Greece

Greek Studies: a Series of Essays

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Chapters

18. Chapter 18

And together with this touching power there is also in this work the effect of an early simplicity, the charm of its limitations. For as art which has passed its prime has somet...

16. Chapter 16

And as this period begins with the chest of Cypselus, so it ends with a work in some respects similar, also seen and described by Pausanias--the throne, as he calls it, of the A...

19. Chapter 19

The age to which we are come in the story of Greek art presents to us indeed only a chapter of scattered fragments, of names that are little more, with but surmise of their orig...

4. Chapter 4

If Dionysus, like Persephone, has his gloomy side, like her he has also a peculiar message for a certain number of refined minds, seeking, in the later days of Greek religion, s...

17. Chapter 17

[251] I HAVE dwelt the more emphatically upon the purely sensuous aspects of early Greek art, on the beauty and charm of its mere material and workmanship, the grace of hand in...

12. Chapter 12

Those more dubious traits, nevertheless, so lightly disposed of by Hippolytus (Hecate thus counting for him as Artemis goddess of health), became to his mother, in the light of...

11. Chapter 11

As with civil matters, so it was also, we may fairly suppose, with religion; the deme-life was a manifestation of religious custom and sentiment, in all their primitive local va...

15. Chapter 15

And now we see why Hephaestus, that crook-backed and uncomely god, is the husband of Aphrodite. Hephaestus is the god of fire, indeed; as fire he is flung from heaven by Zeus; a...

14. Chapter 14

The description of the shield of Hercules, attributed to Hesiod, is probably an imitation of Homer, and, notwithstanding some fine mythological impersonations which it contains,...

5. Chapter 5

They beat their drums before the palace; and then a humourous little scene, a reflex of the old Dionysiac comedy--of that laughter which was an essential element of the earliest...

13. Chapter 13

[187] THE extant remains of Greek sculpture, though but a fragment of what the Greek sculptors produced, are, both in number and in excellence, in their fitness, therefore, to r...

2. Chapter 2

The artists of the Renaissance occupied themselves much with the person and the story of Dionysus; and Michelangelo, in a work still remaining in Florence, in which he essayed [...

3. Chapter 3

[34] With such habitual impressions concerning the body, the physical nature of man, the Greek sculptor, in his later day, still free in imagination, through the lingering influ...

7. Chapter 7

[96] Modern science explains the changes of the natural world by the hypothesis of certain unconscious forces; and the sum of these forces, in their combined action, constitutes...

1. Chapter 1

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10. Chapter 10

Yet so far, it might seem, when we consider the interest of this story in itself, and its importance in the Greek religion, that no adequate expression of it had remained to us...

8. Chapter 8

The student of origins, as French critics say, of the earliest stages of art and poetry, must be content to follow faint traces; and in what has been here said, much may seem to...

6. Chapter 6

[81] No chapter in the history of human imagination is more curious than the myth of Demeter, and Kore or Persephone. Alien in some respects from the genuine traditions of Greek...

9. Chapter 9

"So I, and Eucritus, and the fair Amyntichus, turned aside into the house of Phrasidamus, and lay down with delight in beds of sweet tamarisk and fresh cuttings from the vines,...