Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.

Chapter 3

Chapter 310,032 wordsPublic domain

One evening, as the two sisters were hastening along the road through the woods on their way homeward, a young farmer drove up in his spring-cart, cast a look at them, stopped, and said, "Young women, if you are going my way. I shall be glad of your company. You are quite welcome to ride."

The sisters looked at each other. "Dunna be afreed," said the young farmer; "my name's James Cheshire. I'm well known in these parts; you may trust yersens wi' me, if it's agreeable."

To Jane's surprise, Nancy said, "No, sir, we are not afraid; we are much obliged to you."

The young farmer helped them up into the cart, and away they drove.

"I'm afraid we shall crowd you," said Jane.

"Not a bit of it," replied the young farmer. "There's room for three bigger nor us on this seat, and I'm no ways tedious."

The sisters saw nothing odd in his use of the word "tedious," as strangers would have done they knew it merely meant "not at all particular." They were soon in active talk. As he had told them who he was, he asked them in their turn if they worked at the mills there. They replied in the affirmative, and the young man said,

"I thought so. I've seen you sometimes going along together. I noticed you because you seemed so sisterly like, and you are sisters, I reckon."

They said "Yes."

"I've a good spanking horse, you seen," said James Cheshire. "I shall get over th' ground rayther faster nor you done a-foot, eh? My word, though, it must be nation cold on these bleak hills i' winter."

The sisters assented, and thanked the young farmer for taking them up.

"We are rather late," said they, "for we looked in on a friend, and the rest of the mill-hands were gone on."

"Well," said the young farmer, "never mind that. I fancy Bess, my mare here, can go a little faster nor they can. We shall very likely be at Tidser as soon as they are."

"But you are not going to Tidser," said Jane, "your farm is just before us there."

"Yay, I'm going to Tidser though. I've a bit of business to do there before I go hom."

On drove the farmer at what he called a spanking rate; presently they saw the young mill-people on the road before them.

"There are your companions," said James Cheshire; "we shall cut past them like a flash of lightning."

"Oh," exclaimed Jane Dunster, "what will they say at seeing us riding here?" and she blushed brightly.

"Say?" said the young farmer, smiling, "never mind what they'll say; depend upon it, they'd like to be here theirsens."

James Cheshire cracked his whip. The horse flew along. The party of the young mill-hands turned round, and on seeing Jane and Nancy in the cart, uttered exclamations of surprise.

"My word, though!" said Mary Smedley, a fresh buxom lass, somewhat inclined to stoutness.

"Well, if ever!" cried smart little Hannah Bowyer.

"Nay, then, what next?" said Tetty Wilton, a tall, thin girl of very good looks.

The two sisters nodded and smiled to their companions; Jane still blushing rosily, but Nancy sitting as pale and as gravely as if they were going on some solemn business.

The only notice the farmer took was to turn with a broad, smiling face, and shout to them, "Wouldn't you like to be here too?"

"Ay, take us up," shouted a number of voices together; but the farmer cracked his whip, and giving them a nod and a dozen smiles in one, said, "I can't stay. Ask the next farmer that comes up."

With this they drove on; the young farmer very merry and full of talk. They were soon by the side of his farm. "There's a flock of sheep on the turnips there," he said, proudly, "they're not to be beaten on this side Ashbourne. And there are some black oxen, going for the night to the straw-yard. Jolly fellows, those, eh? But I reckon you don't understand much of farming stock?"

"No," said Jane, and was again surprised at Nancy adding, "I wish we did. I think a farmer's life must be the very happiest of any."

"You think so?" said the farmer, turning and looking at her earnestly, and evidently with some wonder. "You are right," said he. "You little ones are knowing ones. You are right: it's the life for a king."

They were at the village. "Pray stop," said Jane, "and let us get down. I would not for the world go up the village thus. It would make such a talk!"

"Talk! who cares for talk?" said the farmer; "won't the youngsters we left on the road talk?"

"Quite enough," said Jane.

"And are _you_ afraid of talk?" said the farmer to Nancy.

"I'm not afraid of it when I don't provoke it willfully," said Nancy; "but we are poor girls, and can't afford to lose even the good word of our acquaintance. You've been very kind in taking us up on the road; but to drive us to our door would cause such wonder as would perhaps make us wish we had not been obliged to you."

"Blame me, if you arn't right again!" said the young farmer, thoughtfully. "These are scandal-loving times, and th' neebors might plague you. That's a deep head of yourn, though--Nancy, I think your sister caw'd you. Well, here I stop then."

He jumped down, and helped them out.

"If you will drive on first," said Jane, "we will walk on after, and we are greatly obliged to you."

"Nay," said the young man, "I shall turn again here."

"But you've business."

"Oh! my business was to drive you here--that's all."

James Cheshire was mounting his cart, when Nancy stepped up, and said, "Excuse me, sir, but you'll meet the mill-people on your return, and it will make them talk all the more, as you have driven us past your farm. Have you no business that you can do in Tidser, sir?"

"Gad! but thou'rt right again! Ay, I'll go on!" and with a crack of his whip, and a "Good night!" he whirled into the village before them.

No sooner was he gone than Nancy, pressing her sister's arm to her side, said, "There's the right man at last, dear Jane."

"What!" said Jane, yet blushing deeply at the same time, and her heart beating quicker against her side. "Whatever are you talking of, Nancy? That young farmer fall in love with a mill-girl?"

"He's done it," said Nancy; "I see it in him--I feel it in him. And I feel, too, that he is true and stanch as steel."

Jane was silent. They walked on in silence. Jane's own heart responded to what Nancy had said; she thought again and again on what he said. "I have seen you sometimes;" "I noticed you because you seemed so sisterly." "He must have a good heart," thought Jane; "but then he can never think of a poor mill-girl like me."

