Chapter 5

1. WRITINGS.

1846. _The Life of Jesus_, by Strauss. Translated from the fourth German edition, 3 vols. Chapman Brothers, London.

1852-3. Assistant editor of the Westminster Review.

1852. The Westminster Review for January contained her notice of Carlyle's Life of John Sterling.

In the July number appeared her article on _The Lady Novelists_.

1854. _The Essence of Christianity_, by Feuerbach. Translated from the second German edition. John Chapman, London.

The Westminster Review for October published her _Woman in France: Madame de Sablé_.

She wrote, it is supposed, occasionally for The Leader newspaper, of which journal Lewes was the literary editor. None of her contributions have been identified. [Footnote: There is a nearly complete set of The Leader in the Boston Athenaeum Library.]

1855. Westminster Review, October, _Evangelical Teaching: Dr. Cumming_.

1856. Westminster Review, January, _German Wit: Heinrich Heine_. July, _The Natural History of German Life_. October, _Silly Novels by Lady Novelists_.

1857. Westminster Review, January, _Worldliness and other-Worldliness: the Poet Young_.

In Blackwood's Magazine for January and February appeared _The Sad Fortunes of the Reverend Amos Barton_; in March, April, May and June, _Mr. Gilfil's Love Story_; from July to December, _Janet's Repentance_. In December these stories were published in two volumes under the title of _Scenes of Clerical Life_, by George Eliot. Edinburgh, Blackwood & Sons. Reprinted in Living Age from April to December, 1857.

1859. In February, _Adam Bede_ appeared in three volumes, Blackwoods.

Blackwood's Magazine for July contained _The Lifted Veil_.

1860. In April, _The Mill on the Floss_ was published in three volumes, Blackwoods.

1861. _Silas Marner_ in March, one volume, Blackwoods.

1863. _Romola_ appeared in the Cornhill Magazine from July, 1862, to July, 1863, and was illustrated. It was published in three volumes in July; Smith, Elder & Co., London.

1864. The Cornhill Magazine for July contained _Brother Jacob_, with illustrations.

1865. The Fortnightly Review for May 15 contained _The Influence of Rationalism_, and a review of Owen Jones's Grammar of Ornament.

1866. In June, _Felix Holt_ was issued in three volumes, Blackwoods.

1868. Blackwood's Magazine, January, contained an _Address to Workingmen, by Felix Holt_.

In June, _The Spanish Gypsy_ was published by Blackwoods.

1869. Blackwood's Magazine for May printed _How Lisa Loved the King_.

The Atlantic Monthly for August contained _Agatha_.

1870. In Macmillan's Magazine for May, _The Legend of Jubal_.

1871. Macmillan's Magazine for July, _Armgart_.

Middlemarch was issued in twelve monthly numbers, beginning with December, by Blackwoods.

1874. _The Legend of Jubal and other Poems_ was published by Blackwoods. It contained: _The Legend of Jubal_, _Agatha_, _Armgart_, _How Lisa Loved the King_, _A Minor Prophet_, _Brother and Sister_, _Stradivarius_, _Two Lovers_, _Arion_, _O May I Join the Choir Invisible_.

1876. _Daniel Deronda_ was issued in eight monthly parts, beginning in February, by Blackwoods.

1878. Macmillan's Magazine for July, _A College Breakfast Party_.

1879. _The Impressions of Theophrastus Such_ was published in June by Blackwoods.

_The Legend of Jubal and Other Poems, Old and New_, was issued by Blackwoods, containing, in addition to those in the first edition, _A College Breakfast Party_, _Self and Life_, _Sweet Evenings Come and Go_, _Love_, _The Death of Moses_.

In Blackwood's cabinet edition of George Eliot's complete works, _The Lifted Veil_ and _Brother Jacob_ are reprinted with _Silas Marner_.

After the death of Lewes she edited his _Study of Psychology_ and his _Mind as a Function of the Organism_.

