CHAPTER XXV. A PASSING VISIT TO KILLALA.

I found a very pleasant party assembled around the Bishop's breakfast-table at Killala. The Bishop and his family were all there, with Charost and his staff, and some three or four other officers from Ballina. Nothing could be less constrained, more easy, or more agreeable, than the tone of intimacy which in a few days had grown up between them. A cordial good feeling seemed to prevail on every subject, and even the reserve, which might be thought natural on the momentous events then happening, was exchanged for a most candid and frank discussion of all that was going forward, which I must own astonished as much as it gratified me.

The march on Castlebar, the choice of the mountain-road, which led past the position occupied by the Royalists, the attack and capture of the artillery, had all to be related by me for the edification of such as were not conversant with French; and I could observe that however discomfited by the conduct of the militia, they fully relied on the regiments of the line and the artillery. It was amusing, too, to see with what pleasure they listened to all our disparagement of the Irish volunteers.

Every instance we gave of insubordination or disobedience delighted them, while our own blundering attempts to manage the people, the absurd mistakes we fell into, and the endless misconceptions of their character and habits, actually convulsed them with laughter.

"Of course," said the Bishop to us, "you are prepared to hear that there is no love lost between you, and that they are to the full as dissatisfied with _you_ as you are dissatisfied with _them_."

"Why, what can they complain of?" asked Charost, smiling; "we gave them the place of honor in the very last engagement!"

"Very true, you did so, and they reaped all the profit of the situation. Monsieur Tiernay has just told the havoc that grape and round-shot scattered among the poor creatures. However, it is not of this they complain--it is their miserable fare, the raw potatoes, their beds in open fields and highways, while the French, they say, eat of the best and sleep in blankets; they do not understand this inequality, and perhaps it is somewhat hard to comprehend."

"Patriotism ought to be proud of such little sacrifices," said Charost, with an easy laugh; "besides, it is only a passing endurance, a month hence, less, perhaps, will see us dividing the spoils, and reveling in the conquest of Irish independence."

"You think so, Colonel?" asked the Bishop, half slyly.

"Parbleu! to be sure I do, and you?"

"I'm just as sanguine," said the Bishop, "and fancy that about a month hence we shall be talking of all these things as matters of history; and while sorrowing over some of the unavoidable calamities of the event, preserving a grateful memory of some who came as enemies, but left us warm friends."

"If such is to be the turn of fortune," said Charost, with more seriousness than before, "I can only say that the kindly feelings will not be one-sided."

And now the conversation became an animated discussion on the chances of success or failure. Each party supported his opinion ably and eagerly, and with a degree of freedom that was not a little singular to the by-standers. At last, when Charost was fairly answered by the Bishop on every point, he asked:

"But what say you to the Army of the North?"

"Simply, that I do not believe in such a force," rejoined the Bishop.

"Not believe it--not believe on what General Humbert relies at this moment, and to which that officer yonder is an accredited messenger! When I tell you that a most distinguished Irishman, Napper Tandy--"

"Napper Tandy!" repeated the Bishop, with a good-humored smile; "the name is quite enough to relieve one of any fears, if they ever felt them. I am not sufficiently acquainted with your language to give him the epithet he deserves; but if you can conceive an empty, conceited man, as ignorant of war as of politics, rushing into a revolution for the sake of a green uniform, and ready to convulse a kingdom that he may be called a major-general; only enthusiastic in his personal vanity, and wanting even in that heroic daring which occasionally dignifies weak capacities--such is Napper Tandy."

"What in soldier-phrase we call a 'Blaque,'" said Charost, laughing. "I'm sorry for it."

What turn the conversation was about to take I can not guess, when it was suddenly interrupted by one of the Bishop's servants rushing into the room, with a face bloodless from terror. He made his way up to where the Bishop sat, and whispered a few words in his ear.

"And how is the wind blowing, Andrew?" asked the Bishop, in a voice that all his self-command could not completely steady.

"From the north, or the northwest, and mighty strong, too, my Lord," said the man, who trembled in every limb.

The affrighted aspect of the messenger, the excited expression of the Bishop's face, and the question as to the "wind," at once suggested to me the idea that a French fleet had arrived in the bay, and that the awful tidings were neither more nor less than the announcement of our reinforcement.

"From the northwest," repeated the Bishop; "then, with God's blessing, we may be spared." And so saying, he arose from the table, and with an effort that showed that the strength to do so had only just returned to him. "Colonel Charost, a word with you!" said he, leading the way into an adjoining room.

"What is it?--what has happened?--what can it be?" was asked by each in turn. And now groups gathered at the windows, which all looked into the court of the building, which was now crowded with people, soldiers, servants, and country-folk, gazing earnestly toward the roof of the castle.

"What's the matter, Terry?" asked one of the Bishop's sons, as he threw open the window.

"'Tis the chimbley on fire, Master Robert," said the man; "the kitchen chimbly, wid those divils of Frinch!"

I can not describe the burst of laughter that followed the explanation!

So much terror for so small a catastrophe was inconceivable; and whether we thought of Andrew's horrified face, or the worthy Bishop's pious thanksgiving as to the direction of the wind, we could scarcely refrain from another outbreak of mirth. Colonel Charost made his appearance at the instant, and although his step was hurried, and his look severe, there was nothing of agitation or alarm on his features.

"Turn out the guard, Truchet, without arms," said he. "Come with me, Tiernay--an awkward business enough," whispered he, as he led me along. "These fellows have set fire to the kitchen chimney, and we have three hundred barrels of gunpowder in the cave!" Nothing could be more easy and unaffected than the way he spoke this; and I actually stared at him, to see if his coldness was a mere pretense; but far from it--every gesture and every word showed the most perfect self-possession, with a prompt readiness for action.

When we reached the court, the bustle and confusion had reached its highest; for, as the wind lulled, large masses of inky smoke hung, like a canopy, over head, through which a forked flame darted at intervals, with that peculiar furnace-like roar that accompanies a jet of fire in confined places. At times, too, as the soot ignited, great showers of bright sparks floated upward, and afterward fell, like a fiery rain, on every side. The country people, who had flocked in from the neighborhood, were entirely occupied with these signs, and only intent upon saving the remainder of the house, which they believed in great peril, totally unaware of the greater and more imminent danger close beside them.

Already they had placed ladders against the walls, and, with ropes and buckets, were preparing to ascend, when Truchet marched in with his company, in fatigue-jackets, twenty sappers with shovels accompanying them.

"Clear the court-yard, now," said Charost, "and leave this matter to us."

The order was obeyed somewhat reluctantly, it is true, and at last we stood the sole occupants of the spot, the Bishop being the only civilian present, he having refused to quit the spot, unless compelled by force.

The powder was stored in a long shed adjoining the stables, and originally used as a shelter for farming tools and utensils. A few tarpaulins we had carried with us from the ships were spread over the barrels, and on this now some sparks of fire had fallen, as the burning soot had been carried in by an eddy of wind.

The first order was, to deluge the tarpaulins with water; and while this was being done, the sappers were ordered to dig trenches in the garden, to receive the barrels. Every man knew the terrible peril so near him; each felt that at any instant a frightful death might overtake him, and yet every detail of the duty was carried on with the coldest unconcern; and when at last the time came to carry away the barrels, on a species of handbarrow, the fellows stepped in time, as if on the march, and moved in measure, a degree of indifference, which, to judge from the good Bishop's countenance, evidently inspired as many anxieties for their spiritual welfare, as it suggested astonishment and admiration for their courage. He himself, it must be owned, displayed no sign of trepidation; and in the few words he spoke, or the hints he dropped, exhibited every quality of a brave man.

At moments the peril seemed very imminent indeed. Some timber having caught fire, slender fragments of burning wood fell in masses, covering the men as they went, and falling on the barrels, whence the soldiers brushed them off with cool indifference. The dense, thick smoke, too, obscuring every object a few paces distant, added to the confusion, and occasionally bringing the going and returning parties into collision, a loud shout, or cry, would ensue; and it is difficult to conceive how such a sound thrilled through the heart at such a time. I own that more than once I felt a choking fullness in the throat, as I heard a sudden yell, it seemed so like a signal for destruction. In removing one of the last barrels from the hand-barrow, it slipped, and falling to the ground, the hoops gave way, it burst open, and the powder fell out on every side. The moment was critical, for the wind was baffling, now wafting the sparks clear away, now whirling them in eddies around us. It was then that an old sergeant of Grenadiers threw off his upper coat and spread it over the broken cask, while, with all the composure of a man about to rest himself, he lay down on it, while his comrades went to fetch water. Of course his peril was no greater than that of every one around him; but there was an air of quick determination in his act which showed the training of an old soldier. At length the labor was ended, the last barrel was committed to the earth, and the men, formed into line, were ordered to wheel and march. Never shall I forget the Bishop's face as they moved past. The undersized and youthful look of our soldiers had acquired for them a kind of depreciating estimate in comparison with the more mature and manly stature of the British soldier, to whom, indeed, they offered a strong contrast on parade; but now, as they were seen in a moment of arduous duty, surrounded by danger, the steadiness and courage, the prompt obedience to every command, the alacrity of their movements, and the fearless intrepidity with which they performed every act, impressed the worthy Bishop so forcibly, that he muttered half aloud, "Thank heaven there are but few of them!"

Colonel Charost resisted steadily the Bishop's proffer to afford the men some refreshment; he would not even admit of an extra allowance of brandy to their messes. "If we become too liberal for slight services, we shall never be able to reward real ones," was his answer; and the Bishop was reduced to the expedient of commemorating what he could not reward. This, indeed, he did with the most unqualified praise, relating in the drawing-room all that he had witnessed, and lauding French valor and heroism to the very highest.

The better to conceal my route, and to avoid the chances of being tracked, I sailed that evening in a fishing-boat for Killybegs, a small harbor on the coast of Donegal, having previously exchanged my uniform for the dress of a sailor, so that if apprehended I should pretend to be an Ostend or Antwerp seaman, washed overboard in a gale at sea. Fortunately for me I was not called on to perform this part, for as my nautical experiences were of the very slightest, I should have made a deplorable attempt at the impersonation. Assuredly the fishermen of the smack would not have been among the number of the "imposed upon," for a more sea-sick wretch never masqueraded in a blue jacket than I was.

My only clew, when I touched land, was a certain Father Doogan, who lived at the foot of the Bluerock Mountains, about fifteen miles from the coast, and to whom I brought a few lines from one of the Irish officers, a certain Bourke of Ballina. The road led in this direction, and so little intercourse had the shore folk with the interior, that it was with difficulty any one could be found to act as a guide thither. At last an old fellow was discovered, who used to travel these mountains formerly with smuggled tobacco and tea; and although, from the discontinuance of the smuggling trade, and increased age, he had for some years abandoned the line of business, a liberal offer of payment induced him to accompany me as guide.

It was not without great misgivings that I looked at the very old and almost decrepit creature, who was to be my companion through a solitary mountain region.

The few stairs he had to mount in the little inn where I put up seemed a sore trial to his strength and chest; but he assured me that once out of the smoke of the town, and with his foot on the "short grass of the sheep-patch," he'd be like a four-year-old; and his neighbor having corroborated the assertion, I was fain to believe him.

Determined, however, to make his excursion subservient to profit in his old vocation, he provided himself with some pounds of tobacco and a little parcel of silk handkerchiefs, to dispose of among the country people, with which, and a little bag of meal slung at his back, and a walking-stick in his hand, he presented himself at my door just as day was breaking.

"We'll have a wet day, I fear, Jerry." said I, looking out.

"Not a bit of it," replied he. "'Tis the spring tides makes it cloudy there beyant; but when the sun gets up it will be a fine mornin'; but I'm thinkin' ye'r strange in them parts;" and this he said with a keen sharp glance under his eyes.

"Donegal is new to me, I confess," said I guardedly.

"Yes, and the rest of Ireland, too," said he, with a roguish leer. "But come along, we've a good step before us;" and with these words he led the way down the stairs, holding the balustrade as he went, and exhibiting every sign of age and weakness. Once in the street however he stepped out more freely, and before we got clear of the town, walked at a fair pace, and, to all seeming, with perfect ease.

(_To be continued._)

THE DEATH OF A GOBLIN.

There is a by-street, called the Pallant, in an old cathedral city--a narrow carriage-way, which leads to half a dozen antique mansions. A great number of years ago, when I began to shave, the presence of a very fascinating girl induced me to make frequent calls upon an old friend of our family who lived in one of the oldest of these houses, a plain, large building of red brick. The father, and the grandfather, and a series of great-great-great and other grandfathers of the then occupant, Sir Francis Holyoke, had lived and died beneath its roof. So much I knew; and I had inkling of a legend in connection with the place, a very horrible affair. How and when I heard the story fully told, I have good reason to remember.

We were in the great dark wainscoted parlor one December evening; papa was out. I sat with Margaret by the fire-side, and saw in the embers visions of what might come to pass, but never did. Ellen was playing at her harpsichord in a dark corner of the room, singing a quaint and cheerful duet out of Grétry's Coeur de Lion with my old school-fellow, Paul Owen, a sentimental youth, who became afterward a martyr to the gout, and broke his neck at a great steeple-chase. "The God of Love a bandeau wears," those two were singing. Truly, they had their own eyes filleted. The fire-light glow, when it occasionally flickered on the cheek over which Paul was bending, could not raise the semblance of young health upon its shining whiteness. That beautiful white hand was fallen into dust before Paul Owen had half earned the wedding-ring that should encircle it.

"Thanks to you, sister--thanks, too, to Grétry for a pleasant ditty. Now, don't let us have candles. Shall we have ghost stories?"

"What! in a haunted house?"

"The very thing," cried Paul; "let us have all the story of the Ghost of Holyoke. I never heard it properly."

Ellen was busy at her harpsichord again, with fragments from a Stabat Mater. Not Rossini's luscious lamentation, but the deep pathos of that Italian, who in days past "moerebat et dolebat," who moved the people with his master-piece, and was stabbed to death by a rival at the cathedral door.

"Why, Ellen, you look as if you feared the ghosts."

"No, no," she said; "we know it is an idle tale. Go to the fire, Paul, and I will keep you solemn with the harpsichord, in order that you may not laugh while Margaret is telling it."

"Well, then," began Margaret, "of course this story is all nonsense."

"Of course it is," said I.

"Of course it is," said Paul.

Ellen continued playing.

"I mean," said Margaret, "that really and truly no part of it can possibly be any thing but fiction. Papa, you know, is a great genealogist, and he says that our ancestor, Godfrey of Holyoke, died in the Holy Land, and had two sons, but never had a daughter. Some old nurse made the tale that he died here, in the house, and had a daughter Ellen. This daughter Ellen, says the tale, was sought in marriage by a young knight who won her good-will, but could not get her father's. That Ellen--very much unlike our gentle, timid sister in the corner there--was proud and willful. She and her father quarreled. His health failed, because, the story hints mysteriously, she put a slow and subtle poison into his after-supper cup night after night. One evening they quarreled violently, and the next morning Sir Godfrey was gone. His daughter said that he had left the house in anger with her. The tale, determined to be horrible, says that she poisoned him outright, and with her own hands buried him in an old cellar under this room. That cellar-door is fastened with a padlock, to which there is no key remaining. Not being wanted, it has not been opened probably for scores of years."

"Well!"

"Well--in a year or two the daughter married, and in time had children scampering about this house. But her health failed. The children fell ill, and, excepting one or two, all died. One night--"

"Yes."

"One night she lay awake through care; and in the middle of the night a figure like her father came into the room, holding a cup like that from which he used to drink after his supper. It moved inaudibly to where she lay, placed the cup to her lips; a chill came over her. The figure passed away, but in a few minutes she heard the shutting of the cellar-door. After that she was often kept awake by dread, and often saw that she was visited. She heard the cellar-door creak on its hinge, and knew it was her father coming. Once she watched all night by the sick-bed of her eldest child; the goblin came, and put the cup to her child's lips; she knew then that her children who were dead, and she herself who was dying, and that child of hers, had tasted of her father's poison. She died young. And ever since that time, the legend says, Sir Godfrey walks at night, and puts his fatal goblet to the lips of his descendants, of the children and children's children of his cruel child. It is quite true that sickliness and death occur more frequently among those who inhabit this house than is to be easily accounted for. So story-tellers have accounted for it, as you see. But it is certain that Sir Godfrey fell in Palestine, and had no daughter."

Ellen continued playing with her face bowed down over the harpsichord. Margaret, a healthy cheerful girl, had lived generally with an old aunt in the south of England. But the two girls wore mourning. In the flower of her years their mother had departed from them, after long lingering in broken health. The bandeau seemed to have been unrolled from poor Paul's eyes, for, after a long pause, which had been filled by Ellen's music, he said:

"Ellen, did _you_ ever see Sir Godfrey?"

She left her harpsichord and came to him, and leaning down over his shoulder, kissed him.

Was she thinking of the sorrow that would come upon him soon?

The sudden closing of a heavy door startled us all. But a loud jovial voice restored our spirits. Sir Francis had come in from his afternoon walk and gossip, and was clamoring for tea.

"Why, boys and girls, all in the dark! What mischief are you after?"

"Laughing at the Holyoke Ghost, papa," said Margaret.

"Laughing, indeed; you look as if you had been drinking with him. Silly tale! silly tale! Look at me, I'm hale and hearty. Why don't Sir Godfrey tackle me? I'd like a draught out of his flagon."

A door below us creaked upon its hinges. Ellen shrank back visibly alarmed.

"You silly butterfly," Sir Francis cried, "it's Thomas coming up out of the kitchen with the candles you left me to order. Tea, girls, tea!"

Sir Francis, a stout, warm-faced, and warm-hearted gentleman, kept us amused through the remainder of that evening. My business the next day called me to London, from whence I sailed in a few days for Valparaiso. While abroad, I heard of Ellen's death. On my return to England, I went immediately to the old cathedral city, where I had many friends. There I was shocked to hear that Sir Francis himself had died of apoplexy, and that Margaret, the sole heir and survivor, had gone back, with her health injured, to live with her aunt in the south of England. The dear old house, ghost and all, had been To Let, and had been taken by a school-mistress. It was now "Holyoke House Seminary for Young Ladies."

The school had succeeded through the talent of its mistress; but although she was not a lady of the stocks and backboard school, the sickliness among her pupils had been very noticeable. Scarlet fever, too, had got among them, of which three had died. The school had become in consequence almost deserted, and the lady who had occupied the house was on the point of quitting. Surely, I thought, if this be Sir Godfrey's work, he is as relentless an old goblin as can be imagined.

For private reasons of my own, I traveled south. Margaret bloomed again; as for her aunt, she was a peony in fullest flower. She had a breezy house by the sea-side, abominated dirt and spiders, and, before we had been five minutes together, abused me for having lavender-water upon my handkerchief. She hated smells, it seemed; she carried her antipathy so far as to throw a bouquet out of the window which I had been putting together with great patience and pains for Margaret.

We talked of the old house at ----.

"I tell you what it is, Peggy," she said, "if ever you marry, ghost or no ghost, you're the heir of the Holyokes, and in the old house you shall live. As soon as Miss Williams has quitted, I'll put on my bonnet and run across with you into the north."

And so she did. We stalked together into the desolate old house. It echoed our tread dismally.

"Peggy," said aunt Anne with her eyes quite fixed, "Peggy, I smell a smell. Let's go down stairs." We went into the kitchen.

"Peggy," the old lady said, "it's very bad. I think it's Sir Godfrey."

"O aunt!" said Margaret, laughing; "he died in Palestine, and is dust long ago."

"I'm sure it's Sir Godfrey," said aunt Anne. "You fellow," to me, "just take the bar belonging to that window-shutter, and come along with me. Peggy, show us Sir Godfrey's cellar."

Margaret changed color. "What," said the old lady, "flinch at a ghost you don't believe in! I'm not afraid, see; yet I'm sure Sir Godfrey's in the cellar. Come along."

We came and stood before the mysterious door with its enormous padlock. "I smell the ghost distinctly," said aunt Anne.

Margaret did not know ghosts had a smell.

"Break the door open, you chap." I battered with the bar, the oaken planks were rotten and soon fell apart--some fell into the cellar with a plash. There was a foul smell. A dark cellar had a very little daylight let into it--we could just see the floor covered with filth, in which some of the planks had sunk and disappeared.

"There," said the old lady, "there's the stuff your ghost had in his cup. There's your Sir Godfrey who poisons sleepers, and cuts off your children and your girls. Bah! We'll set to work, Peggy; it's clear your ancestors knew or cared nothing about drainage. We'll have the house drained properly, and that will be the death of the goblin."

So it was, as our six children can testify.

A REMINISCENCE OF THE FRENCH REVOLUTION.

The following sketch of his life was given to me by the subject of it, while living as M. Hippolyte in a retired quarter of Paris, and procuring a subsistence by following the profession of a baker:

"My name is Palamede de Tour la Roche. I was the third son of the Duc de Tour la Roche, who, with his wife, eldest son, and daughter, perished in the Revolution in '93. The earliest thing I remember was living in the Hôtel Tour la Roche in great luxury and splendor--'the curled darling' of my beautiful mother, and the spoiled pet and plaything of all the house and all the company who came to it. My youth took no heed of passing events; but one evening our hôtel was attacked, and from that day to this I saw no more of my father and brothers--but my mother and sister continued to live as before, only they were now continually weeping, clasping me to their bosoms in passionate fondness, and never going out of the great gates. Every thing was changed: we had no longer any servants except an old woman, her daughter, and a lame son, with whom I played in the garden, undisturbed by the cries which reached us there, because I attached no ideas that I can remember to them, and I was told not to be frightened, for it was only wicked, drunken people shouting. When I inquired after my papa, and Henri, and Philippe--they were called unexpectedly to England, and would be back again one of these days, was the answer, which contented me. Although full eleven years old, my mind had been kept so much under, and I had lived so entirely in the perfumed atmosphere of the drawing-room--where, being little of my age, people forgot it, and made a plaything of me--that many a boy of seven or eight knew more of the world than I did.

"One night, after being some time in bed, I was awakened by a terrible noise in the house, and loud voices, and lights glancing in the court. I felt greatly frightened, but did not dare to move; in a little time it ceased entirely, and, childlike, I again sunk to slumber. I lay awake long next morning. I remember singing to myself, and wondering why old Marotte did not, as usual, come to dress me; so at last I got up and went into my mother's room. Every thing there was in disorder, and neither mother, sister, nor servant to be seen. I cried bitterly, and ran from room to room, searching in every corner in vain. All was silent. My passionate cries of 'Maman! Maman! Louise! Louise!' remained unanswered; and the doors were fastened or locked, all but the one which led out of a small chamber into the garden, that had probably been overlooked. At last they opened, and such a rabble came pouring in, that I was frightened to death, and could scarcely make use of my trembling limbs to convey me to the garden, where I crept into a very thick bush, and remained happily unseen. There I sat, I suppose, for hours: I heard sounds of revelry, of quarreling, and breaking, and gun-firing; saw furniture thrown out of the windows--furniture I knew so well! and people with bloody hands and faces standing at them. I think I must have fainted. When I recovered my senses, however, it was getting quite dusk; so, when the coast was pretty clear, I stole out into the street, and wandering away toward the Champs Elysées, lay down under a tree, and slept--forgetting grief, terror, hunger, and cold, in the dreamless sleep of innocent childhood--the last I was ever to know--for the scenes that I witnessed the day following 'my early bloom of heart destroyed.' When I stood up, and saw where I was, and the events of the preceding evening crowded to my confused mind, a sort of madness, I suppose, seized me; I thought I was in my little gilded bed in my own alcove at home, and was dreaming a frightful dream, not uncommon to children who have been indulging in pastry or rich dishes. I therefore quietly turned my steps toward the hôtel, expecting there to find things as usual. I can scarcely tell what images passed through my brain, but the full horror of my helpless situation did not break upon me until I found myself before the well-known _porte cochère_, which was _shut_. Then I knew it was no dream, and that all was real; and from that hour to this I have never entered my father's house--never even seen him, my brothers, my sister: my mother I saw once more--on the scaffold!"

Here the poor old man, whose voice had faltered two or three times, stopped and sobbed audibly.

"Pray," said I, "do not go on, my dear Monsieur de Tour la Roche."

"Do not call me by that dear name: I can not bear it. No; I called myself Hippolyte after one of our footmen: I could not bear to hear the name my darling mother addressed me by profaned by the lips that surrounded me afterward. But to proceed--"

"Oh no; pray spare yourself."

"On the contrary, it is a relief to my long-pent-up grief: I had for some time lived in the streets, subsisting upon chance; and I was standing on a heap of rubbish, just where the corner-house on the left-hand side of the Rue Royale now stands, looking at the guillotine doing its dreadful work. A man, a woman mounted, and their heads fell; two other women, coarsely attired, stood waiting; one turned--Oh God! it was my mother!--my gentle, timid, kind, darling mother! Timid and gentle no longer, she looked calm and cold, moved resolutely, looking for one moment up to Heaven, and said words I would now give my life-blood to hear. My blood curdled, my heart stopped, as I heard the rattle and clap of the descending guillotine. 'Maman! maman!' I shrieked. It was over! 'Encore une autre!' shouted a fierce man beside me. 'Maman! maman!' 'Wring the neck of that little aristocrat!' cried the mob. The man advanced, as I hoped, to kill me at once, but he only grasped me fast, saying, 'No, I shall take him home, pour le tuer à mon aise.' Death I wished for; but torture!--I fainted; and when I came to myself I was in an unfrequented street, still tightly held by the man. 'Don't be afraid, my child--I shan't hurt you; but never, as you value your life, whisper your name; if you do--here he swore a terrific oath--I _will_ kill you _cruelly_. Now come with me. You shall sleep with mon petit Pierre: call yourself Achille, Hercule, Hippolyte--what you please, if not your own name.' Hippolyte, then, and Hippolyte I have been ever since--Jean Hippolyte, when I signed my name. The house he carried me to was wretched, dark, and dirty; the food given coarse, but plentiful; and here I groveled, moody, and nearly mad, for more than a year, wandering through the streets idle and in rags, seldom speaking, unless forced, lest I should inadvertently betray myself. At last this man, whose name was Jean Leroux, told me he had obtained employment for both Pierre and me in a boulangerie. We were clothed somewhat more decently, and sent about with bread to different parts of the neighborhood, and employed in various little ways at first, sweeping out the shop, ovens, &c.; but by degrees we made progress. As I could both read and write, which Pierre could not do, and he was also naturally a slow, indolent boy, I was preferred before him; but he was not ill-natured, and bore me no malice. I grew up healthy enough, and tall; got forward at my trade, and soon made money. I served also seven years under the Emperor, and brought away, besides my laurels, two trifling wounds. Upon my return, still keeping my secret, which, however, there was now no longer danger in discovering, I commenced a search for my elder brother Philippe, of whose death I have never heard; but without success; although I ascertained that my father and Henri had been guillotined, and that my poor sister had been massacred in the streets. I recommenced my former business, and worked early and late to make enough to enable me to live in peace and seclusion, waiting anxiously, but I hope patiently, until He who in his wisdom has thought fit to afflict me, shall take me to those realms where all tears shall be wiped from our eyes. I built this house back from those which line the street: passages and kitchens look into the courts; but I never go near those parts except at an early hour to mass. I live in my garden, and with my books. Monsieur Butterini--who never assumed the title his wife is so proud of, although he had an undoubted right to bear it, poor man--married the daughter of the person at whose house he lodged before taking up his abode in mine, as a matter of economy, for she saved him a seamstress, a nurse, and a servant. She is vain, weak, and vulgar, as you see, but has ever been correct in her conduct, attentive to him while he lived, as she now is to me, in return for my allowing her to retain two of the rooms she before occupied, money enough to dress upon in the mean time, and a small annuity when I die. The people whom I occasionally entertain, and to whom I shall leave the little wealth I possess, are the families of Jean Leroux's children, and those of my first master; but I feel still, as I have ever felt, that I am of noble birth. When my will is read, all will then know that a De Tour la Roche has baked their bread, but not until then. It has been a great relief to my mind to tell all this to you, madame; and if Philippe or his descendants _should_ be in England, promise that you will seek them out, and speak to them of me, and perhaps even yet some of my own blood will pray over my grave!"

