Shaw, Bernard, 1856-1950

George Bernard Shaw, his life and works

It is a circumstance of no little significance that Bernard Shaw and Oscar Wilde, two dramatists whose plays have achieved so notable a success on the European stage, should both have been born in Dublin within two years of one another. It has been the good fortune of no other...

Chapters

1. CHAPTER I

It is a circumstance of no little significance that Bernard Shaw and Oscar Wilde, two dramatists whose plays have achieved so notable a success on the European stage, should bot...

2. did. Indeed, I soon found that they equally misunderstood

Mozart and Beethoven, though, having come to like their tunes and harmonies, and to understand their mere carpentry, they pointed out what they supposed to be their merits with...

3. CHAPTER II

“When did you first feel inclined to write?” Shaw was once asked. “I never felt inclined to write, any more than I ever felt inclined to breathe,” was his perverse reply. “I fel...

4. CHAPTER III

As a young man of twenty-four, Bernard Shaw began to evolve a moral code. He perceived in those phases of contemporary existence which either intimately touched his life or dail...

5. CHAPTER IV

For the student of Shaw's work and career, there is no escape from the resemblance, superficial or vital, between Shaw himself and the numerous comic figures he has projected up...

6. CHAPTER V

“If the art of living were only the art of dialectic! If this world were a world of pure intellect, Mr. Shaw would be a dramatist.” Mr. Walkley damns the dramatist to deify the...

7. mill. I don't mean that he will have the same things to say, or that

he will put them in the same words, for, naturally, I don't leave my ideas or my vocabulary behind when I mount the tub; but I _do_ mean that he will say what he has to say as m...

8. CHAPTER VI

I once heard a Socialist of world-wide renown accuse Bernard Shaw of an inconsistency which, to him, was little short of inexplicable. To every charge of inconsistency, Shaw is...

9. CHAPTER VII

Shaw's career as a critic dates from the period of his first acquaintance with Mr. William Archer, in 1885. After living for nine years, according to his own story, on the six p...

10. CHAPTER VIII

In 1888 a gentleman described in the _World_ at that time as “a Chinese statesman named Tay Pay,”[105] founded the _Star_, claiming for it the distinction of the first and only...

11. CHAPTER IX

When the history of the last quarter of the nineteenth century comes to be written, it will be seen that the name of Bernard Shaw is inextricably linked with five epoch-making m...

12. CHAPTER X

While resting from the over-exertions of the political campaign at the time of the General Election in 1892, Shaw came upon the manuscript of the partially finished play begun i...

13. CHAPTER XI

_Cæsar and Cleopatra_, unique in Bernard Shaw's theatre, alike in subject matter and _genre_, warrants individual consideration. To an interviewer, on April 30th, 1898, Shaw rel...

14. CHAPTER XII

_Man and Superman_ inaugurates another cycle of Shaw's theatre, and first presents Shaw to the world as a conscious philosopher. By reason of its bi-partite nature--it is sub-en...

15. CHAPTER XIII

The drama is the casual, not the inevitable, vehicle for the exposition of Bernard Shaw's theories of conduct. This dramatist of “genuine vocation,” as he once denominated himse...

16. CHAPTER XIV

There can be no new drama, as Mr. Stuart-Glennie has pointed out, without a new philosophy. Drama can never be the same again since Ibsen has lived. The drama of the future, in...

17. CHAPTER XV

It is worthy of record that Bernard Shaw does not _claim_ to be a great novelist, or a great dramatist, or a great critic. As Mr. Chesterton says, Shaw is very dogmatic, but ver...

18. CHAPTER XVI

Bernard Shaw looks down upon contemporary life from many windows. The world is caught in the dragnet of his infinite variety: few escape. To each man, Shaw comes in a different...