Harper's Young People, January 27, 1880 An Illustrated Weekly

Chapter 2

Chapter 24,172 wordsPublic domain

The boy saw that she had great brown eyes, and beautiful brown hair, and a little mouth like a rose-bud, and he thought, "How lovely she is!" and dropped his gun, and said so many comforting words to Nannette, that always after it they were the very dearest of friends. And the Raven seemed to approve of Reginald also--for Reginald was the little boy's name, and he was very proud of it, being, as you know, a little out of the common; he would perch on his shoulder, and what he said to him as years went by I can not tell; but Reginald became thoughtful, and talked to Nannette continually about going away, and growing rich, and then coming home to marry her and make her a great lady. But Reginald did not have money enough to go away, and so he was often very sad and silent.

One day he came to Nannette with a paper in his hand. "See!" he cried, "the squire's son has been lost in the hills while hunting, and there is one hundred pounds to be given to whoever finds him. I know all about the hills, and shall certainly find the young squire." Then he said good-by to Nannette, and would have done so to the Raven, but the bird flew away before him, and for all his mistress's cries he would not come back. So together they went up the rocks, and Nannette watched them quite out of sight.

And Reginald, who knew a great deal about birds, watched the Raven, and saw that he flew continually over one spot in a narrow ravine; and there he found the poor young squire. His horse had been killed by the fall, and there he lay with a broken leg, and almost dead with hunger and thirst and pain. After this piece of good luck, Reginald's way was clear. Every one was then talking about a new country full of gold, called California; and though it was at the other end of the world, Reginald bravely sailed away into the West. Aunt Mabel shook her head, and the Raven nodded his head, and Nannette cried and laughed, and bid him "come quickly back, and build again the beautiful castle of Ravensfield"; and Reginald said, gravely, "I will surely do it," whereat the Raven nodded his wise-looking head harder than before.

"How long will he be away, Aunt Mabel?" said Nannette, sadly.

"Twenty years at least, my dear. I shall never see him again. I am seventy-five years old now."

"And I am fifteen. Ah! I shall be an old woman when Reginald comes back, and he won't know his little Nannette any more!" Then the Raven said something to Nannette, and she laughed, and his "Croak! croak!" sounded very like "Yes! yes!" It did, indeed.

Four years after Reginald went away, a very singular thing happened. Two pairs of strange Ravens came to Raven's Rock, and built nests and reared their young there. Nannette's Raven went very often to see them, and seemed to be altogether a changed bird. For though he was getting near sixty years old, he began to plume his feathers, and to sit continually at the cottage door, watching, watching, watching, as if he expected somebody.

It affected Nannette at last. "I think, aunt," she said, timidly, "that Reginald must be coming home. Just look at that bird!"

"Nonsense, child! How should he know?"

And indeed I don't understand how this wonderful bird knew, but he did; for that very night, just as Nannette was going to light the candle, she heard Reginald's step on the crisp snow, and the old lady heard it, and the Raven heard it, and there was the gladdest meeting you can possibly imagine; and if ever a bird said "I told you so," that Raven said it at least a hundred times that night.

Besides, Reginald had come home with hundreds and hundreds and hundreds of pounds; and he married lovely Nannette, and rebuilt Ravensfield; and dear, patient Aunt Mabel, after sixty years of waiting, went back to the stately old house, and ended her days in the little parlor where she had kissed her brother Stephen farewell.

As for the Raven, he showed himself to be a bird of a very aristocratic nature. He stepped proudly about the fine halls and gardens, and never went near the little cottage or the village streets again. He lived until his fine plumage began to turn gray, and Nannette's oldest son was almost big enough to put on a scarlet coat and a sword; and when he was nearly eighty years old he died on Nannette's knee, his foot in her hand, and the last thing he was conscious of was her tears dropping upon it.

Very likely, children, some extremely wise men and women will say, "I would not believe too much of this story, boys and girls." But when you have lived as long as I have lived, you will know that extremely wise men and women _don't know everything_. At any rate, there are plenty of Ravens on Raven's Rock now, and plenty of Ravensfields in the splendid castle; and if ever you go to England, you can see them if you want to.

A HARD SWIM.

BY DAVID KER.

There are few things more delightful than to be at sea on a fine summer day, with a bright blue sky above and a bright blue sea below, while the fresh breeze fills your sails, and the great smooth waves toss you lightly along, and spatter you at times with their glittering spray, like frolicsome giants. But it is a very different thing to be out in the teeth of a real equinoctial gale, with the whole sky black as ink, and the whole sea one sheet of boiling foam, and a huge wave coming thundering over the deck every other minute, sweeping everything before it, and making the whole vessel tremble from stem to stern.