I was deeply impressed by this melancholy history; and afterward spent many an hour with the old man in his garden, where he always welcomed me with a smile, and talked unreservedly, sometimes even cheerfully. He lived several years afterward, but last winter died of bronchitis. Many know parts of this story now, and I see no reason why I should not relate the sad tale as he himself told it to me. Some worldly-wise people may ask why he did not take his own proper title, and move in his proper sphere, when he could do so; but I can very easily comprehend his feelings. His heart was almost broken; he took no pleasure in this world, nor in the things of this world, except those by which he could "look up through nature unto nature's God." What were the vanities of life to him? Obtaining his estate and title--the first of which would have been difficult, if not impossible--would only have hindered his desire of leading the life of calm, unpretending seclusion which pleased him best; and, besides this, he was impressed with the idea that Philippe, who was the rightful Duc de Tour la Roche, or his children, were in existence somewhere. He was in no want of money, having made by his own exertions more than enough for his moderate requirements: no, nor of the world's respect. All respected him for his integrity and charity; and his air and manner in themselves were sufficient to impress those who came in contact with him, even while they knew he was but a retired tradesman. I can understand it all perfectly. Some of those who chance to read this paper may possibly have seen his tomb at Père la Chaise: but they will not find the name of Tour la Roche, for that of course is fictitious.

THE STORY OF FINE-EAR.

Ten or twelve years ago, there was, in the prison at Brest, a man sentenced for life to the galleys. I do not know the exact nature of his crime, but it was something very atrocious. I never heard, either, what his former condition of life had been; for even his name had passed into oblivion, and he was recognized only by a number. Although his features were naturally well formed, their expression was horrible: every dark and evil passion seemed to have left its impress there; and his character fully corresponded to its outward indications. Mutinous, gloomy, and revengeful, he had often hazarded his life in desperate attempts to escape, which hitherto had proved abortive. Once, during winter, he succeeded in gaining the fields, and supported, for several days, the extremity of cold and hunger. He was found, at length, half frozen and insensible under a tree, and brought back to prison, where, with difficulty, he was restored to life. The ward-master watched him more closely, and punished him more severely by far, than the other prisoners, while a double chain was added to his heavy fetters. Several times he attempted suicide, but failed, through the vigilance of his guards. The only results of his experiments in this line were an asthma, caused by a nail which he hammered into his chest, and the loss of an arm, which he fractured in leaping off a high wall. After suffering amputation, and a six months' sojourn in the hospital, he returned to his hopeless life-long task-work.

One day this man's fierce humor seemed softened. After the hours of labor, he seated himself, with the companion in misery to whom he was chained, in a corner of the court; and his repulsive countenance assumed a mild expression. Words of tenderness were uttered by the lips which heretofore had opened only to blaspheme; and with his head bent down, he watched some object concealed in his bosom.

The guards looked at him with disquietude, believing he had some weapon hidden within his clothes; and two of them approaching him stealthily from behind, seized him roughly, and began to search him before he could make any resistance. Finding himself completely in their power, the convict exclaimed: "Oh, don't kill him! Pray, don't kill him!"

As he spoke, one of the guards had gained possession of a large rat, which the felon had kept next his bosom.

"Don't kill him!" he repeated. "Beat me, chain me; do what you like with me; but don't hurt my poor rat! Don't squeeze him so between your fingers! If you will not give him back to me, let him go free!"--And while he spoke, for the first time, probably, since his childhood, tears filled his eyes, and ran down his cheeks.

Rough and hardened men as were the guards, they could not listen to the convict, and see his tears, without some feeling of compassion. He who was about to strangle the rat, opened his fingers and let it fall to the ground. The terrified animal fled with the speed peculiar to its species, and disappeared behind a pile of beams and rubbish.

The felon wiped away his tears, looked anxiously after the rat, and scarcely breathed until he had seen it out of danger. Then he rose, and silently, with the old savage look, followed his companion in bonds, and lay down with him on their iron bedstead, where a ring and chain fastened them to a massive bar of the same metal.

Next morning, on his way to work, the convict, whose pale face showed that he had passed a sleepless night, cast an anxious, troubled glance toward the pile of wood, and gave a low, peculiar call, to which nothing replied. One of his comrades uttered some harmless jest on the loss of his favorite; and the reply was a furious blow, which felled the speaker, and drew down on the offender a severe chastisement from the task-master.

Arrived at the place of labor, he worked with a sort of feverish ardor, as though trying to give vent to his pent-up emotion; and, while stooping over a large beam, which he and some others were trying to raise, he felt something gently tickle his cheek. He turned round, and gave a shout of joy. There, on his shoulder, was the only friend he had in the world--his rat!--who, with marvelous instinct, had found him out, and crept gently up to his face. He took the animal in his hands, covered it with kisses, placed it within his nest, and then, addressing the head jailer, who happened to pass by at the moment, he said:

"Sir, if you will allow me to keep this rat, I will solemnly promise to submit to you in every thing, and never again to incur punishment."

The ruler gave a sign of acquiescence, and passed on. The convict opened his shirt, to give one more fond look at his faithful pet, and then contentedly resumed his labor.

That which neither threats nor imprisonment, the scourge nor the chain, could effect, was accomplished, and rapidly, by the influence of _love_, though its object was one of the most despised among animals. From the moment when the formidable convict was permitted to cherish his pet night and day in his bosom, he became the most tractable and well-conducted man in the prison. His Herculean strength, and his moral energy, were both employed to assist the governors in maintaining peace and subordination. Fine-Ear, so he called his rat, was the object of his unceasing tenderness. He fed it before he tasted each meal, and would rather fast entirely than allow it to be hungry. He spent his brief hours of respite from toil in making various little fancy articles, which he sold, in order to procure dainties which Fine Ear liked--gingerbread and sugar, for example. Often, during the period of toil, the convict would smile with delight when his little friend, creeping from its nestling place, would rub its soft fur against his cheek. But when, on a fine sunshiny day, the rat took up his position on the ground, smoothed his coat, combed his long mustaches with his sharp nails, and dressed his long ears with his delicate paws, his master would testify the utmost delight, and exchange tender glances with the black, roguish eyes of Master Fine-Ear.

The latter, confiding in his patron's care and protection, went, came, sported, or stood still, certain that no one would injure him; for to touch a hair of the rat's whisker would be to incur a terrible penalty. One day, for having thrown a pebble at him, a prisoner was forced to spend a week in hospital, ere he recovered the effects of a blow bestowed on him by Fine-Ear's master.

The animal soon learned to know the sound of the dinner-bell, and jumped with delight on the convict when he heard the welcome summons.

Four years passed on in this manner, when one day poor Fine-Ear was attacked by a cat, which had found her way into the workshop, and received several deep wounds before his master, flying to the rescue, seized the feline foe, and actually tore her to pieces.

The recovery of the rat was tedious. During the next month the convict was occupied in dressing his wounds. It was strange, the interest which every one connected with the prison took in Fine-Ear's misfortune. Not only did the guards and turnkeys speak of it as the topic of the day, but the hospital nurses furnished plasters and bandages for the wounds; and even the surgeon condescended to prescribe for him.

At length the animal recovered his strength and gayety, save that one of his hind paws dragged a little, and the cicatrice still disfigured his shin. He was more tame and affectionate than ever, but the sight of a cat was sufficient to throw his master into a paroxysm of rage, and, running after the unlucky puss, he would, if possible, catch and destroy her.

A great pleasure was in store for the convict. Thanks to his good conduct during the past four years, his sentence of imprisonment for life had been commuted into twenty years, in which were to be included the fifteen already spent in prison.

"Thank God!" he cried, "under His mercy it is to Fine-Ear I owe this happiness!" and he kissed the animal with transport. Five years still remained to be passed in toilsome imprisonment, but they were cut short in an unlooked-for manner.

One day, a mutinous party of felons succeeded in seizing a turnkey, and having shut him up with themselves in one of the dormitories, they threatened to put him to death if all their demands were not instantly complied with, and a full amnesty granted for this revolt.

Fine-Ear's master, who had taken no part in the uproar, stood silently behind the officials and the soldiers, who were ready to fire on the insurgents. Just as the attack was about to commence, he approached the chief superintendent, and said a few words to him in a low voice.

"I accept your offer," replied the governor: "remember, you risk your life; but if you succeed, I pledge my word that you shall be strongly recommended to the government for unconditional pardon, this very night."

The convict drew forth Fine-Ear from his bosom, kissed him several times, and then placing him within the vest of a young fellow-prisoner with whom the rat was already familiar, he said, in a broken voice:

"If I do not return, be kind to him, and love him as I have loved him."

Then, having armed himself with an enormous bar of iron, he marched with a determined step to the dormitory, without regarding the missiles which the rebels hurled at his head. With a few blows of his bar, he made the door fly open, and darting into the room, he over-turned those who opposed his entrance, threw down his weapon, and seizing the turnkey, put him, or rather flung him, out safe and sound into the passage.

While in the act of covering the man's escape from the infuriated convicts, he suddenly fell to the ground, bathed in blood. One of the wretches had lifted the iron bar and struck down with it his heroic comrade.

He was carried dying to the hospital, and, ere he breathed his last, he uttered one word--it was "Fine-Ear!"

Must I tell it? the rat appeared restless and unhappy for a few days, but he soon forgot his master, and began to testify the same affection for his new owner that he had formerly shown to him who was dead.

Fine-Ear still lives, fat, and sleek, and strong; indeed, he no longer fears his feline enemies, and has actually succeeded in killing a full-grown cat and three kittens. But he no longer remembers the dead, nor regards the sound of his master's number, which formerly used to make him prick up his ears and run from one end of the court to the other.

Does it only prove that rats, as well as men, may be ungrateful? Or is it a little illustration of the wise and merciful arrangement, that the world must go on, die who will?

[From Colburn's United Service Magazine.]

GENERAL ROSAS, AND THE ARGENTINE REPUBLIC.

In the provinces of the Argentine confederation, as well as throughout the whole of South America, the population is divided into two distinct families; the city and the country. The inhabitants of the cities--issues of the Spanish colonization--are, as it were, intimately blended with the foreign element, which they seem to represent; the inhabitants of the country, on the other hand, constitute the indigenous element, with all the customs of primitive life. Until the accession to power of General Rosas, who from the first had especially applied himself to the task of incorporating these two distinct races under one general head, by taming down the half savage nature of the country party, this strongly marked separation between the two castes, had been the principal cause of the numerous revolutions which had hitherto distracted and laid waste the country. This fusion, it must be allowed, was a difficult task to perform: and though not yet perfectly accomplished, it is, nevertheless, easily recognizable in the province of Buenos Ayres; above all, in that portion of it which lies round the capital.

The inhabitant of the country, who is styled a Gaucho, is, as it were, an isolated being on the face of creation; for in vain do we seek his counterpart either in the deserts of Asia, or in the sands of Africa. The provinces of the Argentine Confederation may almost be termed deserts; since, over the entire face of a territory equal in extent to the whole of France, is scattered a population numbering but 800,000 souls. In these vast and almost deserted plains, there are no cities to be found, but merely _estancias_--a species of solitary farms planted amid immense solitudes. Alone, among his peons (or daily laborers) Gauchos like himself, the _estancier_ lives as absolute master, without desires, without industry, without agricultural labor. His sole occupation consists in branding, and, when the proper time shall come, in slaughtering the cattle, which form his entire wealth. The Gaucho exists on meat and water only; the use of bread, vegetables, fruits, or spirituous liquors being unknown to him. As for his outward apparel, he rudely manufactures it out of the hides of oxen, or the fleeces of the sheep; a few sticks, and three or four ox hides, suffice for the construction of his tent, when he sojourns for any length of time in one spot; for ordinarily, he sleeps in the open air, enveloped in his poncho. His simple, but formidable arms, are reduced to the _lasso_, and the _bolas_, and to a large knife, which he wears stuck into his waist-belt. The Gaucho remains for weeks and months entire, without perceiving the face of a human being; passing his time in wandering amid the innumerable flocks and herds which cover the plains.

Whenever he feels the calls of hunger, he springs on horseback, pursues a bull, _lassoes_ it, slaughters it, and out of the still palpitating flesh cuts the piece he prefers; rarely does he take the trouble to have it cooked, but contents himself before devouring his steak, with softening it, by leaving it for a while under his saddle.

It may easily be understood how completely this wild and solitary existence tends to destroy in the breast of the Gaucho every social sentiment; and what profound hatred he must nourish against the inhabitant of the city, who knows how to enjoy all the blessings of civilization, and derive profit from the produce of his rude and toilsome trade.

In the same ratio as the Gaucho has held himself aloof from all social progress, has the inhabitant of the city eagerly met it half-way. In the dwelling of the latter, thanks to the activity of commerce, which pours forth in profusion all its riches into the lap of its votary, we find not only all our European comforts, but even our tastes, in science, literature, and the arts. But, as we have said before, the causes of the separation of the two races are beginning to disappear; and taking into consideration the ever active and increasing stride of European civilization, we may safely presume that in a very few years, there will remain scarcely a trace of the former strongly marked difference.

Throughout the entire province of Buenos Ayres, the country is completely naked, a dense grass alone covers the plains, which are watered by numerous rivulets, that wind through the vast prairies; the country is almost a perfect level, and the soil of which it is composed, though still virgin of all implements of husbandry, of an extraordinary degree of fertility; it is indeed with difficulty that we can discover in the environs of the city, a few gardens where it has been even turned.

The city of Buenos Ayres has been constructed upon an uniform plan; it is divided into _suadres_, which intersect each other at right angles. The houses are composed simply of a ground floor; they are painted entirely white, and have a very neat and pleasing aspect. Buenos Ayres is now very thickly peopled; its inhabitants numbering more than a hundred thousand souls; it would appear, also, to be in a highly flourishing condition, as regards its commerce, for in the course of last year, upward of three hundred European ships entered its harbor, bearing merchandise from almost every quarter of the world.

John Manuel Ortes de Rosas, the sovereign dictator of the republic, personifies the country party, and is, according to his own account at least, the descendant of an old and noble Spanish family, which, in the time of the conquest, emigrated to South America; what is indisputable, is, that he is a Gaucho. At the period when the first troubles broke out in the country, he was proprietor of a considerable _estancia_; which, by his skill and perseverance, he had been able to render a model establishment. Rosas had been endowed by nature with all the talents and virtues of the most finished Gaucho; there was not an inhabitant of the plain who could tame a wild horse like him, or handle with more skill and dexterity the _lasso_, or the _bolas_; not a Gaucho was there, who possessed his dexterity in the use of the knife; or who, having thrown himself in the midst of danger, could withdraw himself therefrom with more good fortune. These physical qualities would alone have sufficed to place him in the very first rank among these half-savage men, who recognize no other law than that of force; but to these advantages, Rosas joined those of a superior intellect, and a degree of understanding very uncommon in a land so far removed from every source of enlightened instruction. Appointed at first officer of militia, it was not long ere he became commandant of the country; shortly after this, he entered Buenos Ayres, drove Lavalle out of the city, and had himself proclaimed governor.

Rosas is now a man of about fifty-eight or sixty years of age; and though, according to popular rumor, suffering from gout, and other infirmities, no traces of these disorders are perceptible upon his person. He is a man of lofty stature; his features are regular, and announce firmness; and his vivid and piercing eyes possess a degree of penetration, which takes nothing away from the austerity of his personal appearance. When conversing with strangers, the dignity of his mien, the gravity of his gestures, and the choice of his expressions, would lead one to imagine that he has constantly lived in the society of men eminent for their learning and talents; occasionally he affects, but without success, a sort of natural _bonhomie_; but he well knows that this little deceit is easily seen through, and he seldom employs it, except when in company with men whom he knows to be his inferiors in point of intellect. When, on the contrary, Rosas finds himself amid his old companions, the Gauchos, his tone and manner entirely change: it is no longer the polished and civilized man, the man of the cabinet and the study, that is before us, but rather the horse and bull tamer, the lion hunter, and the wild dweller on the prairies. His speech, perhaps a moment before elegant and scholarly, now becomes gross and obscene, while his gestures assume an expression known only to the desert.

What we have just stated regarding Rosas, will suffice to make our readers comprehend his consummate skill; if we add to this an obstinate and resolute character, and a will which has never recoiled before any necessity to attain its ends--did this necessity even involve an assassination or a massacre--and an enormous superiority of intellect over all the men who surround him, the almost boundless power which this man has succeeded in grasping and maintaining in his country, may easily be comprehended. What augments still further the degree of his power, is the secret manner in which it is exercised. Although in reality reigning as absolute sovereign over the country whose constitution and institutions he is daily trampling under foot, Rosas has ever been enabled to dissemble his power, and, nominally at least, shelter himself behind the rampart of legality.

Thus, among the apparent rights which he has left to the Chamber of Representatives, if it is necessary that it should give a decision upon any question, he demands it by a public and official message, almost with humility: but by a private letter addressed at the same time to the President, he directs him as to the precise form which is to be adopted by the Chamber in pronouncing the resolution to be taken, as well as the exact day and hour when the said resolution is to be made known to him. To such a point are these things carried, that it is in the very cabinet of Rosas himself that the fulsome votes of thanks periodically passed by the different provincial assemblies of the Confederation to _the hero of the desert_, the _saviour of the country_, the _restorer of the laws_, &c., &c., &c., are drawn up.

Rosas attained to power uttering the war whoop of "Death to the Unitarians,"[1] and by giving himself out as the restorer of the federal government; and yet it is a notorious fact, that there is not on the face of the earth a system of government more centralizing, more despotic, more Unitarian, if we must say the word, than that which he has constituted; and it is this fact alone which clearly proves the extraordinary skill of this man. He has been enabled to push beyond the limits of the possible the sciences of audacity and falsehood. It is with the assistance of the federalists that he has been enabled to conquer; true, he has dubbed himself federalist in name, but as far as regards the principle of the thing, he has done his utmost to wipe away from the institutions and customs of the country every thing that might bear the most remote resemblance to this form of government, by collecting together in his own hands more than the sum of the public power--in fact, assuming in all things the sovereign will of an autocratic dictator, from whose decrees there can be no appeal.

One of the glaring defects of the Argentine character is the thirst for power, which possesses the inhabitants, to obtain which no obstacle will restrain them. Previous to attaining to the supreme power, though recognized as the chief of the country party, Rosas was surrounded by _caudillos_, whose devotion to his interests did not appear to him to be completely absolute; in fact, he well knew that on the very first occasion which should present itself, each of them, profiting by the ascendency which he individually exercised over his partisans, would make no scruple of disputing with him the power he envied. It was absolutely necessary that he should rid himself of this obnoxious body-guard, and this step he at once resolved upon, and forthwith put into execution. In a very brief space of time, steel and poison had done their work, and delivered him from all those rivals which his ambition had to dread, while the provinces very soon lost, under the terror which they experienced at this wholesale slaughter, the bare idea of resistance. There still remained, however, the city: Buenos Ayres had not supported Lavalle as it ought to have done, nevertheless it inclosed within its walls a goodly number of men who, though they had indeed reason to manifest indifference for the Unitarian government, were too enlightened not to feel a bitter regret for their own culpable weakness. It was as a fire smouldering within the city, which sooner or later would not fail to burst forth into a flame. Rosas comprehended this movement, and bethought himself of the means of stifling it in the bud. It was then that he founded the famous popular society of the _mashorca_. It has been asserted, and we believe with reason, that this society by its number of outrages on human life, merits in the criminal annals of the world a renown greater than that of the celebrated Jacobin Club, and the revolutionary tribunal of the first French Revolution. Recruited from among the ranks of the savage, ignorant, and cruel men who surrounded the new Dictator, the members of the _mashorca_ set to work with ardor to _moralize_ the country according to the will of General Rosas. By the mere terror which this formidable _mashorca_ inspired, Rosas was enabled to make the world believe, that he was at once the elect of his fellow citizens and the depository of their wishes and desires. It served him also to drill the nation to the manifestation of either enthusiasm or furious rage, of which he might, according to circumstances, stand in need.

The people, docile as a flock of sheep, accordingly howled or applauded in the streets, or upon the public places, at the will of the dictator. The means of action of the _mashorqueros_ upon the multitude are well known--they consist in violence and assassination. Although in appearance mute and devoted to Rosas, the city of Buenos Ayres still bears mourning for the victims which were then sacrificed to his fury and ambition. Obedient to the resentments of the _elect of the people_, the _mashorqueros_, at certain days and certain hours, would spread themselves far and wide throughout the streets, poinard in hand, and, penetrating into the dwellings pointed out to them, would pitilessly immolate the Unitarian _savages_ which the _federal pacificator_ had previously marked as victims for their homicidal fury. The precise number of these victims of the blind rage of a sanguinary party is unknown; but it must have been considerable, for during an entire week the blood flowed unceasingly, and at that period it was no uncommon sight to behold the decapitated heads of the slain exposed in the public market-place; at length, one day, a cart, preceded by musicians, made the circuit of the city, to collect the dead bodies which lay in piles before the houses.

It is not difficult to comprehend the effect of a similar system of government upon a population by no means numerous, exhausted by long civil dissensions, and which would have been completely annihilated at the very first symptom of any thing approaching resistance. It submitted in silence. Rosas, now certain from henceforth of being able to reign by terror, began to moderate his excesses, and only from time to time had recourse to violence, in order to intimidate those among the population in whose breasts there might still lurk the remnants of some generous or patriotic sentiment.

Rosas possesses an incredible power of continuous labor: he sleeps during the greater part of the day, and passes the night in his cabinet. It is not until four o'clock in the afternoon that he quits his bedroom. During the summer, when he is in the country, he may be seen from this hour until six o'clock galloping through the gardens, open to all comers, or playing in front of the house with an enormous tigress, which, though of the greatest ferocity with strangers, trembles and crouches to the earth, at his voice. At six o'clock he takes a light repast; after which he sits down to work, and does not leave off until five or six in the morning. It is at this hour that he dines in company with a couple of jesters, dressed in an eccentric manner, one of whom goes by the name of _the governor_, who seek to amuse him by their witticisms, their grotesque games, and sometimes by fighting. It has been said that Rosas is surrounded by guards. But this is utterly false. His house, which is vast and elegant, stands upon the highway, and the doors, according to the general custom of the country, are always wide open. So far from it being the case that he keeps his person carefully guarded, it is, on the contrary, frequently a very difficult matter on entering the house to meet with even a domestic to announce you; and the visitor could with as much ease reach his private cabinet or his bed-chamber as he could the courts upon which these apartments open. There is not even a sentry or a porter at the principal door.

Next to Rosas, the personage who plays the most important part in all the Confederation, is his daughter, Manuelita. The position which this woman has acquired for herself is unique, like that of her father, although relatively less important, since she is not consulted upon State affairs. She possesses, nevertheless, with regard to all that appertains to the second rank, a liberty of action entirely her own. Manuelita is, as it were, an under Secretary of State in the cabinet of a minister in charge of a vast administration. She has her secretaries, her offices, her correspondence; and is well able to attend to a vast amount of important business without neglecting those duties toward society, which her intellectual acquirements and natural amiability of disposition impose upon her. By many writers, Manuelita has been portrayed as a species of bacchante, unceasingly exciting her father to the commission of acts of violence, giving herself up to all the irregularities of a life of dissipation, and scandalizing society by the spectacle of incessant orgies. Now nothing can be less true, nothing more false, than this. It is not necessary to know Manuelita, it is sufficient to have seen her but for a few moments to be convinced of the utter falsehood of these mendacious travelers' tales. Manuelita is Rosas' daughter, and consequently has many prejudices to overcome, many hatreds to conquer: yet she is esteemed and loved by all, which, be it remarked, is no mean praise in a country where it may be said that no one is esteemed. This is, in our idea, the best reply to offer to the various calumnies it has pleased the "many-headed" to heap upon her. And how, we may ask, can it be otherwise? If there is a being on the earth who can soften the rigors of Rosas' tyrannical government, can solicit and obtain mercy or justice, it is Manuelita. She is the sole hope of the unfortunate, of the oppressed, of the poor, and rarely is this hope deceived.

Manuelita is tall and elegantly formed. Her age has been stated to be about four-and-thirty although she looks no more than twenty-seven or twenty-eight. Her features are regular and bear the Spanish impress, that is to say, that they are strongly marked. Her large black eyes announce great strength of mind, yet the glances which shoot therefrom have an expression of infinite gentleness and kindness. Her jet black hair serves to bring out in more prominent relief the ivory fairness of her skin. Her entire person, in short, breathes an air of grace and refinement to be met with only in the Spanish women, who possess the rare art of being able to join to the charms of beauty a certain _abandon_ unknown to the women of other countries.

Manuelita possesses in a high degree the "knowledge of the salons," as the French would call it; she speaks English, French, and Italian, as her mother tongue, and whatever turn the conversation may take, whether "grave or gay, lively or severe," she is equally enabled to shine in it either by judicious observations, or brilliant repartee. Manuelita entertains for her father a degree of affection amounting to absolute devotion; often has she been seen to shed tears on learning the cruelties practiced by Rosas. In the excess of grief which the acts of the Dictator caused her, she has sometimes let her indignation burst forth before her friends, but nothing can sever the bonds of that filial love which bind her to her father. And happy is it for the country that this is the case, for it is very evident that were it not for her, the fury of Rosas would have displayed itself more fatally than it has yet done. We have heard related by two eye-witnesses a scene which took place between her and her father, during the period of the first _mashorca_ executions, which shows the degree of dominion which the latter exercises over her. One evening while Manuelita was seated at her piano-forte singing to her auditors some Spanish romance, Rosas entered the room holding in his hand a silver salver, upon which was deposited a pair of human ears cut from the head of a _savage_ Unitarian; advancing slowly to the instrument he placed the salver upon the piano before the eyes of his daughter. Manuelita started up violently from her seat and with features almost livid with rage and horror, she seized her piece of music and cast it over the plate, then turning round she was about to give free course to her indignation, when her eyes met the fixed and terrible glance of the general; she ceded to this power and fell fainting to the ground.

We could relate a thousand facts of this nature, which abundantly prove the falsity of the many imputations directed against the character of Manuelita.

We have just said that the two individuals alone worthy of attention and study throughout the whole of the Argentine Confederation, are first of all General Rosas, and afterward, his daughter, Manuelita. In fact it is in them, in their will or their caprices, that are concentrated the entire policy and administration of the republic. The men who, below them nominally fill the higher offices of the State, are but mutes, divested alike of either power or will. Like the stage representatives of noble knights and powerful monarchs, the higher functionaries of the republic and especially the secretaries of state hold office without filling any character. They serve occasionally to make known the will of the governor without being permitted in any case to interpret it. Even the general officers in command of the armed forces dispersed over the territory are obliged to keep near their persons certain subaltern agents enjoying the confidence of the governor, whose orders and directions they are obliged implicitly to follow. Although nominally and apparently holding appointments which seem to invest them with a certain degree of authority, the state functionaries are in this respect no better off than their less fortunate countrymen, but are like all the rest of the Argentines, in a state of absolute and slavish dependence.

When General Rosas seized the reins of government, his first and principal care was to transform completely the Argentine society. In place of the enlightened men whom Rivadavia had applied himself to seek out, Rosas has raised to the first rank, the crew of unlettered ignorant men, stained with every crime which disgraces human nature, who had seconded his ambitious views. The biographies of the individuals who formed the _mashorca_ are well known to every one, but such is the terror inspired by the Dictator, that each, even the sons, brothers, and widows of those who fell beneath their murderous knives, eagerly hasten to show all the civility and deference in their power for the particular friends of the governor. Never in any country have we had so many examples of abject and shameful servility as in this. The Argentine society possesses neither morality, religion, honor, nor courage. All look forward to the day when the country shall be delivered from the reign of despotism and tyranny which has so long oppressed it; but there is not a man in all Buenos Ayres who has the courage to manifest his feelings of disgust and repugnance for those who aid the governor in retaining power. And let not the reader imagine that it is only a tacit assent which is rendered to the tyrant's iron rule; each after venting curses "not loud but deep" when he is certain of not being heard, against the Dictator and his acolytes, rushes into the streets to take part in the public manifestations commanded by Rosas. The savage device that we read upon the _cinta_[2] is the cry which the watchmen shout aloud every hour of the night in the streets of the city; it is the cry which the actors give utterance to upon the stage on federal days, by way of prologue, previous to the commencement of the piece; it is the shout which the troops and militia under arms howl forth when the governor rides down the ranks, and as if the threat of death to the Unitarians which it contains was not sufficient, it is augmented according to circumstances by similar denunciations directed against any particular marked individual who may have rendered himself obnoxious to the government, and also against foreigners, as well as by _vivats_ in honor of the immortal warrior, of the king of justice, of the restorer of the laws, of the great, the magnificent, the high and mighty Rosas, in a word.

