Part 11

Schlüssel shut me up as calmly as one locks up his socks in a cupboard, while thinking of something else. As for me, I stood for more than ten minutes with my hands behind my back and my head bowed. At the end of that time I made the following reflection: "When falling, Rap cried out, 'I am assassinated,' but he did not say by whom. I will say it was my neighbour, the old merchant with the spectacles: he will be hanged in my place."

This idea comforted my heart, and I drew a long breath. Then I looked about my prison. It seemed to have been newly whitewashed, and the walls were bare of designs, except in one corner, where a gallows had been crudely sketched by my predecessor. The light was admitted through a bull's-eye about nine or ten feet from the floor; the furniture consisted of a bundle of straw and a tub.

I sat down upon the straw with my hands around my knees in deep despondency. It was with great difficulty that I could think clearly; but suddenly imagining that Rap, before dying, had denounced me, my legs began to tingle, and I jumped up coughing, as if the hempen cord were already tightening around my neck.

At the same moment, I heard Schlüssel walking down the corridor; he opened the lock-up, and told me to follow him. He was still accompanied by the two officers, so I fell into step resolutely.

We walked down long galleries, lighted at intervals by small windows from within. Behind a grating I saw the famous Jic-Jack, who was going to be executed on the morrow. He had on a strait-jacket and sang out in a raucous voice:

"Je suis le roi de ces montagnes."

Seeing me, he called out:

"Eh! comrade! I'll keep a place for you at my right."

The two police officers and the Owl-God looked at each other and smiled, while I felt the goose-flesh creep down the whole length of my back.

III

Schlüssel shoved me into a large and very dreary hall, with benches arranged in a semicircle. The appearance of this deserted hall, with its two high grated windows, and its Christ carved in old brown oak with His arms extended and His head sorrowfully inclined upon His shoulder, inspired me with I do not know what kind of religious fear that accorded with my actual situation.

All my ideas of false accusation disappeared, and my lips tremblingly murmured a prayer.

I had not prayed for a long time; but misfortune always brings us to thoughts of submission. Man is so little in himself!

Opposite me, on an elevated seat, two men were sitting with their backs to the light, and consequently their faces were in shadow. However, I recognized Van Spreckdal by his aquiline profile, illuminated by an oblique reflection from the window. The other person was fat, he had round, chubby cheeks and short hands, and he wore a robe, like Van Spreckdal.

Below was the clerk of the court, Conrad; he was writing at a low table and was tickling the tip of his ear with the feather-end of his pen. When I entered, he stopped to look at me curiously.

They made me sit down, and Van Spreckdal, raising his voice, said to me:

"Christian Vénius, where did you get this sketch?"

He showed me the nocturnal sketch which was then in his possession. It was handed to me. After having examined it, I replied:

"I am the author of it."

A long silence followed; the clerk of the court, Conrad, wrote down my reply. I heard his pen scratch over the paper, and I thought: "Why did they ask me that question? That has nothing to do with the kick I gave Rap in the back."

"You are the author of it?" asked Van Spreckdal. "What is the subject?"

"It is a subject of pure fancy."

"You have not copied the details from some spot?"

"No, sir; I imagined it all."

"Accused Christian," said the judge in a severe tone, "I ask you to reflect. Do not lie."

"I have spoken the truth."

"Write that down, clerk," said Van Spreckdal.

The pen scratched again.

"And this woman," continued the judge--"this woman who is being murdered at the side of the well--did you imagine her also?"

"Certainly."

"You have never seen her?"

"Never."

Van Spreckdal rose indignantly; then, sitting down again, he seemed to consult his companion in a low voice.

These two dark profiles silhouetted against the brightness of the window, and the three men standing behind me, the silence in the hall--everything made me shiver.

"What do you want with me? What have I done?" I murmured.

Suddenly Van Spreckdal said to my guardians:

"You can take the prisoner back to the carriage; we will go to Metzerstrasse."

Then, addressing me:

"Christian Vénius," he cried, "you are in a deplorable situation. Collect your thoughts and remember that if the law of man is inflexible, there still remains for you the mercy of God. This you can merit by confessing your crime."