1881. The Pall Mall Gazette of January 6 contained her letter to Sara Hennell concerning the origin of _Adam Bede_.

Three letters to Professor David Kaufmann appeared in the Athenaeum of November 26, 1881.

The following articles also contain sayings of George Eliot's, or extracts from her letters: In the Contemporary Review, by "One who knew her," on the Moral Influence of George Eliot; C. Kegan Paul in Harper's Magazine; F.W.H. Myers in The Century; W.M.W. Call in the Westminster Review, and a nephew of William Blackwood in Blackwood's Magazine.

1882. In Harper's Magazine for March, Elizabeth Stuart Phelps published numerous extracts from George Eliot's letters under the title of _Last Words from George Eliot_.

1883. George Eliot, by Mathilde Blind,--London, W.H. Allen, and Boston, Roberts Brothers,--contains extracts from several letters.

The Essays of George Eliot, collected by Nathan Sheppard,--New York, Funk & Wagnalls,--contains _Carlyle's Life of Sterling_, _Woman in France_, _Evangelical Teaching_, _German Wit_, _Natural History of German Life_, _Silly Novels by Lady Novelists_, _Worldliness and other-Worldliness_, _The Influence of Rationalism_, _The Grammar of Ornament_, _Felix Holt's Address to Workingmen_.

The Complete Essays of George Eliot, Boston, Estes & Lauriat, 1883, in addition to the above, contains _The Lady Novelists, George Foster, the German Naturalist, Weimar and its Celebrities_.

2. SELECTIONS, TRANSLATIONS AND PORTRAITS.

Wise, Witty and Tender Sayings in Prose and Verse, Selected by Alexander Main. Blackwoods, 1872.

Wit and Wisdom of George Eliot. Boston, Roberts Brothers, 1878; enlarged and with a biographical memoir prefixed, 1881.

George Eliot Birthday Book. Blackwoods, 1878.

George Eliot: Fragments et Pensées, extraits et traduits des ses Oeuvres, par Ch. Ritter. Genève, Georges, 1879.

Character Readings from George Eliot, selected and arranged by Nathan Sheppard. New York, Harpers, 1882.

The following translations have been published:--

_French_.--Adam Bede, by A. Durade; Mill on the Floss, by A. Durade; Silas Marner, by Durade; Romola, by Durade; Mr. Gilfil's Love Story, by E. Pasquet; Dorlcote Mill, by E.D. Forques in Revue des Deux Mondes, June 15, 1860; The Lifted Veil, in Revue des Deux Mondes, September, 1880.

_Dutch_.--Felix Holt, by Merv. Van Westrheeve, 1867, and by P. Bruyn, 1873; Middlemarch, by Merv. Van Westrheeve, 1873; Adam Bede, by P. Bruyn, 1870; Mill on the Floss, by P. Bruyn, 1870; Romola, by P. Bruyn, 1870, and by J.C. Van Deventer, 1864; Novelettes, by P. Bruyn, 1870.

_German_.--Adam Bede, by J. Frese; Silas Marner, by J. Frese, 1861; Mill on the Floss, by J. Frese, 1861; Romola, by A.V. Metzsch, 1864; Middlemarch, by E. Lehmann, 1872-3; Daniel Deronda, by Strodtmann, 1876; Felix Holt (no translator's name given), 1867. Der Gelüftche Schleier, Bruder Jakob, by Lehmann.

The portrait of George Eliot appearing as the frontispiece to this volume is from that published in The Century for November, 1881. Accompanying it was the following account of it and of other portraits:--

"We have the pleasure of presenting to our readers an authentic portrait of George Eliot, the only one by which it is likely that she will be known to posterity. We are indebted for this privilege, as we shall presently explain, to the kindness and courtesy of her husband, Mr. J.W. Cross, who has allowed us to be the first to usher this beautiful work of art to the world. In doing so, we believe it will interest readers of The Century Magazine to learn, for the first time, the exact truth regarding the portraits of George Eliot, and we have therefore obtained from the three artists to whom, at different times in her life, she sat, some particulars of those occasions.