If the thorough abasement of moral character, the inevitable result of despotism, which we observe in the Buenos Ayreans, did not counteract the feelings of sympathy one is naturally disposed to show for this population, the Argentine society would possess great attractions for the traveler. The men who represent the Unitarian element are in general of polished and agreeable manners. All the women without exception are possessed of a remarkable degree of beauty, and if their education is not quite so finished as it might be, they are, like all Spanish women, endowed with a sort of natural grace and tact which stand them in lieu of it: they display an extraordinary degree of luxury in their toilets, and one might say that they outstrip the Parisian fashions, which are with them more ephemeral even than in the spot which has given them birth. For luxury and lavish expenditure as regards the adornment of the person, nothing is comparable to the interior of the Opera-house on a crowded night; the dazzled eye perceives at first but a vast amphitheatre sparkling with gold, jewels, silk and lace, so disposed as to impart fresh attractions to the ivory shoulders and ebon locks they deck, lending all the charms of art to the riches of nature.

FOOTNOTES:

[1] The centralizing party in the confederation is thus denominated.

[2] This device is thus conceived: "Long live the Argentine Confederation! Death to the savage, filthy, and disgusting Unitarians!"

A NEW PHASE OF BEE-LIFE.

About the middle of an afternoon in July, 1848, we had landed on a low sand-bank, which, for a short distance, skirted the right bank of the stream, for the purpose of encamping for the night; and right glad were we to stretch our limbs after ten hours' paddling. The Indians had started in their wood-skin up the neighboring creek, in quest of game for our evening's repast, and the women were clearing a space beneath the branches for our hammocks, and collecting fuel for the nightly fire. All who have wandered with the pleasant Waterton in his chivalrous Expedition on the Essequibo, will remember his first guiltless attempt to hook the wary cayman, before seeking more skillful allies in the Indian settlement higher up the river. The sand-bank in which we were about to bivouac, was that mentioned in his narrative, where, for four days, he had impatiently waited for the shades of evening, and as often turned into his hammock at day-break with his longings ungratified.

It was, as usual, intensely hot in the sun. To seek some relief, for the first time during the day, I strolled--or rather straggled, for every step through the tangled creepers had to be gained by hacking and hewing with a cutlass--down to the cool banks of the creek, whose overhanging branches, forming a magnificent arcade of verdure, almost excluded (or admitted only at distant intervals), the scorching rays.

Seating myself on the smooth gray trunk of a tree, which lay prostrate across the sluggish water, whose broken limbs shone bright in the gay drapery of a scarlet-blossomed epiphyte, I lighted my pipe, and taking a book from my pocket, began lazily turning over the pages and lightly gleaning the pleasant thought of a witty and social poet. My attention now and again drawn away by the ceaseless tappings of a yellow-headed woodpecker on a decaying tree close at hand, to the glittering flashes of a Karabimitas, a Topaz-throated humming-bird--a frequenter of dark and solitary creeks, capturing flies among the gay petals, for his nest-keeping partner, who, a few paces up the stream was gently swinging with the evening breezes in her tiny home. I had been in this position for some time, little regarding the whizzing hum of insects constantly passing and repassing--when, my gaze chancing to fall a yard or more from my resting-place, I detected a small bright-gray bee, about the third of an inch in length, disappearing in what seemed a solid part of the trunk.

There was no hole or crevice perceptible to the eye, nor did that portion of the bark feel less smooth than that immediately adjoining. I might be mistaken--nay, _I must be_. I had just arrived at this last conclusion, when a tiny piece of the bark was suddenly raised, and out flew the little gentleman I had seen disappear, or one too like him not to belong to the same family. The mystery was solved. Some ingenious bee-architect had devised an entrance-gate, fitting so admirably as to defy discovery when shut; while I was certain that I could lay my finger almost on the precise spot, the closest inspection failed to reveal any trace of its outline. The bark, though polished and even, was covered with faint interlaced streaks, from which even the smoothest bark is never free; and the skillful carpenter had adapted the irregular tracings of nature to his object of concealment. Wishing to inspect the workmanship without injuring its delicacy, I had to wait patiently until it should again fly open; nor was I kept long in expectation, for it presently popped up to permit the egress of another of the fraternity, and a ready twig prevented its descending. I found it designedly crooked and jagged at the edges, with an average width of about a quarter of an inch, and twice that in length; its substance was little more than the outer skin of the bark, and, being still connected at one end, opened and closed as with a spring. The cunning workman had no doubt been aware that had he made it much shorter--which the size of the passengers would have permitted--it would have required to be thrown farther back, when the greater tension would soon have destroyed the elasticity of the hinge, and, with that, its power of fitting close to the tree. Immediately within the doorway was a small ante-chamber, forming a sort of porter's lodge to the little surly gray-liveried gentleman inside, who, without quitting his retreat, showed his displeasure at my intrusion in a manner too pointed to be mistaken, and certainly manifesting neither trepidation nor alarm at the sight of one of the "lords of the creation," though probably the first offered to his inspection. From the entrance-hall, two circular tunnels conducted into the interior of the establishment, from whence came the confused murmurs of a numerous and busy community. I had just allowed the door to close, and was admiring the exceeding neatness of the workmanship, when another of the family returned home, signifying his arrival, and obtaining admittance in a manner at once novel and singular.

After darting against the entrance, and touching it with his feet, he rose again into the air, and taking a wide swoop round the trunk came up on the other side, this time, flying straight toward the "trap," which was quickly raised, when he was a few inches distant, and, on his entering, as quickly closed. The office of the pugnacious individual inside was explained; he was actually the doorkeeper, and his returning comrades, having, like any other modern gentleman, politely rapped, circled out of the observation of prying eyes, till he was prepared to admit them. Numbers were constantly arriving, and all went through the process I have described, each flying away, after knocking, in a different direction, but all allowing the same time to elapse before returning for admission; thus, the door was never opened save at the proper moment.

After watching their proceedings for some time, I discovered the reason of their not waiting quietly at the entrance. Sneaking among the stray leaves and rubbish in the trunk, and in the holes and cavities of the bark, were numbers of small insects, of the same color as the bees, but with the addition of one or two minute bands of black across the abdomen; their slender, graceful forms and partially exposed ovipositors revealed, however, the cause of their slinking about, and stamped them the parasitic ichneumons of the hive. I thought that, after the habits of their tribe, they were endeavoring to obtain an entrance, when they pouncingly hovered over the bees as they were disappearing in the door-way; but, as none ever succeeded, I conjectured that they had devised and were pursuing some other plan of introducing their blood-thirsty progeny. Further observation showed this to be correct. The rascals were endeavoring to attach their eggs to the small pellets of pollen with which each bee was laden, and they often succeeded, in spite of the admirably devised tactics to prevent them.

The duties of the janitor were gradually ceasing; all the bees had returned save a few stragglers, and even these were becoming scarce; the last parting rays of the sun--a signal for the twilight birds to issue from their lurking places--warned me, that in a few minutes I should have some difficulty in penetrating through the thick underwood, for I was in a clime where the sun "sinks at once, and all is night."

I was about to retrace my steps, when the measured stroke of paddles caught my ear, and presently the Indian "corial," with a brave batch of maroudis, and some smaller birds, turned a bend in the sinuous creek, and swiftly glided toward me, guided through the fallen trees and branches, which in some places almost choked the narrow stream, by the skillful arm of old Paley, as I had dubbed our usual steersman. The same keen eye that kept the frail bark clear of besetting obstacles, quickly detected me--though it was almost dark--stretched in the tree above him. Staying the progress of the "wood-skin" beneath, I slipped off my boots, and cautiously lowered myself down.

I wouldn't advise any one to squat with booted heel in a flimsy "bark," especially when--intended for two and accommodating four--it is skimming along with the water an inch or so from the edge. A lurch to one side, and over you go--pleasantly enough in shallow water on a hot day, but any thing but that with twenty feet of black fluid beneath, and you not able to swim. A few weeks' practice had enabled me to balance myself without endangering others; so we landed safely.

The birds, soon ready for the pot, were in a few minutes boiling away among the "cassareep" and peppers. We made hearty suppers that night; and as I lay in my hammock, taking the usual "soothing whiff" before resigning myself to sleep, the howling of monkeys, the bellowings of caymen, and the various cries of goatsucker, owl, and tiger-bird, blending with the occasional roar of the jaguar in his midnight courtship, the soughing of the breeze among the trees, and the murmur of the distant falls, made as discordant and motley a "hushaby" as one could imagine. Fortunately, all the screeching and howling in the universe would have failed to drive away my slumbers; so I quietly fell asleep, with the swaying branches brushing past my face. My latest waking thoughts, I remember, now recalling the wandering Waterton (he might have slept suspended from the same branch), and his fishing for caymen; now, the bees and their tiny trap-doors; now, my tiger-robbed coverlet, and the rapids we were to "shoot" in the morning; and, lastly, blending into a confused murmur--raising pleasant recollections of the old school-room buzz, and of the kindly comrades and anxious friends in my far-off home.

We were up and away down the sparkling river at daybreak the next morning; and I had no other opportunity of observing the economy of the bees and their enemies; nor in my rambles did I ever chance to meet with another family of the same species, or with kindred habits.

ANECDOTE OF A HAWK.

An English work on Game Birds and Wild Fowls, recently published, contains the following curious anecdote:

"A friend of Colonel Bonham--the late Col. Johnson, of the Rifle Brigade--was ordered to Canada with his battalion, in which he was then a captain, and being very fond of falconry, to which he had devoted much time and expense, he took with him two of his favorite peregrines, as his companions, across the Atlantic.

"It was his constant habit during the voyage to allow them to fly every day, after 'feeding them up,' that they might not be induced to take off after a passing sea-gull, or wander out of sight of the vessel. Sometimes their rambles were very wide and protracted. At others they would ascend to such a height as to be almost lost to the view of the passengers, who soon found them an effectual means of relieving the tedium of a long sea voyage, and naturally took a lively interest in their welfare; but as they were in the habit of returning regularly to the ship, no uneasiness was felt during their occasional absence. At last, one evening, after a longer flight than usual, one of the falcons returned alone. The other--the prime favorite--was missing. Day after day passed away and, however much he may have continued to regret his loss, Captain Johnson had at length fully made up his mind that it was irretrievable, and that he should never see her again. Soon after the arrival of the regiment in America, on casting his eyes over a Halifax newspaper, he was struck by a paragraph announcing that the captain of an American schooner had at that moment in his possession a fine hawk, which had suddenly made its appearance on board his ship during his late passage from Liverpool. The idea at once occurred to Captain Johnson that this could be no other than his much-prized falcon, so having obtained immediate leave of absence, he set off for Halifax, a journey of some days. On arriving there he lost no time in waiting on the commander of the schooner, announcing the object of his journey, and requested that he might be allowed to see the bird; but Jonathan had no idea of relinquishing his prize so easily, and stoutly refused to admit of the interview, 'guessing' that it was very easy for an Englisher to lay claim to another man's property, but 'calculating' that it was a 'tarnation sight' harder for him to get possession of it; and concluded by asserting, in unqualified terms, his entire disbelief in the whole story. Captain Johnson's object, however, being rather to recover his falcon than to pick a quarrel with the truculent Yankee, he had fortunately sufficient self-command to curb his indignation, and proposed that his claim to the ownership of the bird should be at once put to the test by an experiment, which several Americans who were present admitted to be perfectly reasonable, and in which their countryman was at last persuaded to acquiesce. It was this. Captain Johnson was to be admitted to an interview with the hawk--who, by the way, had as yet shown no partiality for any person since her arrival in the New World; but, on the contrary, had rather repelled all attempts at familiarity--and if at this meeting she should not only exhibit such unequivocal signs of attachment and recognition as should induce the majority of the bystanders to believe that he really was her original master, but especially if she should play with the buttons of his coat, then the American was at once to waive all claim to her. The trial was immediately made. The Yankee went up-stairs, and shortly returned with the falcon; but the door was hardly opened before she darted from his fist, and perched at once on the shoulder of her beloved and long-lost protector, evincing, by every means in her power, her delight and affection, rubbing her head against his cheek, and taking hold of the buttons of his coat and champing them playfully between her mandibles, one after another. This was enough. The jury were unanimous. A verdict for the plaintiff was pronounced; even the obdurate heart of the sea-captain was melted, and the falcon was at once restored to the arms of her rightful owner."

NOTES ON THE NILE.

BY AN AMERICAN.

"Nile Notes, by an Howadji" (the Eastern name for traveler) is the title of a new book, by a young American, soon to be issued from the press of Messrs. Harper and Brothers. It is written with great vivacity, and will compare favorably with "E[=o]then," or the best books of the day on the East. The following extracts will be found attractive.

THE MUSIC OF THE EAST.

While the Hadji Hamed fluttered about the deck, and the commander served his kara kooseh, the crew gathered around the bow and sang.

The stillness of early evening had spelled the river, nor was the strangeness dissolved by that singing. The men crouched in a circle upon the deck, and the reis, or captain, thrummed the tarabuka, or Arab drum, made of a fish-skin stretched upon a gourd. Raising their hands, the crew clapped them above their heads, in perfect time, not ringingly, but with a dead, dull thump of the palms--moving the whole arm to bring them together. They swung their heads from side to side, and one clanked a chain in unison. So did these people long before the Ibis nestled to this bank, long before there were Americans to listen.

For when Diana was divine, and thousands of men and women came floating down the Nile in barges to celebrate her festival, they sang and clapped, played the castanets and flute, stifling the voices of Arabian and Lybian echoes with a wild roar of revelry. They, too, sang a song that came to them from an unknown antiquity, Linus, their first and only song, the dirge of the son of the first king of Egypt.

This might have been that dirge that the crew sang in a mournful minor. Suddenly, one rose and led the song, in sharp, jagged sounds, formless as lightning. "He fills me the glass full, and gives me to drink," sang the leader, and the low-measured chorus throbbed after him, "Hummeleager malooshee." The sounds were not a tune, but a kind of measured recitative. It went on constantly faster and faster, exciting them, as the Shakers excite themselves, until a tall, gaunt Nubian rose in the moonlight and danced in the centre of the circle, like a gay ghoul among his fellows.

The dancing was monotonous, like the singing, a simple jerking of the muscles. He shook his arms from the elbows, like a Shaker, and raised himself alternately upon both feet. Often the leader repeated the song as a solo, then the voices died away, the ghoul crouched again, and the hollow throb of the tarabuka continued as an accompaniment to the distant singing of Nero's crew, that came in fitful gusts through the little grove of sharp, slim masts:

"If you meet my sweetheart, Give her my respects."

The melancholy monotony of this singing in unison, harmonized with the vague feelings of that first Nile night. The simplicity of the words became the perpetual childishness of the men, so that it was not ludicrous. It was clearly the music and words of a race just better than the brutes. If a poet could translate into sound the expression of a fine dog's face, or that of a meditative cow, the Howadji would fancy that he heard Nile music. For, after all, that placid and perfect animal expression would be melancholy humanity. And with the crew only, the sound was sad; they smiled, and grinned, and shook their heads with intense satisfaction. The evening and the scene were like a chapter of Mungo Park. I heard the African mother sing to him as he lay sick upon her mats, and the world and history forgotten, those strange, sad sounds drew me deep into the dumb mystery of Africa.

But the musical Howadji will find a fearful void in his Eastern life. The Asiatic has no ear, and no soul for music. Like other savages and children, he loves a noise, and he plays on shrill pipes--on the tarabuka, on the tár, or tambourine, and a sharp, one-stringed fiddle, or rabáb. Of course, in your first Oriental days, you will decline no invitation, but you will grow gradually deaf to all entreaties of friends, or dragomen, to sally forth and hear music. You will remind him that you did not come to the East to go to Bedlam.

This want of music is not strange, for silence is natural to the East and the tropics. When, sitting quietly at home, in midsummer, sweeping ever sunward in the growing heats, we at length reach the tropics in the fixed fervor of a July noon, the day is rapt, the birds are still, the wind swoons, and the burning sun glares silence on the world.

The Orient is that primeval and perpetual noon. That very heat explains to you the voluptuous elaboration of its architecture, the brilliance of its costume, the picturesqueness of its life. But no Mozart was needed to sow Persian gardens with roses breathing love and beauty, no Beethoven to build mighty Himmalayas, no Rossini to sparkle and sing with the birds and streams. Those realities are there, of which the composers are the poets to Western imaginations. In the East, you feel and see music, but hear it never.

Yet, in Cairo and Damascus the poets sit at the cafés, surrounded by the forms and colors of their songs, and recite the romances of the Arabian Nights, or of Aboo Zeyd, or of Antar, with no other accompaniment than the tár, or the rabáb, then called the "Poet's Viol," and in the same monotonous strain. Sometimes the single strain is touching, as when on our way to Jerusalem, the too-enamored camel-driver, leading the litter of the fair Armenian, saddened the silence of the desert noon with a Syrian song. The high, shrill notes trembled and rang on the air. The words said little, but the sound was a lyric of sorrow. The fair Armenian listened silently as the caravan wound slowly along, her eyes musingly fixed upon the East, where the flower-fringed Euphrates flows through Bagdad to the sea. The fair Armenian had her thoughts, and the camel-driver his; also the accompanying Howadji listened and had theirs.

The Syrian songs of the desert are very sad. They harmonize with the burning monotony of the landscape in their long recitative and shrill wail. The camel steps more willingly to that music, but the Howadji, swaying upon his back, is tranced in the sound, so naturally born of silence.

Meanwhile our crew are singing, although we have slid upon their music, and the moonlight, far forward into the desert. But these are the forms and feelings that their singing suggested. While they sang I wandered over Sahara, and was lost in the lonely Libyan hills--a thousand simple stories, a thousand ballads of love and woe trooped like drooping birds through the sky-like vagueness of my mind. Rosamond Grey, and the child of Elle passed phantom-like with vailed faces--for love, and sorrow, and delight, are cosmopolitan, building bowers indiscriminately of palm-trees or of pines.

The voices died away like the Muezzins', whose cry is the sweetest and most striking of all Eastern sounds. It trembles in long-rising and falling cadences from the balcony of the minaret, more humanly alluring than bells, and more respectful of the warm stillness of Syrian and Egyptian days. Heard in Jerusalem it has especial power. You sit upon your house-top reading the history whose profoundest significance is simple and natural in that inspiring clime; and as your eye wanders from the aerial dome of Omar, beautiful enough to have been a dome of Solomon's Temple, and over the olives of Gethsemane climbs the Mount of Olives--the balmy air is suddenly filled with a murmurous cry, like a cheek suddenly rose-suffused--a sound near, and far, and every where, but soft and vibrating, and alluring, until you would fain don turban, kaftan, and slippers, and kneeling in the shadow of a cypress on the sun-flooded marble court of Omar, would be the mediator of those faiths, nor feel yourself a recreant Christian.

Once I heard the Muezzin cry from a little village on the edge of the desert, in the starlight before the dawn: it was only a wailing voice in the air. The spirits of the desert were addressed in their own language--or was it themselves lamenting, like water-spirits to the green boughs overhanging them, that they could never know the gladness of the green world, but were forever demons and denizens of the desert? But the tones trembled away, without echo or response, into the starry solitude. Al-lá-hu Ak-bar, Al-lá-hu Ak-bar!

So with songs and pictures, with musings, and the dinner of a Mecca pilgrim, passed the first evening upon the Nile.

A CHARACTER.

Verde Giovane was joyous and gay. He had already been to the pyramids, and had slept in a tomb, and had his pockets picked as he wandered through their disagreeable darkness. He had come freshly and fast from England, to see the world, omitting Paris and Western Europe on his way, as he embarked at Southampton for Alexandria. Being in Cairo, he felt himself abroad. Sternhold and Hopkins were his Laureates, for perpetually on all kinds of wings of mighty winds he came flying all abroad. He lost a great deal of money at billiards to "jolly" fellows whom he afterward regaled with cold punch and choice cigars. He wrangled wildly with a dragoman of very imperfect English powers, and packed his tea for the voyage in brown paper parcels. He was perpetually on the point of leaving. At breakfast, he would take a loud leave of the "jolly" fellows, and if there were ladies in the room, he slung his gun in a very abandoned manner over his shoulder, and while he adjusted his shot-pouch with careless heroism, as if the enemy were in ambush on the stairs, as who should say, "I'll do their business easily enough," he would remark with a meaning smile, that he should stop a day or two at Esne, probably, and then go off humming a song from the Favorita--or an air whose words were well known to the jolly fellows, but would scarcely bear female criticism.

After this departure, he had a pleasant way of reappearing at the dinner-table, for the pale ale was not yet aboard, or the cook was ill, or there had been another explosion with the dragoman. Verde Giovane found the Cairene evenings "slow." It was astonishing how much execution he accomplished with those words of very moderate calibre, "slow," "jolly," and "stunning." The universe arraying itself in Verde Giovane's mind, under those three heads. Presently it was easy to predicate his criticisms in any department. He had lofty views of travel. Verde Giovane had come forth to see the world, and vainly might the world seek to be unseen. He wished to push on to Sennaar and Ethiopia. It was very slow to go only to the _cataracts_. Ordinary travel, and places already beheld of men, were not for Verde. But if there were any Chinese wall to be scaled, or the English standard were to be planted upon any vague and awful Himmalayan height, or a new oasis were to be revealed in the desert of Sahara, here was the heaven-appointed Verde Giovane, only awaiting his pale ale, and determined to dally a little at Esne. After subduing the East by travel, he proposed to enter the Caucasian Mountains, and serve as a Russian officer. These things were pleasant to hear, as to behold at Christmas those terrible beheadings of giants by Tom Thumb, for you enjoyed a sweet sense of security and a consciousness that no harm was done. They were wild Arabian romances, attributable to the inspiration of the climate, in the city he found so slow. The Cairenes were listening elsewhere to their poets, Verde Giovane was ours; and we knew very well that he would go quietly up to the first cataract, and then returning to Alexandria, would steam to Jaffa, and thence donkey placidly to Jerusalem, moaning in his sleep of Cheapside and St. Paul's.

PROSPECTS OF THE EAST.

That the East will never regenerate itself, contemporary history shows; nor has any nation of history culminated twice. The spent summer reblooms no more--the Indian summer is but a memory and a delusion. The sole hope of the East is Western inoculation. The child must suckle the age of the parent, and even "Medea's wondrous alchemy" will not restore its peculiar prime. If the East awakens, it will be no longer in the turban and red slippers, but in hat and boots. The West is the sea that advances forever upon the shore, the shore can not stay it, but becomes the bottom of the ocean. The Western, who lives in the Orient, does not assume the kaftan and the baggy breeches, and those of his Muslim neighbors shrink and disappear before his coat and pantaloons. The Turkish army is clothed, like the armies of Europe. The grand Turk himself, Mohammad's vicar, the Commander of the Faithful, has laid away the magnificence of Haroun Alrashid, and wears the simple red Tarboosh, and a stiff suit of military blue. Cairo is an English station to India, and the Howadji does not drink sherbert upon the pyramids, but champagne. The choice Cairo of our Eastern imagination is contaminated with carriages. They are showing the secrets of the streets to the sun. Their silence is no longer murmurous, but rattling. The "Uzbeekeeyah," public garden of Cairo, is a tea garden, of a Sunday afternoon crowded with ungainly Franks, listening to bad music. Ichabod, Ichabod! steam has towed the Mediterranean up the Nile to Boulak, and as you move on to Cairo, through the still surviving masquerade of the Orient, the cry of the melon-merchant seems the sadly significant cry of each sad-eyed Oriental, "Consoler of the embarrassed, O Pips!"

The century has seen the failure of the Eastern experiment, headed as it is not likely to be headed again, by an able and wise leader. Mohammad Alee had Egypt and Syria, and was mounting the steps of the sultan's throne. Then he would have marched to Bagdad, and sat down in Haroun Alrashid's seat, to draw again broader and more deeply the lines of the old Eastern empire. But the West would not suffer it. Even had it done so, the world of Mohammad Alee would have crumbled to chaos again when he died, for it existed only by his imperial will, and not by the perception of the people.

At this moment the East is the El Dorado of European political hope. No single power dares to grasp it, but at last England and Russia will meet there, face to face, and the lion and the polar bear will shiver the desert silence with the roar of their struggle. It will be the return of the children to claim the birth-place. They may quarrel among themselves, but whoever wins, will introduce the life of the children and not of the parent. A possession and a province it may be, but no more an independent empire. Father Ishmael shall be a sheikh of honor, but of dominion no longer, and sit turbaned in the chimney corner, while his hatted heirs rule the house. The children will cluster around him, fascinated with his beautiful traditions, and curiously compare their little black shoes with his red slippers.

THE DANCING WOMEN OF THE EAST.

The Howadji entered the bower of the Ghazeeyah. A damsel admitted us at the gate, closely vailed, as if women's faces were to be seen no more forever. Across a clean little court, up stone steps that once were steadier, and we emerged upon a small, inclosed stone terrace, the sky-vaulted ante-chamber of that bower. Through a little door that made us stoop to enter, we passed into the peculiar retreat of the Ghazeeyah. It was a small, white, oblong room, with but one window, opposite the door, and that closed. On three sides there were small holes to admit light, as in dungeons, but too lofty for the eye to look through, like the oriel windows of sacristies. Under these openings were small glass vases holding oil, on which floated wicks. These were the means of illumination.

A divan of honor filled the end of the room; on the side was another, less honorable, as is usual in all Egyptian houses; on the floor a carpet, partly covering it. A straw matting extended beyond the carpet toward the door, and between the matting and the door was a bare space of stone floor, whereon to shed the slippers.

Hadji Hamed, the long cook, had been ill, but hearing of music and dancing and Ghawazee, he had turned out for the nonce, and accompanied us to the house, not all unmindful possibly, of the delectations of the Mecca pilgrimage. He stood upon the stone terrace afterward, looking in with huge delight! The solemn, long tomb-pilgrim! The merriest lunges of life were not lost upon him, notwithstanding.

The Howadji seated themselves orientally upon the divan of honor. To sit as Westerns sit is impossible upon a divan. There is some mysterious necessity for crossing the legs; and this Howadji never sees a tailor now in lands civilized, but the dimness of Eastern rooms and bazaars, the flowingness of robe, and the coiled splendor of the turban, and a world reclining leisurely at ease, rise distinct and dear in his mind--like that Sicilian mirage seen on divine days from Naples--but fleet as fair. To most men a tailor is the most unsuggestive of mortals; to the remembering Howadji he sits a poet.

The chibouque and nargileh and coffee belong to the divan, as the parts of harmony to each other. I seized the flowing tube of a brilliant amber-hued nargileh, such as Hafiz might have smoked, and prayed Isis that some stray Persian might chance along to complete our company. The Pacha inhaled at times a more sedate nargileh, at times the chibouque of the Commander, who reclined upon the divan below.

A tall Egyptian female, filially related, I am sure, to a gentle giraffe who had been indiscreet with a hippopotamus, moved heavily about, lighting the lamps, and looking as if her bright eyes were feeding upon the flame, as the giraffes might browse upon lofty autumn leaves. There was something awful in this figure. She was the type of those tall, angular, Chinese-eyed, semi-smiling, wholly homely and bewitched beings who sit in eternal profile in the sculptures of the temples. She was mystic, like the cow-horned Isis. I gradually feared that she had come off the wall of a tomb, probably in Thebes hard by, and that our Ghawazee delights would end in a sudden embalming, and laying away in the bowels of the hills with a perpetual prospect of her upon the walls.