The next morning they had to undergo plenty of raillery from their companions. We will pass that over. For several days, as they passed to and fro, they saw nothing of the young farmer. But one evening, as they were again alone, having staid at the same acquaintance's as before, the young farmer popped his head over a stone wall, and said, "Good evening to you, young women." He was soon over the wall, and walked on with them to the end of the town. On the Sunday at the chapel Jane saw Nancy's grave face fixed on some object steadily, and, looking in the same direction, was startled to see James Cheshire. Again her heart beat pit-a-pat, and she thought, "Can he really be thinking of me?"

The moment chapel was over, James Cheshire was gone, stopping to speak to no one. Nancy again pressed the arm of Jane to her side, as they walked home, and said, "I was not wrong." Jane only replied by returning her affectionate pressure.

Some days after, as Nancy Dunster was coming out of a shop in the evening, after their return home from the mill, James Cheshire suddenly put his hand on her shoulder, and, on her turning, shook her hand cordially, and said, "Come along with me a bit. I must have a little talk with you."

Nancy consented without remark or hesitation. James Cheshire walked on quickly till they came near the fine old church which strikes travelers as so superior to the place in which it is located, when he slackened his pace, and taking Nancy's hand, began in a most friendly manner to tell her how much he liked her and her sister. That, to make a short matter of it, as was his way, he had made up his mind that the woman of all others in the world that would suit him for a wife was her sister. "But before I said so to her, I thought I would say so to you, Nancy, for you are so sensible, I'm sure you will say what is best for us all."

Nancy manifested no surprise, but said calmly, "You are a well-to-do farmer, Mr. Cheshire. You have friends of property; my sister, and--"

"Ay, and a mill-girl; I know all that. I've thought it all over, and so far you are right again, my little one. But just hear what I've got to say. I'm no fool, though I say it. I've an eye in my head and a head on my shoulders, eh?"

Nancy smiled

"Well now, it s not _any_ mill-girl--mind you, it's not _any_ mill-girl; no, nor perhaps another in the kingdom, that would do for me. I don't think mill-girls are in the main cut out for farmers' wives, any more than farmers' wives are fit for mill-girls; but, you see, I've got a notion that your sister is not only a very farrantly lass, but that she's one that has particular good sense, though not so deep as you, Nancy, neither. Well, I've a notion she can turn her hand to any thing, and that she's a heart to do it when it's a duty. Isn't that so, eh? And if it is so, then Jane Dunster's the lass for me; that is, if it's quite agreeable."

Nancy pressed James Cheshire's hand, and said. "You are very kind."

"Not a bit of it," said James.

"Well," continued Nancy; "but I would have you to consider what your friends will say, and whether you will not be made unhappy by them."

"Why, as to that," said James Cheshire, interrupting her, "mark me, Miss Dunster. I don't ask my friends for any thing. I can farm my own farm; buy my own cattle; drive my spring-cart, without any advice or assistance of theirs; and therefore I don't think I shall ask their advice in the matter of a wife, eh? No, no, on that score I'm made up. My name's Independent, and, at a word, the only living thing I mean to ask advice of is yourself. If you, Miss Dunster, approve of the match, it's settled, as far as I'm concerned."

"Then so far," said Nancy, "as you and my sister are concerned, without reference to worldly circumstances, I approve it with all my heart. I believe you to be as good and honest as I know my sister to be. Oh, Mr. Cheshire! she is one of ten thousand."

"Well, I was sure of it," said the young farmer; "and so now you must tell your sister all about it; and if all's right, chalk me a white chalk inside of my gate as you go past i' th' morning, and to-morrow evening I'll come up and see you."

Here the two parted with a cordial shake of the hand. The novel signal of an accepted love was duly discovered by James Cheshire on his gate-post, when he issued forth at day-break, and that evening he was sitting at tea with Jane and Nancy in the little cottage, having brought in his cart a basket of eggs, apples, fresh butter, and a pile of the richest pikelets (crumpets), country pikelets, very different to town-made ones, for tea.

We need not follow out the courtship of James Cheshire and Jane Dunster. It was cordial and happy. James insisted that both the sisters should give immediate notice to quit the mill-work, to spare themselves the cold and severe walks which the winter now occasioned them. The sisters had improved their education in their evenings. They were far better read and informed than most farmers' daughters. They had been, since they came to Tideswell, teachers in the Sunday-school. There was comparatively little to be learned in a farm-house for the wife in winter, and James Cheshire therefore proposed to the sisters to go for three months to Manchester into a wholesale house, to learn as much as they could of the plain sewing and cutting out of household linen. The person in question made up all sorts of household linen, sheets, pillow-cases, shirts, and other things; in fact, a great variety of articles. Through an old acquaintance he got them introduced there, avowedly to prepare them for housekeeping. It was a sensible step, and answered well. At spring, to cut short opposition from his own relatives, which began to show itself, for these things did not fail to be talked of, James Cheshire got a license, and proceeding to Manchester, was then and there married, and came home with his wife and sister.

The talk and gossip which this wedding made all round the country, was no little; but the parties themselves were well satisfied with their mutual choice, and were happy. As the spring advanced, the duties of the household grew upon Mrs. Cheshire. She had to learn the art of cheese-making, butter-making, of all that relates to poultry, calves, and household management. But in these matters she had the aid of an old servant, who had done all this for Mr. Cheshire, since he began farming. She took a great liking to her mistress, and showed her with hearty good-will how every thing was done; and as Jane took a deep interest in it, she rapidly made herself mistress of the management of the house, as well as of the house itself. She did not disdain, herself, to take a hand at the churn, that she might be familiar with the whole process of butter-making, and all the signs by which the process is conducted to a successful issue. It was soon seen that no farmer's wife could produce a firmer, fresher, sweeter pound of butter. It was neither _swelted_ by too hasty churning, nor spoiled, as is too often the case, by the buttermilk or by water being left in it, for want of well kneading and pressing. It was deliciously sweet, because the cream was carefully put in the cleanest vessels and well attended to. Mrs. Cheshire, too, might daily be seen kneeling by the side of the cheese-pan, separating the curd, taking off the whey, filling the cheese-vat with the curd, and putting the cheese herself into press. Her cheese-chamber displayed as fine a set of well-salted, well-colored, well-turned and regular cheeses as ever issued from that or any other farm-house.