These words stunned me like a blow from a hammer. I fell back with extended arms, crying:

"Ah! what a terrible dream!"

And I fainted.

When I regained consciousness, the carriage was rolling slowly down the street; another one preceded us. The two officers were always with me. One of them on the way offered a pinch of snuff to his companion; mechanically I reached out my hand toward the snuff-box, but he withdrew it quickly.

My cheeks reddened with shame, and I turned away my head to conceal my emotion.

"If you look outside," said the man with the snuff-box, "we shall be obliged to put handcuffs on you."

"May the devil strangle you, you infernal scoundrel!" I said to myself. And as the carriage now stopped, one of them got out, while the other held me by the collar; then, seeing that his comrade was ready to receive me, he pushed me rudely to him.

These infinite precautions to hold possession of my person boded no good; but I was far from predicting the seriousness of the accusation that hung over my head until an alarming circumstance opened my eyes and threw me into despair.

They pushed me along a low alley, the pavement of which was unequal and broken; along the wall there ran a yellowish ooze, exhaling a fetid odour. I walked down this dark place with the two men behind me. A little further there appeared the chiaroscuro of an interior courtyard.

I grew more and more terror-sticken as I advanced. It was no natural feeling: it was a poignant anxiety, outside of nature--like a nightmare. I recoiled instinctively at each step.

"Go on!" cried one of the policemen, laying his hand on my shoulder; "go on!"

But what was my astonishment when, at the end of the passage, I saw the courtyard that I had drawn the night before, with its walls furnished with hooks, its rubbish-heap of old iron, its chicken-coops, and its rabbit-hutch. Not a dormer window, high or low, not a broken pane, not the slightest detail had been omitted.

I was thunderstruck by this strange revelation.

Near the well were the two judges, Van Spreckdal and Richter. At their feet lay the old woman extended on her back, her long, thin, grey hair, her blue face, her eyes wide open, and her tongue between her teeth.

It was a horrible spectacle!

"Well," said Van Spreckdal, with solemn accents, "what have you to say?"

I did not reply.

"Do you remember having thrown this woman, Theresa Becker, into this well, after having strangled her to rob her of her money?"

"No," I cried, "no! I do not know this woman; I never saw her before. May God help me!"

"That will do," he replied in a dry voice. And without saying another word he went out with his companion.

The officers now believed that they had best put handcuffs on me. They took me back to the Raspelhaus, in a state of profound stupidity. I did not know what to think; my conscience itself troubled me; I even asked myself if I really had murdered the old woman!

In the eyes of the officers I was condemned.

I will not tell you of my emotions that night in the Raspelhaus, when, seated on my straw bed with the window opposite me and the gallows in perspective, I heard the watchmen cry in the silence of the night: "Sleep, people of Nuremberg; the Lord watches over you. One o'clock! Two o'clock! Three o'clock!"

Every one may form his own idea of such a night. There is a fine saying that it is better to be hanged innocent than guilty. For the soul, yes; but for the body, it makes no difference; on the contrary, it kicks, it curses its lot, it tries to escape, knowing well enough that its role ends with the rope. Add to this, that it repents not having sufficiently enjoyed life and at having listened to the soul when it preached abstinence.

"Ah! if I had only known!" it cried, "you would not have led me around by a string with your big words, your beautiful phrases, and your magnificent sentences! You would not have allured me with your fine promises. I should have had many happy moments that are now lost forever. Everything is over! You said to me: 'Control your passions.' Very well! I did control them. Here I am now. They are going to hang me, and you--later they will speak of you as a sublime soul, a stoical soul, a martyr to the errors of Justice. They will never think about me!"

Such were the sad reflections of my poor body.

Day broke; at first, dull and undecided, it threw an uncertain light on my bull's-eye window with its cross-bars; then it blazed against the wall at the back. Outside the street became lively. This was a market-day; it was Friday. I heard the vegetable wagons pass and also the country people with their baskets. Some chickens cackled in their coops in passing and some butter sellers chattered together. The market opposite opened, and they began to arrange the stalls.