So, doubtless, thought Olaf Petersen, captain and owner of the Norwegian schooner _Thyra_, of Bergen, when just such a storm caught him half way across the North Sea. It _did_ seem rather hard, after escaping all the storms of blustering March, that fresh, genial April should serve him such a trick; but so it was, and instead of having a short and easy run northeastward to Bergen, as he expected, he found himself flying away to the west, driven by a gale which seemed strong enough to blow him right round the world, if it did not happen to sink him by the way.

All the sails had long since been taken in, and the little craft was scudding under bare poles, no one being on deck but the two men at the wheel (who had quite enough to do keeping her head straight) and the captain himself. A fine picture Olaf Petersen would have made as he stood there, with the spray rattling like hail upon his drenched tarpaulins, and his clear bright eye looking keenly out through the wet hair that was plastered over his face. It might be seen by the firm set of his mouth that he meant to fight it out while a plank would swim; but he looked grave and anxious, nevertheless.

And well he might. This time it was not only his vessel and the lives of himself and his crew that were in danger: his young wife was on board, after whom the _Thyra_ had been named, and it was now too late to blame himself for having granted her entreaty to be allowed to sail along with him, instead of being left at home by herself for so many weary weeks, without knowing whether he was alive or dead.

Still it blew harder, and harder yet. Had not the _Thyra_ been as good a sea-boat as ever swam, it would have been all over with her. Even as it was, she could barely hold her own against the mountains of water that came plunging over her deck with a force that seemed sufficient to rend a rock. More than once the captain's stiffened fingers were almost torn from their hold upon the weather rigging, while the men at the wheel were under water again and again. Vainly did Olaf strain his eyes to windward in the hope of seeing a break in the inky sky. All was grim and gloomy, and amid the blinding spray and the deepening darkness it was hard to tell where the sea ended and the sky began.

All that night and all the next morning they drove blindly onward, not knowing where they were; for the sun had not been seen for two whole days, and no observation could be taken. But Captain Petersen, who had those seas by heart, began to fear that they were being driven in among the Orkney Isles, and he knew only too well what chance the stoutest three-decker would have against those tremendous rocks with such a sea running.

Toward afternoon the wind fell suddenly, though the sea still ran high; but now came something worse than all--one of those terrible Northern fogs which turn day into night, and make the oldest sailor as helpless as a child. The lanterns were lit and hoisted, the ship's bell was kept constantly tolling, and the captain ordered up two "look-outs" besides himself; but the fog grew thicker and thicker, till those on the forecastle could barely make out the foremast.

Ha! what was that huge dim shadow that loomed out suddenly just ahead, like a threatening giant? Could it be a _rock_?

"Port your helm!--port!" roared the captain, at the full pitch of his voice.

But it was too late. The next moment there came a deafening crash, a shock that threw them all off their feet, and the vessel, with her bows stove in, was sawing and grinding upon the sharp rocks that had pierced her through and through, with the water rushing into her like a cataract.

The next few minutes were like the confusion of a troubled dream--a shadowy vision of a huge dark mass overhead, a short fierce struggle amid swirling foam and broken timbers--and then the captain and wife found themselves upon one of the higher ledges, hardly knowing how they had reached it, while the crew, with bleeding hands and sorely bruised limbs, dragged themselves painfully up after them.

They were not a moment too soon. Scarcely had the last man gained the ledge, when a mountain wave took the vessel aback. She slid off the rocks which had held her up, and went down so quickly that the captain, turning at the shouts of his men, just caught a glimpse of her topmasts vanishing under water.

The situation of the shipwrecked crew was now dreary enough. Alone upon a bare rock in the midst of a stormy sea, with no means of escape, and no food but the few brine-soaked biscuits in their pockets, there seemed to be nothing left for them but to give themselves up and die. But, of all men living, a sailor is the least apt to think his case hopeless, however dark it may appear. Having just been saved from apparently certain death, the stout-hearted seamen were in no mood to despair so easily; and settling themselves snugly in a sheltered cleft of the rock, they ate their scanty meal (a good share of which had been reserved for Mrs. Petersen) as cheerily as if they were lying at anchor in Bergen Harbor.

Just as the meal ended, the fog suddenly rolled away like a curtain, and the last gleam of the setting sun showed them an island several miles to the north, on the shore of which the keen-eyed captain made out a few white specks that looked like fishermen's huts.

"Lads," cried he, "if the wind rises again, it'll blow us all into the sea; and even if it don't, we shall freeze to death if we stick here all night, with no room to move about. There's just _one_ chance left for us, and I'm going to take it. Somebody must swim to that island for help, and as I believe I'm the best swimmer among us, I'll be the one to do it."

"Olaf!" cried his wife, catching him by the arm, "you won't think of it! It's certain death!"