James Cheshire was proud of his wife: and Jane herself found a most excellent helper in Nancy. Nancy took particularly to housekeeping; saw that all the rooms were exquisitely clean; that every thing was in nice repair; that not only the master and mistress, but the servants had their food prepared in a wholesome and attractive manner. The eggs she stored up; and as fruit came into season, had it collected for market, and for a judicious household use. She made the tea and coffee morning and evening, and did every thing but preside at the table. There was not a farm-house for twenty miles round that wore an air of so much brightness and evident good management as that Of James Cheshire. For Nancy, from the first moment of their acquaintance, he had conceived a most profound respect. In all cases that required counsel, though he consulted freely with his wife, he would never decide till they had had Nancy's opinion and sanction.

And James Cheshire prospered. But, spite of this, he did not escape the persecution from his relations that Nancy had foreseen. On all hands he found coldness. None of them called on him. They felt scandalized at his _evening_ himself, as they called it, to a mill-girl. He was taunted, when they met at market, with having been caught with a pretty face; and told that they thought he had had more sense than to marry a dressed doll with a witch by her side.

At first James Cheshire replied with a careless waggery, "The pretty face makes capital butter though, eh? The dressed doll turns out a tolerable dairy, eh? Better," added James, "than a good many can, that I know, who have neither pretty faces, nor have much taste in dressing to crack of."

The allusion to Nancy's dwarfish plainness was what peculiarly provoked James Cheshire. He might have laughed at the criticisms on his wife, though the envious neighbors' wives did say that it was the old servant and not Mrs. Cheshire who produced such fine butter and cheese; for wherever she appeared, spite of envy and detraction, her lovely person and quiet good sense, and the growing rumor of her good management, did not fail to produce a due impression. And James had prepared to laugh it off; but it would not do. He found himself getting every now and then angry and unsettled by it. A coarse jest on Nancy at any time threw him into a desperate fit of indignation. The more the superior merit of his wife was known, the more seemed to increase the envy and venom of some of his relatives. He saw, too, that it had an effect on his wife. She was often sad, and sometimes in tears.

One day when this occurred, James Cheshire said, as they sat at tea, "I've made up my mind. Peace in this life is a jewel. Better is a dinner of herbs with peace, than a stalled ox with strife. Well now, I'm determined to have peace. Peace and luv," said he, looking affectionately at his wife and Nancy, "peace and luv, by God's blessing, have settled down on this house; but there are stings here and stings there, when we go out of doors. We must not only have peace and luv in the house, but peace all round it. So I've made up my mind. I'm for America!"

"For America!" exclaimed Jane. "Surely you can not be in earnest."

"I never was more in earnest in my life," said James Cheshire. "It is true I do very well on this farm here, though it's a cowdish situation; but from all I can learn I can do much better in America. I can there farm a much better farm of my own. We can have a much finer climate than this Peak country, and our countrymen still about us. Now, I want to know what makes a man's native land pleasant to him?--the kindness of his relations and friends. But then, if a man's relation are not kind?--if they get a conceit into them, that because they are relations, they are to choose a man's wife for him, and sting him and snort at him because he has a will of his own?--why, then, I say, God send a good big herring-pool between me and such relations! My relations, by way of showing their natural affection, spit spite and bitterness. You, dear wife and sister, have none of yourn to spite you. In the house we have peace and luv. Let us take the peace and luv, and leave the bitterness behind."

There was a deep silence.

"It is a serious proposal," at length said Jane, with tears in her eyes.

"What says Nancy?" asked James.

"It is a serious proposal," said Nancy, "but it is good. I feel it so."

There was another deep silence; and James Cheshire said, "Then it is decided."

"Think of it," said Jane, earnestly--"think well of it."

"I have thought of it long and well, my dear. There are some of these chaps that call me relation that I shall not keep my hands off, if I stay among them--and I fain would. But for the present I will say no more; but," added he, rising and bringing a book from his desk, "here is a book by one Morris Birkbeck--read it, both of you, and then let me know your minds."

The sisters read. On the following Lady-day James Cheshire had turned over his farm advantageously to another, and he, his wife, Nancy, and the old servant, Mary Spendlove, all embarked at Liverpool, and transferred themselves to the United States, and then to the State of Illinois. Five-and-twenty years have rolled over since that day. We could tell a long and curious story of the fortunes of James Cheshire and his family--from the days when, half repenting of his emigration and his purchase, he found himself in a rough country, amid rough and spiteful squatters, and lay for months with a brace of pistols under his pillow, and a great sword by his bedside for fear of robbery and murder. But enough, that at this moment, James Cheshire, in a fine cultivated country, sees his ample estate cultivated by his sons, while as colonel and magistrate he dispenses the law and receives the respectful homage of the neighborhood. Nancy Dunster, now styled Mrs. Dunster, the Mother in Israel--the promoter of schools and the counselor of old and young--still lives. Years have improved rather than deteriorated her short and stout exterior. The long exercise of wise thoughts and the play of benevolent feelings, have given even a sacred beauty to her homely features. The dwarf has disappeared, and there remains instead, a grave but venerable matron--honored like a queen.

MOORISH DOMESTIC LIFE.

