very breath of God himself, which he breathed into man. They make a character real because he is a living man. They put him in the company of other men and women who are as real for the same reason; they toss them all into the sea of life together; the winds of life blow upon them. Hate and love, virtue and vice, hope and despair, weakness and strength, birth and death, work their will upon them."

"That is very beautiful, John," said Doctor Campbell, "very beautiful."

The tribute was sincere, but John was not to be checked even by a compliment.

"The stage creates and recreates," he rushed on. "It can raise the dead. It makes men and women live again--Julius Caesar and Cleopatra, Napoleon and Dolly Madison. It seizes whole segments out of the circles of past history and sets them down in the midst of to-day, with the glow of life and the sheen of reality over all, so that for an afternoon or a night we live in another continent or another age. We see the life, the customs, the petty quarrels, the sublimer passions, the very pulse-beats of men of other circumstances and other generations than our own, so that when we come out of the theater into the times of to-day, we have actually to wake ourselves up and ask: Which is real, and which is art?"

Doctor Campbell leaned forward now. His mouth was round, his eyes were widely open.

"It is that which gives the stage its dignity and power," concluded John. "It is the highest expression of man's instinct to create a new life in a more ideal Eden than that in which he finds himself. When you condemn the stage you condemn the creative instinct, and," exhorted John, with the sudden sternness of a hairy prophet on his desert rock, "you had better pause to think if you do not condemn Him who planted that instinct in the human breast."

Hampstead had now finished; but the minister was in no hurry to speak. He felt the spell of the picture which had been painted, but he felt still more the spell of the young man's ardent enthusiasm.

"You must have thought that out very carefully, John," he said.

"Brother Campbell!" answered John fervently, "I have done more than think it out. I have felt it out. I propose to live it out!"

But Doctor Campbell had kept his head amid this swirl of words, and his return was quietly forceful.

"The stage of to-day," he began, "as I know it from the newspapers and the billboards, never seemed so vulgar and damnable as it does now after your glorious idealization of it. I, as a preacher of righteousness, must judge of such an institution externally, by its effects. I have weighed the stage in the balance, John, and I have found it wanting."

This time there was something in the minister's calm tone, in the cool detachment of his point of view, that held John silent.

"Isn't it possible," the minister continued, in a kind of sweet reasonableness, "that there is something insidiously demoralizing or infectious about it? Take your own experience, John. You are a Christian man. You have been soaking yourself in the atmosphere of the stage for a couple of weeks. Examine your soul now, and answer me if you are as fine, as pure a man as you were before you went there. Are you?"

"Why, of course I am," ejaculated Hampstead impulsively.

"Think," commanded the minister, in low, compelling tones; for having controlled his emotions the better, he was just now the stronger of the two. "Are you--John?"

Hampstead opened his mouth eagerly, but the minister's repressing gesture would not let him speak. The young man was literally compelled to think, to question his own soul for a moment, and as he searched, a telltale flush came upon his cheek, and then his glance fell. There was an embarrassing moment of silence, during which this flush of mortification deepened perceptibly.

The minister was a wise man. He read the sign and asked no questions. He upbraided nothing, cackled no exultant, "I told you so."

"Let us pray, Brother John," he proposed after the interval, and knelt by his chair with a hand upon Hampstead's shoulder. The prayer was short.

"Oh, Lord," the man of God petitioned, "help us to know where the right stops and the wrong begins. Keep us back from the sin of presumption. Give thy servants wisdom to serve thy cause well and work no ill to it by over-zeal or over-confidence. Amen!"

Doctor Campbell might have been praying for himself. But John knew that this was only a part of his tact.

As the two men rose, John felt a sudden impulse to defend the stage from himself.

"It was my own fault," he urged; "the fault of my own weakness in unaccustomed surroundings. It was not the fault of the surroundings themselves, nor of any other person. Besides, it was nothing very grave."

"Deterioration of character is always grave," said the Reverend Charles Thompson Campbell as he walked to the door with his caller, and the minister's tone intimated his conviction that this particular deterioration had been very grave indeed.