"Miss Evans passed the winter of 1849-50 at Geneva, in the house of M.F. d'Albert Durade, the well-known Swiss water-color painter, who is also the translator of the authorized French version of her works. At that time she had, however, written nothing original, and had attracted no general interest. While she stayed with M. Durade and his wife, the Swiss painter amused himself by making a small portrait of her in oils--a head and shoulders. This painting remains in the possession of M. Durade, who has not merely refused to sell it, but will not allow it to be photographed or reproduced in any form. He has, however, we understand, consented to make a replica of it for Mr. Cross. We have not seen this interesting work, but we hear that it is considered, by those who still remember the great writer as she looked in her thirtieth year, to be remarkably faithful. M. Durade recently exhibited this little picture for a few days at the Athénée in Geneva, but has refused to allow it to be brought to London.

"Ten years after this, in 1859, as the distinguished portrait-painter, Mr. Samuel Laurence, was returning from America, he happened to meet with 'Adam Bede,' then just published. He was so delighted with the book that he was determined to know the author, and it was revealed to him that to do so he had but to renew his old acquaintance with Mr. George Henry Lewes, whom he had met years before at Leigh Hunt's. He made George Eliot's acquaintance, and was charmed with her, and before long he asked leave to make a study of her head. She assented without any affectation, and, in the early months of 1861, Mr. Lewes commissioned the painter to make a drawing of her. She gave him repeated sittings in his studio at 6 Wells Street, London, and Mr. Laurence looks back with great pleasure on the long conversations that those occasions gave him with his vivacious sitter. The drawing was taken front face, with the hair uncovered, worn in the fashion then prevalent, and it was made in chalks. While it was proceeding, Mr. Laurence asked her if he might exhibit it, when finished, at the Royal Academy, and she at once consented. But when the time for sending in drew near, the artist received a letter from Mr. Lewes absolutely withholding this consent, and a certain strain, of which this was the first symptom, began to embarrass the relations of the two gentlemen, until Mr. Lewes finally refused to take the drawing at all. But before the summer was out, Mr. Langford, the reader of Messrs. Blackwood of Edinburgh, who published George Eliot's works, called on Mr. Laurence, and asked if he would consent to make a copy of the drawing for the firm. The artist replied that he should be happy to sell them the original, and accordingly it passed from his studio, in June, 1861, into the back parlor of Mr. Blackwood's shop, where it now hangs. Like that of M. Durade, Mr. Laurence's portrait of George Eliot is not to be in any way reproduced.

"The remaining portrait is that which we reproduce with this number. It is an elaborate chalk drawing, in black and white, with a slight touch of color in the eyes, and was executed in the latter part of 1868 and the early part of 1867, by Mr. Frederick W. Burton, at that time member of the Society of Painters in Watercolors, and now director of the National Gallery in London. George Eliot gave Mr. Burton many sittings in his studio at Kensington, and the picture was eventually exhibited in the Royal Academy, in 1867, as No. 735, 'The Author of "Adam Bede."' It passed into Mr. Lewes's possession, was retained at his death by George Eliot, and is now the property of Mr. J.W. Cross. In the spring of this year, Mr. Cross came to the conclusion that--as the shop windows were likely to become filled with spurious and hideous 'portraits' of George Eliot--it was necessary to overcome the dislike felt by the family of the great novelist to any publication of her features, to which in life she had been averse, and he thereupon determined to record in a monumental way what he felt to be the best existing likeness. Mr. Cross took the drawing over to M. Paul Rajon, who is acknowledged to be the prince of modern etchers, and in his retirement at Auvers-sur-Oise, the great French artist has produced the beautiful etching which we have been permitted to reproduce in engraving. For this permission, and for great courtesy and kindness under circumstances the peculiar nature of which it is not necessary here to specify, we have to tender our most sincere thanks to Mr. J.W. Cross and to Mr. Burton.

