Gaslight Sonatas

Chapter 8

Chapter 84,268 wordsPublic domain

"Now there's nothin' to worry about, Babe. Have I ever landed anywhere but on my feet? We'll be driving a racer down Broadway again before the winter's over. There's money in motion these wartimes, Babe. They can't keep my hands off it."

"Blutch, how--how much did you drop to-day?

"I could tell clear down on the street you lost, honey, the way you walked so round-shouldered."

"What's the difference, honey? Come; just to show you I'm a sport, I'm going to shoot you and Joe over to Jack's in one of them new white taxi-cabs."

"Blutch, how much?"

"Well, if you gotta know it, they laid me out to-day, Babe. Dropped that nine hundred hock-money like it was a hot potato, and me countin' on bringin' you home your coat and junk again to-night. Gad! Them cards wouldn't come to me with salt on their tails."

"Nine hundred! Blutch, that--that leaves us bleached!"

"I know it, hon. Just never saw the like. Wouldn't care if it wasn't my girl's junk and fur coat. That's what hurts a fellow. If there's one thing he ought to look to, it's to keep his wimmin out of the game."

"It--it ain't that, Blutch; but--but where's it comin' from?"

He struck his thigh a resounding whack.

"With seventy-five bucks in my jeans, girl, the world is mine. Why, before I had my babe for my own, many's the time I was down to shoe-shine money. Up to 'leven years ago it wasn't nothing, honey, for me to sleep on a pool-table one night and _de luxe_ the next. If life was a sure thing for me, I'd ask 'em to put me out of my misery. It's only since I got my girl that I ain't the plunger I used to be. Big Blutch has got his name from the old days, honey, when a dime, a dollar, and a tire-rim was all the same size."

She sat hunched up in the pink-satinet frock, the pink sequins dancing, and her small face smaller because of the way her light hair rose up in the fuzzy aura.

"Blutch, we--we just never was down to the last seventy-five before. That time at Latonia, it was a hundred and more."

"Why, girl, once, at Hot Springs, I had to hock my coat and vest, and I got started on a run of new luck playin' in my shirt-sleeves, pretending I was a summer boy."

"That was the time you gave Lenny Gratz back his losings and got him back to his wife."

"Right-o! Seen him only to-night. He's traveling out of Cleveland for an electric house and has forgot how aces up looks. That boy had as much chance in the game as a deacon."

Mrs. Connors laid hold of Mr. Connors's immaculate coat lapel, drawing him toward her.

"Oh, Blutch--honey--if only--if only--"

"If only what, Babe?"

"If you--you--"

"Why, honey, what's eatin' you? I been down pretty near this low many a time; only, you 'ain't known nothing about it, me not wanting to worry your pretty head. You ain't afraid, Babe, your old hubby can't always take care of his girl A1, are you?"

"No, no, Blutch; only--"

"What, Babe?"

"I wish to God you was out of it, Blutch! I wish to God!"

"Out of what, Babe?"

"The game, Blutch. You're too good, honey, and too--too honest to be in it. What show you got in the end against your playin' pals like Joe Kirby and Al Flexnor? I know that gang, Blutch. I've tried to tell you so often how, when I was a kid livin' at home, that crowd used to come to my mother's--"

"Now, now, girl; business is--"

"You're too good, Blutch, and too honest to be in it. The game'll break you in the end. It always does. Blutch darling, I wish to God you was out of it!"

"Why, Ann 'Lisbeth, I never knew you felt this way about it."

"I do, Blutch, I do! For years, it's been here in me--here, under my heart--eatin' me, Blutch, eatin' me!" And she placed her hands flat to her breast.

"Why, Babe!"

"I never let on. You--I--You been too good, Blutch, to a girl like--like I was for me to let out a whimper about anything. A man that took a girl like--like me that had knocked around just like--my mother and even--even my grandmother before me had knocked around--took and married me, no questions asked. A girl like me 'ain't got the right to complain to no man, much less to one like you. The heaven you've given me for eleven years, Blutch! The heaven! Sometimes, darlin', just sittin' here in a room like this, with no--no reason for bein' here--it's just like I--"

"Babe, Babe, you mustn't!"

"Sittin' here, waiting for you to come and not carin' for nothing or nobody except that my boy's comin' home to me--it's like I was in a dream, Blutch, and like I was going to wake up and find myself back in my mother's house, and--"

"Babe, you been sittin' at home alone too much. I always tell you, honey, you ought to make friends. Chuck De Roy's wife wants the worst way to get acquainted with you--a nice, quiet girl. It ain't right, Babe, for you not to have no friends at all to go to the matinée with or go buyin' knickknacks with. You're gettin' morbid, honey."