Avaunt, Spectre! The Fay approaches, and Kushuk Arnem entered her bower. A bud no longer, yet a flower not too fully blown. Large laughing eyes, red pulpy lips, white teeth, arching nose, generous-featured, lazy, carelessly self-possessed, she came dancing in, addressing the Howadji in Arabic--words whose honey they would not have distilled through interpretation. Be content with the aroma of sound, if you can not catch the flavor of sense--and flavor can you never have through another mouth. Smiling and pantomime were our talking, and one choice Italian word she knew--_buono_. Ah! how much was _buono_ that choice evening. Eyes, lips, hair, form, dress, every thing that the strangers had or wore, was endlessly _buono_. Dancing, singing, smoking, coffee--_buono, buono, buonissimo_! How much work one word will do!

The Ghazeeyah entered--not mazed in that azure mist of gauze and muslin wherein Cerito floats fascinating across the scene, nor in the peacock plumage of sprightly Lucille Grahn, nor yet in that June cloudiness of airy apparel which Carlotta affects, nor in that sumptuous Spanishness of dark drapery wherein Fanny is most Fanny.

The glory of a butterfly is the starred brilliance of its wings. There are who declare that dress is divine--who aver that an untoileted woman is not wholly a woman, and that you may as well paint a saint without his halo, as describe a woman without detailing her dress. Therefore, while the coarser sex vails longing eyes, will we tell the story of the Ghazeeyah's apparel.

Yellow morocco slippers hid her feet, rosy and round; over these brooded a bewildering fullness of rainbow silk--Turkish trowsers we call them, but they are shintyan in Arabic. Like the sleeve of a clergyman's gown, the lower end is gathered somewhere, and the fullness gracefully over-falls. I say rainbow, although to the Howadji's little cognizant eye was the shintyan of more than the seven orthodox colors. In the bower of Kushuk, nargileh-clouded, coffee-scented, are eyes to be strictly trusted?

Yet we must not be entangled in this bewildering brilliance. A satin jacket, striped with velvet, and of open sleeves, wherefrom floated forth a fleecy cloud of under-sleeve, rolling adown the rosy arms, as June clouds down the western rosiness of the sky, inclosed the bust. A shawl, twisted of many folds, cinctured the waist, confining the silken shintyan. A golden necklace of charms girdled the throat, and the hair, much unctuated, as is the custom of the land, was adorned with a pendent fringe of black silk, tipped with gold, which hung upon the neck behind.

Let us confess to a dreamy, vaporous vail, overspreading, rather suffusing with color, the upper part of the arms and the lower limits of the neck. That rosiness is known as tób to the Arabians--a mystery whereof the merely masculine mind is not cognizant. Beneath the tób, truth allows a beautiful bud-burstiness of bosom; yet I swear, by John Bunyan, nothing so aggravating as the Howadji beholds in saloons unnamable nearer the Hudson than the Nile. This brilliant cloud, whose spirit was Kushuk Arnem, our gay Ghazeeyah, gathered itself upon a divan, and she inhaled vigorously a nargileh. A damsel in tób and shintyan exhaling azure clouds of aromatic smoke, had not been displeasing to that Persian poet, for whose coming I had prayed too late.

But more welcome than he, came the still-eyed Xenobi. She entered timidly like a bird. The Howadji had seen doves less gracefully sitting upon palm-boughs in the sunset, than she nestled upon the lower divan. A very dove of a Ghazeeyah--a quiet child, the last born of Terpsichore. Blow it from Mount Atlas, a modest dancing-girl. She sat near this Howadji, and handed him, O Haroun Alrashid! the tube of his nargileh. Its serpentine sinuosity flowed through her fingers, as if the golden gayety of her costume were gliding from her alive. It was an electric chain of communication, and never until some Xenobi of a houri hands the Howadji the nargileh of Paradise, will the smoke of the weed of Shiraz float so lightly, or so sweetly taste.

Xenobi was a mere bud, of most flexile and graceful form, ripe and round as the spring fruit of the tropics. Kushuk had the air of a woman for whom no surprises survive; Xenobi saw in every new day a surprise, haply in every Howadji a lover.

She was more richly dressed than Kushuk. There were gay gold bands and clasps upon her jacket; various necklaces of stamped gold and metallic charms clustered around her neck, and upon her head a bright silken web, as if a sun-suffused cloud were lingering there, and, dissolving, showered down her neck in a golden rain of pendants. Then, O Venus! more azure still--that delicious gauziness of tób, whereof more than to dream is delirium. Wonderful the witchery of a tób! Nor can the Howadji deem a maiden quite just to nature, who glides through the world unshintyaned and untóbed.

Xenobi was perhaps sixteen years old, and a fully developed woman; Kushuk Arnem, of some half-dozen summers more. Kushuk was unhennaed; but the younger, as younger maidens may, graced herself with the genial gifts of nature. Her delicate filbert nails were rosily tinted on the tips with henna, and those peddler poets meeting her in Paradise would have felt the reason of their chant, "Odors of Paradise, O flowers of the henna!" But she had no kohl upon the eyelashes, nor like Fatima of Damascus, whom the Howadji later saw, were her eyebrows shaved and replaced by thick, black arches of kohl. Yet fascinating are the almond-eyes of Egyptian women, bordered black with the kohl, whose intensity accords with the sumptuous passion that mingles moist and languid with their light. Eastern eyes are full of moonlight--Eastern beauty is a dream of passionate possibility, which the Howadji would fain awaken by the same spell with which the prince of Faery dissolved the enchanted sleep of the princess. Yet kohl and henna are only beautiful for the beautiful. In a coffee-shop at Esne, bold-faced among the men, sat a coarse courtesan sipping coffee and smoking a nargileh, whose kohled eyebrows and eyelashes made her a houri of hell.

"There is no joy but calm," I said, as the moments, brimmed with beauty, melted in the starlight, and the small room became a bower of bloom and a Persian garden of delight. We reclined, breathing fragrant fumes, and interchanging, through the Golden-sleeved, airy nothings. The Howadji and the houris had little in common but looks. Soulless as Undine, and suddenly risen from a laughing life in watery dells of lotus, sat the houris; and, like the mariner, sea-driven upon the enchanted isle of Prospero, sat the Howadji, unknowing the graceful gossip of Faery. But there is a faery always folded away in our souls, like a bright butterfly chrysalized, and sailing eastward, layer after layer of propriety, moderation, deference to public opinion, safety of sentiment, and all the thick crusts of compromise and convention roll away, and bending southward up the Nile, you may feel the faery fairly flutter her wings. And if you pause at Esne, she will fly out, and lead you a will-o'-the-wisp dance across all the trim sharp hedges of accustomed proprieties, and over the barren flats of social decencies. Dumb is that faery, so long has she been secluded, and can not say much to her fellows. But she feels and sees and enjoys all the more exquisitely and profoundly for her long sequestration.

Presently an old woman came in with a tár, a kind of tambourine, and her husband, a grisly old sinner, with a rabáb, or one-stringed fiddle. Old Hecate was a gone Ghazeeyah--a rose-leaf utterly shriveled away from rosiness. No longer a dancer, she made music for dancing. And the husband, who played for her in her youth, now played with her in her age. Like two old votaries who feel when they can no longer see, they devoted all the force of life remaining to the great game of pleasure, whose born thralls they were.

There were two tarabukas and brass castanets, and when the old pair were seated upon the carpet near the door, they all smote their rude instruments, and a wild clang rang through the little chamber. Thereto they sang. Strange sounds--such music as the angular, carved figures upon the temples would make, had they been conversing with us--sounds to the ear like their gracelessness to the eye.

This was Egyptian Polyhymnia preluding Terpsichore.

TERPSICHORE.

"The wind is fair The boat is in the bay, And the fair mermaid Pilot calls away--"

Kushuk Arnem quaffed a goblet of hemp arrack. The beaker was passed to the upper divan, and the Howadji sipping, found it to smack of anniseed. It was strong enough for the Pharaohs to have imbibed--even for Herod before beholding Herodias, for these dances are the same. This dancing is more ancient than Aboo Simbel. In the land of the Pharaohs, the Howadji saw the dancing they saw, as uncouth as the temples they built. This dancing is to the ballet of civilized lands what the gracelessness of Egypt was to the grace of Greece. Had the angular figures of the temple sculptures preluded with that music, they had certainly followed with this dancing.

Kushuk Arnem rose and loosened her shawl girdle in such wise, that I feared she was about to shed the frivolity of dress, as Venus shed the sea-foam, and stood opposite the divan, holding her brass castanets. Old Hecate beat the tár into a thunderous roar. Old husband drew sounds from his horrible rabáb, sharper than the sting of remorse, and Xenobi and the Giraffe each thrummed a tarabuka until thought the plaster would peel from the wall. Kushuk stood motionless, while this din deepened around her, the arrack aerializing her feet, the Howadji hoped, and not her brain. The sharp surges of sound swept around the room, dashing in regular measure against her movelessness, until suddenly the whole surface of her frame quivered in measure with the music. Her hands were raised, clapping the castanets, and she slowly turned upon herself, her right leg the pivot, marvelously convulsing all the muscles of her body. When she had completed the circuit of the spot on which she stood, she advanced slowly, all the muscles jerking in time to the music, and in solid, substantial spasms.

It was a curious and a wonderful gymnastic. There was no graceful dancing--once only there was the movement of dancing when she advanced, throwing one leg before the other as gipsies dance. But the rest was most voluptuous motion--not the lithe wooing of languid passion, but the soul of passion starting through every sense, and quivering in every limb. It was the very intensity of motion, concentrated and constant. The music still swelled savagely in maddened monotony of measure. Hecate and the old husband, fascinated with the Ghazeeyah's fire, threw their hands and arms excitedly above their instruments, and an occasional cry of enthusiasm and satisfaction burst from their lips. Suddenly stooping, still muscularly moving, Kushuk fell upon her knees, and writhing with body, arms and head upon the floor, still in measure--still clanking the castanets, and arose in the same manner. It was profoundly dramatic. The scenery of the dance was like that of a characteristic song. It was a lyric of love which words can not tell--profound, oriental, intense, and terrible. Still she retreated, until the constantly down-slipping shawl seemed only just clinging to her hips, and making the same circuit upon herself, she sat down, and after this violent and extravagant exertion was marbly cold.

Then timid but not tremulous, the young Xenobi arose bare-footed, and danced the same dance, not with the finished skill of Kushuk, but gracefully and well, and with her eyes fixed constantly upon the elder. With the same regular throb of the muscles she advanced and retreated, and the Paradise-pavilioned prophet could not have felt his heavenly harem complete, had he sat smoking and entranced with the Howadji.

Form so perfect was never yet carved in marble; not the Venus is so mellowly moulded. Her outline has not the voluptuous excess which is not too much--which is not perceptible to mere criticism, and is more a feeling flushing along the form, than a greater fullness of the form itself. The Greek Venus was sea-born, but our Egyptian is sun-born. The brown blood of the sun burned along her veins--the soul of the sun streamed shaded from her eyes. She was still, almost statuesquely still. When she danced it was only stillness intensely stirred, and followed that of Kushuk as moonlight succeeds sunshine. As she went on, Kushuk gradually rose, and joining her, they danced together. The Epicureans of Cairo indeed, the very young priests of Venus, assemble the Ghawazee in the most secluded adyta of their dwellings, and there eschewing the mystery of the shintyan, and the gauziness of the tób, they behold the unencumbered beauty of these beautiful women. At festivals so fair, arrack, raw brandy, and "depraved human nature," naturally improvise a ballet whereupon the curtain here falls.

Suddenly, as the clarion call awakens the long-slumbering spirit of the war-horse, old Hecate sprang to her feet, and loosening her girdle, seized the castanets, and, with the pure pride of power, advanced upon the floor, and danced incredibly. Crouching before like a wasting old willow, that merely shakes its drooping leaves to the tempest, she now shook her fibres with the vigor of a nascent elm, and moved up and down the room with a miraculous command of her frame.

In Venice I had heard a gray gondolier, dwindled into a ferryman, awakened in a moonlighted midnight, as we swept by with singers chanting Tasso, pour his swan-song of magnificent memory into the quick ear of night.

In the Champs Elysées I had heard a rheumy-eyed Invalide cry with the sonorous enthusiasm of Austerlitz, "Vive Napoleon!" as a new Napoleon rode by.

It was the Indian summer goldening the white winter--the Zodiacal light far flashing day into the twilight. And here was the same in dead old Egypt--in a Ghazeeyah who had brimmed her beaker with the threescore and ten drops of life. Not more strange, and unreal, and impressive in their way, the inscrutable remains of Egypt, sand-shrouded but undecayed, than in hers this strange spectacle of an efficient Coryphée of seventy.

Old Hecate! thou wast pure pomegranate also, and not banana, wonder most wonderful of all--words which must remain hieroglyphics upon these pages--and whose explication must be sought in Egypt, as they must come hither who would realize the freshness of Karnak.

Slow, sweet singing followed. The refrain was plaintive, like those of the boat songs--soothing, after the excitement of the dancing, as nursery lays to children after a tired day. "Buono," Kushuk Arnem! last of the Arnems, for so her name signified. Was it a remembering refrain of Palestine, whose daughter you are? "Taib," dove Xenobi! Fated, shall I say, or favored? Pledged life-long to pleasure! Who would dare to be? Who but a child so careless would dream that these placid ripples of youth will rock you stormless to El Dorado?

O Allah! and who cares? Refill the amber nargileh, Xenobi--another fingan of mellow mocha. Yet another strain more stirring. Hence, Hecate! shrivel into invisibility with the thundering tár, and the old husband with his diabolical rabáb. Waits not the one-eyed first officer below, with a linen lantern, to pilot as to the boat? And the beak of the Ibis points it not to Syene, Nubia, and a world unknown?

Farewell, Kushuk! Addio, still-eyed dove! Almost thou persuadest me to pleasure. O Wall-street, Wall-street! because you are virtuous, shall there be no more cakes and ale?

CURRAN, THE IRISH ORATOR.[3]

The next year after the exertions of Grattan had secured the independence of the Irish legislature, and just as the great question of reform began to loom up in the political horizon, there entered parliament another man, whose name is imperishably connected with the history of Ireland, JOHN PHILPOT CURRAN. Of a slight and ungainly figure, there was nothing about him to overawe a legislative assembly. Grattan was the Colossus of debate. Curran, like a skillful gladiator, played round the arena, and sometimes thrusting himself into the lists in the lighter armor of his wit, carried off the victory where his giant ally would have been less successful. But, in truth, this was not his proper theatre. He came into the Parliament-house in the evening, after having been all day in court. He was then jaded in body and mind, and chose rather to listen than to speak. As Grattan was most at home in parliament, Curran was most in his element at the bar. It was in the Four Courts that he rose above all other men; that he won the reputation of being the most eloquent advocate that Ireland had ever produced.

But it is on other accounts that Curran deserves a more minute sketch in this history. He represents, perhaps more than any of his celebrated countrymen, the Irish character--a nature compounded of imagination and sensibility. Though of less kingly intellect than Grattan, he was of a warmer temperament, and more fitted to be a popular idol.

Curran sprang from the people. He was born at Newmarket, an obscure town in the county of Cork, in 1750--being thus four years younger than Grattan. On the father's side he was descended from one of Cromwell's soldiers. Passing his childhood in the country, he was thrown much among the people. He loved to recall the days when he played marbles in the street of Newmarket, or assumed the part of Punch's man at a country fair. He loved to visit the peasantry in their cabins, and to listen to their tales. There he saw the Irish character--its wit, its humor, its sensibility to mirth and tears. There too, in those rough natures, which appear so sullen and savage, when brought face to face with their oppressors, he found the finest and tenderest affections of the human heart. There too he found a natural poetry and eloquence. He was a constant attendant at the weddings and wakes of his neighborhood. It was customary at that time to employ hired mourners for the dead, and their wild and solemn lamentations struck his youthful imagination. In after-years, he acknowledged that his first ideas of eloquence were derived from listening to the laments of mourners at the Irish burials.

When transferred to Trinity College in Dublin, he became distinguished chiefly for his social powers. Full of the exuberant life of youth, overflowing with spirits, and fond of fun and frolic, he was always a welcome companion among the students.

His mother had designed him for the church. When he came out of college, his tastes took another turn. But his mother never got over her disappointment at his not being a preacher. Not even his brilliant reputation at the bar and in parliament, could satisfy her maternal heart. She lived to see the nation hanging on the lips of this almost inspired orator. Yet even then she would lament over him, "O Jacky, Jacky, what a preacher was lost in you!" Her friends reminded her that she had lived to see her son one of the judges of the land. "Don't speak to me of _judges_," she would reply, "John was fit for any thing; and had he but followed our advice, it might hereafter be written upon my tomb that I had died the mother of a bishop."

But no one as yet knew that he had extraordinary talent for eloquence. Indeed he did not suspect it himself. In his boyhood he had a confusion in his utterance, from which he was called by his school-fellows "stuttering Jack Curran." It was not until many years after, while studying law at the Temple, that he found out that he _could speak_. After his fame was established, a friend dining with him one day, could not repress his admiration of Curran's eloquence, and remarked that it must have been born with him. "Indeed, my dear sir," replied Curran, "it was not, it was born twenty-three years and some months after me." But when he had made the important discovery of this concealed power, he employed every means to render his elocution perfect. He accustomed himself to speak very slowly to correct his precipitate utterance. He practiced before a glass to make his gestures graceful. He spoke aloud the most celebrated orations. One piece he was never weary of repeating, the speech of Antony over the body of Cæsar. This he recommended to his young friends at the bar as a model of eloquence.

And while he thus used art to smooth a channel for his thoughts to flow in, no man's eloquence ever issued more freshly and spontaneously from the heart. It was always the heart of the man that spoke. It was because his own emotions were so intense, that he possessed such power over the feelings of others.

His natural sympathies were strong. Like every truly great man, he was simple as a child. He had all those tastes which mark a genuine man. He loved nature. He loved children. He sympathized with the poor. It was perhaps from these popular sympathies that he preferred Rousseau among the French writers, and that his friendship was so strong with Mr. Godwin.

His nature was all sensibility. He was most keenly alive to gay, or to mournful scenes. He had a boyish love of fun and frolic. He entered into sports with infinite glee. In these things he remained a child to the end of his days; while in sensibility to tears he had the heart of a woman. Thus to the last hour of life he kept his affections fresh and flowing.

He had the delicate organization of genius. His frame vibrated to music like an Eolian harp. He had the most exquisite relish for the beauties of poetry. He was extravagantly fond of works of imagination. He devoured romances. And when in his reading he met with a passage which gratified his taste, he was never weary of repeating it to himself, or reading it to the friends who came to see him.

In conversation, perhaps the most prominent faculty of his mind was fancy--sportive, playful, tender, and pathetic. His conversation was a stream which never ceased to flow. His brilliant imagination, and the warmth with which he entered into every thing, gave it a peculiar fascination. Byron said that Curran had spoken more poetry than any man had ever written. In a circle of genial friends, after dinner, his genius was in its first action. His countenance lighted up, and his conversation, beginning to flow, now sparkled, now ran like wine. Flashes of wit played round him. Mirth gleamed from his eye and shot from his tongue. He had an endless store of anecdote, to which his extraordinary dramatic talent enabled him to give the happiest effect. He told stories, and hitting off the point of Irish character by the most exquisite mimicry; he "set the table on a roar," following perhaps with some touching tale which instantly brought tears into every eye. "You wept," says Phillips, "and you laughed, and you wondered; and the wonderful creature, who made you do all at will, never let it appear that he was more than your equal, and was quite willing, if you chose, to become your auditor."

The wit of Curran was spontaneous. It was the creation of the moment, the electric sparks shot from a mind overcharged with imagery and feeling. In this it differed from the wit of another great Irishman. Sheridan had more of the actor about him. His brilliant sayings were prepared beforehand. He aimed at display in the receptions at Holland House as much as when writing a comedy for Drury-lane.

Perhaps no foreigner, who has visited England, has had a better opportunity of seeing its distinguished men than Madame De Stael. She was constantly surrounded by the most brilliant society of London. Yet even in that blaze of genius, she was most struck, as she often told her friends, with the conversational powers of Curran. This too, was in 1813, when his health had sunk, and his spirits were so depressed, as to make it an effort to support his part at all in society.

From the vivacity of his conversation, one would hardly have suspected the depth and seriousness of his character. In talking with ladies or with young persons, his mind was remarkable for its constant playfulness. A gleam of sunshine illumined his whole being. Yet those who knew him intimately were aware that he was subject all his life to constitutional melancholy. Like many other men celebrated for their wit, his gayety alternated with deep depression. The truth was that he sympathized too intensely with the scenes of real life, to be uniformly gay. In his country he saw so much to sadden him, that his feelings took a melancholy tone. The transition was often instantaneous from humor to pathos. His friends, who saw him in his lighter moods, were surprised at the sudden change of his countenance. "In grave conversation, his voice was remarkable for a certain plaintive sincerity of tone"--a sadness which fascinated the listener like mournful music.

In his eloquence appeared the same transitions of feeling and variety of talent. He could descend to the dryest details of law or evidence. Thomas Addis Emmet, who, though younger, practiced at the same bar, says that Curran possessed a logical head. From this he could rise to the highest flights of imagination, and it was here, and in appeals to the feelings, that he was most at home. Sometimes his wit ran away with him. His fancy was let off like a display of fireworks. It flew like a thousand rockets, darting, whizzing, buzzing, lighting up the sky with fantastic shapes.

By turns he could use the lightest or the heaviest weapon, as suited the object of his attack. Where ethereal wit or playful irony were likely to be thrown away upon some gross and insensible subject, he could point the keenest edge of ridicule, or the coarsest invective, or the most withering sarcasm.

When dissecting the character of a perjured witness, he seemed to delight in making him feel the knife. His victim, at such a time, appeared like an insect whom he had lanced with a needle, and was holding up to the laughter and scorn of the world. Thus, when treating the evidence of O'Brien, a hired informer, who had come on the stand to swear away the lives of men whom the government had determined to sacrifice, Curran apostrophized the patriotic individual, "Dearest, sweetest, Mr. James O'Brien," exposing the utter rottenness of his character in a tone of irony, until the man, who had a forehead of brass, was forced to slink back into the crowd, and to escape from the court.

So in his place in parliament, when exposing the corruption of the officers of government, he did not spare nor have pity. A swarm of blood-suckers had fastened on the state, who were growing fat from draining the life of their unhappy country. Curran proclaimed the immaculate virtue of "those saints on the pension list, that are like lilies of the field--they toil not, neither do they spin, but they are arrayed like Solomon in his glory." The extent to which this corruption had gone was incredible. "This polyglot of wealth," said Curran, "this museum of curiosities, the pension list, embraces every link in the human chain, every description of men, women, and children, from the exalted excellence of a Hawke or a Rodney, to the debased situation of the lady who humbleth herself that she may be exalted." The road to advancement at that day in Ireland, to the peerage, to the judicial bench, was to betray the country. Curran branded those who thus came into power by one of the strongest figures in English eloquence. "Those foundlings of fortune, overwhelmed in the torrent of corruption at an early period, lay at the bottom like drowned bodies, while soundness or sanity remained in them; but at length becoming buoyant by putrefaction, they rose as they rotted, and floated to the surface of the polluted stream, where they were drifted along, the objects of terror, and contagion, and abomination."

At the bar he often indulged in sallies of wit, and thus conciliated the attention of the court. His delicate satire, his comical turns of thought, convulsed the court with laughter. Then suddenly he stopped, his lip quivered, his sentences grew slow and measured, and he poured forth strains of the deepest pathos, as he pictured the wrongs of his country, or lamented the companions of other days, the illustrious departed, "over whose ashes the most precious tears of Ireland had been shed." His voice excelled in the utterance of plaintive emotions, and the homage which had been paid to his eloquence by mirth, was now paid in the sound of suppressed weeping, which alone broke the death-like stillness of the room. In pleading for one on trial for his life, his voice subsided toward the close and sunk away in tones of solemnity and supplication. Thus would he say, "Sweet is the recollection of having done justice in that hour when the hand of death presses on the human heart! Sweet is the hope which it gives birth to! From you I demand that justice for my client, your innocent and unfortunate fellow-subject at the bar; and may you have it for a more lasting reward than the perishable crown we read of, which the ancients placed on the brow of him who saved in battle the life of a fellow-citizen!"

But the trait which appears most conspicuous in the public efforts of Curran, and which made him the idol of his countrymen, was his enthusiastic love of Ireland. Says his biographer, "Ireland was the choice of his youth, and was from first to last regarded by him, not so much with the feelings of a patriot, as with the romantic idolatry of a lover." In early life he had learned to love the Irish peasantry, and no lapse of time could chill his affection. No temptation of office could seduce him from the side of the poor and the oppressed. He knew their noble qualities, and his bosom burned at the wrongs which they suffered.

One of his first causes at the bar was pleading for a Catholic priest who had been brutally assaulted by a nobleman. Such was the fear of incurring the displeasure of a lord, that no one dared to undertake the prosecution, until Curran stepped forward, then a young lawyer. His effort was successful. Not long after, the priest was called away from the world. He sent for Curran to his bedside. Gold and silver he had none. But he gave him all in his power, the benediction of a dying man. He caused himself to be raised up in his bed, and stretching out his trembling hands to place them upon the head of the defender, invoked for him the blessing of the Almighty. Such scenes as this, while they excited the enthusiasm of the Catholic population throughout Ireland for the young advocate, who had dared to defend a priest of their proscribed religion, at the same time strengthened his determination to make common cause with his countrymen in their sufferings.

It is melancholy to reflect that efforts so great for the liberty and happiness of Ireland, were not crowned with complete success. But the patriotism and the courage were not less noble because overborne by superior power. It is the honor of Curran that he loved Ireland in her woe, and loved her to the last. Toward the close of life he said, "To our unhappy country, what I had, I gave. I might have often sold her. I could not redeem her. I gave her the best sympathies of my heart, sometimes in tears, sometimes in indignation, sometimes in hope, but often in despondence."

FOOTNOTE:

[3] From the "Irish Confederates," by _Henry M. Field_, in the press of Harper and Brothers.

[From the Dublin University Magazine.]

GHOST STORIES OF CHAPELIZOD.

Take my word for it, there is no such thing as an ancient village, especially if it has seen better days, unillustrated by its legends of terror. You might as well expect to find a decayed cheese without mites, or an old house without rats, as an antique and dilapidated town without an authentic population of goblins. Now, although this class of inhabitants are in nowise amenable to the police authorities, yet as their demeanor greatly affects the comforts of her Majesty's subjects, I can not but regard it as a grave omission that the public have hitherto been left without any statistical returns of their numbers, activity, &c., &c. And I am persuaded that a Commission to inquire into and report upon the numerical strength, habits, haunts, &c., &c., of supernatural agents resident in Ireland, would be a great deal more innocent and entertaining than half the Commissions for which the country pays, and at least as instructive. This I say more from a sense of duty, and to deliver my mind of a grave truth than with any hope of seeing the suggestion adopted. But, I am sure, my readers will deplore with me that the comprehensive powers of belief, and apparently illimitable leisure, possessed by parliamentary commissions of inquiry, should never have been applied to the subject I have named, and that the collection of that species of information should be confided to the gratuitous and desultory labors of individuals, who, like myself, have other occupations to attend to. This, however, by the way.

Among the village outposts of Dublin, Chapelizod once held a considerable, if not a foremost rank. Without mentioning its connection with the history of the great Kilmainham Preceptory of the Knights of St. John, it will be enough to remind the reader of its ancient and celebrated castle, not one vestige of which now remains, and of the fact that it was for, we believe, some centuries, the summer residence of the Viceroys of Ireland. The circumstance of its being up, we believe, to the period at which that corps was disbanded, the head-quarters of the Royal Irish Artillery, gave it also a consequence of an humbler, but not less substantial kind. With these advantages in its favor, it is not wonderful that the town exhibited at one time an air of substantial and semi-aristocratic prosperity unknown to Irish villages in modern times.