"These are regarded by her friends to be the only important portraits of George Eliot which exist, but Mr. Cross possesses a very interesting black silhouette, cut with scissors, when she was sixteen. In this profile, the characteristics of the mature face are seen in the course of development. There is also a photograph, the only one ever taken, dating from about 1850, the eyes of which are said to be exceedingly fine. As an impression of later life, there should be mentioned a profile drawn in pencil by Mrs. Alma Tadema, in March, 1877. Of all the portraits here alluded to, the one we engrave is the only one at present destined for publication. It may be added that there exist one or two other profile sketches, which, however, are not approved by the friends of George Eliot."

3. BIOGRAPHICAL.

Atlantic Monthly, 14:66, December, 1864, Kate Field on "English Authors in Florence." Louise M. Alcott in the Independent for Nov. 1,1866. The Galaxy, 7:801, June, 1869, Justin McCarthy on "George Eliot and George Lewes;" reprinted in "Modern Leaders," 1872 "Home Sketches in France and other Papers," by the late Mrs. Henry M. Field, G.P. Putnam's Sons, 1875, p. 208, "The Author of Adam Bede in Her own Home." International Review, 10:447, 497, May and June, 1881, W. Fraser Rae. The Century. 23:55, with portrait, F.W.H. Myers, reprinted in Essays: Modern, London, 1883; 23:47, "The Portrait of George Eliot." The Nineteenth Century, 9:778, Edith Simcox. Blackwood's Magazine February, 1881. Harper's Magazine, May, 1881, C. Kegan Paul; reprinted in Biographical Sketches, London, 1883; March, 1882, E.S. Phelps. Westminster Review, 116:154, July, 1881, W.M.W. Call, "George Eliot: her Life and Writings." Le Livre, April 10, 1881, "Life in Geneva." London Daily Graphic, 23:27, January 8, 1851, "Reminiscences of George Eliot." Lippincott's Magazine, 31:510, May, 1883, J.A. Dickson, "An Afternoon at Ashbourne." Inquirer, January, 1881, Dr. Sadler's address. Pall Mall Gazette, December 30, 1880, "Early Life." London Daily News, December, 30, 1880, account of her funeral. Eclectic Magazine, March, 1881, account of her early life and of her funeral; April, A personal sketch. "George Eliot," Mathilde Blind, 1883, W.H. Allen, London. "Pen pictures of Modern Authors," Wm. Sheppard, 1882, G.P. Putnam's Sons, New York. The Congregationalist, May 28, 1879, Mrs. Annie Downs, "A Visit to George Eliot." The Christian Leader, October 27,1881, Mrs. M.E. Bruce.