Finally it was broad daylight and the vast murmur of the increasing crowd, housekeepers who assembled with baskets on their arms, coming and going, discussing and marketing, told me that it was eight o'clock.

With the light, my heart gained a little courage. Some of my black thoughts disappeared. I desired to see what was going on outside.

Other prisoners before me had managed to climb up to the bull's-eye; they had dug some holes in the wall to mount more easily. I climbed in my turn, and, when seated in the oval edge of the window, with my legs bent and my head bowed, I could see the crowd, and all the life and movement. Tears ran freely down my cheeks. I thought no longer of suicide--I experienced a need to live and breathe, which was really extraordinary.

"Ah!" I said, "to live what happiness! Let them harness me to a wheelbarrow--let them put a ball and chain around my leg--nothing matters if I may only live!"

The old market, with its roof shaped like an extinguisher, supported on heavy pillars, made a superb picture: old women seated before their panniers of vegetables, their cages of poultry and their baskets of eggs; behind them the Jews, dealers in old clothes, their faces the colour of old box-wood; butchers with bare arms, cutting up meat on their stalls; countrymen, with large hats on the backs of their heads, calm and grave with their hands behind their backs and resting on their sticks of hollywood, and tranquilly smoking their pipes. Then the tumult and noise of the crowd--those screaming, shrill, grave, high, and short words--those expressive gestures--those sudden attitudes that show from a distance the progress of a discussion and depict so well the character of the individual--in short, all this captivated my mind, and notwithstanding my sad condition, I felt happy to be still of the world.

Now, while I looked about in this manner, a man--a butcher--passed, inclining forward and carrying an enormous quarter of beef on his shoulders; his arms were bare, his elbows were raised upward and his head was bent under them. His long hair, like that of Salvator's Sicambrian, hid his face from me; and yet, at the first glance, I trembled.

"It is he!" I said.

All the blood in my body rushed to my heart. I got down from the window trembling to the ends of my fingers, feeling my cheeks quiver, and the pallor spread over my face, stammering in a choked voice:

"It is he! he is there--there--and I, I have to die to expiate his crime. Oh, God! what shall I do? What shall I do?"

A sudden idea, an inspiration from Heaven, flashed across my mind. I put my hand in the pocket of my coat--my box of crayons was there!

Then rushing to the wall, I began to trace the scene of the murder with superhuman energy. No uncertainty, no hesitation! I knew the man! I had seen him! He was there before me!

At ten o'clock the jailer came to my cell. His owl-like impassibility gave place to admiration.

"Is it possible?" he cried, standing at the threshold.

"Go, bring me my judges," I said to him, pursuing my work with an increasing exultation.

Schlüssel answered:

"They are waiting for you in the trial-room."

"I wish to make a revelation," I cried, as I put the finishing touches to the mysterious personage.

He lived; he was frightful to see. His full-faced figure, foreshortened upon the wall, stood out from the white background with an astonishing vitality.

The jailer went away.

A few minutes afterward the two judges appeared. They were stupefied. I, trembling, with extended hand, said to them:

"There is the murderer!"

After a few minutes of silence, Van Spreckdal asked me:

"What is his name?"

"I don't know; but he is at this moment in the market; he is cutting up meat in the third stall to the left as you enter from Trabaus Street."

"What do you think?" said he, leaning toward his colleague.

"Send for the man," he replied in a grave tone.

Several officers retained in the corridor obeyed this order. The judges stood, examining the sketch. As for me, I had dropped on my bed of straw, my head between my knees, perfectly exhausted.

Soon steps were heard echoing under the archway. Those who have never awaited the hour of deliverance and counted the minutes, which seem like centuries--those who have never experienced the sharp emotions of outrage, terror, hope, and doubt--can have no conception of the inward chills that I experienced at that moment. I should have distinguished the step of the murderer, walking between the guards, among a thousand others. They approached. The judges themselves seemed moved. I raised up my head, my heart feeling as if an iron hand had clutched it, and I fixed my eyes upon the closed door. It opened. The man entered. His cheeks were red and swollen, the muscles in his large contracted jaws twitched as far as his ears, and his little restless eyes, yellow like a wolf's, gleamed beneath his heavy yellowish red eyebrows.

