PART TWO: CLASSIFIED

INDEX OF TITLES

_General Literature_ ART OF BALLET, THE. _By Mark E. Perugini._ ART OF SILHOUETTE, THE. _By Desmond Coke._ BATTLE OF THE BOYNE, THE. _By D. C. Boulger._ BEHIND THE RANGES. _By F. G. Aflalo._ BIRDS IN THE CALENDAR. _By F. G. Aflalo._ CAMILLE DESMOULINS. _By Violet Methley._ CARRIAGES AND COACHES. _By Ralph Straus._ CHRISTMAS CARD, A. _By Filson Young._ CUMBERLAND LETTERS, THE. _By Clementina Black._ DRAMATIC PORTRAITS. _By P. P. Howe._ FEMININE INFLUENCE ON THE POETS. _By E. Thomas._ GRAHAME OF CLAVERHOUSE. _By Michael Barrington._ HIEROGLYPHICS. _By Arthur Machen._ HISTORY OF THE HARLEQUINADE, THE. _By M. Sand._ LEADERS OF THE PEOPLE. _By Joseph Clayton._ LETTERS FROM GREECE. _By John Mavrogordato._ LINLEYS OF BATH, THE. _By Clementina Black._ MAHOMET. _By G. M. Draycott._ MARY WOLLSTONECRAFT. _By G. R. Stirling Taylor._ NEW LEAVES. _By Filson Young._ PEOPLE AND QUESTIONS. _By G. S. Street._ PERSONALITY IN LITERATURE. _By R. A. Scott-James._ PSYCHOLOGY OF THE GREAT WAR. _By Stirling Taylor._ REAL CAPTAIN CLEVELAND, THE. _By Allan Fea._ REGILDING THE CRESCENT. _By F. G. Aflalo._ ROBERT KETT. _By Joseph Clayton._ SOCIAL HISTORY OF SMOKING, THE. _By G. L. Apperson._ SOME ECCENTRICS AND A WOMAN. _By Lewis Melville._ SPECULATIVE DIALOGUES. _By Lascelles Abercrombie._ STUPOR MUNDI. _By Lionel Allshorn._ TENTH MUSE, THE. _By Edward Thomas._ THOSE UNITED STATES. _By Arnold Bennett._ VIE DE BOHÈME. _By Orlo Williams._ WILDE MYTH, THE. _By Lord Alfred Douglas._ WINDMILLS. _By Gilbert Cannan._

_Verse_

COLLECTED POEMS OF J. E. FLECKER. COLLECTED POEMS OF F. M. HUEFFER. CARMINA VARIA. _By C. Kennett Burrow._ CORONAL, A. A New Anthology. _By L. M. Lamont._ GOLDEN JOURNEY TO SAMARKAND, THE. _By J. E. Flecker._ KENSINGTON RHYMES. _By Compton Mackenzie._

_Drama_

DRAMATIC WORKS OF ST. JOHN HANKIN. _3 vols._ DRAMATIC WORKS OF GERHART HAUPTMANN. _6 vols._ CASSANDRA IN TROY. _By John Mavrogordato._ MAGIC. _By G. K. Chesterton._ MODERN DRAMA, THE. _By L. Lewisohn._ PEER GYNT. _Translated by R. Ellis Roberts._ REPERTORY THEATRE, THE. _By P. P. Howe._ THOMPSON. _By St. John Hankin and G. Calderon._

_Travel_

AUSTRALASIAN WANDER YEAR, AN. _By H. M. Vaughan_ EGYPTIAN ÆSTHETICS. _By René Francis_. FOUNTAINS IN THE SAND. _By Norman Douglas_. NOOKS AND CORNERS OF OLD ENGLAND. _By Allan Fea_. OLD CALABRIA. _By Norman Douglas_. OLD ENGLISH HOUSES. _By Allan Fea_. PERFUMES OF ARABY. _By Harold Jacob_.

_Martin Secker's Series of Critical Studies_

ROBERT BRIDGES. _By F. E. Brett Young_. SAMUEL BUTLER. _By Gilbert Cannan_. GEORGE GISSING. _By Frank Swinnerton_. THOMAS HARDY. _By Lascelles Abercrombie_. HENRIK IBSEN. _By R. Ellis Roberts_. HENRY JAMES. _By Ford Madox Hueffer_. MAURICE MAETERLINCK. _By Una Taylor_. GEORGE MEREDITH. _By Orlo Williams_. WILLIAM MORRIS. _By John Drinkwater_. WALTER PATER. _By Edward Thomas_. D. G. ROSSETTI. _By John Drinkwater_. BERNARD SHAW. _By P. P. Howe_. R. L. STEVENSON. _By Frank Swinnerton_. A. C. SWINBURNE. _By Edward Thomas_. J. M. SYNGE. _By P. P. Howe_. LEO TOLSTOI. _By R. Ellis Roberts_. WALT WHITMAN. _By Basil de Selincourt_. W. B. YEATS. _By Forrest Reid_.