At the threshold of the door, leading from the court-yard to the house, the daughters of Sidi Mahmoud received us with cordial welcome. They are two very beautiful girls. The eldest, who is about fourteen years of age, particularly interested me. There is an expression in her soft, intelligent, eyes which shows that she feels the oppression of captivity. Her features are not those of a regular beauty; but the grace which marks all her movements, the soul breathing animation which lights up her countenance, and the alternate blush and pallor which overspread her delicate cheek, seem to mark the fair Zuleica for a heroine of romance.

While I gazed on her, I thought she looked like a personification of her lovely namesake, the glorious creation of Byron's muse. Her beautiful chestnut hair was unfortunately (in compliance with the custom of the country) tinged with a reddish dye. It was combed to the nape of the neck, and a red woolen band was closely twisted round it, so that the most beautiful adornment of a female head was converted into a long, stiff rouleau, which either dangled down her back, or was hidden in the folds of her dress. On her head she wore a small, closely-fitting fez. Her sister, a pretty, smiling girl of ten years of age, had her hair arranged in the same manner, and she wore the same sort of fez. She was wrapped in a shawl of a clear sea-green hue, which was draped round her figure very gracefully, but entirely concealed her arms. Her full trowsers of rose-colored calico descended nearly to her ankles. The costume of the elder sister was marked by greater elegance. Her shawl was dark red, but of less size and thinner texture than that worn by her sister. After we had been a few minutes together, we became quite familiar friends, and the young ladies permitted me to have a minute inspection of their dresses. They conducted us to their drawing-room, or, as they called it, their _salon_. This apartment, like all the rooms in the house, is exceedingly small; and on my expressing some surprise at its limited dimensions, the elder sister replied in her broken French, "Mauresques pas tener salons pas jolies comme toi Français;" by which she meant to say that their houses or saloons are not so fine as those of the Europeans; for they call all Europeans, indiscriminately, French. There was but little furniture in the drawing-room.

Over the middle part of the floor was spread a very handsome Turkey carpet; and along the sides of the apartment were laid several carpets of various kinds and patterns. In one corner of the room there was a looking-lass in a miserable-looking frame, and beside it a loaded musket. Whether this weapon be destined for the defense of the elegant mirror or of the lovely Zuleica, I pretend not to say.

Having observed a telescope fixed at the window, I expressed some surprise. Zuleica, who converses very intelligibly in what she calls _lingua franca_ (a jargon principally composed of French words), informed me that this telescope constitutes her principal source of amusement, and that she is almost continually occupied in looking through it, to watch the arrival of her friends, and the movements of the steamers in the harbor. The walls of the apartment were simply whitewashed, and the window and doors were arched as a precaution against accidents in the earthquakes so frequent in this country. The only decorations on the walls were two little frames, containing passages from the Koran.

Among the other articles of furniture contained in this apartment, I must not omit to mention a small table, on which lay some sheets of paper (having Arabic characters inscribed on them) a book, and an inkstand.

When I entered the room, the young ladies brought a straw stool, and requested me to sit down on it, while they themselves squatted on the floor. A white muslin curtain hung over a doorway, which led to the sleeping apartment of the father and mother. Nothing could be more plain than the furniture of this apartment. Two small French iron bedsteads indicated, it is true, great advancement in civilization; and between these bedsteads a piece of carpet covered the rough red tiles with which the floor was paved. There was neither washing-stand nor toilet-table; but, indeed, the apartment was so small that there was no room for them. I was next conducted to the boudoir, where coffee, pomegranates, melons, and sweetmeats were served. To decline taking any thing that is offered is regarded as an affront by the Mohammedans, so I was compelled to receive in my bare hand an immensely large slice of some kind of sweet cake, spread over with a thick jelly.

The collation being ended, the young ladies conducted me to their own sleeping-room. Here we found a slave at work. She was a negress, for whom I was told Sidi Mahmoud had paid 600 francs. I suppose this negress saw something irresistibly droll in my appearance, for as soon as I appeared she burst into an immoderate fit of laughter, and it was some time ere she recovered her composure.

Little Zuleica very good-naturedly opened several trunks to gratify me with the sight of some of her best dresses. She drew forth a number of garments of various descriptions, all composed of rich and beautiful materials. When I say that she had at least twenty elegant tunics of silk or gauze, and several others richly embroidered with gold, I do not overrate the number. I expressed my astonishment at the number and variety of the garments, of which I imagined I had seen the last; but Zuleica turned to me with an arch smile, which seemed to say she had a still greater surprise in store for me. Then diving into the lowest depths of one of the trunks, she drew forth a complete bridal costume. It consisted of a robe or tunic of rich red damask silk, embroidered with gold, a gold girdle, a splendid caftan, loose trowsers of silk, and a vail of white gauze, several yards in length, and sprigged with gold. I was also shown several valuable jeweled ornaments, destined to be worn with this splendid costume.

Seeing the bridal dress thus ready prepared I conjectured that Zuleica was betrothed, and I ventured to ask her when she was to be married. At this question she blushed and looked confused; then, after a little hesitation, she replied, "Quand trouver mari."...

Among Zuleica's ornaments were several set with splendid diamonds and pearls. My hostess, after having examined and admired them, asked whether the jewels were all real. Zuleica looked a little offended at this question, and answered proudly, "Mauresques jamais tenir ce que n'est pas vrai." We were greatly amused by the interest and curiosity with which these Moorish girls examined every thing we wore, and even asked the price of any article which particularly pleased them. No part of my dress escaped the scrutinizing eyes of Zuleica. She was particularly charmed with a small handkerchief I wore round my throat. I took it off and, requested her to accept it as a token of my remembrance.

