Category: Plays/Films/Dramas

Greek tragedy

lyrics are so difficult that most students treat them as prose. I have done my best to be accurate, clear, and simple, with the purpose of enabling the sixth-form boy or undergraduate to read his “chorus” with a sense of metrical and rhythmical form. With regard to this chapte...

Chapters

1. Chapter VI, on metre and rhythm, will, I hope, be found useful. Greek

lyrics are so difficult that most students treat them as prose. I have done my best to be accurate, clear, and simple, with the purpose of enabling the sixth-form boy or undergr...

2. CHAPTER I

All the types of dramatic poetry known in Greece, tragic, satyric, and comic, originated in the worship of Dionysus, the deity of wild vegetation, fruits, and especially the vin...

3. CHAPTER II

Greek drama was looked upon not only as a form of entertainment and culture, but as an act of worship offered to the god Dionysus. It was, in consequence, restricted to his fest...

4. CHAPTER III

The place of Æschylus in dramatic history has been discussed in the first chapter. We have still to give some account of his seven extant plays and of the fragments.

5. scene three[227] persons engaged, Prometheus, Hephæstus, and Cratos

(“Strength”). Prometheus, however, does not utter a word until his tormentors have retired, and it has been held that only two actors are needed here (as in the rest of the work...

6. CHAPTER IV

The AJAX[302] (Αἴας, sometimes called Αἴας μαστιγοφόρος, from his scourging of the cattle) cannot be dated. It is generally agreed that this work and the _Antigone_ are the two...

7. CHAPTER V

Of nearly one hundred dramas composed by Euripides nineteen[411] have survived. These are now discussed in the approximate chronological order; the precise date of production is...

8. CHAPTER VI

Poetry is illuminating utterance consisting of words the successive sounds of which are arranged according to a recurrent pattern. The soul of poetry is this illumination, its b...