A broad street, with a well-paved foot-path, and houses as lofty as were at that time to be found in the fashionable streets of Dublin; a goodly stone-fronted barrack; an ancient church, vaulted beneath, and with a tower clothed from its summit to its base with the richest ivy; an humble Roman Catholic chapel; a steep bridge spanning the Liffey, and a great old mill at the near end of it, were the principal features of the town. These, or at least most of them, remain, but still the greater part in a very changed and forlorn condition. Some of them indeed superseded, though not obliterated by modern erections, such as the bridge, the chapel, and the church in part; the rest forsaken by the order who originally raised them, and delivered up to poverty, and in some cases to absolute decay.

The village lies in the lap of the rich and wooded valley of the Liffey, and is overlooked by the high grounds of the beautiful Phoenix Park on the one side, and by the ridge of the Palmerstown hills on the other. Its situation, therefore is eminently picturesque; and factory fronts and chimneys notwithstanding, it has, I think, even in its decay, a sort of melancholy picturesqueness of its own. Be that as it may, I mean to relate two or three stories of that sort, which may be read with very good effect by a blazing fire on a shrewd winter's night, and are all directly connected with the altered and somewhat melancholy little town I have named. The first I shall relate concerns

THE VILLAGE BULLY.

About thirty years ago there lived in the town of Chapelizod an ill-conditioned fellow of Herculean strength, well known throughout the neighborhood by the title of Bully Larkin. In addition to his remarkable physical superiority, this fellow had acquired a degree of skill as a pugilist which alone would have made him formidable. As it was, he was the autocrat of the village, and carried not the sceptre in vain. Conscious of his superiority, and perfectly secure of impunity, he lorded it over his fellows in a spirit of cowardly and brutal insolence, which made him hated even more profoundly than he was feared.

Upon more than one occasion he had deliberately forced quarrels upon men whom he had singled out for the exhibition of his savage prowess; and, in every encounter his overmatched antagonist had received an amount of "punishment" which edified and appalled the spectators, and in some instances left ineffaceable scars and lasting injuries after it.

Bully Larkin's pluck had never been fairly tried. For, owing to his prodigious superiority in weight, strength, and skill, his victories had always been certain and easy; and in proportion to the facility with which he uniformly smashed an antagonist, his pugnacity and insolence were inflamed. He thus became an odious nuisance in the neighborhood, and the terror of every mother who had a son, and of every wife who had a husband who possessed a spirit to resent insult, or the smallest confidence in his own pugilistic capabilities.

Now it happened that there was a young fellow named Ned Moran--better known by the _soubriquet_ of "Long Ned," from his slender, lathy proportions--at that time living in the town. He was, in truth, a mere lad, nineteen years of age, and fully twelve years younger than the stalwart bully. This, however, as the reader will see, secured for him no exemption from the dastardly provocations of the ill-conditioned pugilist. Long Ned, in an evil hour, had thrown eyes of affection upon a certain buxom damsel, who, notwithstanding Bully Larkin's amorous rivalry, inclined to reciprocate them.

I need not say how easily the spark of jealousy, once kindled, is blown into a flame, and how naturally, in a coarse and ungoverned nature, it explodes in acts of violence and outrage.

"The bully" watched his opportunity, and contrived to provoke Ned Moran, while drinking in a public-house with a party of friends, into an altercation, in the course of which he failed not to put such insults upon his rival as manhood could not tolerate. Long Ned, though a simple, good-natured sort of fellow, was by no means deficient in spirit, and retorted in a tone of defiance which edified the more timid, and gave his opponent the opportunity he secretly coveted.

Bully Larkin challenged the heroic youth, whose pretty face he had privately consigned to the mangling and bloody discipline he was himself so capable of administering. The quarrel, which he had himself contrived to get up, to a certain degree covered the ill-blood and malignant premeditation which inspired his proceedings, and Long Ned, being full of generous ire and whisky punch, accepted the gage of battle on the instant. The whole party, accompanied by a mob of idle men and boys, and in short, by all who could snatch a moment from the calls of business, proceeded in slow procession through the old gate into the Phoenix Park, and mounting the hill overlooking the town, selected near its summit a level spot on which to decide the quarrel.

The combatants stripped, and a child might have seen in the contrast presented by the slight, lank form and limbs of the lad, and the muscular and massive build of his veteran antagonist, how desperate was the chance of poor Ned Moran.

"Seconds" and "bottle-holders"--selected, of course, for their love of the game--were appointed, and "the fight" commenced.

I will not shock my readers with a description of the cool-blooded butchery that followed. The result of the combat was what any body might have predicted. At the eleventh round, poor Ned refused to "give in;" the brawny pugilist, unhurt, in good wind, and pale with concentrated, and as yet, unslaked revenge, had the gratification of seeing his opponent seated upon his second's knee, unable to hold up his head, his left arm disabled; his face a bloody, swollen, and shapeless mass; his breast scarred and bloody, and his whole body panting and quivering with rage and exhaustion.

"Give in Ned, my boy," cried more than one of the by-standers.

"Never, never," shrieked he, with a voice hoarse and choking.

Time being "up," his second placed him on his feet again. Blinded with his own blood, panting and staggering, he presented but a helpless mark for the blows of his stalwart opponent. It was plain that a touch would have been sufficient to throw him to the earth. But Larkin had no notion of letting him off so easily. He closed with him without striking a blow (the effect of which, prematurely dealt, would have been to bring him at once to the ground, and so put an end to the combat), and getting his battered and almost senseless head under his arm, fast in that peculiar "fix" known to the fancy pleasantly by the name of "chancery," he held him firmly, while with monotonous and brutal strokes, he beat his fist, as it seemed, almost into his face. A cry of "shame" broke from the crowd, for it was plain that the beaten man was now insensible, and supported only by the Herculean arm of the bully. The round and the fight ended by his hurling him upon the ground, falling upon him at the same time, with his knee upon his chest.

The bully rose, wiping the perspiration from his white face with his blood-stained hands, but Ned lay stretched and motionless upon the grass. It was impossible to get him upon his legs for another round. So he was carried down, just as he was, to the pond which then lay close to the old Park gate, and his head and body were washed beside it. Contrary to the belief of all, he was not dead. He was carried home, and after some months, to a certain extent, recovered. But he never held up his head again, and before the year was over he had died of consumption. Nobody could doubt how the disease had been induced, but there was no actual proof to connect the cause and effect, and the ruffian Larkin escaped the vengeance of the law. A strange retribution, however, awaited him.

After the death of Long Ned, he became less quarrelsome than before, but more sullen and reserved. Some said, "he took it to heart," and others, that his conscience was not at ease about it. Be this as it may, however, his health did not suffer by reason of his presumed agitations, nor was his worldly prosperity marred by the blasting curses with which poor Moran's enraged mother pursued him; on the contrary, he had rather risen in the world, and obtained regular and well-remunerated employment from the Chief-secretary's gardener, at the other side of the Park. He still lived in Chapelizod, whither, on the close of his day's work, he used to return across the Fifteen Acres.

It was about three years after the catastrophe we have mentioned, and late in the autumn, when, one night, contrary to his habit, he did not appear at the house where he lodged, neither had he been seen any where, during the evening, in the village. His hours of return had been so very regular, that his absence excited considerable surprise, though, of course, no actual alarm; and, at the usual hour, the house was closed for the night, and the absent lodger consigned to the mercy of the elements, and the care of his presiding star. Early in the morning, however, he was found lying in a state of utter helplessness upon the slope immediately overlooking the Chapelizod gate. He had been smitten with a paralytic stroke; his right side was dead; and it was many weeks before he had recovered his speech sufficiently to make himself at all understood.

He then made the following relation: he had been detained, it appeared, later than usual, and darkness had closed in before he commenced his homeward walk across the Park. It was a moonlight night, but masses of ragged clouds were slowly drifting across the heavens. He had not encountered a human figure, and no sounds but the softened rush of the wind sweeping through bushes and hollows, met his ear. These wild and monotonous sounds, and the utter solitude which surrounded him, did not, however, excite any of those uneasy sensations which are ascribed to superstition, although he said he did feel depressed, or, in his own phraseology, "lonesome." Just as he crossed the brow of the hill which shelters the town of Chapelizod, the moon shone out for some moments with unclouded lustre, and his eye, which happened to wander by the shadowy inclosures which lay at the foot of the slope, was arrested by the sight of a human figure climbing, with all the haste of one pursued, over the church-yard wall, and running up the steep ascent directly toward him. Stories of "resurrectionists" crossed his recollection, as he observed this suspicious-looking figure. But he began, momentarily, to be aware, with a sort of fearful instinct which he could not explain, that the running figure was directing his steps, with a sinister purpose, toward himself.

The form was that of a man with a loose coat about him, which, as he ran, he disengaged, and as well as Larkin could see, for the moon was again wading in clouds, threw from him. The figure thus advanced until within some two score yards of him; it arrested its speed, and approached, with a loose, swaggering gait. The moon again shone out bright and clear, and, gracious God! what was the spectacle before him? He saw as distinctly as if he had been presented there in the flesh, Ned Moran, himself, stripped naked from the waist upward, as if for pugilistic combat, and drawing toward him in silence. Larkin would have shouted, prayed, cursed, fled across the Park, but he was absolutely powerless; the apparition stopped within a few steps, and leered on him with a ghastly mimicry of the defiant stare with which pugilists strive to cow one another before combat. For a time, which he could not so much as conjecture, he was held in the fascination of that unearthly gaze, and at last the thing, whatever it was, on a sudden swaggered close up to him with extended palms. With an impulse of horror, Larkin put out his hand to keep the figure off, and their palms touched--at least, so he believed--for a thrill of unspeakable agony, running through his arm, pervaded his entire frame, and he fell senseless to the earth.

Though Larkin lived for many years after, his punishment was terrible. He was incurably maimed; and being unable to work, he was forced, for existence, to beg alms of those who had once feared and flattered him. He suffered, too, increasingly, under his own horrible interpretation of the preternatural encounter which was the beginning of all his miseries. It was vain to endeavor to shake his faith in the reality of the apparition, and equally vain, as some compassionately did, to try to persuade him that the greeting with which his vision closed, was intended, while inflicting a temporary trial, to signify a compensating reconciliation.

"No, no," he used to say, "all won't do. I know the meaning of it well enough; it is a challenge to meet him in the other world--in Hell, where I am going--that's what it means, and nothing else."

And so, miserable and refusing comfort, he lived on for some years, and then died, and was buried in the same narrow church-yard which contains the remains of his victim.

I need hardly say how absolute was the faith of the honest inhabitants, at the time when I heard the story, in the reality of the preternatural summons which, through the portals of terror, sickness, and misery, had summoned Bully Larkin to his long, last home, and that, too, upon the very ground on which he had signalized the guiltiest triumph of his violent and vindictive career.

I recollect another story of the preternatural sort, which made no small sensation, some five-and-thirty years ago, among the good gossips of the town; and, with your leave, courteous reader, I shall relate it.

THE SEXTON'S ADVENTURE.

Those who remember Chapelizod a quarter of a century ago, or more, may possibly recollect the parish sexton. Bob Martin was held much in awe by truant boys who sauntered into the church-yard on Sundays, to read the tombstones, or play leap-frog over them, or climb the ivy in search of bats or sparrows' nests, or peep into the mysterious aperture under the eastern window, which opened a dim perspective of descending steps losing themselves among profounder darkness, where lidless coffins gaped horribly among tattered velvet, bones, and dust, which time and mortality had strewn there. Of such horribly curious, and otherwise enterprising juveniles, Bob was, of course, the special scourge and terror. But terrible as was the official aspect of the sexton, and repugnant as his lank form, clothed in rusty, sable vesture, his small, frosty visage, suspicious, gray eyes, and rusty, brown scratch-wig, might appear to all notions of genial frailty; it was yet true, that Bob Martin's severe morality sometimes nodded, and that Bacchus did not always solicit him in vain.

Bob had a curious mind, a memory well stored with "merry tales," and tales of terror. His profession familiarized him with graves and goblins, and his tastes with weddings, wassail, and sly frolics of all sorts. And as his personal recollections ran back nearly three score years into the perspective of the village history, his fund of local anecdote was copious, accurate, and edifying.

As his ecclesiastical revenues were by no means considerable, he was not unfrequently obliged, for the indulgence of his tastes, to arts which were, at the best, undignified.

He frequently invited himself when his entertainers had forgotten to do so; he dropped in accidentally upon small drinking-parties of his acquaintance in public-houses, and entertained them with stories, queer or terrible, from his inexhaustible reservoir, never scrupling to accept an acknowledgment in the shape of hot whisky-punch, or whatever else was going.

There was at that time a certain atrabilious publican, called Philip Slaney, established in a shop nearly opposite the old turnpike. This man was not, when left to himself, immoderately given to drinking; but being naturally of a saturnine complexion, and his spirits constantly requiring a fillip, he acquired a prodigious liking for Bob Martin's company. The sexton's society, in fact, gradually became the solace of his existence, and he seemed to lose his constitutional melancholy in the fascination of his sly jokes and marvelous stories.

This intimacy did not redound to the prosperity or reputation of the convivial allies. Bob Martin drank a good deal more punch than was good for his health, or consistent with the character of an ecclesiastical functionary. Philip Slaney, too, was drawn into similar indulgences, for it was hard to resist the genial seductions of his gifted companion; and as he was obliged to pay for both, his purse was believed to have suffered even more than his head and liver.

Be this as it may, Bob Martin had the credit of having made a drunkard of "black Phil Slaney"--for by this cognomen was he distinguished; and Phil Slaney had also the reputation of having made the sexton, if possible, a "bigger bliggard" than ever. Under these circumstances, the accounts of the concern opposite the turnpike became somewhat entangled; and it came to pass one drowsy summer morning, the weather being at once sultry and cloudy, that Phil Slaney went into a small back parlor, where he kept his books, and which commanded, through its dirty window-panes, a full view of a dead wall, and having bolted the door, he took a loaded pistol, and clapping the muzzle in his mouth, blew the upper part of his skull through the ceiling.

This horrid catastrophe shocked Bob Martin extremely; and partly on this account, and partly because having been, on several late occasions, found at night in a state of abstraction, bordering on insensibility, upon the high road, he had been threatened with dismissal; and, as some said, partly also because of the difficulty of finding any body to "treat" him as poor Phil Slaney used to do, he for a time forswore alcohol in all its combinations, and became an eminent example of temperance and sobriety.

Bob observed his good resolutions, greatly to the comfort of his wife, and the edification of the neighborhood, with tolerable punctuality. He was seldom tipsy, and never drunk, and was greeted by the better part of society with all the honors of the prodigal son.

Now it happened, about a year after the grisly event we have mentioned, that the curate having received, by the post, due notice of a funeral to be consummated in the church-yard of Chapelizod, with certain instructions respecting the site of the grave, dispatched a summons for Bob Martin, with a view to communicate to that functionary these official details.

It was a lowering autumn night: piles of lurid thunder-clouds, slowly rising from the earth, had loaded the sky with a solemn and boding canopy of storm. The growl of the distant thunder was heard afar off upon the dull, still air, and all nature seemed, as it were, hushed and cowering under the oppressive influence of the approaching tempest.

It was past nine o'clock when Bob, putting on his official coat of seedy black, prepared to attend his professional superior.

"Bobby, darlin'," said his wife, before she delivered the hat she held in her hand to his keeping, "sure you won't, Bobby, darlin'--you won't--you know what."

"I _don't_ know what," he retorted, smartly, grasping at his hat.

"You won't be throwing up the little finger, Bobby, acushla?" she said, evading his grasp.

"Arrah, why would I, woman? there, give me my hat, will you?"

"But won't you promise me, Bobby darlin'--won't you, alanna?"

"Ay, ay, to be sure I will--why not? there, give me my hat, and let me go."

"Ay, but you're not promisin', Bobby mavourneen; you're not promisin' all the time."

"Well, divil carry me if I drink a drop till I come back again," said the sexton, angrily; "will that do you? And _now_ will you give me my hat?"

"Here it is, darlin'," she said, "and God send you safe back."

And with this parting blessing she closed the door upon his retreating figure, for it was now quite dark, and resumed her knitting till his return, very much relieved; for she thought he had of late been oftener tipsy than was consistent with his thorough reformation, and feared the allurements of the half dozen "publics" which he had at that time to pass on his way to the other end of the town.

They were still open, and exhaled a delicious reek of whisky, as Bob glided wistfully by them; but he stuck his hands in his pockets and looked the other way, whistling resolutely, and filling his mind with the image of the curate and anticipations of his coming fee. Thus he steered his morality safely through these rocks of offense, and reached the curate's lodging in safety.

He had, however, an unexpected sick call to attend, and was not at home, so that Bob Martin had to sit in the hall and amuse himself with the devil's tattoo until his return. This, unfortunately, was very long delayed, and it must have been fully twelve o'clock when Bob Martin set out upon his homeward way. By this time the storm had gathered to a pitchy darkness, the bellowing thunder was heard among the rocks and hollows of the Dublin mountains, and the pale, blue lightning shone upon the staring fronts of the houses.

By this time, too, every door was closed; but as Bob trudged homeward, his eye mechanically sought the public-house which had once belonged to Phil Slaney. A faint light was making its way through the shutters and the glass panes over the door-way, which made a sort of dull, foggy halo about the front of the house.

As Bob's eyes had become accustomed to the obscurity by this time, the light in question was quite sufficient to enable him to see a man in a sort of loose riding-coat seated upon a bench which, at that time, was fixed under the window of the house. He wore his hat very much over his eyes, and was smoking a long pipe. The outline of a glass and a quart bottle were also dimly traceable beside him; and a large horse saddled, but faintly discernible, was patiently awaiting his master's leisure.

There was something odd, no doubt, in the appearance of a traveler refreshing himself at such an hour in the open street; but the sexton accounted for it easily by supposing that, on the closing of the house for the night, he had taken what remained of his refection to the place where he was now discussing it _al fresco_.

At another time Bob might have saluted the stranger, as he passed, with a friendly "good-night;" but, somehow, he was out of humor and in no genial mood, and was about passing without any courtesy of the sort, when the stranger, without taking the pipe from his mouth, raised the bottle, and with it beckoned him familiarly, while, with a sort of lurch of the head and shoulders, and at the same time shifting his seat to the end of the bench, he pantomimically invited him to share his seat and his cheer. There was a divine fragrance of whisky about the spot, and Bob half-relented; but he remembered his promise just as he began to waver, and said,

"No, I thank you, sir, I can't stop to-night."

The stranger beckoned with vehement welcome, and pointed to the vacant place on the seat beside him.

"I thank you for your polite offer," said Bob, "but it's what I'm too late as it is, and haven't time to spare, so I wish you a good-night."

The traveler jingled the glass against the neck of the bottle, as if to intimate that he might at least swallow a dram without losing time. Bob was mentally quite of the same opinion; but, though his mouth watered, he remembered his promise, and, shaking his head with incorruptible resolution, walked on.

The stranger, pipe in mouth, rose from his bench, the bottle in one hand, and the glass in the other, and followed at the sexton's heels, his dusky horse keeping close in his wake.

There was something suspicious and unaccountable in this importunity.

Bob quickened his pace, but the stranger followed close. The sexton began to feel queer, and turned about. His pursuer was behind, and still inviting him with impatient gestures to taste his liquor.

"I told you before," said Bob, who was both angry and frightened, "that I would not taste it, and that's enough. I don't want to have any thing to say to you or your bottle; and in God's name," he added, more vehemently, observing that he was approaching still closer, "fall back, and don't be tormenting me this way."

These words, as it seemed, incensed the stranger, for he shook the bottle with violent menace at Bob Martin; but, notwithstanding this gesture of defiance, he suffered the distance between them to increase. Bob, however, beheld him dogging him still in the distance, for his pipe shed a wonderful red glow, which duskily illuminated his entire figure, like a lurid atmosphere of meteor.

"I wish the devil had his own, my boy," muttered the excited sexton, "and I know well enough where you'd be."

The next time he looked over his shoulder, to his dismay he observed the importunate stranger as close as ever upon his track.

"Confound you," cried the man of skulls and shovels, almost beside himself with rage and horror, "what is it you want of me?"

The stranger appeared more confident, and kept wagging his head and extending both glass and bottle toward him as he drew near, and Bob Martin heard the horse snorting as it followed in the dark.

"Keep it to yourself, whatever it is, for there is neither grace nor luck about you," cried Bob Martin, freezing with terror; "leave me alone, will you."

And he fumbled in vain among the seething confusion of his ideas for a prayer or an exorcism. He quickened his pace almost to a run; he was now close to his own door, under the impending bank by the river side.

"Let me in, let me in, for God's sake; Molly, open the door!" he cried, as he ran to the threshold, and leant his back against the plank. His pursuer confronted him upon the road; the pipe was no longer in his mouth, but the dusky red glow still lingered round him. He uttered some inarticulate cavernous sounds, which were wolfish and indescribable, while he seemed employed in pouring out a glass from the bottle.

The sexton kicked with all his force against the door, and cried at the same time with a despairing voice,

"In the name of God Almighty, once for all, leave me alone!"

His pursuer furiously flung the contents of the bottle at Bob Martin; but, instead of fluid, it issued out in a stream of flame, which expanded and whirled round them, and for a moment they were both enveloped in a faint blaze; at the same instant a sudden gust whisked off the stranger's hat, and the sexton beheld that his skull was roofless. For an instant he beheld the gaping aperture, black and shattered, and then he fell senseless into his own doorway, which his affrighted wife had just unbarred.

I need hardly give my reader the key to this most intelligible and authentic narrative. The traveler was acknowledged by all to have been the spectre of the suicide, called up by the Evil One to tempt the convivial sexton into a violation of his promise, sealed, as it was, by an imprecation. Had he succeeded, no doubt the dusky steed, which Bob had seen saddled in attendance, was destined to have carried back a double burden to the place from whence he came.

As an attestation of the reality of this visitation, the old thorn-tree which overhung the doorway was found in the morning to have been blasted with the infernal fires which had issued from the bottle, just as if a thunderbolt had scorched it.

The moral of the above tale is upon the surface, apparent, and, so to speak, _self-acting_--a circumstance which happily obviates the necessity of our discussing it together. Taking our leave, therefore, of honest Bob Martin, who now sleeps soundly in the same solemn dormitory where, in his day, he made so many beds for others, I come to a legend of the Royal Irish Artillery, whose head-quarters were for so long a time in the town of Chapelizod. I don't mean to say that I can not tell a great many more stories, equally authentic and marvelous, touching this old town; but as I may possibly have to perform a like office for other localities, and as Anthony Poplar is known, like Atropos, to carry a shears, wherewith to snip across all "yarns" which exceed reasonable bounds, I consider it, on the whole, safer to dispatch the traditions of Chapelizod with one tale more.

Let me, however, first give it a name; for an author can no more dispatch a tale without a title, than an apothecary can deliver his physic without a label. We shall, therefore, call it,

THE SPECTRE LOVERS.

There lived some fifteen years since in a small and ruinous house, little better than a hovel, an old woman who was reported to have considerably exceeded her eightieth year, and who rejoiced in the name of Alice, or popularly, Ally Moran. Her society was not much courted, for she was neither rich, nor, as the reader may suppose, beautiful. In addition to a lean cur and a cat, she had one human companion, her grandson, Peter Brien, whom, with laudable good-nature, she had supported from the period of his orphanage down to that of my story, which finds him in his twentieth year. Peter was a good-natured slob of a fellow, much more addicted to wrestling, dancing, and love-making, than to hard work, and fonder of whisky-punch than good advice. His grandmother had a high opinion of his accomplishments, which, indeed, was but natural, and also of his genius, for Peter had of late years begun to apply his mind to politics; and as it was plain that he had a mortal hatred of honest labor, his grandmother predicted, like a true fortune-teller, that he was born to marry an heiress, and Peter himself (who had no mind to forego his freedom even on such terms), that he was destined to find a pot of gold. Upon one point both were agreed, that, being unfitted by the peculiar bias of his genius for work, he was to acquire the immense fortune to which his merits entitled him by means of a pure run of good luck. This solution of Peter's future had the double effect of reconciling both himself and his grandmother to his idle courses, and also of maintaining that even flow of hilarious spirits which made him every where welcome, and which was, in truth, the natural result of his consciousness of approaching affluence.

It happened one night that Peter had enjoyed himself to a very late hour with two or three choice spirits near Palmerstown. They had talked politics and love, sung songs, and told stories, and, above all, had swallowed, in the chastened disguise of punch, at least a pint of good whisky, every man.

It was considerably past one o'clock when Peter bid his companions good-by, with a sigh and a hiccough, and, lighting his pipe, set forth on his solitary homeward way.

The bridge of Chapelizod was pretty nearly the midway point of his night march, and from one cause or another his progress was rather slow, and it was past two o'clock by the time he found himself leaning over its old battlements, and looking up the river, over whose winding current and wooded banks the soft moonlight was falling.

The cold breeze that blew lightly down the stream was grateful to him. It cooled his throbbing head, and he drank it in at his hot lips. The scene, too, had, without his being well sensible of it, a secret fascination. The village was sunk in the profoundest slumber, not a mortal stirring, not a sound afloat, a soft haze covered it all, and the fairy moonlight hovered over the entire landscape.

In a state between rumination and rapture, Peter continued to lean over the battlements of the old bridge, and as he did so he saw, or fancied he saw, emerging one after another along the river bank in the little gardens and inclosures in the rear of the street of Chapelizod, the queerest little white-washed huts and cabins he had ever seen there before. They had not been there that evening when he passed the bridge on the way to his merry tryst. But the most remarkable thing about it was the odd way in which these quaint little cabins showed themselves. First he saw one or two of them just with the corner of his eye, and when he looked full at them, strange to say, they faded away and disappeared. Then another and another came in view, but all in the same coy way, just appearing and gone again before he could well fix his gaze upon them; in a little while, however, they began to bear a fuller gaze, and he found, as it seemed to himself, that he was able by an effort of attention to fix the vision for a longer and a longer time, and when they waxed faint and nearly vanished, he had the power of recalling them into light and substance, until at last their vacillating indistinctness became less and less, and they assumed a permanent place in the moonlit landscape.

"Be the hokey," said Peter, lost in amazement, and dropping his pipe into the river unconsciously, "them is the quarist bits iv mud cabins I ever seen, growing up like musharoons in the dew of an evening, and poppin' up here and down again there, and up again in another place, like so many white rabbits in a warren; and there they stand at last as firm and fast as if they were there from the Deluge; bedad it's enough to make a man a'most believe in the fairies."

This latter was a large concession from Peter, who was a bit of a free-thinker, and spoke contemptuously in his ordinary conversation of that class of agencies.

Having treated himself to a long last stare at these mysterious fabrics, Peter prepared to pursue his homeward way; having crossed the bridge and passed the mill, he arrived at the corner of the main-street of the little town, and casting a careless look up the Dublin road, his eye was arrested by a most unexpected spectacle.

This was no other than a column of foot-soldiers, marching with perfect regularity toward the village, and headed by an officer on horseback. They were at the far side of the turnpike, which was closed; but much to his perplexity he perceived that they marched on through it without appearing to sustain the least check from that barrier.

On they came at a slow march; and what was most singular in the matter was, that they were drawing several cannons along with them; some held ropes, others spoked the wheels, and others again marched in front of the guns and behind them, with muskets shouldered, giving a stately character of parade and regularity to this, as it seemed to Peter, most unmilitary procedure.

It was owing either to some temporary defect in Peter's vision, or to some illusion attendant upon mist and moon-light, or perhaps to some other cause, that the whole procession had a certain waving and vapory character which perplexed and tasked his eyes not a little. It was like the pictured pageant of a phantasmagoria reflected upon smoke. It was as if every breath disturbed it; sometimes it was blurred, sometimes obliterated; now here, now there. Sometimes, while the upper part was quite distinct, the legs of the column would nearly fade away or vanish outright, and then again they would come out into clear relief, marching on with measured tread, while the cocked hats and shoulders grew, as it were, transparent, and all but disappeared.