The eldest sister had so engaged my attention that the younger one appeared to think I had neglected her, and she timidly requested that, as I had seen all Zuleica's beautiful things, I would look at some of hers also. Accordingly, she began showing me her dolls, meanwhile relating to me in her _lingua franca_ the history of each. These dolls were attired in the costumes of Moorish ladies, and little Gumara assured me that the dresses were all her own making. After I had admired them, and complimented Gumara on her taste, she told me with an air of mystery that she had yet one thing more to show. So saying, she produced a doll with a huge black beard and fierce countenance, and dressed completely in imitation of the Sultan. While I was engaged in admiring it, Sidi Mahmoud entered. He had heard that I could speak Italian, and he came to have a little conversation with me about Italy, a country with which he is acquainted, and in which he has himself traveled much. The father's unexpected appearance dismayed the young ladies, who colored deeply while they endeavored to hide the miniature effigy of the Sultan. I afterward learned that Zuleica and her sister are brought up under such rigorous restraint, that even the possession of a doll in male attire is a thing prohibited.--_Leaves from a Lady's Diary._

* * * * *

The works of men of genius alone, where great faults are united with great beauties, afford proper matter for criticism. Genius is always executive, bold, and daring; which at the same time that it commands attention, is sure to provoke criticism. It is the regular, cold, and timid composer who escapes censure and deserves praise.--_Sir Joshua Reynolds._

[From Household Words.]

THE RAILWAY STATION.

They judge not well, who deem that once among us A Spirit moved that now from earth has fled; Who say that at the busy sounds which throng us, Its shining wings forevermore have sped.

Not all the turmoil of the Age of Iron Can scare that Spirit hence; like some sweet bird That loud harsh voices in its cage environ, It sings above them all, and will be heard!

Not, for the noise of axes or of hammers, Will that sweet bird forsake her chosen nest; Her warblings pierce through all those deafening clamors But surer to their echoes in the breast.

And not the Past alone, with all its guerdon Of twilight sounds and shadows, bids them rise; But soft, above the noontide heat and burden Of the stern present, float those melodies.

Not with the baron bold, the minstrel tender, Not with the ringing sound of shield and lance, Not with the Field of Gold in all its splendor, Died out the generous flame of old Romance.

Still, on a nobler strife than tilt or tourney, Rides forth the errant knight, with brow elate; Still patient pilgrims take, in hope, their journey; Still meek and cloistered spirits "stand and wait."

Still hath the living, moving world around us, Its legends, fair with honor, bright with truth; Still, as in tales that in our childhood bound us, Love holds the fond traditions of its youth.

We need not linger o'er the fading traces Of lost divinities; or seek to hold Their serious converse 'mid Earth's green waste-places, Or by her lonely fountains, as of old:

For, far remote from Nature's fair creations, Within the busy mart, the crowded street, With sudden, sweet, unlooked-for revelations Of a bright presence we may chance to meet;

E'en _now_, beside a restless tide's commotion, I stand and hear, in broken music, swell Above the ebb and flow of Life's great ocean, An under-song of greeting and farewell.

For here are meetings: moments that inherit The hopes and wishes, that through months and years Have held such anxious converse with the spirit, That now its joy can only speak in tears;

And here are partings: hands that soon must sever, Yet clasp the firmer; heart, that unto heart, Was ne'er so closely bound before, nor ever So near the other as when now they part;

And here Time holds his steady pace unbroken, For all that crowds within his narrow scope; For all the language, uttered and unspoken, That will return when Memory comforts Hope!

One short and hurried moment, and forever Flies, like a dream, its sweetness and its pain, And, for the hearts that love, the hands that sever, Who knows what meetings are in store again?

They who are left, unto their homes returning, With musing step, trace o'er each by-gone scene; And they upon their journey--doth no yearning, No backward glance, revert to what hath been?

Yes! for awhile, perchance, a tear-drop starting, Dims the bright scenes that greet the eye and mind; But here--as ever in life's cup of parting-- Theirs is the bitterness who stay behind!

So in life's sternest, last farewell, may waken A yearning thought, a backward glance be thrown By them who leave: but oh! how blest the token, To those who stay behind when THEY are gone!

THE SICK MAN'S PRAYER

Come, soft sleep! Bid thy balm my hot eyes meet-- Of the long night's heavy stillness, Of the loud clock's ceaseless beat, Of the weary thought of illness, Of the room's oppressive heat-- Steep me in oblivion deep, That my weary, weary brain, May have rest from all its pain; Come, oh blessedness again,-- Come, soft sleep!

Come, soft sleep! Let this weary tossing end, Let my anguished watch be ceasing, Yet no dreams thy steps attend, When thou bring'st from pain releasing. Fancies wild to rest may lend Sense of waking misery deep, Calm as death, oh, on me sink, That my brain may quiet drink, And neither feel, nor know, nor think. Come, soft sleep!

W. C. BENNETT.

[From the Autobiography of Leigh Hunt, unpublished.]

SOPHISTRY OF ANGLERS.--IZAAK WALTON.

Many brave and good men have been anglers, as well as many men of a different description; but their goodness would have been complete, and their bravery of a more generous sort, had they possessed self-denial enough to look the argument in the face, and abstained from procuring themselves pleasure at the expense of a needless infliction. The charge is not answered by the favorite retorts about effeminacy, God's providence, neighbors' faults, and doing "no worse." They are simple beggings of the question. I am not aware that anglers, or sportsmen in general, are braver than the ordinary run of mankind. Sure I am that a great fuss is made if they hurt their fingers; much more if they lie gasping, like fish, on the ground. I am equally sure that many a man who would not hurt a fly is as brave as they are; and as to the reference to God's providence, it is an edge-tool that might have been turned against themselves by any body who chose to pitch them into the river, or knock out their brains. They may lament, if they please, that they should be forced to think of pain and evil at all; but the lamentation would not be very magnanimous under any circumstances; and it is idle, considering that the manifest ordination and progress of things demand that such thoughts be encountered. The question still returns: Why do they seek amusement in sufferings which are unnecessary and avoidable? and till they honestly and thoroughly answer this question, they must be content to be looked upon as disingenuous reasoners, who are determined to retain a selfish pleasure.