She worked herself out of his embrace, withholding him with her palms pressed out against his chest.

"I 'ain't got nothing in life but you, honey. There ain't nobody else under the sun makes any difference. That's why I want you to get out of it, Blutch. It's a dirty game--the gambling game. You ain't fit for it. You're too good. They've nearly got you now, Blutch. Let's get out, honey, while the goin's good. Let's take them seventy-five bucks and buy us a peanut-stand or a line of goods. Let's be regular folks, darlin'! I'm willin' to begin low down. Don't stake them last seventy-five, Blutch. Break while we're broke. It ain't human nature to break while your luck's with you."

He was for folding her in his arms, but she still withheld him.

"Blutch darlin', it's the first thing I ever asked of you."

He grew grave, looking long into her blue eyes with the tears forming over them.

"Why, Ann 'Lisbeth, danged if I know what to say! You sure you're feelin' well, Babe? 'Ain't took cold, have you, with your fur coat in hock?"

"No, no, no!"

"Well, I--I guess, honey, if the truth was told, your old man ain't cut out for nothing much besides the gamin'-table--a fellow that's knocked around the world the way I have."

"You are, Blutch; you are! You're an expert accountant. Didn't you run the Two Dollar Hat Store that time in Syracuse and get away with it?"

"I know, Babe; but when a fellow's once used to makin' it easy and spendin' it easy, he can't be satisfied lopin' along in a little business. Why, just take to-night, honey! I only brought home my girl a peach this evening, but that ain't sayin' that before morning breaks I can't be bringin' her a couple of two-carat stones."

"No, no, Blutch; I don't want 'em. I swear to God I don't want 'em!"

"Why, Babe, I just can't figure out what's got into you. I never heard you break out like this. Are you scared, honey, because we happen to be lower than--"

"No, no, darlin'; I ain't scared because we're low. I'm scared to get high again. It's the first run of real luck you've had in three years, Blutch. There was no hope of gettin' you out while things was breakin' good for you; but now--"

"I ain't sayin' it's the best game in the world. I'd see a son of mine laid out before I'd let him get into it. But it's what I'm cut out for, and what are you goin' to do about it? 'Ain't you got everything your little heart desires? Ain't we going down to Sheepshead when the first thaw sets in? Ain't we just a pair of love-birds that's as happy as if we had our right senses? Come, Babe; get into your jacket. Joe'll be here any minute, and I got that porterhouse at Jack's on the brain. Come kiss your hubby."

She held up her face with the tears rolling down it, and he kissed a dry spot and her yellow frizzed bangs.

"My girl! My cry-baby girl!"

"You're all I got in the world, Blutch! Thinkin' of what's best for you has eat into me."

"I know! I know!"

"We'll never get nowheres in this game, hon. We ain't even sure enough of ourselves to have a home like--like regular folks."

"Never you mind, Babe. Startin' first of the year, I'm going to begin to look to a little nest-egg."

"We ought to have it, Blutch. Just think of lettin' ourselves get down to the last seventy-five! What if a rainy day should come--where would we be at? If you--or me should get sick or something."

"You ain't all wrong, girl."

"You'd give the shirt off your back, Blutch; that's why we can't ever have a nest-egg as long as you're playin' stakes. There's too many hard-luck stories lying around loose in the gamblin' game."

"The next big haul I make I'm going to get out, girl, so help me!"

"Blutch!"

"I mean it. We'll buy a chicken-farm."

"Why not a little business, Blutch, in a small town with--"

"There's a great future in chicken-farmin'. I set Boy Higgins up with a five-hundred spot the year his lung went back on him, and he paid me back the second year."

"Blutch darlin', you mean it?"

"Why not, Babe--seein' you want it? There ain't no string tied to me and the green-felt table. I can go through with anything I make up my mind to."

"Oh, honey baby, you promise! Darling little fuzzy chickens!"

"Why, girl, I wouldn't have you eatin' yourself thisaway. The first ten-thou' high-water mark we hit I'm quits. How's that?"

"Ten thousand! Oh, Blutch, we--"

"What's ten thou', girl! I made the Hot Springs haul with a twenty-dollar start. If you ain't careful, we'll be buyin' that chicken-farm next week. That's what can happen to my girl if she starts something with her hubby."

Suddenly Mrs. Connors crumpled in a heap upon the lacy pillows, pink sequins heaving.