*CHAPTER VI*

*ON TWO FRONTS*

There was high commotion in a big front office in the top floor of a tall, gray building that stood in the days before the fire on the corner of Kearney and Market streets in the city of San Francisco. This gray structure housed the general offices of the San Francisco and El Paso Railroad Company, and that big front office contained the desk of the Freight Traffic Manager. Before this desk sat a man with a domed brow and the beak of an eagle, hair gray, eyes piercing, complexion colorless, and a mouth that closed so tightly it was discernible only as a crescent-shaped pucker above his spike-like chin. His mouth at the moment was not a pucker; it was a geyser. The name of this man was William N. Scofield, and he was obviously in a rage. He had grown up with the S.F. & E.P., his brain expanding as it expanded, his power rising as it had risen. Long ago, when the one lone clerk in its little rate department, he had made with his own hands the first of those yellow commodity tariffs that John Hampstead had scorned with objurgations. Now Scofield held in the hand which trembled with his anger the first of that upstart's own contributions to the science of tariff making--not yellow, but white, in token of the clarity it was meant to introduce.

"How did they make it? this--this botch!" he exploded, repeating his interrogation with other embellishing phrases not properly reproducible and then slamming the offending white sheets down hard upon his desk,--much harder than John had slammed the yellow ones,--this impudent, white-livered thing that was an assault upon the customs he, Scofield, had instituted and time itself had honored!

"Telegram!" he barked to his stenographer. "Robert Mitchell, Los Angeles. Insist immediate withdrawal your entire line of commodity tariffs, series J. Basis carried in our own tariffs is only one we will recognize."

Mitchell answered:

"Decline to withdraw; our tariffs issued on actual basis on which charges are assessed."

The fight was on.

Arming himself cap-a-pie with tariffs, amendments, letters, and memoranda, Mitchell two days later followed his telegram to San Francisco. Most of his resources, however, were packed behind the wide, blond brow of John Hampstead, who accompanied his chief and was more eager for the fray than Mitchell. The battle began on Monday morning about ten of the clock, and was not finished with the day. The field of action was a room of this same gray building, where Howison, General Freight Agent of the S.F. & E.P., sat at the end of a long table, flanked right and left by assistant general freight agents, rate clerks, and even general and district freight agents called in from the field, all to convince Robert Mitchell and his lone rate clerk sitting at the other end of the table that their new tariff was a hodgepodge, without practical basis or the show of reason to support it. Scofield himself did not take a seat in the battle line, but looked in occasionally, either to walk about nervously or sit just back of Howison's shoulder.

On the afternoon of the second day, the enemy Traffic Manager appeared to watch Hampstead intently for half an hour. Again and again the keen old fighter saw his allied forces attack, but invariably this self-confident, smiling young man with a ready citation, the upflashing of a yellow "special", the digging out of a letter or a telegram from his file, or occasionally even of an old freight bill issued by the S.F. & E.P. showing exactly what rate had been assessed, triumphantly repelled the assaults, until reverses began to be the order of the day.

"It strikes me," Scofield remarked sarcastically, "that this young man has got us all pretty well buffaloed. The trouble is, Howison," he glowered, "that your Tariff Department needs cleaning out. You've got a lot of old mush heads in there."

With this warning shot into his own ranks, Scofield arose, went discontentedly out, and never once came back. Keener than any of his staff, he had already discerned that defeat was advancing down the road.

But the battle of the tariffs raged on throughout the week, and it was not until late on Saturday afternoon that John, standing in one room of the suite in the Palace Hotel charged to the name of Robert Mitchell, flung the pile of papers from his arms into the bottom of a suitcase with a swish and solid thud of satisfaction. Victory from first to last had perched upon his tawny head. He had met good men and beaten them; and he had a right to the wave of exultation that surged for a moment dizzily through his brain.

Mr. Mitchell, too, was feeling exultant and proud beyond words, as he stood in the door of John's room. His hands were deep in his pockets; his large black derby hat was pushed far back from his bulging brow. On his great landscape of a countenance was an oddly significant expression.

"Well, Jack," he began, after an interval of silence, "what about the stage?"

John started like a man surprised in a guilty act, although he had known for months that this was a question Mr. Mitchell might ask at any moment; but the decision involved seemed now so big that from day to day he had hoped the inevitable might be postponed.

"I shall be naming a new chief clerk in a couple of weeks, now that Heitmuller is to become General Agent," Mr. Mitchell went on half-musingly, and as if to forestall a hasty reply to the question he had asked. "The new man will be in line to be appointed Assistant General Freight Agent very soon, on account of the consolidations."

For a moment John saw himself as Chief Clerk, sitting in the big swivel chair at the high, roll-top desk, with all the strings of the business he knew so well how to pull lying on the table before him; with clerks, stenographers, men from other departments and that important part of the shipping public which carried its business to the general freight office, all running to him.