As to old Izaak Walton, who is put forward as a substitute for argument on this question, and whose sole merits consisted in his having a taste for nature and his being a respectable citizen, the trumping him up into an authority and a kind of saint is a burlesque. He was a writer of conventionalities; who, having comfortably feathered his nest, as he thought, both in this world and in the world to come, concluded he had nothing more to do than to amuse himself by putting worms on a hook, and fish into his stomach, and so go to heaven, chuckling and singing psalms. There would be something in such a man and in his book, offensive to a real piety, if that piety did not regard whatever has happened in the world, great and small, with an eye that makes the best of what is perplexing, and trusts to eventual good out of the worst. Walton was not the hearty and thorough advocate of nature he is supposed to have been. There would have been something to say for him on that score, had he looked upon the sum of evil as a thing not to be diminished. But he shared the opinions of the most commonplace believers in sin and trouble, and only congratulated himself on being exempt from their consequences. The overweening old man found himself comfortably off somehow; and it is good that he did. It is a comfort to all of us, wise or foolish. But to reverence him is a jest. You might as well make a god of an otter. Mr. Wordsworth, because of the servitor manners of Walton and his biographies of divines (all _anglers_), wrote an idle line about his "meekness" and his "heavenly memory." When this is quoted by the gentle brethren, it will be as well if they add to it another passage from the same poet, which returns to the only point at issue, and upsets the old gentleman altogether Mr. Wordsworth's admonition to us is,

"Never to link our pastime, or our pride, With suffering to the meanest thing that lives."

It was formerly thought effeminate not to hunt Jews; then not to roast heretics; then not to bait bears and bulls; then not to fight cocks, and to throw sticks at them. All these evidences of manhood became gradually looked upon as no such evidences at all, but things fit only for manhood to renounce; yet the battles of Waterloo and of Sobraon have been won, and Englishmen are not a jot the less brave all over the world. Probably they are braver, that is to say, more deliberately brave, more serenely valiant; also more merciful to the helpless, and that is the crown of valor.

It was during my infancy, if I am not mistaken, that there lived at Hampstead (a very unfit place for such a resident), a man whose name I suppress lest there should be possessors of it surviving, and who was a famous cock-fighter. He was rich and idle, and therefore had no bounds to set to the unhappy passions that raged within him. It is related of this man, that, having lost a bet on a favorite bird, he tied the noble animal to a spit in his kitchen before the fire, and notwithstanding the screams of the sufferer and the indignant cries of the beholders, whose interference he wildly resisted with the poker, actually persisted in keeping it there burning, till he fell down in his fury and died.

Let us hope he was mad. What, indeed, is more probable? It is always a great good, when the crimes of a fellow-creature can be traced to madness; to some fault of the temperament or organization; some "jangle of the sweet bells;" some overbalance in the desired equipoise of the faculties, originating, perhaps in accident or misfortune. It does not subject us the more to their results. On the contrary, it sets us on our guard against them. And, meantime, it diminishes one of the saddest, most injurious, and most preposterous notions of human ignorance--the belief in the wickedness of our kind.

But I have said enough of these barbarous customs.

[From Household Words.]

GLOBES, AND HOW THEY ARE MADE.

One of the most remarkable of self-educated men, James Ferguson, when a poor agricultural laborer, constructed a globe. A friend had made him a present of "Gordon's Geographical Grammar," which, he says, "at that time was to me a great treasure. There is no figure of a globe in it, although it contains a tolerable description of the globes and their use. From this description I made a globe in three weeks, at my father's, having turned the ball thereof out of a piece of wood; which ball I covered with paper, and delineated a map of the world upon it, made the meridian ring and horizon of wood, covered them with paper, and graduated them; and was happy to find that by my globe (which was the first I ever saw) I could solve the problems."

"But," he adds, "this was not likely to afford me bread."

In a few years this ingenious man discovered the conditions upon which he could earn his bread, by a skill which did not suffer under the competition of united labor. He had made also a wooden clock. He carried about his globe and his clock, and "began to pick up some money about the country" by cleaning clocks. He became a skilled clock-cleaner. For six-and-twenty years afterward he earned his bread as an artist. He then became a scientific lecturer, and in connection with his pursuits, was also a globe maker. His name may be seen upon old globes, associated with that of Senex. The demand for globes must have been then very small, but Ferguson had learned that cheapness is produced by labor-saving contrivances. A pretty instrument for graduating lines upon the meridian ring, once belonging to Ferguson, is in use at this hour in the manufactory of Messrs. Malby and Son. The poor lad "who made a globe in three weeks" finally won the honors and riches that were due to his genius and industry. But he would never have earned a living in the continuance of his first attempt to turn a ball out of a piece of wood, cover it with paper, and draw a map of the world upon it. The nicest application of his individual skill, and the most careful employment of his scientific knowledge, would have been wasted upon those portions of the work in which the continued application of common routine labor is the most efficient instrument of production.

Let us contrast the successive steps of Ferguson's first experiment in globe-making with the processes of a globe manufactory.

A globe is not made of "a ball turned out of a piece of wood." If a solid ball of large dimensions were so turned, it would be too heavy for ordinary use. Erasmus said of one of the books of Thomas Aquinas, "No man can carry it about, much less get it into his head;" and so would it be said of a solid globe. If it were made of hollow wood, it would warp and split at the junction of its parts. A globe is made of paper and plaster. It is a beautiful combination of solidity and lightness. It is perfectly balanced upon its axis. It retains its form under every variety of temperature. Time affects it less than most other works of art. It is as durable as a Scagliola column.