"Why, Babe--Babe, what is it? You're sick or something to-night, honey." He lifted her to his arms, bent almost double over her.

"Nothin', Blutch, only--only I just never was so happy."

"Lord!" said Blutch Connors. "All these years, and I never knew anything was eatin' her."

"I--I never was, Blutch."

"Was what?"

"So--happy."

"Lord bless my soul! The poor little thing was afraid to say it was a chicken-farm she wanted!"

He patted her constantly, his eyes somewhat glazy.

"Us two, Blutch, livin' regular."

"You ain't all wrong, girl."

"You home evenings, Blutch, regular like."

"You poor little thing!"

"You'll play safe, Blutch? Play safe to win!"

"I wish I'd have went into the farmin' three years ago, Babe, the week I hauled down eleven thou'."

"You was too fed up with luck then, Blutch. I knew better 'n to ask."

"Lord bless my soul! and the poor little thing was afraid to say it was a chicken-farm she wanted!"

"Promise me, Blutch, you'll play 'em close--to win!"

"Al's openin' up his new rooms to-night. Me and Joe are goin' to play 'em fifty-fifty. It looks to me like a haul, Babe."

"He's crooked, Blutch, I tell you."

"No more 'n all of 'em are, Babe. Your eyes open and your pockets closed is my motto. What you got special against Joe? You mustn't dig up on a fellow, Babe."

"I--. Why ain't he livin' in White Plains, where his wife and kids are?"

"What I don't know about the private life of my card friends don't hurt me."

"It's town talk the way he keeps them rooms over at the Liberty. 'Way back when I was a kid, Blutch, I remember how he used to--"

"I know there ain't no medals on Joe, Babe, but if you don't stop listenin' to town talk, you're going to get them pretty little ears of yours all sooty."

"I know, Blutch; but I could tell you things about him back in the days when my mother--"

"Me and him are goin' over to Al's to-night and try to win my babe the first chicken for her farm. Whatta you bet? Us two ain't much on the sociability end, but we've played many a lucky card fifty-fifty. Saturday is our mascot night, too. Come, Babe; get on your jacket, and--"

"Honeybunch, you and Joe go. I ain't hungry."

"But--"

"I'll have 'em send me up a bite from the grill."

"You ain't sore because I asked Joe? It's business, Babe."

"Of course I ain't, honey; only, with you and him goin' right over to Al's afterward, what's the sense of me goin'? I wanna stay home and think. It's just like beginnin' to-night I could sit here and look right into the time when there ain't goin' to be no more waitin' up nights for my boy. I--They got all little white chickens out at Denny's roadhouse, Blutch--white with red combs. Can we have some like them?"

"You betcher life we can! I'm going to win the beginnings of that farm before I'm a night older. Lordy! Lordy! and to think I never knew anything was eatin' her!"

"Blutch, I--I don't know what to say. I keep cryin' when I wanna laugh. I never was so happy, Blutch, I never was."

"My little kitty-puss!"

* * * * *

At seven o'clock came Mr. Joe Kirby, dark, corpulent, and black of cigar.

"Come right in, Joe! I'm here and waitin' for you."

"Ain't the missis in on this killin'?"

"She--Not this--"

"No, Joe; not--to-night."

"Sorry to hear it," said Mr. Kirby, flecking an inch of cigar-ash to the table-top. "Fine rig-up, with due respect to the lady, your missis is wearing to-night."

"The wife ain't so short on looks, is she?"

"Blutch!"

"You know my sentiments about her. They don't come no ace-higher."

She colored, even quivered, standing there beside the bronze Nydia.

"I tell her we're out for big business to-night, Joe."

"Sky's the limit. Picked up a pin pointin' toward me and sat with my back to a red-headed woman. Can't lose."

"Well, good-night, Babe. Take care o' yourself."

"Good night, Blutch. You'll play 'em close, honey?"

"You just know I will, Babe."

An hour she sat there, alone on the _chaise-longue_, staring into space and smiling at what she saw there. Finally she dropped back into the lacy mound of pillows, almost instantly asleep, but still smiling.

* * * * *

At four o'clock, that hour before dawn cracks, even the West Forties, where night is too often cacophonous with the sound of revelry, drop into long narrow aisles of gloom. Thin, high-stooped houses with drawn shades recede into the mouse-colored mist of morning, and, as through quagmire, this mist hovering close to ground, figures skulk--that nameless, shapeless race of many bloods and one complexion, the underground complexion of paste long sour from standing.