Van Spreckdal showed him the sketch in silence.

Then that murderous man, with the large shoulders, having looked, grew pale--then, giving a roar which thrilled us all with terror, he waved his enormous arms, and jumped backward to overthrow the guards. There was a terrible struggle in the corridor; you could hear nothing but the panting breath of the butcher, his muttered imprecations, and the short words and the shuffling feet of the guard, upon the flagstones.

This lasted only about a minute.

Finally the assassin re-entered, with his head hanging down, his eyes bloodshot, and his hands fastened behind his back. He looked again at the picture of the murderer; he seemed to reflect, and then, in a low voice, as if talking to himself:

"Who could have seen me," he said, "at midnight?"

I was saved!

* * * * *

Many years have passed since that terrible adventure. Thank Heaven! I make silhouettes no longer, nor portraits of burgomasters. Through hard work and perseverance, I have conquered my place in the world, and I earn my living honourably by painting works of art--the sole end, in my opinion, to which a true artist should aspire. But the memory of that nocturnal sketch has always remained in my mind. Sometimes, in the midst of work, the thought of it recurs. Then I lay down my palette and dream for hours.

How could a crime committed by a man that I did not know--at a place that I had never seen--have been reproduced by my pencil, in all its smallest details?

Was it chance? No! And moreover, what is chance but the effect of a cause of which we are ignorant?

Was Schiller right when he said: "The immortal soul does not participate in the weaknesses of matter; during the sleep of the body, it spreads its radiant wings and travels, God knows where! What it then does, no one can say, but inspiration sometimes betrays the secret of its nocturnal wanderings."

Who knows? Nature is more audacious in her realities than man in his most fantastic imagining.

GREEN BRANCHES

FIONA MACLEOD

In the year that followed the death of Manus MacCodrum, James Achanna saw nothing of his brother Gloom. He might have thought himself alone in the world, of all his people, but for a letter that came to him out of the west. True, he had never accepted the common opinion that his brothers had both been drowned on that night when Anne Gillespie left Eilanmore with Manus.

In the first place he had nothing of that inner conviction concerning the fate of Gloom which he had concerning that of Marcus; in the next, had he not heard the sound of the _feadan_, which no one that he knew played except Gloom; and, for further token, was not the tune that which he hated above all others--the "Dance of the Dead"--for who but Gloom would be playing that, he hating it so, and the hour being late, and no one else on Eilanmore? It was no sure thing that the dead had not come back; but the more he thought of it the more Achanna believed that his sixth brother was still alive. Of this, however, he said nothing to any one.

It was as a man set free that, at last, after long waiting and patient trouble, with the disposal of all that was left of the Achanna heritage, he left the island. It was a grey memory for him. The bleak moorland of it, the blight that had lain so long and so often upon the crops, the rains that had swept the isle for grey days and grey weeks and grey months, the sobbing of the sea by day and its dark moan by night, its dim relinquishing sigh in the calm of dreary ebbs, its hollow, baffling roar when the storm-shadow swept up out of the sea--one and all oppressed him, even in memory. He had never loved the island, even when it lay green and fragrant in the green and white seas under white and blue skies, fresh and sweet as an Eden of the sea.

He had ever been lonely and weary, tired of the mysterious shadow that lay upon his folk, caring little for any of his brothers except the eldest--long since mysteriously gone out of the ken of man--and almost hating Gloom, who had ever borne him a grudge because of his beauty, and because of his likeness to and reverent heed for Alison. Moreover, ever since he had come to love Katreen Macarthur, the daughter of Donald Macarthur who lived in Sleat of Skye, he had been eager to live near her; the more eager as he knew that Gloom loved the girl also, and wished for success not only for his own sake, but so as to put a slight upon his younger brother.