4. GENERAL CRITICISMS.

Quarterly Review, 108:469. Macmillan's Magazine, 14:272, J. Morley; same, Eclectic Magazine, 67:488; reprinted in "Critical Miscellanies," first series. Atlantic Monthly, 18:479, H. James. Christian Examiner, 70:227, I.M. Luyster. North British Review, 45:141, 197. H.H. Lancaster; reprinted in "Essays and Reviews," Edinburgh, 1876. National Review, 11:191. Home and Foreign Review, 3:522, Richard Simpson. Fraser's Magazine, 103:263, February, 1881, T.E. Kebbel, "Village Life according to George Eliot;" same, Living Age, 148:608. National Quarterly, 1:455, E.L. Wentworth. Potter's American Monthly, 9:260, 334. British Quarterly Review, 45:141. Catholic World, 17:775, J. McCarthy, "Comparison between George Eliot and Fleurange." Canadian Monthly, 11:261, "Later Manner of George Eliot." Dublin Review, 88:371. Southern Review (new style), 13:205, Mrs. S.B. Herrick. R.H. Hutton, "Essays, Theological and Literary," 2d vol. 1871. Contemporary Review, 20:403; same, Living Age, 115:109, Eclectic Magazine, 79:562, Professor E. Dowden; reprinted in "Studies of Literature." Atlantic Monthly, 33:681, June, 1874, George P. Lathrop, "The Growth of the Novel." A.C. Swinburne, "A Note on Charlotte Brontë," 1877. International Review, 7:17, July, 1879, Francis Maguire, Jr. Cornhill Magazine, 43:152, Leslie Stephen, "Critical Study of George Eliot;" same, Living Age, 148:731, Eclectic Magazine, 96:443. Month, 42:272. Every Saturday, 10:186. North British Review, 33:165, "George Eliot and Hawthorne." Eclectic Magazine, 88:111, "George Eliot and George Sand." The Nation, 32:201, J. Bryce, "George Eliot and Carlyle;" 31:456, W.C. Brownell. London Quarterly, 57:154. Blackwood's Magazine, 129:255; same, Living Age, 148:664; Eclectic Magazine, 96:433. St. Paul's, 12:592, G.B. Smith. Living Age, 58:274; 148:318. Eclectic Magazine, 96:353. Southern Monthly, 14:65. Tinsley's Monthly, 3:565. Victoria, 31:56. The Century, 23:619, February, 1882, "George Eliot and Emerson." Library Magazine, 7:84, Nathan Sheppard, "George Eliot's Analysis of Motives;" reprinted as an introduction to George Eliot's Essays, Funk & Wagnalls, 1883. Macmillan's Magazine, 46:488, October, 1882, Annie Matheson, "George Eliot's Children;" same, Living Age, 155:211. The Critic, January, 1881, Edward Eggleston; reprinted in Essays from the Critic, 1881. Christian Union, February, 1881, Noah Porter. The Independent, February 17, 1881, Mrs. Lippincott, "Three Great Women." A History of English Prose Fiction from Sir Thomas Malory to George Eliot, Bayard Tuckerman, New York, 1882. The English Novel and the Principle of its Development, Sidney Lanier, New York, 1883. Modern Review, 2:399, April, 1881, George Sarson, "George Eliot and Thomas Carlyle." Literary World (London), January, 1881, Peter Bayne Athenaeum, January 1, 1881:20. The Academy, 19:27, January 8, 1881. Temps, December 26, 1880, Edmond Scherer. Le Roman Naturaliste, Ferdinand Brunetère, 1883, has a chapter on "English Naturalism: a Study of George Eliot." Études sur la Littérature Contemporaine, E. Scherer, Paris, 1878. The Pen, 1880, Robert E. Francillon. East and West: 1:203, June, 1881. Papers of the Manchester Literary Club, 1881; Bibliography, Charles W. Sutton; "George Eliot as a Poet," George Milner; "George Eliot as a Novelist," John Mortimer; "George Eliot's Use of Dialect," William E.A. Axon. National Review, April, 1883, "New School of Fiction." Merry England, May, 1883, C. Kegan Paul, "The Rustic of George Eliot and Thomas Hardy." Blackwood's Magazine, April, 1883. Nineteenth Century, October, 1881, John Buskin on "Fiction: Fair and Foul."

5. DISCUSSIONS OF HER TEACHINGS.

Penn Monthly, 10:579, "The Art of George Eliot." Dublin Review, 89:433, "Religion of George Eliot." Unitarian Review, 3:357, J.E. Carpenter, "Religious Influence of George Eliot." "The Ethics of George Eliot's Works," J.C. Brown, Wm. Blackwood & Sons, Edinburgh, 1879. Mind, 6:378, July. 1881, "George Eliot's Art," James Sully. The Spectator, 52:751, "George Eliot's Ideal Ethics;" same, Littell's Living Age, 142:123, July 12, 1879. Scribner's Magazine. 8:685, Wm. C. Wilkinson; reprinted in "A Free Lance in the Field of Life and Letters," 1874. Westminster Review, 117:65, January, 1882, "George Eliot as a Moral Teacher." Contemporary Review, 39:173, February, 1881, "Moral Influence of George Eliot;" same, Living Age, 148:501. Unitarian Review, 16:125, 216, August and September, 1881, John A. Bellows, "Religious Tendency of George Eliot's Writings." Atlantic Monthly, 51:243, February, 1883, M.L. Henry, "The Morality of Thackeray and George Eliot." The Independent, March 24, 1883, Stopford A. Brooke, "George Eliot and Thomas Carlyle." "The Religion of Our Literature," George MacCrie, London, 1875. "George Eliot and Judaism," David Kaufmann, Blackwoods, 1878.