A globe may not, at first sight, appear a cheap production. It is not, of necessity, a low-priced production, and yet it is essentially cheap; for nearly all the principles of manufacture that are conditions of cheapness are exhibited in the various stages of its construction. There are only four globe-makers in England, and one in Scotland. The annual sale of globes is only about a thousand pair. The price of a pair of globes varies from six shillings to fifty pounds. But from the smallest 2-inch, to the largest 36-inch globe, a systematic process is carried on at every step of its formation. We select this illustration of cheapness as a contrast, in relation to price and extent of demand, to the lucifer match. But it is, at the same time, a parallel in principle. If a globe were not made upon a principle involving the scientific combination of skilled labor, it would be a mere article of luxury from its excessive costliness. It is now a most useful instrument in education. For educational purposes the most inexpensive globe is as valuable as that of the highest price. All that properly belongs to the excellence of the instrument is found in combination with the commonest stained wood frame, as perfectly as with the most highly-finished frame of rose-wood or mahogany.

The mould, if we may so express it, of a globe is turned out of a piece of wood. This sphere need not be mathematically accurate. It is for rough work, and flaws and cracks are of little consequence. This wooden ball has an axis, a piece of iron wire at each pole. And here we may remark, that, at every stage of the process, the revolution of a sphere upon its axis, under the hands of the workman, is the one great principle which renders every operation one of comparative ease and simplicity. The labor would be enormously multiplied if the same class of operations had to be performed upon a cube. The solid mould, then, of the embryo globe is placed on its axis in a wooden frame. In a very short time a boy will form a pasteboard globe upon its surface. He first covers it entirely with strips of strong paper, thoroughly wet, which are in a tub of water at his side. The slight inequalities produced by the overlapping of the strips are immaterial. The saturated paper is not suffered to dry; but is immediately covered over with a layer of pasted paper, also cut in long narrow slips. A third layer of similarly pasted paper--brown paper and white being used alternately--is applied, and then, a fourth, a fifth, and a sixth. Here the pasting process ends for globes of moderate size. For the large ones it is carried farther. This wet pasteboard ball has now to be dried--placed upon its axis in a rack. If we were determined to follow the progress of this individual ball through all its stages, we should have to wait a fortnight before it advanced another step. But as the large factory of Messrs. Malby and Son has many scores of globes all rolling onward to perfection, we shall be quite satisfied to witness the next operation performed upon a pasteboard sphere that began to exist some weeks earlier, and is now hard to the core.

The wooden ball, with its solid paper covering, is placed on its axis. A sharp cutting instrument, fixed on a bench, is brought into contact with the surface of the sphere, which is made to revolve. In less time than we write, the pasteboard ball is cut in half. There is no adhesion to the wooden mould, for the first coating of paper was simply _wetted_. Two bowls of thick card now lie before us, with a small hole in each, made by the axis of the wooden ball. But a junction is very soon effected. Within every globe there is a piece of wood--we may liken it to a round ruler--of the exact length of the inner surface of the sphere from pole to pole. A thick wire runs through this wood, and originally projected some two or three inches at each end. This stick is placed upright in a vice. The semi-globe is nailed to one end of the stick, upon which it rests, when the wire is passed through its center. It is now reversed, and the edges of the card rapidly covered with glue. The edges of the other semi-globe are instantly brought into contact, the other end of the wire passing through its center in the same way, and a similar nailing to the stick taking place. We have now a paper globe, with its own axis, which will be its companion for the whole term of its existence.

The paper globe is next placed on its axis in a frame, of which one side is a semi-circular piece of metal; the horizon of a globe cut in half would show its form. A tub of white composition--a compound of whiting, glue, and oil is on the bench. The workman dips his hand into this "gruel thick and slab," and rapidly applies it to the paper sphere with tolerable evenness: but, as it revolves, the semi-circle of metal clears off the superfluous portions. The ball of paper is now a ball of plaster externally. Time again enters largely into the manufacture. The first coating must thoroughly dry before the next is applied; and so again till the process has been repeated four or five times. Thus, when we visit a globe workshop, we are at first surprised at the number of white balls, from three inches' diameter to three feet, which occupy a large space. They are all steadily advancing toward completion. They can not be hurriedly dried. The duration of their quiescent state must depend upon the degrees of the thermometer in the ordinary atmosphere. They cost little. They consume nothing beyond a small amount of rent. As they advance to the dignity of perfect spheres, increased pains are taken in the application of the plaster. At last they are polished. Their surface is as hard and as fine as ivory. But, beautiful as they are, they may, like many other beautiful things, want a due equipoise. They must be perfectly balanced. They must move upon their poles with the utmost exactness. A few shot, let in here and there, correct all irregularities. And now the paper and plaster sphere is to be endued with intelligence.

What may be called the artistical portion of globe-making here commences. In the manufactory we are describing there are two skilled workers, who may take their rank as artists, but whose skill is limited, and at the same time perfected, by the uniformity of their operations. One of these artists, a young woman, who has been familiar with the business from her earliest years, takes the polished globe in her lap, for the purpose of marking it with lines of direction for covering it with engraved strips, which will ultimately form a perfect map. The inspection of a finished globe will show that the larger divisions of longitude are expressed by lines drawn from pole to pole, and those of latitude by a series of concentric rings. The polished plaster has to be covered with similar lines. These lines are struck with great rapidity, and with mathematical truth, by an instrument called a "beam compass," in the use of which this workwoman is most expert. The sphere is now ready for receiving the map, which is engraved in fourteen distinct pieces. The arctic and antarctic poles form two circular pieces, from which the lines of longitude radiate. These having been fitted and pasted, one of the remaining twelve pieces, containing 30 degrees, is also pasted on the sphere, in the precise space where the lines of longitude have been previously marked its lines of latitude corresponding in a similar manner. The paper upon which these portions of the earth's surface are engraved is thin and extremely tough. It is rubbed down with the greatest care, through all the stages of this pasting process. We have at length a globe covered with a plain map, so perfectly joined that every line and every letter fit together as if they had been engraved in one piece--which, of course, would be absolutely impossible for the purpose of covering a ball.

