Part 2

But the Prince Prospero was happy and dauntless, and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince’s own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither of ingress or egress to the sudden impulses of despair from without or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballêt-dancers, there were musicians, there were cards, there was Beauty, there was wine. All these and security were within. Without was the “Red Death.”

It was towards the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence. It was a voluptuous scene that masquerade.

But first let me tell of the rooms in which it was held. There were seven—an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different; as might have been expected from the duke’s love of the _bizarre_. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue—and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and litten with orange—the fifth with white—the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But, in this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet—a deep blood color. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brasier of fire that projected its rays through the tinted glass and so glaringly illumined the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or black chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the western wall, a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when its minute-hand made the circuit of the face, and the hour was to be stricken, there came forth from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians in the orchestra were constrained to pause, momently, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and that the more aged and sedate passed their hands over their brows as if in confused reverie or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes, (which embrace three thousand and six hundred seconds of the Time that flies,) there came yet another chiming of the clock, and then there were the same disconcert and tremulousness and meditation as before.

But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke were peculiar. He had a fine eye for colors and effects. He disregarded the _decora_ of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be _sure_ that he was not.

He had directed, in great part, the moveable embellishments of the seven chambers, upon occasion of this great _fête_, and it was his own guiding taste which had given character to the costumes of the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm—much of what has been since seen in “Hernani.” There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There was much of the beautiful, much of the wanton, much of the _bizarre_, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these, the dreams—writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, momently, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away—they have endured but an instant—and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches _their_ ears who indulge in the more remote gaieties of the other apartments.

But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length was sounded the twelfth hour upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus, again, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive at first of disapprobation and surprise—then, finally, of terror, of horror, and of disgust.

In an assembly of phantasms such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince’s indefinite decorum. There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there _are_ matters of which no jest can be properly made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in _blood_—and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

When the eyes of the Prince Prospero fell upon this spectral image (which with a slow and solemn movement, as if more fully to sustain its _rôle_, stalked to and fro among the waltzers) he was seen to be convulsed, in the first moment, with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.

“Who dares?” he demanded hoarsely of the group that stood around him, “who dares thus to make mockery of our woes? Uncase the varlet that we may know whom we have to hang to-morrow at sunrise from the battlements. Will no one stir at my bidding?—stop him and strip him, I say, of those reddened vestures of sacrilege!”

It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly—for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince’s person; and, while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple—through the purple to the green—through the green to the orange,—through this again to the white—and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers—while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly round and confronted his pursuer. There was a sharp cry—and the dagger dropped gleaming upon the sable carpet, upon which instantly afterwards, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave-cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

* * * * *

SPRING’S ADVENT.

BY PARK BENJAMIN.

From Winter into Spring the Year has passed As calm and noiseless as the snow and dew— The pearls and diamonds which adorn his robes— Melt in the morning, when the solar beam Touches the foliage like a glittering wand. Blue is the sky above, the wave below; Slow through the ether glide transparent clouds Just wafted by the breeze, as on the sea White sails are borne in graceful ease along. Lifting its green spears through the hardened ground The grass is seen; though yet no verdant shields, United over head in one bright roof,— Like that which rose above the serried ranks Of Roman legions in the battle plain— Defend it from assailing sun and shower. In guarded spots alone young buds expand, Nor yet on slopes along the Southward sides Of gentle mountains have the flowers unveiled Their maiden blushes to the eyes of Day. It is the season when Fruition fails To smile on Hope, who, lover-like, attends Long-promised joys and distant, dear delights. It is the season when the heart awakes As from deep slumber, and, alive to all The soft, sweet feelings that from lovely forms Like odors float, receives them to itself And fondly garners with a miser’s care, Lest in the busy intercourse of life, They, like untended roses, should retain No fragrant freshness and no dewy bloom.

To me the coming of the Spring is dear As to the sailor the first wind from land When, after some long voyage, he descries The far, faint outline of his native coast. Rocked by the wave, when grandly rose the gale, He thought how peaceful was the calm on shore. Rocked by the wave, when died the gale away, He dreamed of quiet he should find at home. So, when I heard the Wintry storm abroad, So, when upon my window beat the rain, Or when I felt the piercing, arrowy frost, Or, looking forth, beheld the frequent snow, Falling as mutely as the steps of Time, I longed for thy glad advent, and resigned My spirit to the gloom that Nature wore, In contemplation of the laughing hours That follow in thy train, delicious Spring!

* * * * *

PROCRASTINATION.

BY MRS. M. H. PARSONS.

“To-morrow, I will do it to-morrow,” was the curse of Lucy Clifton’s life. When a child, she always had it in view to make such charming little dresses—to-morrow. When girlhood came her lessons were never perfect,—“only excuse me this once mamma, and I will never put off my lessons again!” The pleader was lovely, and engaging, mamma was weakly indulgent; Lucy was forgiven and the fault grew apace, until she rarely did any thing to-day, that could be put off till to-morrow. She was a wife, and the mother of two children, at the period our story commences.