6. SCENES OF CLERICAL LIFE.

Atlantic Monthly, 1:890.

7. ADAM BEDE.

Blackwood's Magazine, 85:490, April, 1859. Dublin Review, 47:33, November, 1859. Edinburgh Review, 110:223, July, 1859. Westminster Review, 71:486, April, 1859. Athenaeum, February 26, 1859. Saturday Review, February 26, 1859:191 Atlantic Monthly, 4:521. Christian Examiner, 70:227, I.M. Luyster. "Seth Bede, the Methody: his Life and Labors," chiefly by Himself. London: Tallant & Co., 1859. "George Eliot in Derbyshire," London Society, 27:311, 439; 28:20, by Guy Roslyn (Joshua Hatton); reprinted in book form, London, 1876.

8. THE MILL ON THE FLOSS.

Blackwood's Magazine, 87:611, May, 1860. Dublin University Review, 57:192. Macmillan's Magazine, 3:441. Westminster Review, 74:24, July, 1860. Christian Examiner, 69:145, L.G. Ware.

9. SILAS MARNER.

Christian Examiner, 70:227, I.M. Luyster. Macmillan's Magazine, 4:305. Revue des Deux Mondes, September, 1861, C. Clarigny.

10. ROMOLA.

Blackwood's Magazine, 116:72. Land We Love, 1:134. Westminster Review, 80:344, October, 1863. Christian Remembrancer, 52:445. Revue des Deux Mondes, December, 1863, E.D. Forques.

11. FELIX HOLT, THE RADICAL.

Blackwood's Magazine, 100:94, July, 1866. Edinburgh Review, 124:435, October, 1866; same, Living Age, 91:432. North American Review, 103:557, July, 1866, A.G. Sedgwick. The Nation, 3:127, Henry James. Contemporary Review, 3:51. Eclectic Review, 124:34. Chambers's Journal, 43:508. Westminster Review, 86:200, July, 1866.

12. THE SPANISH GYPSY.

Atlantic Monthly, 22:380, W.D. Howells. North American Review, 107:620, October, 1868, Henry James. The Nation, 7:13, July 2, 1868, Henry James. Edinburgh Review, 128:525. Westminster Review, 90:183, Macmillan's Magazine, 18:281, J. Morley; same, Eclectic Magazine, 71:1276. Blackwood's Magazine, 103:760. British Quarterly Review, 48:503, Fraser's Magazine, 78:468, J. Skelton. St. James's, 22:478. St. Paul's, 2:583. London Quarterly, 31:160. Southern Review (new Style), 4:383, W.H. Browne. Every Saturday, 6:1.

13. POEMS.

Contemporary Review, 8:387, July 1868, Matthew Browne (W.B. Rands); same, Every Saturday, 6:79. Every Saturday, 16:667, G.A. Simcox. The Argosy, 2:437, November, 1866, Matthew Browne. Saturday Review, 37:75. Macmillan's Magazine, 22:1. North American Review, 119:484, Heary James. Atlantic Monthly, 34:102, July, 1874, W.D. Howells. Harper's Magazine, 49:887. Academy, 5:33, May 10, 1874, G.A. Simcox. Edinburgh Review, 128:523, October, 1868. Papers of the Manchester Literary Club, 1881, p. 108, George Milner. The Nation, 19:124. "Our Living Poets: an Essay in Criticism," H. Buxton Forman, London, 1871.