At somewhat after that hour Mr. Blutch Connors made exit from one of these houses, noiseless, with scarcely a click after him, and then, without pause, passed down the brownstone steps and eastward. A taxicab slid by, its honk as sorrowful as the cry of a plover in a bog. Another--this one drawing up alongside, in quest of fare. He moved on, his breath clouding the early air, and his hands plunged deep in his pockets as if to plumb their depth. There was a great sag to the silhouette of him moving thus through the gloom, the chest in and the shoulders rounding and lessening their front span. Once he paused to remove the brown derby and wipe at his brow. A policeman struck his stick. He moved on.

An all-night drug-store, the modern sort of emporium where the capsule and the herb have become side line to the ivoritus toilet-set and the pocket-dictionary, threw a white veil of light across the sidewalk. Well past that window, but as if its image had only just caught up with him, Mr. Connors turned back, retracing ten steps. A display-window, denuded of frippery but strewn with straw and crisscrossed with two large strips of poster, proclaimed Chicklet Face Powder to the cosmetically concerned. With an eye to fidelity, a small brood of small chickens, half dead with bad air and not larger than fists, huddled rearward and out of the grilling light--puny victims to an indorsed method of correspondence-school advertising.

Mr. Connors entered, scouting out a dozy clerk.

"Say, bo, what's one of them chicks worth?"

"Ain't fer sale."

Mr. Connors lowered his voice, nudging.

"I gotta sick wife, bo. Couldn't you slip me one in a 'mergency?"

"What's the idea--chicken broth? You better go in the park and catch her a chippie."

"On the level, friend, one of them little yellow things would cheer her up. She's great one for pets."

"Can't you see they're half-dead now? What you wanna cheer her up with--a corpse? If I had my way, I'd wring the whole display's neck, anyhow."

"What'll you take for one, bo?"

"It'll freeze to death."

"Look! This side pocket is lined with velvet."

"Dollar."

"Aw, I said one, friend, not the whole brood."

"Leave or take."

Mr. Connors dug deep.

"Make it sixty cents and a poker-chip, bo. It's every cent I got in my pocket."

"Keep the poker-chip for pin-money."

When Mr. Connors emerged, a small, chirruping bunch of fuzz, cupped in his hand, lay snug in the velvet-lined pocket.

At Sixth Avenue, where the great skeleton of the Elevated stalks mid-street, like a prehistoric _pithecanthropus erectus_, he paused for an instant in the shadow of a gigantic black pillar, readjusting the fragile burden to his pocket.

Stepping out to cross the street, simultaneously a great silent motor-car, noiseless but wild with speed, tore down the surface-car tracks, blacker in the hulking shadow of the Elevated trellis.

A quick doubling up of the sagging silhouette, and the groan of a clutch violently thrown. A woman's shriek flying thin and high like a javelin of horror. A crowd sprung full grown out of the bog of the morning. White, peering faces showing up in the brilliant paths of the acetylene lamps. A uniform pushing through. A crowbar and the hard breathing of men straining to lift. A sob in the dark. Stand back! Stand back!

* * * * *

Dawn--then a blue, wintry sky, the color and hardness of enamel; and sunshine, bright, yet so far off the eye could stare up to it unsquinting. It lay against the pink-brocaded window-hangings of the suite in the Hotel Metropolis; it even crept in like a timid hand reaching toward, yet not quite touching, the full-flung figure of Mrs. Blutch Connors, lying, her cheek dug into the harshness of the carpet, there at the closed door to the bedroom--prone as if washed there, and her yellow hair streaming back like seaweed. Sobs came, but only the dry kind that beat in the throat and then come shrilly, like a sheet of silk swiftly torn.

How frail are human ties, have said the _beaux esprits_ of every age in one epigrammatic fashion or another. But frailty can bleed; in fact, it's first to bleed.

Lying there, with her face swollen and stamped with the carpet-nap, squirming in a grief that was actually abashing before it was heartbreaking, Ann 'Lisbeth Connors, whose only epiphany of life was love, and shut out from so much else that helps make life sweet, was now shut out from none of its pain.

Once she scratched at the door, a faint, dog-like scratch for admission, and then sat back on her heels, staring at the uncompromising panel, holding back the audibility of her sobs with her hand.

Heart-constricting silence, and only the breath of ether seeping out to her, sweet, insidious. She took to hugging herself violently against a sudden chill that rushed over her, rattling her frame.

The bedroom door swung noiselessly back, fanning out the etheric fumes, and closed again upon an emerging figure.

"Doctor--quick--God!--What?"