With a cultivated mind, most engaging manners, and great beauty of form, and features, Lucy had already lost all influence over the mind of her husband, and was fast losing her hold on his affections. She had been married when quite young, as so many American girls unfortunately are, and with a character scarcely formed, had been thrown into situations of emergency and trial she was very unprepared to encounter. Her husband was a physician, had been but a year or two in practice, at the time of their marriage. William Clifton was a young man of fine abilities, and most excellent character; of quick temper, and impatient, he was ever generous, and ready to acknowledge his fault. When he married Lucy, he thought her as near perfection as it was possible for a woman to be; proportionate was his disappointment, at finding the evil habit of procrastination, almost inherent in her nature from long indulgence, threatening to overturn the whole fabric of domestic happiness his fancy had delighted to rear. There was no order in his household, no comfort by his fireside; and oftimes when irritated to bitter anger, words escaped the husband, that fell crushingly on the warm, affectionate heart of the wife. The evil habit of procrastination had “grown with her growth” no parental hand, kind in its severity, had lopped off the excrescence, that now threatened to destroy her peace, that shadowed by its evil consequences her otherwise fair and beautiful character. In Lucy’s sphere of life there was necessity for much self-exertion, and active superintendance over the affairs of her household. They lived retired; economy and good management were essential to render the limited income Doctor Clifton derived from his practice fully adequate to their support—that income was steadily on the increase, and his friends deemed the day not far distant, when he would rise to eminence in his profession. Lucy’s father, a man of considerable wealth, but large family, had purchased a house, furnished it, and presented it to Lucy; she was quite willing to limit her visiting circle to a few friends, as best suited with their present means. Surely William Clifton was not unreasonable, when he looked forward to a life of domestic happiness, with his young and tenderly nurtured bride. He could not know that her many bright excelling virtues of character would be dimmed, by the growth of the _one fault_, until a shadow lay on the pathway of his daily life. If _mothers_ could lift the dim curtain of the future, and read the destiny of their children, they would see neglected faults, piercing like sharp adders the bosoms that bore them, and reproach mingling with the agony, that she, who had moulded their young minds, had not done her work aright!

It was four years after their marriage, Doctor Clifton entered the nursery hurriedly.

“Lucy my dear, will you have my things in order by twelve o’clock? I must leave home for two days, perhaps longer, if I find the patient I am called to see very ill.”

“Yes, yes! I will see to them. What shall I do with the child, William, he is so very fretful? How I wish I had given him the medicine yesterday; he is very troublesome!”

“If you think he needs it, give it to him at once;” said her husband abruptly, “and don’t I beg Lucy forget my clothes.” He left the room, and Lucy tried to hush baby to sleep, but baby would not go, then the nurse girl who assisted her could not keep him quiet, and the mother, as she had often been before, became bewildered, and at a loss what to do first.

“If you please ma’am what am I to get for dinner?” said the cook, the only servant they kept in the kitchen, putting her head in at the door, and looking round with a half smile, on the littered room, and squalling baby.

“Directly, I shall be down directly Betty, I must first get baby to sleep.”

“Very well ma’am,” was the reply, and going down an hour afterwards, Mrs. Clifton found Betty with her feet stretched out and her arms folded one over the other, comfortably seated before an open window, intent in watching, and enjoying the movements of every passer-by.

“Betty, Betty!” said her mistress angrily, “have you nothing to do, that you sit so idly here?”

“I waited for orders, ma’am.” Dinner was an hour back, Lucy assisted for a short time herself, and then went up stairs to arrange Clifton’s clothes. Baby was screaming terribly, and Lucy half terrified did _yesterday’s_ work, by giving him a dose of medicine. So the morning sped on. Clifton came in at the appointed time.

“Are my clothes in readiness, Lucy?”

She colored with vexation, and shame. “The baby has been very cross; I have not indeed had time. But I will go now.” Clifton went down to his solitary dinner, and when he returned found Lucy busy with her needle; it was evident even to his unskilled eye there was much to be done.

“It is impossible to wait. Give me the things as they are; I am so accustomed to wearing my shirts without buttons, and my stockings with holes in, that I shall find it nothing new—nor more annoying than I daily endure.” He threw the things carelessly into his carpet-bag, and left the room, nor did he say one kindly word in farewell, or affection. It was this giving away to violent anger, and using harsh language to his wife that had broken her spirit, almost her heart. She never even thought of reforming herself; she grieved bitterly, but hopelessly. Surely it is better when man and wife are joined together by the tie that “no man may put asunder,” to strive seriously, and in affection to correct one another’s faults? There is scarcely any defect of character, that a husband, by taking the right method may not cure; always providing his wife is not unprincipled. But he must be very patient; bear for a season; add to judicious counsel much tenderness and affection; making it clear to her mind that love for herself and solicitude for their mutual happiness are the objects in view. Hard in heart, and with little of woman’s devotion unto him to whom her faith is plighted, must the wife be who could long resist. Not such an one was Lucy Clifton; but her husband in the stormy revulsion of feeling that had attended the first breaking up of his domestic happiness, had done injustice to her mind, to the sweetness of disposition that had borne all his anger without retorting in like manner. If Clifton was conscious of his own quickness of temper, approaching to violence, he did not for one moment suppose, that _he_ was the cause of any portion of the misery brooding over his daily path. He attributed it all to the procrastinating spirit of Lucy, and upon her head he laid the blame with no unsparing hand. He forgot that she had numbered twenty years, and was the mother of two children; that her situation was one of exertion, and toil under the most favorable circumstances; that he was much her senior, had promised to cherish her tenderly. Yet the first harsh word that dwelt on Lucy’s heart was from the lips of her husband! How tenderly in years long gone had she been nurtured! The kind arm of a father had guided and guarded her; the tender voice of a mother had lighted on her path like sunshine—and now? Oh ye, who would crush the spirit of the young and gentle, instead of leading it tenderly by a straight path in the way of wisdom—go down into the breaking heart and learn its agony; its desolation, when the fine feelings of a wasted nature go in upon the brain and consume it!