14. MIDDLEMARCH.

Quarterly Review, 134:336, April, 1873. Edinburgh Review, 137:246, January, 1873. Fortnightly Review, 19:142, Sidney Colvin. Blackwood's Magazine, 112:727; same, Living Age, 116:131; Eclectic Magazine, 80:215. The Nation, 16:60, 76, January, 1873, A.V. Dicey. North American Review, 116:432, April, 1873, T.S. Perry. British Quarterly Review, 57:407, April, 1883. London Quarterly Review, 40:99, April, 1873. Canadian Monthly, 3:549. Old and New, 7:352, H.G. Spaulding. Southern Monthly, 12:373, W.H. Browne. Atlantic Monthly, 31:490, A.G. Sedgwick. Catholic World, 17:775, September, 1873. Die Gegen-wart, 1874, Freidrich Speilhagen.

15. DANIEL DERONDA.

Atlantic Monthly, 38:084, Henry James, December, 1876. North American Review, 124:31, E.P. Whippie, January, 1877. Edinburgh Review, 144:442, October, 1876. Fortnightly Review, 26:601, November, 1876, Sidney Colvin. The Nation, 23:230, 245, October 12, 19, 1876, A.V. Dicey. British Quarterly Review, 64:472. Eclectic Magazine, 87:657. International Review, 4:68, R.R. Bowker. The Western, 3:603, O.G. Garrison. Potter's American Monthly, 8:75. Gentleman's Magazine (new style), 17:593, November, 1876, J. Picciotto; 17:411, R.E. Francillon. Canadian Monthly, 9:250, 343; 10:362. Victoria, 28:227, A.S. Richardson. Temple Bar, 49:542, "Deronda's Mother;" same, Living Age, 133:248; same, Eclectic Magazine, 88:751. Macmillan's Magazine, 36:101, J. Jacobs, "Mordecai: a Protest against the Critics, by a Jew;" same, Living Age, 134:112. Athenacum, 1876:160, 327, 461, 593, 762. Westminster Review, 106:280,574. Appleton's Journal (new style), 3:274, September, 1877, Wirt Sikes. Deutsche Rundachau, February 7, 1877. Contemporary Review, 29:348, February, 1877, Edward Dowden, reprinted in "Studies of Literature."

16. IMPRESSIONS OF THEOPHRASTUS SUCH.

Edinburgh Review, 150:557. Fortnightly Review, 32:144, G. Allen. Westminster Review, 112:185, July, 1879. The Nation, 28:422, June 19, 1879, G.E. Woodberry. Fraser's Magazine, 100:103. Canadian Monthly, 16.333. Unitarian Review, 12:292, R.W. Boodle.

INDEX

A.

Actions, _Actors and Acting_ _Adam Bede_ _Adam Bede_, quoted "Address to Workingmen," quoted Agnosticism Altruism Analytic Method _Animal Life, Studies in_ "Amos Barton," quoted _Aristotle_ "Armgart," quoted Art Art, love of Asceticism Austen, Jane

B.

Blackwood, William _Blackwood's Magazine_ Blind, Mathilde quoted Brabant Dr. Bray Charles Brontë Charlotte Brookbank "Brother and Sister" "Brother Jacob" Browning, Robert Browning, Mrs.

C.

Call, W.M.W., quoted Carlyle Causes "Choir Invisible" Chapman, John Characteristics, personal Childhood, influences surrounding Child Life Christianity "College Breakfast Party" Colvin, Sidney Combe, George Comte Conscience Conversation _Cornhill Magazine_ Cosmopolitanism Cowper Criticism Culture Cumming, Dr.

D.

_Daniel Deronda_ _Daniel Deronda_ quoted Darwin Death Deeds Dialect Dickens, Charles Dowden, Prof., quoted Downs, Annie, quoted Dramatic power Duty

E.