And from there it was only a short, easy step to the position of Assistant General Freight Agent.

Only the man who has toiled far down in the ranks of a railroad organization doing routine work at the same old desk in the same old way for half a score of years can know on what a dizzy height sits the Chief Clerk, or how far beyond that swings the lofty title of Assistant General Freight Agent.

"Your advancement would be very rapid," suggested Mr. Mitchell, flicking his flies skilfully upon the whirling eddies of the young man's thought.

John had achieved enough and glimpsed enough to see that Mitchell was right. Advancement would be rapid. Mitchell would soon go up the line himself; he could follow him. General Freight Agent, Assistant Traffic Manager, Traffic Manager, Vice-president in charge of traffic--President! with twelve thousand miles of shining steel flowing from his hand, which he might swing and whirl and crack like a whip! The prospect was dazzling in the extreme, and yet it was only for a moment that the picture kindled. In the next it was dead and sparkless as burned-out fireworks.

"You have a strong vein of traffic in your blood," the General Freight Agent began adroitly, but John broke in upon him.

"Mr. Mitchell," he said, and his utterance was grave, "I am sorry to disappoint you, but it comes too late. A year ago such a hint would have thrown me into ecstasies. To-day it leaves me cold. I have had another vision."

The face of Mitchell shaded from seriousness almost to sadness, but he was too wise to increase by argument an ardor about which, to the railroad man, there was something not easy to be understood, something, indeed, almost fanatical. Instead Mitchell asked with sober, interested friendliness:

"What is your plan, John?"

"To resign July first," John answered, for the first time definitely crossing the bridge, "to come to San Francisco and seek an engagement with some of the stock companies playing permanently here, even though I begin the search for an opening without money enough to last more than a week or two."

"Without money!" exclaimed Mr. Mitchell, in surprise.

"Yes," confessed Hampstead, flushing a little. "My salary was not very munificent, you know, and I have usually contrived to get rid of it, frequently before I got the pay check in my hands."

Mr. Mitchell's small, prudent eyes looked disfavor at a spendthrift.

"However," he suggested, "you have only yourself to think of."

"That's another point against me," confessed Hampstead. "I have some one else to look out for. My brother-in-law is an artist, you know, and he has not been very successful yet, so that I hold myself ready to help with my sister and the children if it should ever become necessary."

"That's a handicap," declared Mitchell flatly.

"I won't admit it," said John loyally. "You don't know those children. Tayna's the girl, nearly twelve now, a beauty if her nose is pugged. Such hair and eyes, and such a heart! Dick's the boy, past ten. He's had asthma always, and is about a thousand years old, some ways. But they--"

Hampstead gulped queerly.

"Those two children," he plunged on, "are dearer to me than anything in the whole wide world. You know," and his tone became still more confidential, while his eyes grew moist, "it would only be something that happened to them that would keep me from going on with my stage career."

Mitchell's respect for John was changing oddly to a fatherly feeling. He felt that he was getting acquainted with his clerk for the first time. He resolved that he would not tempt the boy, and that if it became necessary, he would help him. However, before he could express this resolve, if he had intended to express it, the telephone rang.

Hampstead answered it, stammered, faltered, replied: "I will see, sir, and call you in five minutes," hung up the 'phone and turned to confront Mitchell, with a look almost of fright upon his face.

"It's William N. Scofield," he exclaimed. "He wants me to take dinner with him at his club to-night."

A disbelieving smile appeared for a moment on the wide lips of Mitchell; then understanding broke, and his smile was swallowed up in a hearty laugh.

"He wants to offer you a position," Mitchell said, when his exultant cachinnations had ceased. "Look out that he doesn't win you. Scofield is a very persuasive man. He nearly got me once. Besides, he has more to offer you than I have."

Hampstead pressed his hand to his brow. Under his tawny thatch ideas were in a whirl.

"What shall I do?" he asked rather helplessly.

"Stay over," commanded Mitchell unhesitatingly. "Ring up and tell him you'll be there."

"But there's no use, anyway," replied John suddenly, getting back to the main point. "My mind's made up."

"No man's mind is made up when he's going to take dinner on the proposition with William N. Scofield," answered Mitchell oracularly.

"And you?" asked Hampstead, suddenly aware how good a man at heart was Robert Mitchell, and quite unaware that he had seized that gentleman's pudgy right hand and was wringing it in a manner most embarrassing to Mitchell himself. "You--"

But the telephone was tingling impatiently.

"Mr. Scofield wants to know," began a voice.