He looked down upon her with the kind of glaze over his eyes that Bellini loved to paint, compassion for the pain of the world almost distilled to tears.

"Doctor--he ain't--"

"My poor little lady!"

"O God--no--no--no! No, Doctor, no! You wouldn't! Please! Please! You wouldn't let him leave me here all alone, Doctor! O God! you wouldn't! I'm all alone, Doctor! You see, I'm all alone. Please don't take him from me. He's mine! You can't! Promise me, Doctor! My darlin' in there--why are you hurtin' him so? Why has he stopped hollerin'? Cut me to pieces to give him what he needs to make him live. Don't take him from me, Doctor. He's all I got! O God--God--please!" And fell back swooning, with an old man's tear splashing down as if to revivify her.

* * * * *

The heart has a resiliency. Strained to breaking, it can contract again. Even the waiting women, Iseult and Penelope, learned, as they sat sorrowing and watching, to sing to the swing of the sea.

When, out of the slough of dark weeks, Mrs. Connors took up life again, she was only beaten, not broken--a reed lashed down by storm and then resilient, daring to lift its head again. A wan little head, but the eyes unwashed of their blue and the irises grown large. The same hard sunshine lay in its path between the brocade curtains of a room strangely denuded. It was as if spring had died there, when it was only the _chaise-longue_, barren of its lacy pillows, a glass vase and silver-framed picture gone from the mantel, a Mexican afghan removed from a divan and showing its bulges.

It was any hotel suite now--uncompromising; leave me or take me.

In taking leave of it, Mrs. Connors looked about her even coldly, as if this barren room were too denuded of its memories.

"You--you been mighty good to me, Joe. It's good to know--everything's--paid up."

Mr. Joe Kirby sat well forward on a straight chair, knees well apart in the rather puffy attitude of the uncomfortably corpulent.

"Now, cut that! Whatever I done for you, Annie, I done because I wanted to. If you'd 'a' listened to me, you wouldn't 'a' gone and sold out your last dud to raise money. Whatcha got friends for?"

"The way you dug down for--for the funeral, Joe. He--he couldn't have had the silver handles or the gray velvet if--if not for you, Joe. He--he always loved everything the best. I can't never forget that of you, Joe--just never."

She was pinning on her little crêpe-edged veil over her decently black hat, and paused now to dab up under it at a tear.

"I'd 'a' expected poor old Blutch to do as much for me."

"He would! He would! Many's the pal he buried."

"I hate, Annie, like anything to see you actin' up like this. You ain't fit to walk out of this hotel on your own hook. Where'd you get that hand-me-down?"

She looked down at herself, quickly reddening.

"It's a warm suit, Joe."

"Why, you 'ain't got a chance! A little thing like you ain't cut out for but one or two things. Coddlin'--that's your line. The minute you're nobody's doll you're goin' to get stepped on and get busted."

"Whatta you know about--"

"What kind of a job you think you're gonna get? Adviser to a corporation lawyer? You're too soft, girl. What chance you think you got buckin' up against a town that wants value received from a woman. Aw, you know what I mean, Annie. You can't pull that baby stuff all the time."

"You," she cried, beating her small hands together, "oh, you--you--" and then sat down, crying weakly. "Them days back there! Why, I--I was such a kid it's just like they hadn't been! With her and my grandmother dead and gone these twelve years, if it wasn't for you it's--it's like they'd never been."

"Nobody was gladder 'n me, girl, to see how you made a bed for yourself. I'm commendin' you, I am. That's just what I'm tryin' to tell you now, girl. You was cut out to be somebody's kitten, and--"

"O God!" she sobbed into her handkerchief, "why didn't you take me when you took him?"

"Now, now, Annie, I didn't mean to hurt your feelings. A good-lookin' woman like you 'ain't got nothing to worry about. Lemme order you up a drink. You're gettin' weak again."

"No, no; I'm taking 'em too often. But they warm me. They warm me, and I'm cold, Joe--cold."

"Then lemme--"

"No! No!"

He put out a short, broad hand toward her.

"Poor little--"

"I gotta go now, Joe. These rooms ain't mine no more."

He barred her path.

"Go where?"

'"Ain't I told you? I'm going out. Anybody that's willin' to work can get it in this town. I ain't the softy you think I am."

He took her small black purse up from the table.

"What's your capital?"

"You--quit!"

"Ten--'leven--fourteen dollars and seventy-four cents."

"You gimme!"

"You can't cut no capers on that, girl."

"I--can work."

He dropped something in against the coins.

It clinked.

She sprang at him.