So, when at last he left the island, he sailed southward gladly. He was leaving Eilanmore; he was bound to a new home in Skye, and perhaps he was going to his long-delayed, long dreamed-of happiness. True, Katreen was not pledged to him; he did not even know for sure if she loved him. He thought, hoped, dreamed, almost believed that she did; but then there was her cousin Ian, who had long wooed her, and to whom old Donald Macarthur had given his blessing. Nevertheless, his heart would have been lighter than it had been for long, but for two things. First, there was the letter. Some weeks earlier he had received it, not recognizing the writing, because of the few letters he had ever seen, and, moreover, as it was in a feigned hand. With difficulty he had deciphered the manuscript, plain printed though it was. It ran thus:

"Well, Sheumais, my brother, it is wondering if I am dead, you will be. Maybe ay, and maybe no. But I send you this writing to let you know that I know all you do and think of. So you are going to leave Eilanmore without an Achanna upon it? And you will be going to Sleat in Skye? Well, let me be telling you this thing. _Do not go._ I see blood there. And there is this, too: neither you nor any man shall take Katreen away from me. _You_ know that; and Ian Macarthur knows it; and Katreen knows it; and that holds whether I am alive or dead. I say to you: do not go. It will be better for you, and for all. Ian Macarthur is away in the north-sea with the whaler-captain who came to us at Eilanmore, and will not be back for three months yet. It will be better for him not to come back. But if he comes back he will have to reckon with the man who says that Katreen Macarthur is his. I would rather not have two men to speak to, and one my brother. It does not matter to you where I am. I want no money just now. But put aside my portion for me. Have it ready for me against the day I call for it. I will not be patient that day; so have it ready for me. In the place that I am I am content. You will be saying: why is my brother away in a remote place (I will say this to you: that it is not further north than St. Kilda nor further south than the Mull of Cantyre!), and for what reason? That is between me and silence. But perhaps you think of Anne sometimes. Do you know that she lies under the green grass? And of Manus MacCodrum? They say that he swam out into the sea and was drowned; and they whisper of the seal-blood, though the minister is wrath with them for that. He calls it a madness. Well, I was there at that madness, and I played to it on my _feadan_. And now, Sheumais, can you be thinking of what the tune was that I played?

"Your brother, who waits his own day,

"GLOOM."

"Do not be forgetting this thing: I would rather not be playing the 'Damhsa-na-Mairbh.' It was an ill hour for Manus when he heard the 'Dan-nan-Ron'; it was the song of his soul, that; and yours is the 'DAVSA-NA-MAIRV.'"

This letter was ever in his mind; this, and what happened in the gloaming when he sailed away for Skye in the herring-smack of two men who lived at Armandale in Sleat. For, as the boat moved slowly out of the haven, one of the men asked him if he was sure that no one was left upon the island; for he thought he had seen a figure on the rocks, waving a black scarf. Achanna shook his head; but just then his companion cried that at that moment he had seen the same thing. So the smack was put about, and when she was moving slowly through the haven again, Achanna sculled ashore in the little coggly punt. In vain he searched here and there, calling loudly again and again. Both men could hardly have been mistaken, he thought. If there were no human creature on the island, and if their eyes had not played them false, who could it be? The wraith of Marcus, mayhap; or might it be the old man himself (his father), risen to bid farewell to his youngest son, or to warn him?

It was no use to wait longer, so, looking often behind him, he made his way to the boat again, and rowed slowly out toward the smack.

_Jerk_--_jerk_--_jerk_ across the water came, low but only too loud for him, the opening motif of the "Damhsa-na-Mairbh." A horror came upon him, and he drove the boat through the water so that the sea splashed over the bows. When he came on deck he cried in a hoarse voice to the man next him to put up the helm, and let the smack swing to the wind.

"There is no one there, Callum Campbell," he whispered.

"And who is it that will be making that strange music?"

"What music?"

"Sure it has stopped now, but I heard it clear, and so did Anndra MacEwan. It was like the sound of a reed pipe, and the tune was an eery one at that."

"It was the Dance of the Dead."

"And who will be playing that?" asked the man, with fear in his eyes.

"No living man."

"No living man?"