Emerson Environment Essays "Evangelical Teaching" Evans, Christiana Evans, Mrs. Elizabeth Evans, Isaac Evans, Robert Evans, Mrs. Robert Evil Evolution Philosophy Experience

F.

Familiar, influence of the Feeling Feeling for others _Felix Holt_ _Felix Holt_, quoted Feuerbach Fichte Field, Kate, quoted Fielding, Henry Fields, Mrs., quoted Foleshill _Fortnightly Review_

G.

Garth, Caleb "German life, natural history of" God Goethe _Goethe, Life of_ Griff House

H.

Harrison, Frederic Heine Hennell, Charles Hennell, Sara Heredity House Howells, W.D. Huge Humor Hutton, R.H., quoted

I.

Idealism Imagination Immortality Immortality, subjective Individuality "Influence of Rationalism" Inspiration Intuition

J.

James, Henry Jones, Owen "Janet's Repentance," quoted

K.

Kant Kaufmann, Prof.

L.

"Lady Novelists" Law _Leader_ newspaper _Legend of Jubal_ Letters, extracts from Lewes, George Henry born school days early studies in Germany _History of Philosophy_ _Spanish Drama_ _Ranthorpe_ writes for Reviews _Leader_ _Philosophy of the Sciences_ _Life of Goethe_, physiological studies _Fortnightly Review_ _Problems of Life and Mind_ characteristics death Lewes, influence on George Eliot Lewes, Marian Evans born parents early reading school in Nuneaton school In Coventry studying at home moves to Foleshill studies continued early religious views early scepticism troubles with her family finds friends the Brays the Hennells drawn towards positivism father dies goes to continent translates Strauss Feuerbach assistant editor of _Westminster Review_ _Review_ contributor marriage studies in Germany writes _Clerical Scenes_ adopts name of "George Eliot" again visits Germany _Adam Bede_ controversy about _Adam Bede_ novel-writing poems written house habits of study description of person receptions summers in country death of Lewes marriage to John Walter Cross death literary traits "Lifted Veil" Liggins, Joseph Lippincott, Mrs., quoted Literary Methods Literature defined Locke Love Lucretius

M.

Marriage Martineau, Harriet Matter Meliorism _Middlemarch_ _Middlemarch_, quoted Midland England Mill, J.S. _Mill on the Floss_, _Mill on the Floss_, quoted "Minor Prophet" Morality Mordecai Morley, John "Mr. Gilfil's Love Story" Music, Love of Myers, F.W.H., quoted Mysticism

N.

Nemesis, Newdigate, Sir Roger Novel-writing

P.

Past, the Paul, Kegan, quoted Pessimism Philosophy, George Eliot's Philosophy, Lewes's _History of_ _Philosophy of the Sciences_ _Physiology of Common Life_ Plots Poetry Positivism Prayer Priory, The _Problems of Life and Mind_ Psychology

R.

_Ranthorpe_ Realism Reason Receptions Relativity, Moral Religion "Religion of Humanity" Renaissance Renunciation Resignation Retribution Romanticism _Romola_ _Romola_, quoted _Rose, Blanche and Violet_ Ruskin

S.

Sadler, Dr., quoted Sand, George Satire Savonarola _Scenes of Clerical Life_ Schelling Scientific illustration Scott _Seaside Studies_ "Self and Life" Sex in literature Shakspere Shelley _Silas Marner_ "Silly Novels" Simcox, Edith, quoted Society Social Organism Sorrow _Spanish Drama_ _Spanish Gypsy_ Speculation, Love of _Spectator_ Spencer, Herbert Spinoza Spiritual, the "Stradivarius" Strauss Sterling, John Sympathy Sully, James, quoted Supernatural Swinburne, quoted

T.

Tennyson Thackeray _Theophrastus Such_ _Theophrastus Such_, quoted Times Tradition

W.

_Waverley Novel_ _Westminster Review_ "Weimar and its Celebrities" Whipple, E.P., quoted Wieland "Woman in France" Woman, Literary Wordsworth

Y.

Young, Edward