_The Art and Craft of Letters_

BALLAD, THE. _By Frank Sidgwick._ COMEDY. _By John Palmer._ CRITICISM. _By P. P. Howe._ EPIC, THE. _By Lascelles Abercrombie._ ESSAY, THE. _By Orlo Williams._ HISTORY. _By R. H. Gretton._ LYRIC, THE. _By John Drinkwater._ PARODY. _By Christopher Stone._ PUNCTUATION. _By Filson Young._ SATIRE. _By Gilbert Cannan._ SHORT STORY, THE. By Barry Pain.

_Fiction_

ALTAR OF THE DEAD, THE. _By Henry James._ ASPERN PAPERS, THE. _By Henry James._ BANKRUPT, THE. _By Horace Horsnell._ BANNER OF THE BULL, THE. _By Rafael Sabatini._ BATTLES OF LIFE. _By Austin Philips._ BEAST IN THE JUNGLE, THE. _By Henry James._ BREAKING-POINT. _By Michael Artzibashef._ BURNT HOUSE, THE. _By Christopher Stone._ CARNIVAL. _By Compton Mackenzie._ CASUALS OF THE SEA. _By William McFee._ COLLECTED TALES: Vol. I. _By Barry Pain._ COLLECTED TALES: Vol. II. _By Barry Pain._ COLUMBINE. _By Viola Meynell._ COMMON CHORD, THE. _By Phyllis Bottome._ COXON FUND, THE. _By Henry James._ DAISY MILLER. _By Henry James._ DARK TOWER, THE. _By E. Brett Young._ DEATH OF THE LION, THE. _By Henry James._ DEBIT ACCOUNT, THE. _By Oliver Onions._ DEEP SEA. _By F. Brett Young._ DUCHESS OF WREXE, THE. _By Hugh Walpole._ FIGURE IN THE CARPET, THE. _By Henry James._ FOOL'S TRAGEDY, THE. _By A. Scott Craven._ FORTITUDE. _By Hugh Walpole._ GLASSES. _By Henry James._ GOLIGHTLYS, THE. _By Laurence North._ GUY AND PAULINE. _By Compton Mackenzie._ IMPATIENT GRISELDA. _By Laurence North._ IMPERFECT BRANCH, THE. _By Richard Lluellyn._ IN ACCORDANCE WITH THE EVIDENCE. _By O. Onions._ IRON AGE, THE. _By F. Brett Young._ L.S.D. _By Bohun Lynch._ LESSON OF THE MASTER, THE. _By Henry James._ LOT BARROW. _By Viola Meynell._ MARRIAGE OF QUIXOTE, THE. _By Donald Armstrong._ MAKING MONEY. _By Owen Johnson._ MELEAGER. _By H. M. Vaughan._ MILLIONAIRE, THE. _By Michael Artzibashef._ MODERN LOVERS. _By Viola Meynell._ NARCISSUS. _By Viola Meynell._ OLD MOLE. _By Gilbert Cannan._ OLD HOUSE, THE. _By Feodor Sologub._ ONE KIND AND ANOTHER. _By Barry Pain._ OUTWARD APPEARANCE, THE. _By Stanley V. Makower._ PASSIONATE ELOPEMENT, THE. _By Compton Mackenzie._ PETER PARAGON. _By John Palmer._ PUPIL, THE. _By Henry James._ QUESTING BEAST, THE. _By Ivy Low._ RECORD OF A SILENT LIFE, THE. _By Anna Preston._ REVERBERATOR, THE. _By Henry James._ ROUND THE CORNER. _By Gilbert Cannan._ SALAMANDER, THE. _By Owen Johnson._ SANINE. _By Michael Artzibashef._ SEA HAWK, THE. _By Rafael Sabatini._ SECURITY. _By Ivor Brown._ SINISTER STREET. I. _By Compton Mackenzie._ SINISTER STREET. II. _By Compton Mackenzie._ STORY OF LOUIE, THE. _By Oliver Onions._ TALES OF THE REVOLUTION. _By M. Artzibashef._ TELLING THE TRUTH. _By William Hewlett._ TRUE DIMENSION, THE. _By Warrington Dawson._ TURN OF THE SCREW, THE. _By Henry James._ UNCLE'S ADVICE. _By William Hewlett._ UNDERGROWTH. _By F. & E. Brett Young._ UNDERMAN, THE. _By Joseph Clayton._ UNOFFICIAL. _By Bohun Lynch._ WIDDERSHINS. _By Oliver Onions._ YEARS OF PLENTY. _By Ivor Brown._ YOUNG EARNEST. _By Gilbert Cannan._

BALLANTYNE PRESS: LONDON AND EDINBURGH

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The following typographical errors were corrected by the etext transcriber:

managed somehow that he should chose Monica=managed somehow that he should choose Monica

were akin to the birds in their shubberies=were akin to the birds in their shrubberies

the tapestries even more beautiful that himself had woven.=the tapestries even more beautiful that he himself had woven.

"The train's quite punctual," said Mr. Hazelwood="The train's quite punctual," said Mr. Hazlewood

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