Notwithstanding these strange optical fluctuations, however, the column continued steadily to advance. Peter crossed the street from the corner near the old bridge, running on tip-toe, and with his body stooped to avoid observation, and took up a position upon the raised foot-path in the shadow of the houses, where, as the soldiers kept the middle of the road, he calculated that he might, himself undetected, see them distinctly enough as they passed.

"What the div--, what on airth," he muttered, checking the irreligious ejaculation with which he was about to start, for certain queer misgivings were hovering about his heart, notwithstanding the factitious courage of the whisky-bottle. "What on airth is the mainin' of all this? is it the French that's landed at last to give us a hand and help us in airnest to this blessed repale? If it is not them, I simply ask who the div--, I mane who on airth are they, for such sogers as them I never seen before in my born days?"

By this time the foremost of them were quite near, and truth to say, they were the queerest soldiers he had ever seen in the course of his life. They wore long gaiters and leather breeches, three-cornered hats, bound with silver lace, long blue coats, with scarlet facings and linings, which latter were shown by a fastening which held together the two opposite corners of the skirt behind; and in front the breasts were in like manner connected at a single point, where, and below which, they sloped back, disclosing a long-flapped waistcoat of snowy whiteness; they had very large, long cross-belts, and wore enormous pouches of white leather hung extraordinarily low, and on each of which a little silver star was glittering. But what struck him as most grotesque and outlandish in their costume was their extraordinary display of shirt-frill in front, and of ruffle about their wrists, and the strange manner in which their hair was frizzed out and powdered under their hats, and clubbed up into great rolls behind. But one of the party was mounted. He rode a tall white horse, with high action and arching neck; he had a snow-white feather in his three-cornered hat, and his coat was shimmering all over with a profusion of silver lace. From these circumstances Peter concluded that he must be the commander of the detachment, and examined him as he passed attentively. He was a slight, tall man, whose legs did not half fill his leather breeches, and he appeared to be at the wrong side of sixty. He had a shrunken, weather-beaten, mulberry-colored face, carried a large black patch over one eye, and turned neither to the right nor to the left, but rode right on at the head of his men with grim, military inflexibility.

The countenance of these soldiers, officers as well as men, seemed all full of trouble, and, so to speak, scared and wild. He watched in vain for a single contented or comely face. They had, one and all, a melancholy and hang-dog look; and as they passed by, Peter fancied that the air grew cold and thrilling.

He had seated himself upon a stone bench, from which, staring with all his might, he gazed upon the grotesque and noiseless procession as it filed by him. Noiseless it was; he could neither hear the jingle of accoutrements, the tread of feet, nor the rumble of the wheels; and when the old colonel turned his horse a little, and made as though he were giving the word of command, and a trumpeter, with a swollen blue nose and white feather fringe round his hat, who was walking beside him, turned about and put his bugle to his lips, still Peter heard nothing, although it was plain the sound had reached the soldiers, for they instantly changed their front to three abreast.

"Botheration!" muttered Peter, "is it deaf I'm growing?"

But that could not be, for he heard the sighing of the breeze and the rush of the neighboring Liffey plain enough.

"Well," said he, in the same cautious key, "by the piper, this bangs Banagher fairly! It's either the Frinch army that's in it, come to take the town iv Chapelizod by surprise, an' makin' no noise for feard iv wakenin' the inhabitants; or else it's--it's--what it's--somethin' else. But, tundher-an-ouns, what's gone wid Fitzpatrick's shop across the way?"

The brown, dingy stone building at the opposite side of the street looked newer and cleaner than he had been used to see it; the front door of it stood open, and a sentry, in the same grotesque uniform, with shouldered musket, was pacing noiselessly to and fro before it. At the angle of this building, in like manner, a wide gate (of which Peter had no recollection whatever) stood open, before which, also, a similar sentry was gliding, and into this gateway the whole column gradually passed, and Peter finally lost sight of it.

"I'm not asleep; I'm not dhramin'," said he, rubbing his eyes, and stamping slightly on the pavement, to assure himself that he was wide awake. "It is a quare business, whatever it is; an' it's not alone that, but every thing about the town looks strange to me. There's Tresham's house new painted, bedad, an' them flowers in the windies! An' Delany's house, too, that had not a whole pane of glass in it this morning, and scarce a slate on the roof of it! It is not possible it's what it's dhrunk I am. Sure there's the big tree, and not a leaf of it changed since I passed, and the stars overhead, all right. I don't think it is in my eyes it is."

And so looking about him, and every moment finding or fancying new food for wonder, he walked along the pavement, intending, without further delay, to make his way home.

But his adventures for the night were not concluded. He had nearly reached the angle of the short lane that leads up to the church, when for the first time he perceived that an officer, in the uniform he had just seen, was walking before, only a few yards in advance of him.

The officer was walking along at an easy, swinging gait, and carried his sword under his arm, and was looking down on the pavement with an air of reverie.

In the very fact that he seemed unconscious of Peter's presence, and disposed to keep his reflections to himself, there was something reassuring. Besides, the reader must please to remember that our hero had a _quantum sufficit_ of good punch before his adventure commenced, and was thus fortified against those qualms and terrors under which, in a more reasonable state of mind, he might not impossibly have sunk.

The idea of the French invasion revived in full power in Peter's fuddled imagination, as he pursued the nonchalant swagger of the officer.

"Be the powers iv Moll Kelly, I'll ax him what it is," said Peter, with a sudden accession of rashness. "He may tell me or not, as he plases, but he can't be offinded, anyhow."

With this reflection having inspired himself, Peter cleared his voice, and began,

"Captain," said he, "I ax your pardon, captain, an' maybe you'd be so condescendin' to my ignorance as to tell me, if it's plaisin' to yer honor, whether your honor is not a Frinchman, if it's plaisin' to you."

This he asked, not thinking that, had it been as he suspected, not one word of his question, in all probability, would have been intelligible to the person he addressed. He was, however, understood, for the officer answered him in English, at the same time slackening his pace, and moving a little to the side of the pathway, as if to invite his interrogator to take his place beside him.

"No; I am an Irishman," he answered.

"I humbly thank your honor," said Peter, drawing nearer--for the affability and the nativity of the officer encouraged him--"but maybe your honor is in the _sarvice_ of the King of France?"

"I serve the same king as you do," he answered, with a sorrowful significance which Peter did not comprehend at the time; and, interrogating in turn, he asked, "But what calls you forth at this hour of the day?"

"The _day_, your honor!--the night, you mane."

"It was always our way to turn night into day, and we keep to it still," remarked the soldier. "But, no matter, come up here to my house; I have a job for you, if you wish to earn some money easily. I live here."

As he said this, he beckoned authoritatively to Peter, who followed almost mechanically at his heels, and they turned up a little lane near the old Roman Catholic chapel, at the end of which stood, in Peter's time, the ruins of a tall, stone-built house.

Like every thing else in the town, it had suffered a metamorphosis. The stained and ragged walls were now erect, perfect, and covered with pebble-dash; window-panes glittered coldly in every window; the green hall-door had a bright brass knocker on it. Peter did not know whether to believe his previous or his present impressions; seeing is believing, and Peter could not dispute the reality of the scene. All the records of his memory seemed but the images of a tipsy dream. In a trance of astonishment and perplexity, therefore, he submitted himself to the chances of his adventure.

The door opened, the officer beckoned with a melancholy air of authority to Peter, and entered. Our hero followed into a sort of hall, which was very dark, but he was guided by the steps of the soldier, and in silence they ascended the stairs. The moonlight, which shone in at the lobbies, showed an old, dark wainscoting, and a heavy, oak bannister. They passed by closed doors at different landing-places, but all was dark and silent as, indeed, became that late hour of the night.

Now they ascended to the topmost floor. The captain paused for a minute at the nearest door, and, with a heavy groan, pushing it open, entered the room. Peter remained at the threshold. A slight female form in a sort of loose, white robe, and with a great deal of dark hair hanging loosely about her, was standing in the middle of the floor, with her back toward them.

The soldier stopped short before he reached her, and said, in a voice of great anguish, "Still the same, sweet bird--sweet bird! still the same." Whereupon, she turned suddenly, and threw her arms about the neck of the officer, with a gesture of fondness and despair, and her frame was agitated as if by a burst of sobs. He held her close to his breast in silence; and honest Peter felt a strange terror creep over him, as he witnessed these mysterious sorrows and endearments.

"To-night, to-night--and then ten years more--ten long years--another ten years."

The officer and the lady seemed to speak these words together; her voice mingled with his in a musical and fearful wail, like a distant summer wind, in the dead hour of night, wandering through ruins. Then he heard the officer say, alone, in a voice of anguish,

"Upon me be it all, forever, sweet birdie, upon me."

And again they seemed to mourn together in the same soft and desolate wail, like sounds of grief heard from a great distance.

Peter was thrilled with horror, but he was also under a strange fascination; and an intense and dreadful curiosity held him fast.

The moon was shining obliquely into the room, and through the window Peter saw the familiar slopes of the Park, sleeping mistily under its shimmer. He could also see the furniture of the room with tolerable distinctness--the old balloon-backed chairs, a four-post bed in a sort of recess, and a rack against the wall, from which hung some military clothes and accoutrements; and the sight of all these homely objects reassured him somewhat, and he could not help feeling unspeakably curious to see the face of the girl whose long hair was streaming over the officer's epaulet.

Peter, accordingly, coughed, at first slightly, and afterward more loudly, to recall her from her reverie of grief; and, apparently, he succeeded; for she turned round, as did her companion, and both, standing hand-in-hand, looked upon him fixedly. He thought he had never seen such large, strange eyes in all his life; and their gaze seemed to chill the very air around him, and arrest the pulses of his heart. An eternity of misery and remorse was in the shadowy faces that looked upon him.

If Peter had taken less whisky by a single thimbleful, it is probable that he would have lost heart altogether before these figures, which seemed every moment to assume a more marked and fearful, though hardly definable contrast to ordinary human shapes.

"What is it you want with me?" he stammered.

"To bring my lost treasure to the church-yard," replied the lady, in a silvery voice of more than mortal desolation.

The word "treasure" revived the resolution of Peter, although a cold sweat was covering him, and his hair was bristling with horror; he believed, however, that he was on the brink of fortune, if he could but command nerve to brave the interview to its close.

"And where," he gasped, "is it hid--where will I find it?"

They both pointed to the sill of the window, through which the moon was shining at the far end of the room, and the soldier said:

"Under that stone."

Peter drew a long breath, and wiped the cold dew from his face, preparatory to passing to the window, where he expected to secure the reward of his protracted terrors. But looking steadfastly at the window, he saw the faint image of a new-born child sitting upon the sill in the moonlight with its little arms stretched toward him, and a smile so heavenly as he never beheld before.

At sight of this, strange to say, his heart entirely failed him, he looked on the figures that stood near, and beheld them gazing on the infantine form with a smile so guilty and distorted, that he felt as if he were entering alive among the scenery of hell, and shuddering, he cried in an irrepressible agony of horror:

"I'll have nothing to say with you, and nothing to do with you; I don't know what yez are or what yez want iv me, but let me go this minute, every one of yez, in the name of God."

With these words there came a strange rumbling and sighing about Peter's ears; he lost sight of every thing, and felt that peculiar and not unpleasant sensation of falling softly, that sometimes supervenes in sleep, ending in a dull shock. After that he had neither dream nor consciousness till he wakened, chill and stiff, stretched between two piles of old rubbish, among the black and roofless walls of the ruined house.

We need hardly mention that the village had put on its wonted air of neglect and decay, or that Peter looked around him in vain for traces of those novelties which had so puzzled and distracted him upon the previous night.

"Ay, ay," said his old mother, removing her pipe, as he ended his description of the view from the bridge, "sure enough I remember myself, when I was a slip of a girl, these little white cabins among the gardens by the river side. The artillery sogers that was married, or had not room in the barracks, used to be in them, but they're all gone long ago."

"The Lord be marciful to us!" she resumed, when he had described the military procession, "it's often I seen the regiment marchin' into the town, jist as you saw it last night, acushla. Oh, voch, but it makes my heart sore to think iv them days; they were pleasant times, sure enough; but is not it terrible, avick, to think it's what it was, the ghost of the rigiment you seen? The Lord betune us an' harm, for it was nothing else, as sure as I'm sittin' here."

When he mentioned the peculiar physiognomy and figure of the old officer who rode at the head of the regiment--

"_That_," said the old crone, dogmatically, "was ould Colonel Grimshaw, the Lord presarve us! he's buried in the church-yard iv Chapelizod, and well I remember him, when I was a young thing, an' a cross ould floggin' fellow he was wid the men, an' a devil's boy among the girls--rest his soul!"

"Amen!" said Peter; "it's often I read his tombstone myself; but he's a long time dead."

"Sure, I tell you he died when I was no more nor a slip iv a girl--the Lord betune us and harm!"

"I'm afeard it is what I'm not long for this world myself, afther seeing such a sight as that," said Peter, fearfully.

"Nonsinse, avourneen," retorted his grandmother, indignantly, though she had herself misgivings on the subject; "sure there was Phil Doolan, the ferryman, that seen black Ann Scanlan in his own boat, and what harm ever kem of it?"

Peter proceeded with his narrative, but when he came to the description of the house, in which his adventure had had so sinister a conclusion, the old woman was at fault.

"I know the house and the ould walls well, an' I can remember the time there was a roof on it, and the doors an' windows in it, but it had a bad name about being haunted, but by who, or for what, I forget intirely."

"Did you ever hear was there gold or silver there?" he inquired.

"No, no, avick, don't be thinking about the likes; take a fool's advice, and never go next or near them ugly black walls again the longest day you have to live; an' I'd take my davy, it's what it's the same word the priest himself 'ud be afther sayin' to you if you wor to ax his riverence consarnin' it, for it's plain to be seen it was nothing good you seen there, and there's neither luck nor grace about it."

Peter's adventure made no little noise in the neighborhood, as the reader may well suppose; and a few evenings after it, being on an errand to old Major Vandeleur, who lived in a snug old-fashioned house, close by the river, under a perfect bower of ancient trees, he was called on to relate the story in the parlor.

The major was, as I have said, an old man; he was small, lean, and upright, with a mahogany complexion, and a wooden inflexibility of face; he was a man, besides, of few words, and if _he_ was old, it follows plainly that his mother was older still. Nobody could guess or tell _how_ old, but it was admitted that her own generation had long passed away, and that she had not a competitor left. She had French blood in her veins, and although she did not retain her charms quite so well as Ninon de l'Enclos, she was in full possession of all her mental activity, and talked quite enough for herself and the major.

"So, Peter," she said, "you have seen the dear, old Royal Irish again in the streets of Chapelizod. Make him a tumbler of punch, Frank; and Peter, sit down, and while you take it let us have the story."

Peter accordingly, seated near the door, with a tumbler of the nectarian stimulant steaming beside him, proceeded with marvelous courage, considering they had no light but the uncertain glare of the fire, to relate with minute particularity his awful adventure. The old lady listened at first with a smile of good-natured incredulity; her cross-examination touching the drinking-bout at Palmerstown had been teasing, but as the narrative proceeded she became attentive, and at length absorbed, and once or twice she uttered ejaculations of pity or awe. When it was over, the old lady looked with a somewhat sad and stern abstraction on the table, patting her cat assiduously meanwhile, and then suddenly looking upon her son, the major, she said,

"Frank, as sure as I live he has seen the wicked Captain Devereux."

The major uttered an inarticulate expression of wonder.

"The house was precisely that he has described. I have told you the story often, as I heard it from your dear grandmother, about the poor young lady he ruined, and the dreadful suspicion about the little baby. _She_, poor thing, died in that house heart-broken, and you know he was shot shortly after in a duel."

This was the only light that Peter ever received respecting his adventure. It was supposed, however, that he still clung to the hope that treasure of some sort was hidden about the old house, for he was often seen lurking about its walls, and at last his fate overtook him, poor fellow, in the pursuit; for climbing near the summit one day, his holding gave way, and he fell upon the hard uneven ground, fracturing a leg and a rib, and after a short interval died, and he, like the other heroes of these true tales, lies buried in the little church-yard of Chapelizod.

A MORNING WITH MORITZ RETZSCH.

BY MRS. S.C. HALL.

At Dresden we enjoyed the advantage of friendly intercourse with one who is honored as much for his virtues as his talents, and whom it is a gratification to name--Professor Vogel von Vogelstein, whose latest work decorates a new church at Leipzig, designed by the estimable and highly gifted Professor Heidelhoff of Nuremberg. The simplicity of life of the great German masters, is very striking; they care nothing for display, except that upon their canvas, or their walls. One of the great secrets of their success is their earnestness of purpose. Professor Vogel seldom leaves his studio except to render courtesy to friend or stranger: and it is happy for those who have the privilege of his acquaintance, to know that such labors of love draw him frequently forth. As yet, years have not diminished the ardor with which he works--respected and beloved by all who know him. It was a true pleasure to sit in his studio, and converse with him; not only about Art, but about England; where he spent some time in communion with Wilkie, and Callcott, and Lawrence, and others, who, though passed away, have left immortalities behind them.

While conversing with Professor Vogel one morning we expressed an earnest wish to see Moritz Retzsch--who had so wonderfully embodied the conceptions of Goethe, of Shakspeare, and of Schiller; his extraordinary powers of invention and description, with a few strokes of his pencil, had rendered him an object of the deepest interest to us, many years ago when an artist friend, now dead and gone, first made him known to us; and although he resided we had been told, "a long way out of Dresden," we resolved, if we could, to visit him at his home. It was therefore very pleasant when Professor Vogel offered to accompany us himself, and present us to the great artist. In the evening, as we stood on the noble bridge that spans the rapid Elbe, a summer-house crowning one of the distant vine-clad hills, was pointed out to us as belonging to him whom we so much desired to know.

"His dwelling," said our friend, "is directly below that hill, and he resides on his paternal acres; his father's vineyards are as green as ever; and the artist's love of nature, is fostered amid its beauties." Nothing could be more charming than the scene. We had left the Bruhl Terrace crowded with company, driven away from its music and society by the clouds of tobacco smoke which wrap the Germans in an elysium peculiarly "their own;" but the music was softened by distance, into sweeter harmony. The sun was setting, warming the pale green of the vineyards into autumnal richness, and casting delicious tints upon the undulating waters; the atmosphere was so pure, so free from what sad experience teaches us to consider the natural vapors of city life, that the spires and public buildings looked as if carved in ivory; the mighty river swept freely on, its strong current hopelessly contending with the massive masonry of the bridge; one or two steamers were puffing their way from some of the distant villages; and a party near the shore were moving their oars, rather than rowing, singing what sounded to us like a round and chorus, in that perfect tune and time, where the voices seem as one; twilight came down without any haze, so that the range of hills was still visible, and still we fancied we saw the Pavilion of Moritz Retzsch. Our friend told us he was born at Dresden in 1779, and had never visited the distant schools, nor wandered far from his native city; in early childhood he manifested a talent for Art; modeling in clay, carving in wood, and exercising his imitative, as well as his imaginative powers, by drawing with any thing, or upon any thing, whatever he saw or fancied. He never intended to become an artist; he had not received what is called "an artistic education." He looked at and loved whatever was beautiful in nature, and copied it without an effort. At that period, the profession of Art would have been all too tranquil a dream for his boyhood to enjoy; nay, his "hot youth," ardent and desiring excitement, full of visions of adventure and liberty, had, at one time, nearly induced him to become a huntsman, or forester--(one of the jägers made familiar to us on the stage, in green hunting dress and buckskin, with belt and bugle)--in the Royal service; a little consideration, a few speaking facts, however, taught him that this project would not have secured him the freedom he coveted so much; and, most fortunately, when he entered his twentieth year, he determined on the course which has given both to himself and to the world, such delicious pleasure. He abandoned himself to Art, and has ever since exercised it with a devotion and enthusiasm, a sacred freedom, that, despite his excitable temperament, has rendered him happy. Such was our friend's information concerning the author of those wonderful "OUTLINES" which have been the admiration of the world for nearly half a century, and are scarcely better known in Germany than they are in England.

"Nothing," he added, "could surpass the ardor with which the young artist labored. His soul was animated by the grand conceptions of Goethe and Schiller; his ears drank in the beauty and sublimity of their poetry; and he lived in the mingled communion of great men, and the lovely and softened beauty of Saxon fatherland." In 1828, he was nominated Professor of Painting in the Dresden Royal Academy; but fame, much as he sought and loved it, did not fill his soul. The older he grew, the more his great heart yearned for that continuous sympathy with some object to comprehend and appreciate his noble pursuit, and to value him, as he believed he deserved. He coveted affection as much as fame.

One of the dwellers near his father's vineyard was rich in the possession of a little daughter of extraordinary grace and beauty. She inspired the artist with some of his brightest conceptions of that peculiar infantine loveliness which his pencil has rendered with such eloquent fidelity.

The child crept into his heart--the young girl took possession of it. The poet-painter made no effort to dispossess her; on the contrary, he increased her power by giving her an excellent education; and when she had arrived at the age of womanhood, he made her his wife. Their married years have numbered many. One may be considered old, the other is no longer young; but their happiness has been, as far as it can be, without a shadow. Although they have no children, they do not seem to have desired them. Some gallant husbands pen a sonnet to a wife on her birth-day, or the anniversary of her marriage, but Moritz Retzsch _sketches_ his birthday ode, in which the beauty and worth of his cherished wife, his own tenderness and happiness, their mingled hopes and prayers, are penciled in forms the most poetic and expressive. From year to year these designs have enriched the album of Madame Retzsch; and never was a more noble tribute laid at the feet of any lady-love, even in the times of old romance!

Professor Vogel had promised that Moritz Retzsch should show us his drawings; and we were full of hope that we should also have the privilege of seeing this Album. The sunset had given promise of--

"A goodly day to-morrow."

And it was with no small delight that, on our return to our hotel, we found an hour had been fixed for our visit to the village, or Weinberg, and that Professor Vogel would be ready to accompany us at the time appointed.

We were prepared to expect allegorical designs; and Mrs. Jameson has long since converted us to a belief in the great power and benefit of symbolic painting, particularly on the minds and imaginations of the young. "To address the moral faculties through the medium of the imagination," says this distinguished lady, "for any permanent or beneficial purpose, is the last thing thought of by our legislators and educators. Fable, except as a mere nomenclature of heathen gods and goddesses, is banished from the nursery, and allegory in Poetry and the Fine Arts is out of fashion;" and then she mingles her ink with gall, and adds, "it is deemed the child's play of the intellect, fit only for the days of Dante, or Spenser, or Michael Angelo."

Wearied with pleasure, we slept; but what we had seen and what we anticipated rendered _repose_ impossible. The morning was bright, and warm, and sunny; and when our kind friend entered the carriage, we felt assured of a day's enjoyment. We soon skirted the city, and found ourselves rolling in sight of the river; the road was overshadowed by trees, which had not yielded a leaf to the insidious advances of autumn; the villas--not certainly with shaven lawns and carefully-tended gardens, were picturesque and charming from the novelty of their construction, and not the less striking because the foliage was left to twine about them in unconstrained luxuriance. We had become accustomed to the wicker wagons, and the heavy oxen, and slow paces of men and horses; but there is something always to admire in the broad faces of the well-built Saxons, and the frank and kindly expression of their clear blue eyes.

We soon reached the narrow roads that wound along the base of the vine-clad hills, rising so abruptly as to form terrace after terrace, until they achieved the topmost height. Nothing can be more delightful than the situation of the houses at the foot of these hills, commanding, as they do, the whole of the rich valley in which Dresden is placed. "They call it Paradise," said our kind companion; "and truly it deserves the name."

It was positively refreshing to hear how Professor Vogel delighted in extolling Professor Retzsch. His eulogiums were so warm from the heart, and the desire to do his friend service so sincere, that we honored him more than ever. At last we paused at the garden-gate of the cottage-house of the illustrator of Faust, and entered. Wide-spreading trees overshadowed the path which led along the side of the house to a sort of stone verandah, formed by the upper story projecting over the lower, and supported by rude stone pillars. At the further end were stairs leading to the living-rooms; and down these stairs came a gentleman who must have riveted attention wherever seen. His figure was somewhat short and massive, and his dress not of the most modern fashion; yet the head was magnificent. His whole appearance recalled Cuvier to us so forcibly, that we instantly murmured the name of the great naturalist; but when his clear wild blue eyes beamed their welcome, and his lips parted into a smile to give it words, we were even more strongly reminded of Professor Wilson; in each, a large, well-developed head, masculine features, a broad and high forehead, a mouth strongly expressive of a combination of generosity and force, bespoke the careful thinker and acute observer; and in both, the hair, "sable silvered," seemed to have been left to the wild luxuriance of nature. He preceded us to the drawing-room--an uncarpeted chamber, furnished with old-fashioned German simplicity. Several birthday garlands were hung upon the walls. There were three doors opening into the apartment, and a long sofa extending along one of the sides; this sofa was canopied by ivy, growing in pots at either end, and entwined round a delicate framework. In Heidelhoff's house, at Nüremberg, we had seen wreaths of ivy growing round the window-curtains in a peculiarly graceful manner; and at Berlin, in the costly and beautiful dwelling of the admirable sculptor Wichmann, the door leading from the dining into the billiard-room--where Mendelssohn delighted to play while Jenny Lind sat by and sung, enjoying, as she always does, the enjoyment of others--that door is trellised with ivy, the trellis being formed of light bamboo, and the foliage contrasting charmingly with the color of the trellis. The dust of our carpets, perhaps, prevents the introduction of this charming ornament generally into our rooms; but it is difficult to conceive how much this simple loan from nature may be made to enrich the interiors of our dwellings.

Nothing can be more frank and cordial than Retzsch's manner, mingling, as it does, much simplicity with promptness and decision. After the lapse of a few minutes, the servant who had opened the gate brought in a couple of easels, and upon them the artist placed two paintings; both exquisitely drawn and designed, but so unlike what we had expected in color, that for a moment we felt disappointed. Our enthusiasm and admiration however, soon revived; and when, shortly afterward, he conducted us into an inner room, and, having seated us with due formality, in a great chair, opposite a little table, produced a portfolio of _drawings_, the kind face of Professor Vogel was illumined: "Ah!" he exclaimed, "now you will be delighted. I have brought many to my friend's studio; I have looked at these drawings over and over again, yet each time I see something to admire anew; there is always a discovery to be made--some allegory, half hidden under a rose-leaf; some wise and playful satire, peeping beneath the wing of a Cupid, or from the fardel of a traveler. What a pity you do not understand German, that you might hear him read those exquisite lyrics, beautiful as the sonnets of your own Shakspeare, or Wordsworth--but I will interpret--I will interpret."

And so he did--with considerate patience: there we sat turning over page after page of the most exquisite fancies; the overflowings not only of the purest and most brilliant imagination, but of the deepest tenderness and exalted independence. The allegories of Moritz Retzsch, are not of the "hieroglyphic caste," such as roused the indignation of Horace Walpole; there were no sentimental Hopes supported by anchors: no fat-cheeked Fames puffing noiseless trumpets; no common-place Deaths, with dilapidated hour-glasses; they were triumphs of pure Art, conveying a poetical idea, a moral or religious truth, a brilliant satire, brilliant and sharp as a cutting diamond, by "graphical representation;" each subject was a bit of the choicest lyric poetry, or an epigram, in which a single idea or sentiment had been illustrated and embodied, giving "a local habitation," a name, a history, in the smallest compass, and in the most intelligible and attractive form.

With what delight we turned over these matchless drawings, many of them little more than outlines, yet so full of meaning--pausing between each, to glance at the face of the interpreter; though so distinctly was the idea conveyed, that there needed none; only it was such a rare delight to hear him tell his meaning in his own full sounding tongue, his face expressing all he wished to say, before the words were spoken.