The artist who thus covers the globe, called a paster, is also a colorer. This is, of necessity, a work which can not be carried on with any division of labor. It is not so with the coloring of an atlas. A map passes under many hands in the coloring. A series of children, each using one color, produce in combination a map colored in all its parts, with the rapidity and precision of a machine. But a globe must be colored by one hand. It is curious to observe the colorer working without a pattern. By long experience the artist knows how the various boundaries are to be defined, with pink continents, and blue islands, and the green oceans, connecting the most distant regions. To a contemplative mind, how many thoughts must go along with the work, as he covers Europe with indications of populous cities, and has little to do with Africa and Australia but to mark the coast lines; as year after year he has to make some variation in the features of the great American continent, which indicates the march of the human family over once trackless deserts, while the memorable places of the ancient world undergo few changes but those of name. And then, as he is finishing a globe for the cabin of some "great ammirall," may he not think that, in some frozen nook of the Arctic Sea, the friendly Esquimaux may come to gaze upon his work, and seeing how petty a spot England is upon the ball, wonder what illimitable riches nature spontaneously produces in that favored region, some of which is periodically scattered by her ships through those dreary climes in the search for some unknown road amidst everlasting icebergs, while he would gladly find a short track to the sunny south. And then, perhaps, higher thoughts may come into his mind; and as this toy of a world grows under his fingers, and as he twists it around upon its material axis, he may think of the great artificer of the universe, having the feeling, if not knowing the words of the poet:

"In ambient air this ponderous ball HE hung."

Contemplative, or not, the colorer steadily pursues his uniform labor, and the sphere is at length fully colored.

The globe has now to be varnished with a preparation technically known as "white hard," to which some softening matter is added to prevent the varnish cracking. This is a secret which globe-makers preserve. Four coats of varnish complete the work.

And next the ball has to be mounted. We have already mentioned an instrument by which the brass meridian ring is accurately graduated; that is, marked with lines representing 360 degrees, with corresponding numerals. Of whatever size the ring is, an index-hand, connected with the graduating instrument, shows the exact spot where the degree is to be marked with a graver. The operation is comparatively rapid; but for the largest globes it involves considerable expense. After great trouble, the ingenious men whose manufactory we are describing, have succeeded in producing cast-iron rings, with the degrees and figures perfectly distinct; and these applied to 36-inch globes, instead of the engraved meridians, make a difference of ten guineas in their price. For furniture they are not so beautiful; for use they are quite as valuable. There is only one other process which requires great nicety. The axis of the globe revolves on the meridian ring, and of course it is absolutely necessary that the poles should be exactly parallel. This is effected by a little machine which drills each extremity at one and the same instant; and the operation is termed poleing the meridian.

The mounting of the globe--the completion of a pair of globes--is now handed over to the cabinet-maker. The cost of the material and the elaboration of its workmanship determine the price.

Before we conclude, we would say a few words as to the limited nature of the demand for globes. Our imperfect description of this manufacture will have shown that experience, and constant application of ingenuity, have succeeded in reducing to the lowest amount the labor employed in the production of globes. The whole population of English globe-makers does not exceed thirty or forty men, women, and boys. Globes are thus produced at the lowest rate of cheapness, as regards the number of laborers, and with very moderate profits to the manufacturer, on account of the smallness of his returns. The _durability_ of globes is one great cause of the limitation of the demand. Changes of fashion, or caprices of taste, as to the mounting, new geographical discoveries, and modern information as to the position and nomenclature of the stars, may displace a few old globes annually, which then find their way from brokers' shops into a class somewhat below that of their original purchasers. But the pair of globes generally maintain for years their original position in the school-room or the library. They are rarely injured, and suffer very slight decay. The new purchasers represent that portion of society which is seeking after knowledge, or desires to manifest some pretension to intellectual tastes. The number of globes annually sold represents to a certain extent the advance of education. But if the labor-saving expedients did not exist in the manufacture the cost would be much higher, and the purchasers greatly reduced in number. The contrivances by which comparative cheapness is produced arise out of the necessity of contending against the durability of the article by encouraging a new demand. If these did not exist, the supply would outrun the demand; the price of the article would less and less repay the labor expended in its production; the manufacture of globes would cease till the old globes were worn out, and the few rich and scientific purchasers had again raised up a market.

* * * * *

THE BODY.--Among the strange compliments which superstition pays to the Creator, is a scorn and contempt for the fleshy investiture which he has bestowed on us, at least among Christians; for the Pagans were far more pious in this respect; and Mohammed agreed with them in doing justice to the beauty and dignity of the human frame. It is quite edifying, in the Arabian Nights, to read the thanks that are so often and so rapturously given to the Supreme Being for his bestowal of such charms on his creatures. Nor was a greater than Mahomet of a nature to undervalue the earthly temples of gentle and loving spirits. Ascetic mistakes have ever originated in want of heartiness or of heart; in consciousness of defect, or vulgarity of nature, or in spiritual pride. A well-balanced body and soul never, we may be sure, gave way to it. What an extraordinary flattery of the Deity to say, "Lord! I thank thee for this jewel of a soul which I possess; but what a miserable casket thou hast given me to put it in!"--_Leigh Hunt._

[From The Ladies' Companion]

LETTICE ARNOLD.

By the Author of "TWO OLD MEN'S TALES," "EMILIA WYNDHAM," &c.

[_Continued from page 35._]