"Pooh, pooh!" said the captain, cheerily. "I haven't swum across Bergen Bay and back for nothing. It's certain death to sit here and freeze, if you like; but you'll soon see me coming back with half a dozen stout fellows, and we'll all have a good supper before the night's out. Keep your heart up, dear. God bless you!"

The next moment he was in the water, and vanishing from the eager eyes that watched him into the fast-falling shadows of night. Then came a long silence. The men looked at each other, no one daring to utter the thought which was in every one's mind, while Thyra Petersen hid her face in her hands, and prayed as she had never prayed before.

Meanwhile Captain Petersen, who had told no more than the truth in calling himself a good swimmer, was breasting the waves manfully. But he soon found the difference between attempting a long swim when quite fresh and vigorous, and doing the same thing after a hard night's work, on short allowance of food, and with limbs stiffened by wet and cold. Moreover, the sea, although much quieter than it had been, was still rough enough to tell sorely against him. Before he had gone a mile he felt his strength beginning to fail; but he thought of his wife, and of all the other lives that now depended upon him alone, and struggled desperately onward. But now came a new trouble. In the deepening darkness the island for which he was heading soon disappeared altogether, and he found himself swimming almost at random. Every stroke was now a matter of life and death, and yet each of those strokes might be taken in the wrong direction. It was a terrible thought. Heavier and heavier grew his cramped limbs, harder and harder pressed the merciless sea. He sank--rose--sank again, and as he came up once more, lifted his voice in a despairing cry, feeling that all was over.

"Hist, laddies! there's some ane skirling" (screaming), shouted a hoarse voice near him.

There was a sudden splash of oars, a clamor of many voices, and then a strong hand clutched him as he sank for the last time. So utterly was he spent that he could barely force out the few words needful to tell his story; but these were quite enough for the Orkney fishermen, who at once put about and steered straight for the rock.

It was a glad sight for the weary watchers, when the boat came gliding toward them out of the darkness. But when they recognized their captain, whom they had long since given up for lost, they gathered their last strength for a feeble cheer, while poor Thyra sprang into the boat, and threw her arms round his neck without a word.

So ended Captain Petersen's daring swim, which brought him good in a way that he little expected; for when the news of the feat reached Bergen, the townspeople at once started a subscription to buy him another vessel, in which he is voyaging now.

SOME CURIOUS ART WORKS AND ARTISTS.

The Marquis de Veere once gave each of his household a sufficient quantity of the richest white silk damask for a suit. Charles V. was about to make him a visit, and the marquis wished his court to make a splendid appearance when assisting him to receive the emperor. His painter, Mabuse, who was always in debt, was granted the privilege of seeing to the making of his own suit of clothes. Mabuse, however, sold the damask for a good price, and having made a paper suit, painted it so perfectly to represent the damask that when he appeared in it all were deceived.

When the marquis called the emperor's attention to the beautiful clothing of his court, and asked which suit he most admired, the emperor at once selected that of Mabuse. The joke was then explained to the emperor, but he would not believe that the suit was not of real damask until he had touched it with his hands.

It no doubt took Mabuse considerable time to paint his damask, but a much more celebrated artist once made a wonderful drawing almost in an instant. At the time of the Caesars there was at Rome a panel on which was to be seen nothing but three colored lines. The lines were drawn one on top of the other, each thinner line dividing the next wider. This was considered one of the most wonderful art works at Rome.

The Grecian painter Apelles went one day into Protogenes's studio, and finding that artist out, drew on a panel the widest of the three lines in such a peculiar and beautiful manner that Protogenes knew at once his caller. When Apelles called the second time he found that Protogenes had drawn a colored line upon the first line, dividing it with the most delicate accuracy. Seeing this, Apelles divided the second line, to every one's astonishment. Protogenes lived at Rhodes, and the panel was taken to Rome to be admired by all who saw it. When the imperial palace was destroyed, the panel unfortunately shared a like fate.

In comparison, what a delicate flower is to a huge log, so the work of Apelles would be to such a vast oil-painting as the "Apotheosis of Hercules," painted by Lemoin, a Frenchman. This picture measured sixty-four feet one way by fifty-four feet the other, and the ultramarine to paint the clouds on it alone cost two thousand dollars.

Another huge painting, said to be the largest in the world, is Tintoretto's "Paradise," at Venice. It contains an almost innumerable multitude of figures, and fills the end of a large hall, over three hundred feet long and half as wide.

One of the most minute and beautiful of art works now at Florence is a glory of sixty saints carved on a cherry stone. It was carved by the Italian sculptress Rossi, who executed other similar carvings, besides working in marble.

Some of the old artists had peculiar methods of working. Aspertino taught himself to paint with both hands at the same time; and Goya, who died in this century, frequently used a stick or a sponge rather than a brush. There are pictures of Goya's done entirely with his palette knife and finger-ends.