We could have lingered over that portfolio for hours, and like Professor Vogel have found something new at each inspection of the same drawing; but the artist seemed to grow gently impatient to show us his wife's Album--the book of which we had heard so much on the previous evening; there it was, carefully cased and covered--and before he opened it, he explained, with smiling lips, that on each of Madame Retzsch's birthdays, he had presented to her a drawing expressive of his devotion, his faith in her virtues, or the hopes or disappointments to which the destiny of life had subjected them. However delicate and endearing may be the love of youth, with it there is always associated a dread that it may not endure until the end--that the world may tarnish or destroy it; that,

"A word unkind or wrongly taken,"

may be the herald of harshness and of estrangement; but when, after a lapse of accumulated years, Cupid folds his wings without the loss of a single feather, and laughs at his arch-enemy "Time," the sunshine of the picture creates an atmosphere of happiness that excites the best sympathies of our nature. While he descanted on these results of his luxuriant and overflowing imagination and affection, never was genius more thoroughly love-inspired; never, as we had heard, did poet pen more exquisite birthday odes, than were framed by the tender and eloquent pencil of Moritz Retzsch on the birthdays of his wife.

We did not feel it to be a defect in the graphic allegories, so rich and varied in thought and expression, that they required, or rather received, the eloquent explanations, of their great originator; the scene around that little table was in exquisite harmony; Professor Vogel's expressions of delight were as enthusiastic as our own; he repeatedly said that a visit to his old friend was a renewal of his own youth; he hailed the precious Album with as much pleasure as ourselves, and reveled in the poetry and originality of its illustrations, with a freshness of feeling supposed only to belong to the early years of life.

We can not remember that Retzsch sat down once during our long visit; he was standing or moving about, the entire time, and frequently passed his fingers through the masses of his long gray hair, so that it assumed most peculiar styles; but nothing could detract from the picturesque magnificence of his noble head. His restlessness was certainly peculiar, he passed and repassed into the room where his precious drawings were scattered in such rich profusion, returning again and again to the window, enjoying our pleasure, the expression of his face varying so eloquently and honestly, that a young child could have read his thoughts: and then the indescribable brightness of that face; stormy, it no doubt could be at times, but the thunder would have been as nothing to the lightning.

The great artist seemed as curious about England as a country child is about London; indeed the mingling of simplicity and wisdom, is one of the strongest phases in his character; so gigantic, and yet so delicate, in Art; so full of the rarest knowledge; animated by an unsurpassable imagination; proud of the distinction his talents command, and yet of a noble and heroic independence which secures universal respect. The artist and his wife accompanied us to the gate which was soon to shut us out of "Paradise;" and, amply gratified as we were with our visit and its results, we felt that there was still so much more to say and to see, that the past hours appeared like winged moments, reminding us how--

"Noiseless falls the foot of time That only treads on flowers."

It seemed as though the gate had closed upon an old friend, instead of upon one seen for so brief a space, and never perhaps to be met with again in this world. One of the dreams of a life-time had been fully realized. We had paid Moritz Retzsch the involuntary compliment, of forgetting the celebrity of the artist, in the warmth of our admiration of the man. The gate was closed, and we were driving rapidly toward Dresden--the scenery softened and mellowed by the gray and purply tone which follows a golden sunset. Yes, we felt as if we had parted from a friend; and surely the sacred lovingness we bear to those--honored though unseen--who have been as friends within our homes, dispersing by the power of their genius all trace, for a time, of the fret and turmoil of the busy world; soothing our sorrows; teaching us how to endure, and how to triumph; or enriching our minds by that ART-KNOWLEDGE, which, in the holiness of its beauty, is only second to the wisdom "which cometh from above;"--surely a higher tribute than either gratitude or admiration, is that of placing them within our hearts, there to remain until the end; amid the good, the beautiful, the true, and the beloved of life itself.

THE QUEEN'S TOBACCO-PIPE.

We have seen pipes of all sorts and sizes in our time. In Germany, where the finest cnaster is but twenty-pence a pound, and excellent leaf-tobacco only five-pence, we have seen pipes that resembled actual furnaces compared with the general race of pipes, and have known a man smoke out half a pound of cnaster and drink a gallon of beer at a sitting. But this is perfectly pigmy work when compared with the royal pipe and consumptive tobacco power of Victoria of England. The queen's pipe is, beyond all controversy--for we have seen it--equal to any other thousand pipes that can be produced from the pipial stores of this smoking world. She has not only an attendant to present it whenever she may call for it, but his orders are to have it always in the most admirable smoking state--always lighted, without regard to the quantity of tobacco it may consume; and, accordingly, her pipe is constantly kept smoking day and night without a moment's intermission, and there are, besides the grand pipe-master, a number of attendants incessantly employed in seeking the most suitable tobacco, and bringing it to the grand-master. There is no species of tobacco which the queen has not in her store-room. Shag, pig-tail, Cavendish, Manilla, Havanna, cigars, cheroots, negrohead, every possible species of nicotian, she gives a trial to, by way of variety. A single cigar she holds in as much contempt as a lion would a fly by way of mouthful. We have seen her grand-master drop whole handfuls of Havannas at once into her pipe, and after them as many Cubas.

It may abate the wonder of the reader at this stupendous smoking power of the queen, if we admit, as must, indeed, have become apparent in the course of our remarks, that the queen performs her smoking, as she does many of her other royal acts, by the hands of her servants. In truth, to speak candidly, the queen never smokes at all, except through her servants. And this will appear very likely, when we describe the actual size of her royal pipe. It is, indeed of most imperial dimensions. The head alone is so large, that while its heel rests on the floor of her cellar, its top reaches out of the roof. We speak a literal fact, as any one who procures an order for the purpose may convince himself by actual inspection. We are sure that the quantity of tobacco which is required to supply it, must amount to some tons in the year. Nay, so considerable is it, that ships are employed specially to bring over this tobacco, and these ships have a dock of one acre in extent at the port of London entirely for their exclusive reception. In a word, the Queen's Tobacco-pipe, its dimensions, its attendance, its supply and consumption of tobacco, are without any parallel in any age or any nation.

If we have raised any wonder in the breasts of our readers, we shall not diminish that wonder by some further explanations regarding this extraordinary pipe; if we have raised any incredulity, what we are now about to add will at once extinguish it.

The Queen's Tobacco-pipe, then, is a furnace built in the very centre of the great Tobacco Warehouse at the London Docks. This furnace is kept for the purpose of consuming all the damaged tobacco which comes into port. As the warehouse is the Queen's Warehouse, the furnace is really termed the Queen's Pipe; and all that we have related of it is literally true, and is, in itself and all the circumstances connected with it, one of the most remarkable things in this country.

If any one would form any thing like an adequate conception of the wonders of London, and of the power and wealth of this country, he should pay a visit to the London Docks. After having traversed the extent, and amazed himself at the myriad population, the intense activity, the stupendous affluence, and the endless variety of works going on in this capital of the globe, he will, on arriving at the Docks, feel a fresh and boundless astonishment. From near the Tower all the way to Blackwall, a distance of four miles, he will find it a whole world of docks. The mass of shipping, the extent of vast warehouses, many of them five and seven stories high, all crowded with ponderous heaps of merchandise from every region of the globe, have nothing like it besides in the world, and never have had. The enormous wealth here collected is perfectly overwhelming to the imagination.

If the spectator first enter St. Katherine's Docks, he finds them occupying twenty-three acres, with water capable of accommodating one hundred and twenty ships, and warehouses of holding one hundred and ten thousand tons of goods; the capital of the company alone exceeding two millions of pounds. Proceeding to the London Docks, properly so called, there he will find an extent of more than one hundred acres, offering water for five hundred ships, and warehouse room for two hundred and thirty-four thousand tons of goods; the capital of the company amounting to four millions of pounds. The West India Docks next present themselves, being three times as extensive as the London Docks, having an area of no less than two hundred and ninety-five acres, with water to accommodate four hundred vessels, and warehouse-room for one hundred and eighty thousand tons of merchandise; the capital of the company is more than six millions of pounds, and the value of goods which have been on the premises at one time twenty millions. Lastly, the East India Docks occupy thirty-two acres, and afford warehouse-room for fifteen thousand tons of goods.

The whole of these docks occupying four hundred and fifty acres, offering accommodations for one thousand two hundred ships, and for five hundred and thirty thousand tons of goods.

But these are only the docks on the left bank of the river; on the other side, docks extend from Rotherhithe to Deptford; the Surrey Docks, the Commercial Docks, and the East Country Docks. When the gigantic extent of these docks, and the mass of property in them, are considered, Tyre and Sidon shrink up into utter insignificance.

But of all these astonishing places, our present attention is devoted only to the London Docks, properly so called, as being connected with the operations of the Queen's Pipe; the damaged and unsalable goods of these docks being its food. In these docks are especially warehoused wine, wool, spices, tea, ivory, drugs, tobacco, sugars, dye-stuffs, imported metals, and sundry other articles. Except the teas and spices, you may procure inspection of all these articles, as they lie in their enormous quantities, by a ticket from the secretary. If you wish to taste the wines, you must have a tasting order for the purpose.

Imagine yourselves, then, entering the gateway of the London Docks. If you wish only to walk round and see the shipping, and people at work, you can do that without any order. As you advance, you find yourself surrounded right and left by vast warehouses, where numbers of people, with carts and trucks, are busily at work taking in and fetching out goods. On your right you soon pass the ivory warehouse, where no lady is admitted except by a _special_ order. The cause of this singular regulation, by no means complimentary to the fair sex, we were unable to ascertain. No lady could very well be suspected of carrying off in her muff an elephant's tooth of some hundred weight, but there must have been female thieves, dexterous enough to secrete, perhaps a rhinoceros's tooth, of perhaps some dozen pounds, valued at one pound seven shillings per pound; and thus contrived to bring a stigma on the whole sex.

Vast heaps of ivory lie on the floor of this warehouse, in huge elephants' tusks, of from twenty to a hundred pounds weight each; tusks of rhinoceros, and the ivory weapons of sword-fish and sea-unicorns. Here lay, on our last visit, the African spoils of Mr. Gordon Cumming; and, indeed, the spectacle is one that carries you away at once to the African deserts, and shows you what is going on there while we are quietly and monotonously living at home.

Proceeding down the dock-yard, you see before you a large area literally paved with wine-casks, all full of the most excellent wines. On our last visit, the wine then covering the ground was delicious Bordeaux, as you might easily convince yourself by dipping a finger into the bunghole of any cask; as, for some purpose of measurement, or testing the quality, the casks were most of them open. This is, in fact, the great depôt of the wine of the London merchants, no less than sixty thousand pipes being capable of being stored away in the vaults here. One vault alone, which formerly was seven acres, has now been extended under Gravel-lane, so that at present it contains upward of twelve acres! These vaults are faintly lit with lamps, but on going in, you are at the entrance accosted with the singular demand--"Do you want a cooper?" Many people, not knowing its meaning, say, "No, by no means!" The meaning of the phrase is, "do you want to taste the wines?" when a cooper accompanies you to pierce the casks, and give you the wine. Parties are every day, and all day long, making these exploratory and tasting expeditions. Every one on entering is presented with a lamp at the end of a lath, about two feet long, and you soon find yourselves in some of the most remarkable caving in the world. Small streets, which you perceive are of great extent, by the glimmering of lamps in the far distance, extend before you, and are crossed by others in such a manner that none but those well acquainted with the geography of these subterranean regions could possibly find their way about them. From the dark vaulted roof over head, especially in one vault, hang strange figures, black as night, light as gossamer, and of a yard or more in length, resembling skins of beasts, or old shirts dipped in soot. These are fed to this strange growth by the fumes of the wine.

For those who taste the wines the cooper bores the heads of the pipes, which are ranged throughout these vast cellars on either hand in thousands and tens of thousands, and draws a glassful. These glasses, though shaped as wine-glasses, resemble much more goblets in their size, containing each as much as several ordinary wine-glasses. What you do not drink is thrown upon the ground; and it is calculated that at least a hogshead a day is thus consumed. Many parties who wish for a cheap carouse, procure a tasting order, take biscuits with them, and drink of the best of all sorts of wine in the cellars, and in quantities enough to terrify any disciple of Father Mathew. Here, again, we find a regulation permitting no ladies to enter these cellars after one o'clock. For such a rule there must be a sufficient cause, and the fact which we have just stated may perhaps furnish the key to it.

Not less striking than those cellars is the Mixing House above, where there are vats into which merchants who wish to equalize all their wines of one vintage can have them emptied, and then re-drawn into their casks. The largest of these vats contains twenty-three thousand two hundred and fifty gallons; and to it the famous Heidelburg Tun is a mere keg.

But the reader may ask, what have these wine-cellars to do with the Queen's Pipe? It is this: in the centre of the great east vault you come to a circular building without any entrance. It is the root and foundation of the Queen's Pipe. Quitting the vault, and ascending into the warehouse over it, you find that you are in the Great Tobacco Warehouse, called the Queen's Warehouse, because the Government rent the Tobacco Warehouses here for fourteen thousand pounds per annum. This one warehouse has no equal in any other part of the world. It is five acres in extent, and yet it is covered with a roof, the framework of which is of iron, erected, we believe, by Mr. Barry, the architect of the new houses of parliament, and of so light and skillful a construction, that it admits of a view of the whole place; and so slender are the pillars, that the roof seems almost to hang upon nothing. Under this roof is piled a vast mass of tobacco in huge casks, in double tiers; that is, two casks in height. This warehouse is said to hold, when full, twenty-four thousand hogsheads, averaging one thousand two hundred pounds each, and equal to thirty thousand tons of general merchandise. Each cask is said to be worth, duty included, two hundred pounds; giving a sum total of tobacco in this one warehouse, when filled, of four millions, eight hundred thousand pounds in value! Besides this, there is another warehouse of nearly equal size, where finer kinds of tobacco are deposited, many of them in packages of buffalo-hide, marked "Giron," and Manilla for cheroots, in packages of sacking lined with palmetto leaves. There is still another warehouse for cigars, called the Cigar Floor, in which there are frequently one thousand five hundred chests, valued at one hundred pounds each, at an average, or one hundred and fifty thousand pounds in cigars alone.

The scene in the Queen's Warehouse, to which we return, is very singular. Long streets stretch right and left between the walls of tobacco-casks; and when the men are absent at one of their meals, you find yourself in an odd sort of solitude, and in an atmosphere of tobacco. Every one of these giant hogsheads is stripped twice from the tobacco during its stay in this warehouse; once on entrance, to weigh it, and again before leaving, to ascertain whether the mass is uninjured; and to weigh what is found good for the duty, and for the sale price to the merchant. Thus the coopers take all these hogsheads twice to pieces, and put them together again. This tobacco is of the strong, coarse kind, for pigtail, shag, snuff, &c. The finer kinds, as we have said, go to the other warehouse.

But your eye is now attracted by a guide-post, on which is painted, in large letters, "TO THE KILN." Following this direction, you arrive at the centre of the warehouse, and at the Queen's Pipe. You enter a door on which is rudely painted the crown royal and the initials "V.R.," and find yourself in a room of considerable size, in the centre of which towers up the kiln; a furnace of the conical kind, like a glass-house or porcelain furnace. On the door of the furnace is again painted the crown and the "V.R." Here you find, in the furnace, a huge mass of fire, and around are heaps of damaged tobacco, tea, and other articles ready to be flung upon it, as it admits of it. This fire never goes out, day or night, from year to year. There is an attendant who supplies it with its fuel, as it can take it; and men, during the day-time, constantly coming laden with great loads of tobacco, cigars, and other stuff, condemned to the flames. Whatever is forfeited, and is too bad for sale, be it what it will, is doomed to the kiln. At the other Docks damaged goods, we were assured, are buried till they are partly rotten, and then taken up and disposed of as rubbish or manure. Here the Queen's Pipe smokes all up, except the greater quantity of the tea, which, having some time ago set the chimney of the kiln on fire, is now rarely burnt. And strange are the things that sometimes come to this perpetually burning furnace. On one occasion, the attendant informed us, he burnt nine hundred Australian mutton-hams. These were warehoused before the duty came off. The owner suffered them to remain till the duty ceased, in hopes of their being exempt from it; but this not being allowed, they were left till so damaged as to be unsalable. Yet a good many, the man declared, were excellent; and he often made a capital addition to his breakfast from the roast that, for some time, was so odoriferously going on. On another occasion he burnt thirteen thousand pairs of condemned French gloves.

In one department of the place often lie many tons of the ashes from the furnace, which are sold by auction, by the ton, to gardeners and farmers, as manure, and for killing insects, to soap-boilers and chemical manufacturers. In a corner are generally piled cart-loads of nails, and other pieces of iron, which have been swept up from the floors, or have remained in the broken pieces of casks and boxes which go to the kiln. Those which have been sifted from the ashes are eagerly bought up by gunsmiths, sorted, and used in the manufacture of gun-barrels, for which they are highly esteemed, as possessing a toughness beyond all other iron, and therefore calculated, pre-eminently, to prevent bursting. Gold and silver, too, are not unfrequently found among these ashes; for many manufactured articles, if unsalable, are broken up, and thrown in. There have sometimes, indeed, been vast numbers of foreign watches, professing themselves to be gold watches, but being gross impostors, which have been ground up in a mill, and then flung in here.

Such is the Queen's Tobacco-Pipe, unique of its kind, and in its capacity of consumption. None of the other Docks have any thing like it. It stands alone. It is _the_ Pipe--and as we have said, establishes the Queen of England, besides being the greatest monarch on the globe, as the greatest of all smokers--not excepting the Grand Turk, or the Emperor of Austria, the greatest tobacconist of Europe.

THE METAL-FOUNDER OF MUNICH.

When we gaze in admiration at some great work of plastic art, our thoughts naturally recur rather to the master mind whence the conception we now see realized first started into life, than to any difficulties which he or others might have had to overcome in making the quickened thought a palpable and visible thing. All is so harmonious; there is such unity throughout; material, form, and dimensions, are so adapted and proportioned one to the other, that we think not of roughnesses or of opposing force as connected with a work whence all disparities are removed, and where every harshness is smoothed away. There stands the achieved fact in its perfect completeness: there is nothing to remind us of its progress toward that state, for the aids and appliances thereunto have been removed; and the mind, not pausing to dwell on an intermediate condition, at once takes in the realized creation as an accomplished whole. And if even some were inclined to follow in thought such a work in its growth, there are few among them who, as they look at a monument of bronze, have any notion how the figure before them grew up into its present proportions. They have no idea how the limbs were formed within their earthen womb, and how many and harassing were the anxieties that attended on the gigantic birth.

The sculptor, the painter, the engraver, has each, in his own department, peculiar difficulties to overcome; but these for the most part are such as skill or manual dexterity will enable him to vanquish. He has not to do with a mighty power that opposes itself to his human strength, and strives for the mastery. He has not to combat an element which he purposely rouses into fury, and then subjugates to his will. But the caster in metal has to do all this. He flings into the furnace heaps of brass--cannon upon cannon, as though they were leaden toys; and he lights a fire, and fans and feeds the flames, till within that roaring hollow there is a glow surpassing what we have yet seen of fire, and growing white from very intensity. Anew it is plied with fuel, fed, gorged. The fire itself seems convulsed and agonized with its own efforts; but still it roars on. Day by day, and night after night, with not a moment's relaxation, is this fiery work carried on. The air is hot to breathe; the walls, the rafters, are scorched, and if the ordeal last much longer, all will soon be in a blaze. The goaded creature becomes maddened and desperate, and is striving to burst its prison; while above it a molten metal sea, seething and fiery, is heaving with its ponderous weight against the caldron's sides!

Lest it be thought this picture is too highly colored, or that it owes any thing to the imagination for its interest, let us look into the foundry of Munich, and see what was going on there at midnight on the 11th of October 1845.

When King Louis I. had formed the resolution of erecting a colossal statue of Bavaria, it was Schwanthaler whom he charged to execute the work. The great artist's conception responded to the idea which had grown in the mind of the king, and in three years' time a model in clay was formed, sixty-three feet in height, the size of the future bronze statue. The colossus was then delivered over to the founder, to be cast in metal. The head was the first large portion that was executed. While the metal was preparing for the cast, a presentiment filled the master's mind that, despite his exact reckoning, there might still be insufficient materials for the work, and thirty cwt. were added to the half-liquid mass. The result proved how fortunate had been the forethought: nothing could be more successful. And now the chest of the figure was to be cast, and the master conceived the bold idea of forming it in one piece. Those who have seen thirty or forty cwt. of metal rushing into the mould below, have perhaps started back affrighted at the fiery stream. But 400 cwt. were requisite for this portion of the statue; and the formidable nature of the undertaking may be collected from the fact that till now, not more than 300 cwt. had ever filled a furnace at one time.

But see, the mass begins slowly to melt; huge pieces of cannon float on the surface, like boats on water, and then gradually disappear. Presently upon the top of the mass a crust is seen to form, threatening danger to the furnace as well as to the model prepared to receive the fluid bronze. To prevent this crust from forming, six men were employed day and night in stirring the lava-like sea with long poles of iron; retiring, and being replaced by others every now and then; for the scorching heat, in spite of wetted coverings, causes the skin to crack like the dried rind of a tree. Still the caldron was being stirred, still the fire was goaded to new efforts, but the metal was not yet ready to be allowed to flow. Hour after hour went by, the day passed, and night came on. For five days and four nights the fire had been kept up and urged to the utmost intensity, and still no one could tell how long this was yet to last. The men worked on at their tremendous task in silence; the fearful heat was increasing, and as though it would never stop. There was a terrible weight in the burning air, and it pressed upon the breasts of all. There was anxiety in their hearts, though they spoke not, but most of all in his who had directed this bold undertaking. For five days he had not left the spot, but, like a Columbus watching for the hourly-expected land, had awaited the final moment. On the evening of the fifth day exhausted nature demanded repose, and he sat down to sleep. Hardly had he closed his eyes when his wife roused him with the appalling cry, "Awake, awake, the foundry is on fire!" And it was so. Nothing could stand such terrific heat. The rafters of the building began to burn. To quench the fire in the usual way was impossible, for had any cold fluid come in contact with the liquid metal, the consequences would have been frightful: the furnace would have been destroyed, and the 400 cwt. of bronze lost. With wet cloths, therefore, the burning rafters were covered to smother the flames. But the walls were glowing, too; the whole building was now like a vast furnace. Yet still more fuel on the fire!--the heat is not enough; the metal boils not yet! Though the rafters burn, and the walls glow, still feed, and gorge, and goad the fire!

At last the moment comes!--the whole mass is boiling! Then the metal-founder of Munich, Miller by name, called to the men who were extinguishing the burning beams, "Let them burn; the metal is ready for the cast!" And it was just midnight, when the whole of the rafters of the interior of the building were in flames, that the plug was knocked in, and the fiery flood rushed out into the mould below.

All now breathed more freely: there was an end of misgiving and foreboding; and the rude workmen, as if awe-struck by what they had accomplished, stood gazing in silence, and listening to the roar of the brazen cataract. It was not till the cast was completed that the master gave the signal for extinguishing the burning roof.

In due time the bell of the little chapel of Neuhausen was heard summoning thither the master and his workmen to thank God for the happy completion of the work. No accident had occurred to any during its progress; not one had suffered either in life or limb.

THE FAIRY QUEEN.

THE LAST TALE BY THE AUTHOR OF "PUSS IN BOOTS," "CINDERELLA," "LITTLE RED RIDING-HOOD," ETC.

"Once upon a time," in the earlier part of the seventeenth century, was born Charles Perrault. We pass over his boyhood and youth to the period when, after having long filled the situation of Commissioner of Public Buildings, he fell into disgrace with his patron, the prime minister Colbert, and was obliged to resign his situation. Fortunately he had not been unmindful of prudential economy during the days of prosperity, and had made some little savings on which he retired to a small house in the Rue St. Jacques, and devoted himself to the education of his children.

About this time he composed his fairy tales. He himself attached little literary importance to productions destined to be handed down to posterity, ever fresh and ever new. He usually wrote in the morning the story intended for the evening's amusement. Thus were produced in their turn "Cinderella," "Little Red Riding-Hood," "Blue Beard," "Puss in Boots," "Riquet with the Tuft," and many other wondrous tales which men now, forsooth, pretend to call fictions. Charles Lamb knew better. He was once looking for books for a friend's child, and when the bookseller, seeing him turn from shelves loaded with Mrs. Trimmer and Miss Edgeworth, offered him modern tales of fay and genii, as substitutes for his old favorites, he exclaimed, "These are not my own _true_ fairy tales!"

When surrounded by his grandchildren, Perrault related to them the stories he had formerly invented for his children. One evening after having repeated for the seventh or eighth time the clever tricks of "Puss in Boots," Mary, a pretty little girl of seven years of age, climbed up on her grandfather's knee, and giving him a kiss, put her little dimpled hands into the curls of the old man's large wig.

"Grandpapa," said she, "why don't you make beautiful stories for us as you used to do for papa and my uncles?"

"Yes," exclaimed the other children, "dear grandpapa, you must make a story entirely for ourselves."

Charles Perrault smiled, but there was a touch of sadness in the smile. "Ah, dear children," said he, "it is very long since I wrote a fairy tale, and I am not as young as I was then. You see I require a stick to enable me to get along, and am bent almost double, and can walk but very, very slowly. My eyes are so dim, I can hardly distinguish your little merry faces; my ear can hardly catch the sound of your voices; nor is my mind what it was. My imagination has lost its vigor and freshness; memory itself has nearly deserted me; but I love you dearly, and like to give you pleasure. However, I doubt if my poor bald head could now make a fairy tale for you, so I will tell you one which I heard so often from my mother that I think I can repeat it word for word."

The children joyfully gathered round the old man, who passed his hands for a moment across his wrinkled brow, and began the story as follows:

My mother and your great-grandmother, Madeline Geoffrey, was the daughter of a linendraper, who, at the time I speak of, had been residing for three years in the Rue des Bourdonnais, close to the Cemetery of the Innocents. One evening, having gone alone to vespers at the church of St. Eustace, as she was hastening home to her mother, who had been prevented by illness from accompanying her, she heard a great noise at the top of the street, and looking up saw an immense mob hurrying along, shouting and hooting. As they were then in the midst of the troubles of the Fronde, Madeline in alarm hurried toward the house, and having opened the door by a latch-key, was turning to close it, when she was startled on seeing behind her a woman wrapped in a black mantle holding two children by the hand. This woman rushed past Madeline into the shop, exclaiming, "In the name of all you hold most dear, save me! Hide me and my children in some corner of your house! However helpless and unfortunate I may appear at this moment, doubt not my power to prove my gratitude to you."

"I should want no reward for helping the distressed," said Madeline, deeply touched by the mother's agony; "but poor protection can this house afford against a brutal mob." The stranger cast a hurried and tearful glance around; when, suddenly uttering a cry of joy, she fixed her eye upon part of the floor almost concealed by the shop counter, and rushing to the spot, exclaimed, "I have it!--I have it!" As she spoke, she lifted a trap-door contrived in the floor, opening on a stone staircase which led to a subterranean passage; and snatching up her children in her arms, darted down into the gulf, leaving my mother stupefied with astonishment. But the cries of the mob, who had by this time reached the shop, and were clamorously demanding admittance, roused her; and quickly closing the trap-door, she called her father who came down in great alarm.

After a short parley, he opened the door, which they were beginning to force. The mob consisted of two or three hundred miserable tattered wretches, who poured into the house; and after searching every corner of it, without finding any thing, were so furious with disappointment, that they seized upon Madeline and her father.

"Deliver up to us the woman we are looking for!" they exclaimed. "She is a vile sorceress--an enemy to the citizens of Paris; she takes the part of the hated Austrian against us; she is the cause of all the famine and misery that is desolating Paris. We must have her and her children, that we may wreak just vengeance on them!"

"We know not who you mean," replied my grandfather, who, in truth, was quite ignorant of what had occurred; "we have not seen any one--no one has entered the house."

"We know how to make such obstinate old wretches speak," exclaimed one of the ringleaders. He seized my mother, and pointing a loaded pistol at her breast, cried, "The woman! We want the woman!"

At this moment Madeline, being exactly over the trap-door, heard a slight rustle underneath; and fearing that it would betray the stranger's hiding-place, endeavored to drown the noise from below by stamping with her foot, while she boldly replied, "I have no one to give up to you."

"Well, then, you shall see how it fares with those who dare to resist us!" roared one of the infuriated mob. Tearing off her vail, he seized Madeline by the hair, and pulled her to the ground.