One of the oddest of all artists was Bazzi, called Il Soddoma. Not only did he dress peculiarly, but his house was full of strange pet animals, such as monkeys and queer birds. Among the birds was a raven that could perfectly imitate his voice and manner of speech.

Sir Joshua Reynolds painted with brushes the handles of which were a foot and a half long, and used them so rapidly that he would paint a portrait in four hours. The finest of his pictures were those of children.

Other painters were noted also especially for their rapid work. One morning when some citizens called upon the Spanish painter Serra with an order for an altarpiece, he invited them to stay to dinner, and in the mean while to pass the time in his garden. When dinner-time came, the citizens were perfectly amazed to see Serra walk into their presence bearing the finished picture.

Rizi, another Spanish painter, went in early life to Salamanca to study theology, but he arrived there without money, and found that to be received at the college he must pay a hundred ducats. The abbot of the college gave Rizi but two days in which to get the money, or be refused as a student. Within that time, however, Rizi painted and sold a picture for the desired amount. He continued to paint to pay for his education, and in addition to becoming a famous painter he was made a bishop just before he died.

A celebrated painter of fairs and festivals such as took place among the Dutch was David Teniers. He usually painted on small or moderate-sized canvases, but the figures often were so numerous that one of his pictures contains nearly twelve hundred figures, while others with two hundred and three hundred figures are not rare. Teniers could imitate the style of other painters. At Vienna is a picture of his representing a gallery in which he and a gentleman are standing, and on the wall before them are hung fifty pictures of other artists. The pictures, of course, are quite small, but any one comparing them with the originals sees how striking is the imitation of different styles.

Another clever imitation of a very different kind was that of Peredo's, whose wife, a lady of rank, wished to have a servant with her whenever any one called. Peredo was not wealthy enough to keep merely ornamental servants, and he painted an old lady with glasses sitting in a chair, and who, apparently, when visitors saluted her, was so busily engaged in sewing as not to hear them.

HARES, WILD AND TAME.

The hare family is one of the largest of the great animal kingdom, for Master Lepus is found in almost every corner of the earth, and whether hiding in tropical thickets, or scampering on Alpine heights, or through the frozen regions of the North, it is always the same agile, shy, and stupid little beast. It has very long ears, tipped with black, and heavy whiskers growing from each cheek. Its hind-legs are very long. It is a swift runner, and can jump a great distance.

Hares are very common throughout the Northern United States, their favorite haunts being overgrown old clearings, and thickets where are many snug places of concealment. They change their fur during winter, throwing off the pretty reddish-brown summer coat, and donning one of white and dark fawn-color. The color of the fur, however, is so varied that it is difficult to find two specimens exactly alike.

This little creature will eat any juicy, tender food, such as the young buds and sprouts in the spring, berries, and leaves. It is fond of cabbage leaves and young grain, and often does much mischief to the crops. It generally sleeps through the day, and morning and evening jumps about in search of food, scampering here and there wherever it can find a sweet morsel to nibble. It does not burrow its nest in the ground, like its cousin the rabbit, but scratches together a little heap of dry grass, which makes a very good temporary lodging. The hare's nest is called a "form," and is so in harmony with surrounding objects that it is scarcely noticeable. One may pass very near without suspecting that under such a heap of dry rubbish a cunning little animal lies concealed. On English heaths the hare makes its "form" in the little stubbly furze-bushes. Inside this mass of prickly leaves it hollows out a soft little bed, where it sleeps away the long sunny day, crouched close to the ground, its ears laid flat on its back.

Hares have no means of defending themselves, except their sharp toe-nails, which they rarely think of using, and they fall an easy prey to the many enemies which beset them. They are vigorously hunted by men and dogs on account of the delicate flavor of their flesh, and it has been thought necessary to place them under the protection of the game-laws. They are also the prey of foxes, wild-cats, weasels, and many other animals. Although defenseless, they still are in a measure protected by their keen ear, which catches the sound of the least rustle or movement, and warns the little beast against approaching danger.

The hare is the worst mother in the world. When her little ones are four or five days old, she leaves them unprotected in their nest, and scampers away to enjoy herself, returning once or twice, perhaps, to nurse her forlorn babies, and then leaving them to shift for themselves. Many little ones, thus neglected, die of cold and hunger, or are swooped up by hawks and owls. It is a strange fact that the mother hare makes no attempt to protect her babies, but will run away at the least signal of danger, and leave them to their fate. Hares have even been known themselves to bite their children to death. A young hare family remain together until they are half grown, when they separate, continuing to live near their native spot, for hares are not travellers, and, unless disturbed, seldom change their home. They are very short-lived, and seldom attain the age of ten years.