"Speak!" he exclaimed, "or I will drag you through the streets of Paris to the gibbet on the Place de la Grève." My mother uttered not a word, but silently commended herself to God. What might have been the issue Heaven only knows, had not the citizens in that quarter, on seeing their neighbor's house attacked, hastily armed themselves, and dispersed the mob. Madeline's first care was to reassure her almost fainting mother. After which, rejoining her father, she helped him to barricade the door, so as to be prepared for any new incursion, and then began to prepare the supper as usual.

While laying the cloth, the young girl debated whether she should tell her father of the refuge afforded to the stranger by the subterraneous passage; but after a fervent prayer to God, to enable her to act for the best, she decided that it would be more prudent not to expose him to any risk arising from the possession of such a secret. Arming herself, therefore, with all the resolution she could command, she performed her usual household duties; and when her father and mother had retired to rest, and all was quiet in the house, she took off her shoes, and stealing down stairs into the shop, cautiously opened the trap-door, and entered the vault with provisions for those who already were indebted to her for life and safety.

"You are a noble girl," said the stranger to her. "What do I not owe to your heroic devotedness and presence of mind? God will reward you in heaven, and I trust he will permit me to recompense you here below." Madeline gazed with intense interest on the stranger, as the light of the lamp in her hand, falling full upon her face, gave to view features whose dignified and majestic expression inspired at the very first glance a feeling of respect. A long black mantle almost wholly concealed her figure and a vail was thrown over her head. Her children lay at her feet in a quiet sleep.

"Thanks for the food you have brought," said she to Madeline. "Thanks, dear girl. As for me, I can not eat; but my children have tasted nothing since morning. I will ask you to leave me your light; and now go, take some rest, for surely you must want it after the excitement you have undergone." Madeline looked at her in surprise.

"I should have thought, madam," said she, "that you would make an effort to find some asylum, if not more secure, at least more comfortable than this."

"Be not uneasy about me, my good girl. When my time is come, it will be as easy for me to leave this place as it was to reveal to you the secret of its existence. Good-night, my child. Perhaps we may not meet again for some time; but remember I solemnly promise that I will grant any three wishes you may form!" She motioned to her to retire; and that indescribable air of majesty which accompanied every gesture of the unknown seemed as if it left Madeline no choice but to obey.

Notwithstanding her fatigue, Madeline hardly slept that night. The events of the day had seized hold of her imagination, and she exhausted herself in continued and wondering conjecture. Who could this woman be, pursued by the populace, and accused of being a sorceress, and an enemy to the people? How could she know of a place of concealment of which the inhabitants of the house were ignorant? As vainly did Madeline try to explain her entire composure, the certainty with which she spoke of being able to leave the vault whenever she pleased, and, above all, the solemn and mysterious promise she had made to fulfill any three wishes of the young girl.

Had you, my dear children, been in your great-grandmother's place, should you not have been very much excited and very curious? What think you? would you have slept a bit better than Madeline did? I hardly think you would, if I may judge from those eager eyes.

The whole of the next day Madeline could think of nothing but her secret. Seated behind the counter, in her usual place, she started at the slightest sound. At one moment, it seemed to her as if every one who entered the shop must discover the trap-door; at the next she expected to see it raised to give egress to the unknown, till, dizzy and bewildered, she scarcely knew whether to believe her whose life she had saved to be a malignant sorceress or a benevolent fairy. Then smiling at her own folly, she asked herself how a woman endowed with supernatural power could need her protection. It is unnecessary to say how long the time appeared to her till she could revisit the subterranean passage, and find herself once more in the presence of the stranger. Thus the morning, the afternoon, and the evening wore slowly away, and it seemed ages to her till her father, mother, and the shopmen were fairly asleep.

As soon as the clock struck twelve, she rose, using still more precaution than on the preceding night, opened the trap-door, descended the stone staircase, and entered the subterraneous passage, but found no one. She turned the light in every direction. The vault was empty: the stranger and her children had disappeared! Madeline was almost as much alarmed as surprised; however, recovering herself, she carefully examined the walls of the vault. Not an opening, not a door, not the smallest aperture was to be seen. She stamped on the ground, but no hollow sound was heard. Suddenly she thought she perceived some written characters on the stone-flag. She bent down, and by the light of her lamp read the following words, evidently traced with some pointed instrument: "Remember, Madeline, that she who owes to thee the life of her children, promises to grant thee three wishes."

Here Perrault stopped.

"Well, children," said he, "what do you think of this first part of my story, and of your great-grandmother's adventures? What conjectures have you formed as to the mysterious lady?"

"She is a good fairy," said little Mary, "for she can grant three wishes, like the fairy in Finetta."

"No, she is a sorceress," objected Louisa. "Did not the people say so, and they would not have wanted to kill her unless she was wicked?"

"As for me," replied Joseph, the eldest of the family, "I believe neither in witches nor fairies, for there are no such things. Am not I right, grandpapa?"

Charles Perrault smiled, but contented himself with saying--"Now, be off to bed. It is getting late. Do not forget to pray to God to make you good children; and I promise, if you are very diligent to-morrow, to finish for you in the evening the wonderful adventures of your great-grandmother."

The children kissed their grandpapa, and went to bed to dream of Madeline and the fairy.

The next evening, the old man, taking his usual seat in the arm-chair, resumed his story without any preamble, though a preamble is generally considered as important by a story-teller as a preface is by the writer of a romance. He spoke as follows:

It would seem that my mother, in her obscure and peaceful life, had nothing to wish for, or that her wishes were all fulfilled as soon as formed; for she not only never invoked the fairy of the vault, but even gradually lost all remembrance of the promises made her by the unknown, and the whole adventure at last faded from her memory. It is true that thirteen years had passed away, and the young girl had become a wife and mother. She had long left the house where the occurrence I have related to you took place, and had come to live in the Rue St. Jacques, where we now reside, though I have since then rebuilt the former tenement.

My father, as you know, was a lawyer. Though of noble birth, he did not think it beneath him to marry the daughter of a shopkeeper, with but a small dowry. He found in Madeline's excellent qualities, her gentleness and beauty, irresistible attractions--and who that knew her could disapprove of his choice? Madeline possessed in an eminent degree that natural refinement of mind and manner which education and a knowledge of the world so often fail to give, while it seems intuitive in some. She devoted herself entirely to the happiness of her husband and her four sons, of whom I was the youngest. My father's income was quite sufficient for all the expenses of our happy family; for a truly happy family it was, till it pleased God to lay heavy trial upon us. My father fell ill, and for a whole year was obliged to give up the profits of his situation to provide a substitute; and he had scarcely begun, after his recovery, to endeavor to repair the losses he had suffered, when a fresh misfortune occurred.

One night, as my mother was lying quietly in bed, with her four little cubs around her, she was awakened by an unusual noise to behold the house wrapped in flames, which had already almost reached the room in which we were. At this moment my father appeared, and took my eldest brothers in his arms, while my mother had charge of Nicholas and me, who were the two youngest. Never shall I forget this awful moment. The flames crackled and hissed around us, casting a livid hue over the pale faces of my father and mother, who boldly advanced through the fire. With great difficulty they gained the staircase. My father dashed bravely forward. Nicholas, whom my mother held by the hand, screamed violently, and refused to go a step further. She caught him up in her arms, but during the short struggle the staircase had given way, and for a few moments my mother stood paralyzed by despair. But soon the imminent danger roused all the energy of her heroic nature. Your grandmother was no common woman. She immediately retraced her steps, and firmly knotting the bedclothes together, fastened my brother and myself to them, and letting us down through the window, my father received us in his arms. Her children once saved, my mother thought but little of danger to herself, and she waited in calm self-possession, till a ladder being brought, she was rescued.

This trial was but a prelude to many others. The loss of our house completed the ruin of which my father's illness was the beginning. He was obliged to dispose of his situation, and take refuge in small lodgings at Chaillot, and there set to work steadily and cheerfully to support his family, opening a kind of pleader's office for legal students; but his health soon failed, and he became dangerously ill. My noble-minded mother struggled hard to ward off the want that now seemed inevitable; but what availed the efforts of one woman to support a sick husband and four children? One night came when we had literally nothing to eat. I shall never forget my mother's face, and the tears which streamed down her cheeks, when one of us cried, "Mother, we are very hungry!"

She now resolved to apply for help to the nuns of Chaillot; a step which, to her independent spirit, was a far greater trial than to brave the threats of the mob or the fury of the flames. But what is there too hard for a mother who has heard her children ask for food which she had not to give them? With sinking heart, and cheek now pale, now crimson from the struggle within her, she presented herself at the convent, and timidly made known her desire to speak with the superior. Her well-known character procured her instant admission, and her tale once told, obtained for her much kindly sympathy and some relief. As she was passing through the cloisters on her way back, she was startled by a voice suddenly demanding, "Art thou not Madeline Perrault?"

My mother started; the tones of that voice found an echo in her memory, and though thirteen years had elapsed since she had heard it, she recognized it to be that of the being whom her husband was wont to call her "Fairy." She turned round, and as the pale moonbeams that were now struggling through the long dim aisle fell upon the well-remembered stately form, in its black garb and flowing mantle, it seemed to Madeline's excited imagination to be indeed a being of some other world.

"I made thee a promise," said the unknown--"didst thou doubt my power, that thou hast never invoked my aid?" My mother crossed herself devoutly, now convinced that she was dealing with a supernatural being. The phantom smiled at her awe-struck look, and resumed, "Yet fear not; you have but to name three wishes, and my promise is still sure: they shall be granted." "My husband--oh, if he were but once more well!" "I say not that to give life or healing is within my province to bestow. God alone holds in his hands the issues of life and death. Say what else lies near thine heart?"

"Bread for my husband and children. Save them and me from beggary and want!"

"This is but one wish, and I would grant two more."

"I ask not--wish not for more."

"Be it so, then, Madeline Perrault; hold yourself in readiness to obey the orders that shall reach you before twelve hours have passed over your head." And she disappeared from Madeline's sight as suddenly as she had appeared to her.

My mother returned home in considerable agitation, and told my father all that had occurred. He tried to persuade her that the whole scene had been conjured up by her own excited imagination. But my mother persisted in repeating that nothing could be real if this was but fancy; and they passed a sleepless night in bewildering conjectures.

Early the next day a carriage stopped at the door, and a footman announced to my mother that it was sent to convey her and her family to a place appointed by one whose summons there was good reason they should obey. No questioning could extract from him any further information. You may well fancy how long my father and mother debated as to the prudence of obeying the mysterious summons. But curiosity at last prevailed; and to the unmixed delight of the children of the party, we all got into the carriage, which took the road to Paris, and drove on rapidly till we reached the Rue St. Jacques, where it drew up before a new house; and as the servant opened the carriage-door and let down the steps, my father perceived that it occupied the site of his house which had been burned down.

Our little party was met in the entrance by a deputation of the civic authorities, who welcomed my father to his house, and congratulated him on his being reinstated in the situation he had so long held with such credit to himself, and, as they were pleased to add, to themselves as members of the body to which he was such an honor.

My father stood as if in a dream, while my mother shed tears of joy and gratitude. A letter was now handed to her; and, hastily breaking the seal, she read, "Madeline, hast thou still a wish? Speak, and it shall be gratified!"

"Only that I may be allowed to see my benefactress, to pour out at her feet my heart's gratitude."

And at the instant the door opened, and the unknown appeared. Madeline, with clasped hands, darted suddenly forward; then, as suddenly checking herself, uttered some incoherent words, broken by sobs.

"Madeline," said the lady, "I have paid but a small part of the debt I owe you. But for you a ferocious mob would have murdered me and my children. To you I owe lives dearer to me than my own. Do not deem me ungrateful in so long appearing to have forgotten you. It has pleased our Heavenly Father to visit me also with heavy trials. Like you, I have seen my children in want of food which I had not to give, and without a spark of fire to warm their chilled limbs. But more, my husband was traitorously put to death, and I have been myself proscribed. When you rescued me, they were hunting me like a wild beast, because I refused to take part against the son of my brother. But brighter days have dawned. My son is restored to the throne of his fathers, and Henrietta of England can now pay the debt of gratitude she owes Madeline Perrault."

"But how can poor Madeline ever pay the debt she owes?" exclaimed my mother.

"By sometimes coming to visit me in my retreat at Chaillot; for what has a queen without a kingdom, a widow weeping for her murdered husband, a mother forever separated from her children--what has she any more to do with the world whose nothingness she has so sadly experienced? To know that amid my desolation I have made one being happy, will be soothing to me, and your children's innocent merriment perchance may beguile some lonely hours. Henceforth, Madeline, our intercourse will not bear the romantic character that has hitherto marked it, and which chance, in the first instance, and afterward a whim of mine, has made it assume. By accident I was led to take refuge in your house in the Rue des Bourdonnais, and instantly recollected it as the former abode of Ruggieri, my mother's astrologer. His laboratory was the vault which doubtless you have not forgotten, and the entrance to which was as well known to me as the subterraneous passage by which I left it, and which led to the Cemetery of the Innocents. Last night I heard all you said to the superior, and was about to inquire directly of yourself, when, seeing the effect of my sudden appearance, I was induced to play the fairy once more. The instant you left me I put in requisition the only fairy wand I possessed, and money soon placed at my disposal the house which I have the happiness of making once again your own. You now know my secret, but though no fairy, I have still some influence, and you shall ever have in me a firm friend and protectress."

And from that time the queen never lost an opportunity of serving my mother and her family, and it is to her I owe the favor and patronage of the minister Colbert.

"And now, children," said Perrault, "how do you like my last fairy tale?"

[From Dickens's Household Words.]

THE EFFORTS OF A GENTLEMAN IN SEARCH OF DESPAIR.

Mr. Blackbrook lived in a world of his own. It was his pleasure to believe that men were phantoms of a day. For life he had the utmost contempt. He pronounced it to be a breath, a sigh, a fleeting shadow. His perpetual theme was, that we are only here for a brief space of time. He likened the uncertainty of existence to all the most frightful ventures he could conjure up. He informed timid ladies that they were perpetually on the edge of a yawning abyss; and warned little boys that their laughter might be turned to tears and lamentation, at the shortest notice. Mr. Blackbrook was a welcome guest in a large serious circle. From his youth he had shown a poetic leaning, of the most serious order. His muse was always in deep mourning--his poetic gum oozed only from his favorite grave-yard.

He thought "L'Allegro" Milton's worst performance; and declared that Gray's "Elegy in a Country Church-yard" was too light and frivolous. His life was not without its cares; but, then, he reveled in his misfortunes. He was always prepossessed with a man who wore a hatband. The owl was his favorite bird. A black cat was the only feline specimen he would admit to his sombre apartment; and his garden was stocked with yew-trees. He reveled in the charm of melancholy--he would not, if he could, be gay. His meditations raised him so great a height above his family, that little sympathy could exist between them. Eternity so engaged him, that his brothers and sisters--mere phantoms--did not cost him much consideration. His youthful Lines to the Owl, in the course of which he called the bird in question "a solemn messenger," "a dread image of the moral darkness which surrounds us," "a welcome voice," and "a mysterious visitant," indicated the peculiar turn of his mind. His determination to be miserable was nothing short of heroic. In his twenty-second year a relation left him a modest fortune. His friends flocked about him to congratulate him; but they found him in a state of seraphic sorrow, searching out a proper rhyme to the urn in which he had poetically deposited the ashes of his benefactor. On looking over the lines he had distilled from his prostrate heart, his friends, to their astonishment, discovered that he had alluded to the bequest in question in the most contemptuous strain:

Why leave to one thy velvet and thy dross, Whose wealth is boundless, and whose velvet's moss?

So ran his poetic commentary. His boundless wealth consisted of intellectual treasures exclusively, and the sweet declaration that moss was his velvet, was meant to convey to the reader the simplicity and Arcadian nature of his habits. The relation who had the assurance to leave him a fortune, was dragged remorselessly through fifty lines as a punishment for his temerity. Yet, in a fit of abstraction, Mr. Blackbrook hurried to Doctors' Commons to prove the will; hereby displaying his resignation to the horrible degree of comfort which the money assured to him. It was not for him, however, to forget that life was checkered with woe, that it was a vale of tears--a brief, trite, contemptible matter. The gayety of his house and relations horrified him; they interfered, at every turn, with his melancholy mood. He sighed for the fate of Byron or Chatterton! Why was he doomed to have his three regular meals per diem; to lie, at night, upon a feather-bed, and the recognized layers of mattresses; to have a new coat when he wanted one; to have money continually in his pocket, and to be accepted when he made an offer of marriage? The fates were obviously against him. One of his sisters fell in love. How hopefully he watched the course of her passion! How fondly he lingered near, in the expectation, the happy expectation, of a lovers' quarrel. But his sister had a sweet disposition--a mouth made to distill the gentlest and most tender accents. The courtship progressed with unusual harmony on both sides. Only once did fortune appear to favor him. One evening, he observed that the lovers avoided each other, and parted coldly. Now was his opportunity; and in the still midnight, when all the members of his household were in bed, he took his seat in his chamber, and, by the midnight oil, threw his soul into some plaintive lines "On a Sister's Sorrow." He mourned for her in heart-breaking syllables; likened her lover to an adder in an angel's path; dwelt on her quiet gray eyes, her stately proportions, and her classic face. He doomed her to years of quiet despair, and saw her fickle admirer the gayest of the gay. He concluded with the consoling intelligence, that he would go hand in hand with her along the darkened passage to the grave. His sister, however, did not avail herself of this proffered companionship, but chose rather to be reconciled, and to marry her lover.

Mr. Blackbrook found some consolation for this disappointment in the composition of an epithalamium of the most doleful character on the occasion of his sister's marriage, in the course of which he informed her that Jove's thunderbolts might be hurled at her husband's head at any period of the day; that we all must die; that the bride may be a widow on the morrow of her nuptials; and other equally cheerful truths. Yet at his sister's wedding-breakfast, Mr. Blackbrook coquetted with the choice parts of a chicken, and drowned his sorrow in a delectable jelly.

When for a short time he was betrayed into the expression of any cheerful sentiment, if he ever allowed that it was a fine day, he quickly relapsed into congenial gloom, and discovered that there might be a thunder-storm within the next half-hour. His only comfort was in the reflection that his maternal uncle's family were consumptive. Here he anticipated a fine field for the exercise of his poetic gifts, and, accordingly, when his aunt was gathered to her fore-fathers, her dutiful nephew laid a sheet of blank paper upon his desk, and settled himself down to write "a Dirge." He began by attributing all the virtues to her--devoting about six lines to each separate virtue. Her person next engaged his attention, and he discovered, though none of her friends had ever remarked her surpassing loveliness, that her step was as the breath of the summer-wind on flowers (certainly no gardener would have trusted her upon his box-borders); that she was fresh as Hebe (she always breakfasted in bed); that she had pearly teeth (her dentist has maliciously informed us that they were made of the very best ivory); and, finally, that her general deportment was most charming--so charming that Mr. Blackbrook never dared trust himself in her seductive presence. Having proceeded thus far with his melancholy duty, the poet ate a hearty supper of the heaviest cold pudding, and--we had almost written--went to bed--but we remember that Mr. Blackbrook always "retired to his solitary couch." He rose, betimes, on the following morning, looking most poetically pale. His dreams had been of woe, and darkness, and death; the pudding had had the desired effect. Again he placed himself at his desk, and having read over the prefatory lines which we have endeavored to describe, he threw his fragrant curl from his marble forehead, and thought of the funeral-pall, the darkened hall--of grief acute, and the unstrung lute. He put his aunt's sorrowing circle in every possible position of despair. He represented his surviving uncle as threatening to pass the serene portals of reason; he discovered that a dark tide rolled at the unhappy man's feet; that the sun itself would henceforth look dark to him; that he would never smile again; and that, in all probability, the shroud would soon enwrap his manly form. He next proceeded to describe minutely the pearly tears of his cousins, and the terrible darkness that had come over their bright, young dreams. An affecting allusion to his own unfathomable grief on the occasion, was concluded by the hope that he might soon join his sainted aunt, though he had never taken the least trouble to pay her a visit while she lived in St. John's Wood. This touching dirge was printed upon mourning paper, and distributed among Mr. Blackbrook's friends. The death of an aunt was an affecting incident, but still it fell short of the brink of despair. Mr. Blackbrook's natural abiding-place was the edge of a precipice. His muse must be fed on heroic sorrows, hopeless agony, and other poetical condiments of the same serious nature. The course of modern life was too level for his impetuous spirit; but in the absence of that terrible condition to which he aspired, he caught at every incident that could nerve the pinion of his muse for grander flights. A dead fly, which he found crushed between the leaves of a book, furnished him with a theme for one of his tenderest compositions. He speculated upon the probable career of the fly--opined that it had a little world of its own, a family, and a sense of the beautiful. This effusion met with such fervent praise, that he followed it up by "Thoughts on Cheese-dust," in which he dived into the mysteries of these animalculæ, and calculated the myriads of lives that were sacrificed to give a momentary enjoyment to the "pampered palate of man." His attention was called, however, from these minor poetic considerations, to a matter approaching in its gravity to that heroic pitch of sorrow which he had sought so unsuccessfully hitherto.

His cousin was drowned by the upsetting of a pleasure-boat. At such a calamity it was reasonable to despair--to refuse comfort--to leave his hair uncombed--to look constantly on the ground--to lose all appetite--to write flowing verse. Mr. Blackbrook entered upon his vocation with a full sense of its heroism. At least one hundred lines would be expected from him on so tremendous an occasion. The catastrophe was so poetical! The sea-weed might have been represented entangled in the golden tresses of the poor girl, had the accident happened only a little nearer the Nore; and the print of her fair form might have been faintly traced upon "the ribbed sea-sand." This was unfortunate. In reality, the "melancholy occurrence" took place at Richmond. Mr. Blackbrook began by calling upon the willows of Richmond and its immediate vicinity to dip their tender branches in the stream, in token of their grief. Mr. Blackbrook, felicitously remembering that Pope once lived not far from Richmond, next invoked that poet's shade, and begged the loan of his melodious rhythm. But the shade in question not answering to the summons, all that remained for the sorrowing poet to do was to take down his dictionary of rhymes, and tune his own lyre to its most mournful cadences. He set to work: he called the Thames a treacherous stream; he christened the wherry a bark; he declared that when the pleasure-party embarked at Richmond-bridge, Death, the lean fellow, was standing upon the beach with his weapon upraised. Asterisks described the death; and some of his friends declared this passage the best in the poem. He then went on to inform his readers that all was over; but by this expression the reader must not infer that the dirge was brought to a conclusion: by no means. Mr. Blackbrook had made up his mind that his state of despair required, at least, one hundred lines to give it adequate expression. He had devoted twenty to the death of a fly--surely, then, a female cousin deserved one hundred. This logical reflection spurred him on. He pulled down the blinds, and in a gloom that suited well with his forlorn state of mind, he began a picture of his condition. With the aid of his dictionary, having asserted that the shroud enwrapped a cousin's form, he reflected that he envied the place of the winding-sheet, and was jealous of the worms. He felt that he was warming into his subject. He tried to think of the condition in which the remains of his relative would speedily be; and having carefully referred to an eminent medical work as to the length of time which the human body requires to resolve itself into its original earth (for he was precise in his statements), he proceeded to describe, with heart-rending faithfulness, the various stages of this inevitable decay. That was true poetry. He declared that the worm would crawl upon those lips that the lover had fondly pressed, and that the hand which once touched the harp so magically was now motionless forever. Having brought this tragic description to a conclusion, he proceeded to number the flowers that should spring from his cousin's grave, and to promise that

----from year to year, Roses shall flourish, moistened by a tear.

This vow evidently eased his heart a little, and enabled him to conclude the poem in a more cheerful spirit. He wound up with the reflection, that care was the lot of humanity, and that it was his duty to bear his proportion of the common load with a patient though bruised spirit. He felt that to complete his poetic destiny he ought to wander, none knew whither, and to turn up only at most unseasonable hours, and in most solemn places. But unhappily he was informed that it was necessary he should remain on the spot for the proper management of his affairs. Fate would have it so. Why was he not allowed to pursue his destiny? He was one day mentally bewailing the even tenor of his way, when a few kind friends suggested that he should publish his effusions. At first he firmly refused. What was fame to him--a hopeless, despairing man on the brink of the grave! His friends, however, pressed him in the end into compliance; and in due time Mr. Blackbrook's "Life-drops from the Heart" were offered to the public for the price of ten shillings--little more than one shilling per drop.

An eminent critic wrote the following opinion of our friend and his poetry:

"We notice Mr. Blackbrook as the representative of a school--the Doleful School. He draws terrible pictures; but what are his materials? He does not write from the heart, inasmuch as, if he really felt that incessant agony, which is his everlasting theme, we should find in his performances some original imagery--something with an individual stamp. We rather hold Mr. Blackbrook to be a very deliberate, vain, and calculating being, who takes advantage of a domestic calamity to display his knack of verse-making; who composedly turns a couplet upon the coffin of his mistress; whose sympathy and sensibility are only the ingenious masks of inordinate self-esteem. His view of the poetic is only worthy of an undertaker. He sees nature through a black-crape vail. He describes graves with the minuteness of a body-snatcher; and when he would be impressive is disgusting. You see the actor, not the poet. He admits you (for he can not help it) behind the scenes. His rhymes are not the music of a poetic faculty; but rather the jingle of a parrot. He is one of a popular school, however; and while the public buy his wares, he will continue to fashion them. Materialist to the back-bone, he simpers about the littleness of human dealings and human sympathies. He who pretends to be melted with pity over the fate of a fly, would use his mother's tombstone as a writing-desk. He deals in human sorrow, as his baker deals in loaves. Nervous dowagers, who love tears and 'dreadful descriptions;' who enjoy 'a good cry;' and who have the peculiar faculty of seeing the dark side of every thing, enjoy his dish of verses amazingly. To sensitive young ladies there is a terrible fascination in his inventories of the tomb and its appendages; and children are afraid to walk about in the dark, after listening to one of his effusions. The followers of his school include one or two formidable young ladies, who enter into descriptions of death--that is to say, the material part of death--with a minuteness that must excite the envy even of the most ingenious auctioneer. When bent upon a fresh composition, these terrible young poetesses, having killed a child, proceed to trace its journey to the tomb--its return to earth. How they gloat over the dire changes!--how systematically the painful portrait is proceeded with! In this they rival Chinese artists. And people of ill-regulated sympathy, who, containing within them all the elements of spiritual culture, are yet affected only by sensual appeals, regard these doleful effusions as the outpourings of true human suffering.

"Mr. Blackbrook and his disciples are hapless materialists, verse-makers without a sense of the beautiful. They are patronized by those to whom they write down; and the effect of their lucubrations is to enchain the imagination, to debase the moral capacity, to weaken that spiritual faith which disdains the horrors of the church-yard. Mr. Blackbrook's adventures in search of despair were undertaken, to our mind, in a cold-blooded spirit. A resolute determination to discover the gloomiest phase of every earthly matter, a longing for the applause of a foolish clique, and a confused idea that Chatterton was a poet because he perished miserably, while Byron owed his inspiration to his domestic unhappiness--make up that picture of a verse-writer which we have endeavored to delineate. When extraordinary vanity is allied to very ordinary ability, the combination is an unwholesome, ascetic, weak, and deformed mind: such a mind has Mr. Blackbrook. He endeavors to drag us into a vault, when we would regard the heavenly aspect of death. Ask him to solve the great mystery, and he points to the fading corpse. His tears suggest the use of onions; and his threats of self-destruction, remind us of the rouge and Indian ink of an indifferent melodramatic actor. We have no respect for his misfortunes, since we find that he esteems them only as opportunities for display: we know that despair is welcome to him. He turns his back to the sun, and rejoices to see the length of shade he can throw upon the earth. Nature to him is only a vast charnel-house--so constructed that he may sing a life-long requiem. He would have us journey through life with our eyes fixed upon the ground, scenting the gases of decay. But wiser men--poets of the soul--bid us look up to heaven, nor disdain, as we raise our heads, to mark the beauty of the lily--to gather, and with hearty thanks, the fragrance of the rose."

MY NOVEL; OR, VARIETIES IN ENGLISH LIFE.

(_Continued from page 396._)